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Basketball's 3-Pointer: From Tacky Gimmick To Strategic Platform

Stephen Curry (right) of the Golden State Warriors dribbles toward Pablo Prigioni of the Los Angeles Clippers during the first half of a game at Staples Center on Feb. 20.
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Stephen Curry (right) of the Golden State Warriors dribbles toward Pablo Prigioni of the Los Angeles Clippers during the first half of a game at Staples Center on Feb. 20. Sean M. Haffey/Getty Images hide caption

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It was not that long ago when the accepted wisdom in football was that the running game had to be established — that was always the obligatory verb: established — before passes could become effective. My, we know how that has changed. Now the pass is established from the get-go, and running is an afterthought.

Well, I think it is certified now that basketball has experienced the same sort of offensive sea change. At all levels — with men and women — the 3-point shot has utterly transformed the way the game is played. More and more, the players are spread out, looking to pop behind the 3-point arc. More and more teams are, in the vernacular, “going small,” with only one big man down deep. Good grief, the position of power forward is in the process of going the way of short shorts.

Click the audio to hear Frank Deford’s full 2 cents on the 3-point shot.

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Today in Movie Culture: 'Batman v Superman: Dawn of Justice' Deleted Scene, 'Carol' VFX Reel and More

Here are a bunch of little bites to satisfy your hunger for movie culture:

Alternate Universe Movie of the Day:

Batman v Superman: Dawn of Justice is a long time coming, but here’s what it could have looked liked as a silent film released almost a century ago:

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Fake Deleted Scene of the Day:

Speaking of Batman v Superman, here’s a deleted scene gag starring Jimmy Kimmel with Ben Affleck and Henry Cavill via Jimmy Kimmel Live:

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Oscar Winner Parody of the Day:

See another talk show host, Seth Meyers, as a War Boy named Reasonable Max in a Mad Max: Fury Road parody from Late Night:

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Independent Spirit Award Winner Parody of the Day:

In addition to the Oscars, last weekend was host to the Film Independent Spirit Awards, which featured this Carol parody starring hosts Kate McKinnon and Kumail Nanjiani:

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Visual Effects Reel Parody of the Day:

With seemingly every movie today employing extensive computer-generated effects, here’s another Carol parody from Funny or Die imagining if it was mostly made with CG:

Reimagined Movie of the Day:

Speaking of lesbian romance dramas, Mashable recut a trailer for Mean Girls to make it look like a more serious movie:

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Mashup of the Day:

Everyone seems to have a Back to the Future style DeLorean these days, but one unique fan has this Knight Rider style Back to the Future style DeLorean (via Geek Tyrant):

Filmmaker in Focus:

The gaze of Stanley Kubrick movie characters are collected in the latest supercut montage edited by Jorge Luengo:

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Movie Takedown of the Day:

With London Has Fallen arriving this week, here’s a look at everything wrong with Olympus Has Fallen:

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Classic Trailer of the Day:

Today is the 25th anniversary of the release of Oliver Stone‘s The Doors. Watch the original trailer for the rock music biopic, which stars Val Kilmer, below.

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and

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Stamp Prices Set To Drop 2 Cents In April, Putting USPS In Sticky Situation

The U.S. Postal Service is in dire financial straits. If the price of stamps goes down as scheduled in April, it could cost the already hemorrhaging post office $2 billion per year, according to a statement released by USPS.

The planned cost reduction from 49 cents to 47 cents marks the expiration of legislation passed in 2014 that raised the price of stamps for two years in order to ease the post office’s financial woes. The law imposed an “exigent surcharge for mailing products and services,” which raised the price of stamps by three cents to help USPS raise $4.6 billion in revenue. (If the price of stamps does drop in April, the Postal Service will get to keep a one cent increase to account for inflation.)

The Postal Service is desperate for Congress to maintain current stamp prices.

“The exigent surcharge granted to the Postal Service last year only partially alleviated our extreme multi-year revenue declines resulting from the Great Recession, which exceeded $7 billion in 2009 alone,” Postmaster General and CEO Megan J. Brennan said in the statement. “Removing the surcharge and reducing our prices is an irrational outcome considering the Postal Service’s precarious financial condition.”

According to CNN Money, the last time stamp prices fell was 97 years ago in July 1919, when first-class stamp prices dropped from three cents to two cents.

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Women Hope To Sway Justices By Speaking Out About Abortion Experience

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On Wednesday, the Supreme Court will hear what is being called the most significant abortion case in decades. In an effort to sway the justices, namely Justice Anthony Kennedy, women are sharing their personal experiences with abortion in briefs to the court. Among them is Ohio State legislator Teresa Fedor. She speaks with NPR’s Audie Cornish about why she’s telling her story now.

Transcript

AUDIE CORNISH, HOST:

The Supreme Court hears arguments tomorrow in a case igniting passions on all sides. It’s about abortion, specifically a Texas law that’s so restrictive that critics say it will force most of the state’s abortion clinics to close. Women who have had abortions are talking about them in hopes of swaying the justices. They filed briefs both supporting and opposing the Texas law. Ohio State Representative Teresa Fedor has signed a brief opposing the law and joins us now. Welcome to the program.

TERESA FEDOR: Thank you.

CORNISH: Now you started speaking about your abortion during a debate over in Ohio abortion law. But can you talk about how you came to speak publicly?

FEDOR: Well, I’ve been a legislature for 16 years. Since I’ve been here, there have been a number of anti-abortion bills. And this last bill really was so extreme, called the Heartbeat Bill. And I just couldn’t take one more floor speech, especially from men. And so something inside of me just said enough is enough. I stood up, was recognized, and I shared my story and basically said, you know, I have this freedom. I don’t want this freedom taken away. And no one understands what I’ve gone through, being raped, and no one can walk in my shoes and judge me.

CORNISH: Why do you feel that the justices would find these particular personal narratives something that would change their minds?

FEDOR: Well, I know that the other side has 3,000 women that said they regret it or there’s some aftermath psychologically, but that’s not the case for all women. And I believe that there are more women who stand with me, but they’re not – they’re silent. And this shame and blame keeps them silent. So as a representative, I felt compelled to speak.

CORNISH: What were the circumstances of how you came to decide to have an abortion?

FEDOR: I was a single mom at the time, going to college, just out of the Air Force and was planning my life. And then going down that path, you run into an issue where you were violated, raped, and you found out you were pregnant. That is a devastating blow on the road that you’re traveling.

CORNISH: How long did you keep this secret – the fact that you had been raped, the fact that you got an abortion? How long had you kept this secret?

FEDOR: Probably 25, almost – 25 years for sure.

CORNISH: So when you finally did decide to talk about it in the Ohio Statehouse, did you surprise yourself?

FEDOR: I knew about a year ago when we had the Heartbeat Bill, the end of December – a lame-duck session – that it was so extreme I didn’t know if I would be able to sit in my chair and say nothing. And something just was pulling at my heart so strongly that I knew there would come a day I would have to tell my story if I stayed any longer in this place and if they kept doing these kinds of bills. So I felt it coming, but I didn’t know when. I felt that I’m going to have to speak and share, and even if it didn’t make any difference, it would be the voice of so many – not only myself, but other women as well.

CORNISH: Ohio State Representative Teresa Fedor, thank you so much for speaking with us.

FEDOR: You’re welcome.

Copyright © 2016 NPR. All rights reserved. Visit our website terms of use and permissions pages at www.npr.org for further information.

NPR transcripts are created on a rush deadline by a contractor for NPR, and accuracy and availability may vary. This text may not be in its final form and may be updated or revised in the future. Please be aware that the authoritative record of NPR’s programming is the audio.

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At A School For Kids With Disabilities, The Ski Team Hits The Slopes

The adaptive skiing techniques used by the students and coaches at Massachusetts Hospital School's recreational program in Canton, Mass.
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The adaptive skiing techniques used by the students and coaches at Massachusetts Hospital School’s recreational program in Canton, Mass. LA Johnson/NPR hide caption

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Standing at the foot of Mount Wachusett’s slopes, Ray Jackman bends over and hoists Robbie McAllister out of his wheelchair and onto two neon yellow skis.

The teenager squeezes into a thick plastic seat mounted just above the skis.

“OK, there are a bunch of straps,” says Jackman as he buckles the crisscrossing seatbelts.

Jackman is a program coordinator at the Massachusetts Hospital School, a state-run facility. It’s half school, half pediatric hospital, and all 85 students are patients, with serious, long-term conditions.

That doesn’t keep them from activities kids at other schools do: like skiing. Today, Jackman is out with the ski team, and his buddy for the day is McAllister.

Adaptive skiing equipment makes it possible for students with illness or disability to hit the slopes.

Adaptive skiing equipment makes it possible for students with illness or disability to hit the slopes. LA Johnson/NPR hide caption

toggle caption LA Johnson/NPR

The 19-year-old has cerebral palsy, which means he has minimal control over his muscles.

That doesn’t worry Jackman. Twenty years ago, he quit his job as a mortgage banker, got rid of all his suits and ties, and started working full-time helping kids with limited mobility find ways to play highly mobile sports.

“Let’s fly down that mountain at 100 mph. I want to pass that able-bodied person,” Jackman tells his student.

And their day goes a lot like most skiing trips. There are just a few extra steps.

At the base of the chair lift, Jackman and a volunteer lift McAllister and his seat onto the chair lift.

On the way up, it’s typical field-trip chitchat — “Would you rather be skiing or in school?” Jackman asks.

The answer? “Skiing!”

They talk about serious stuff, too. Jackman acknowledges that it takes a lot for McAllister to leave his electric wheelchair — his comfort zone. “You have a lot of trust in me and I appreciate that,” Jackman says.

At the top, they scoot off the chairlift to a panoramic view of evergreens and brushed snow.

Jackman gets to work arranging two tether lines. He will ski about 6 feet behind McAllister, giving him a tug in the right direction and acting as the student’s brakes — it’s a type of adaptive skiing.

“Are we ready?” Jackman screams into the wind. “Yeah!”

And off they go. “Let’s go over those little jumps,” Jackman responds as they start to harness the pull of the slope and gravity. McAllister’s guttural screams, filled with excitement and terror, echo across the slopes as they speed past all the other skiers.

At the bottom, McAllister is beaming. “He wanted more, more, more,” his coach says. “I think I heard: ‘Faster!’ “

Several runs later, they head inside to warm up.

Back in their wheelchairs, the three students on this trip sit by the fireplace, eating warm chili and sipping hot chocolate.

Jackman says this is the school’s riskiest sport, surpassing wheelchair football, swimming and horseback riding.

Yet, he adds, it’s worth it. He notes that this is basically work they could do in a clinic, just not in a clinical setting. On the slopes, the students are using skills they’ve learned in physical therapy, speech therapy and occupation therapy.

The kids are engaging in different exercises, but it’s done without measuring whether the kid looked 45 degrees this way or lifted 10 pounds that way.

Instead, Jackman says, “I only measure it through a smile.”

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Today in Movie Culture: Oscars Hangover Edition

Here are a bunch of little bites to satisfy your hunger for Oscars-inspired movie culture:

Best Oscar Nominee Parodies:

From the show itself, here are the hilarious parodies of Joy, The Revenant, The Danish Girl and The Martian featuring Whoopi Goldberg, Leslie Jones, Tracy Morgan and Chris Rock:

Best Alternate Ending to an Oscar Win:

It’s a good thing the bear from The Revenant wasn’t actually at the Oscars, because Leonardo DiCaprio‘s win for Best Actor could have gone more like this [via Above Average]:

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Best Oscar Winner Sequel Idea:

Speaking of The Revenant, in the sequel Leonardo DiCaprio is apparently miniaturized and this time attacked by a hamster:

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Best Use of the Oscar Speech Thank You Scroll:

In case you missed it, Inside Out director Pete Docter used the new thank you scroll as an opportunity to give his kids a special message [via Cinema Blend]:

Best TV Ad for an Upcoming Movie:

Disney‘s Zootopia parodied the titles of some of this year’s Oscar nominees in a new TV spot that ran during the awards show:

#Zootopia‘s biggest night in film is almost here! See it in theatres this Friday! Get tix: https://t.co/GGBCDUchyXhttps://t.co/kx7s9yaRtH

— Zootopia (@DisneyZootopia) February 27, 2016

Best Print Ads for an Upcoming Movie:

Also getting in on the nominee poster parody idea was the upcoming comedy Keanu, via Twitter:

It’s a tough race for the A-cat-emy Awards this year. #KEANU pic.twitter.com/McDVFLVHEL

— #KEANU (@KeanuMovie) February 26, 2016

Best Misunderstanding of an Oscar Winner:

See an alien from the future analyze the multiple Oscar winner Mad Max: Fury Road in the latest episode of Earthling Cinema:

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Best Oscar Party Cosplay:

U.S. Senator Claire McCaskill donned some Mad Max: Fury Road cosplay while watching the awards:

I’m in a fierce mood these days. When your family #Oscarnight costume game on point. #MadMax pic.twitter.com/F9f4WXYE45

— Claire McCaskill (@clairecmc) February 28, 2016

Best Oscar Presenter Craving:

Morgan Freeman seems to have developed a certain craving from his old PBS children’s television colleague Cookie Monster. Watch him grab a Girl Scout Cookie from Chris Rock after presenting the Best Picture award to Spotlight [via Cinema Blend]:

You can tell Morgan Freeman is a cookie savage #Oscars pic.twitter.com/jW2DflHZ3M

— Andrew Jerell Jones (@sluggahjells) February 29, 2016

Best Oscar Nominee Montage:

What’s next for the 2016 Oscars? How about a movie adapted from and piecing all of the nominees together? Here’s its trailer (via Cinematic Montage Creators):

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and

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Originals: How To Spot One, How To Be One

Adam Grant is a professor at the Wharton School of the University of Pennsylvania and the author of Originals.
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Adam Grant is a professor at the Wharton School of the University of Pennsylvania and the author of Originals. Michael Kamber/Adam Grant hide caption

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Consider this: Frank Lloyd Wright was a procrastinator. Google founders Larry Page and Sergey Brin are afraid of taking risks. Most of Beethoven’s compositions are pretty awful. Conventional wisdom suggests these originals were successful despite their hemming and hawing, their hedging, and their many flops. But Wharton professor Adam Grant says these defects are actually fundamental to originality. In his new book, Originals: How Non-Conformists Move the World, Adam investigates who comes up with great ideas, how, and what we can do to have more of them. This week, we bring you our conversation with him.

The Hidden Brain Podcast is hosted by Shankar Vedantam and produced by Kara McGuirk-Alison, Maggie Penman and Max Nesterak. To subscribe to our newsletter, click here. You can also follow us on Twitter@hiddenbrain,@karamcguirk,@maggiepenman and @maxnesterak, and listen for Hidden Brain stories every week on your local public radio station.

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'Wilhemina's War' Explores Barriers To AIDS Treatment In U.S. South

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While many Americans now view HIV and AIDS as survivable conditions, treatment and care can still be difficult to get in the southern states, especially for African-Americans. A new Independent Lens documentary, Wilhemina’s War, explores those challenges.

Transcript

ARI SHAPIRO, HOST:

More than a million Americans are now living with HIV, the virus that causes AIDS. For some people, it’s a serious but manageable condition. In the rural South, many struggle to get treatment. The Independent Lens documentary “Wilhemina’s War” explores that issue. It airs tonight on PBS. For NPR’s Code Switch team, Alexandra Starr reports.

ALEXANDRA STARR, BYLINE: Six years ago, filmmaker June Cross was shocked to learn that nearly half of all new cases of HIV were in the South.

JUNE CROSS: I was like, wow, what’s going on here?

STARR: Cross investigated to find out for herself. That’s how she met Wilhemina Dixon of Williston, S.C. In this scene, Dixon shares her story in a black church in nearby Orangeburg.

(SOUNDBITE OF DOCUMENTARY, “WILHEMINA’S WAR”)

WILHEMINA DIXON: First, I’d like to thank the reverend for having us here, and I came this morning to ask you all to listen at me since AIDS is in my family.

STARR: HIV struck two generations in her family. Her daughter, Toni Dicks, contracted the virus after years of drug use. She passed it onto her own daughter, Dayshal Dicks, who was born HIV-positive. Toni has since died. Dayshal, who is now 21, says Wilhemina Dixon has always been her caretaker and confidant.

DAYSHAL DICKS: Whenever I have problems, I go talk to her. She’s, like, my best friend.

STARR: And her sole support. Dixon works several odd jobs, earning about $12,000 a year. It’s all part of her fight to keep Dayshal from falling victim to a grim trend. AIDS is now one of the leading causes of death for African-American women of childbearing age. As June Cross explains, there are a lot of different factors behind that.

CROSS: Unemployment, poverty, lack of education, lack of access to health care. In a larger sense, it’s become one more way that we can measure inequality.

STARR: You see this in the experience of Dixon’s family. They had difficulty navigating the health care system, finding doctors. Even getting to the doctor was a challenge. Cross says Dixon had to drive her granddaughter 90 minutes each way for her appointments.

CROSS: There’s about one doctor for 4,000 to 10,000 people. There’s one county in South Carolina where it’s one doctor for 10,000 people.

STARR: But even for those who could get medical care, there’s the issue of stigma. Gina Wingood is a professor of public health at Columbia University. She says shame can be an obstacle to diagnosis and treatment of HIV.

GINA WINGOOD: If you have high rates of stigma, people aren’t going to go get health care. They’re not going to maybe even get a HIV test.

STARR: There are efforts to change this. In the documentary, we meet HIV outreach workers who operate a mobile health clinic. In one scene, an activist talks with an African-American woman who is about to be tested for HIV.

(SOUNDBITE OF DOCUMENTARY, “WILHEMINA’S WAR”)

UNIDENTIFIED WOMAN: You know back in the day, they used to say that this was a white, gay disease. Guess who the face of HIV is now – me and you.

STARR: While there are unique challenges to battling HIV in the Bible Belt, Cross also points to high infection rates in poor urban neighborhoods and clusters of HIV developing in the rural Midwest. Still, she’s inspired by people like Dixon who have made fighting AIDS a personal mission.

CROSS: Wilhelmina gave me hope because she just refuses to stop. Dayshal is beginning to find strength to step forward and speak for herself now.

STARR: Dayshal is making a point of sharing her own story.

DICKS: My main motto is, HIV don’t have me. I have HIV.

STARR: And she’s planning to fight it all the way. For NPR News, I’m Alexandra Starr.

Copyright © 2016 NPR. All rights reserved. Visit our website terms of use and permissions pages at www.npr.org for further information.

NPR transcripts are created on a rush deadline by a contractor for NPR, and accuracy and availability may vary. This text may not be in its final form and may be updated or revised in the future. Please be aware that the authoritative record of NPR’s programming is the audio.

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Steph Curry's Off-The-Charts Shooting Game Breaks 'NBA 2K'

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Reigning NBA MVP Steph Curry is destroying the league with the kind of shooting we’ve never seen before. NPR’s Ari Shapiro talks to Mike Wang, gameplay director of the video game “NBA 2K,” and John Fontanella, author of The Physics of Basketball, about Curry’s shooting game.

Transcript

ARI SHAPIRO, HOST:

The Golden State Warriors are trying to break the NBA record for wins in a single season. Meanwhile, the Warrior’s star, Stephen Curry, is pretty much breaking the NBA.

(SOUNDBITE OF ARCHIVED RECORDING)

UNIDENTIFIED ANNOUNCER: Curry way downtown – bang, oh, what a shot from Curry with six-tenths of a second remaining.

(CHEERING)

SHAPIRO: That’s Curry making a game-winning three-pointer against Oklahoma City on Saturday, and he took that shot 38 feet away from the net. John Fontanella is a retired physics professor from the Naval Academy, and he wrote the book “The Physics Of Basketball.” Welcome to the show.

JOHN FONTANELLA: Thank you, Ari.

SHAPIRO: That single shot we just heard is pretty remarkable on its own. But Curry has been making these kinds of shots all the time. How extraordinary is this?

FONTANELLA: Oh, he’s really amazing – friend of mine says that’s revolutionary. I really think it’s probably more evolutionary, but he’s a very impressive young man.

SHAPIRO: Why do you see him as an evolutionary figure rather than a revolutionary one?

FONTANELLA: Because there’s nothing really new that he’s doing. It’s that he’s doing it better. What he does has its origins back in the ’50s with something called the set shot. The classic jumpshot – the ball is released from the top of your head. Well, he’s just eliminated that step. The real starting point is at the chest, and it just goes there, straight from the chest to the basket.

SHAPIRO: And that lets him make the shot a lot faster than other players used to.

FONTANELLA: Exactly. He is much, much – he’s the quickest release that I’ve ever seen.

SHAPIRO: Steph Curry is so good that he’s created havoc for the makers of some video games. Mike Wang is gameplay director of “NBA 2K.” It’s a game that prides itself on being realistic.

MIKE WANG: You know, in real life, you’ve got to take good shots. You’ve got to take high-quality shots. You got to be open. You know, with Steph, he’s, like – he could throw those things out the window and go off the dribble, (unintelligible) for 10 seconds, shoot in double teams with two guys draped all over him and still hit the shot. So that’s something that we need to go back to the drawing board and see if we can get that back into our game.

SHAPIRO: Well, yeah. I was going to ask what does this mean for you now that he’s rewriting the rulebooks in real life.

WANG: Well, it’s going to spend some time. It’s – he’s – kept throwing a wrench into the system. You know, we had a lot of rules and things in our game that kind of make it so that we balance the game out.

SHAPIRO: If you change the virtual Steph Curry to be more like the real Steph Curry, isn’t everybody playing your game just going to want to be the Warriors?

WANG: You know, it’s not a bad choice, though (laughter), you know? Everyone wants to be the Warriors already. And why would you not want to be the best? I mean, they’re, you know, on pace to be the most winningest team in the league history. I think it’s going to happen regardless.

SHAPIRO: You have, obviously, a professional stake in this. This is your job. But I assume you also have a personal interest in basketball. What was it like for you watching that shot on Saturday?

WANG: Oh, it was amazing. I was sitting at home with my wife. And you know, I was – I think it was at one point when they were down toward the end, we were both like, you know, it’s not over yet. You know, it’s awesome watching the Warriors. You never know what you’re going to get, especially from Steph. He can shoot from anywhere. He can shoot the shots that no one expects to go in, and he hits them with – on a regular basis, and that’s just exciting for the league and exciting for us as fans.

SHAPIRO: That was Mike Wang, gameplay director of NBA 2K. We also heard from John Fontanella, author of “The Physics of Basketball.”

Copyright © 2016 NPR. All rights reserved. Visit our website terms of use and permissions pages at www.npr.org for further information.

NPR transcripts are created on a rush deadline by a contractor for NPR, and accuracy and availability may vary. This text may not be in its final form and may be updated or revised in the future. Please be aware that the authoritative record of NPR’s programming is the audio.

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Latitudes: Our Favorite Global Music Right Now

Portuguese singer Ana Moura.

Portuguese singer Ana Moura. Frederico Martins/Courtesy of the artist hide caption

toggle caption Frederico Martins/Courtesy of the artist

Oh, February. It’s the month that feels like it will never end, leap year or not. The air is cold and damp, the sky is gray, the sidewalks are slushy and I just want to be transported far, far away.

So for this month’s edition of Latitudes, I chose five songs I hope will lift your end-of-winter blues — because they definitely hit the spot for me.

If you know Portuguese music at all, you probably know the wistful, dark-hued, sadness-soaked music called fado. And one of fado’s greatest stars is singer Ana Moura — heck, even Prince is a fan. Moura certainly knows how to work a song, and in her latest, “Dia De Folga” (Day Off), she applies her smoke-and-whisky contralto to something surprising: a tune as light and sweet as a French macaron. “There are so many reasons/for the sadness to take a day off,” she sings — and pulls you into her sugar rush.

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Ana Moura VEVO YouTube

Just as in the U.S., reality TV singing competitions now launch local stars around the globe. One of them is singer Shayma Helali, who in 2007 made it to the semifinals of “Star Academy Arabia,” which cultivates aspiring entertainers from all over the Arab world. Though she is originally from Tunis, Helali has mostly gone of late for glossy, over-the-top ballads with pan-Arab mainstream appeal. But for this current song, “Aalamak,” she takes on the distinct sound and rhythms of the Gulf’s khaleeji music. The video is, admittedly, quite cheesy, but this project — featuring a female singer and dancers as well as Gulf men of different races — shows off a culture that doesn’t get a lot of airtime in the West.

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Rotana YouTube

Even though the video for this song was released last summer, French-born singer Jain‘s “Come” is just now hitting the Billboard‘s tally of the French digital song charts. With its quirky visuals and catchy chorus, “Come” is a charming little diversion (though the lyrics, which she is singing in English, are a bit hard to understand.) And Jain has bigger horizons in mind. Part Malagasy, she was raised in locales as far-flung as Dubai and Congo, and says she grew up with “Youssou N’Dour and Fela Kuti in her ears,” and plans to incorporate some African sounds into her alt-jazzy milieu down the road. She’s only 24, so hopefully she will have lots of opportunities to spin her past into her future.

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Jain VEVO YouTube

The Nigerian music scene is making a big play right now for North American attention. Sony BMG just signed their first African musician to a worldwide deal: It’s pop star Davido, the son of a very wealthy man and the godson of a man whom Forbes has named as the richest in Africa (with about $15 billion in assets). Davido has become the Nigerian king of bling-bling, a worldview that’s front and center in songs like “The Money.” (“Life is all about the money,” in case you miss his point.) More endearing — though with its share of video vixens — is the bouncy love song “Panya” from the duo Bracket, featuring Tekno. At any rate, count on seeing more Nigerian artists around the scene in the rest of 2016.

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Official Bracket YouTube

Lastly: Since St. Patrick’s Day is nearly upon us, it’s a perfect time to revisit the music of the stunningly good all-star band The Gloaming. Their new album, 2, was released just this past week, and opens with this tune, “The Pilgrim’s Song.” The Gloaming’s marriage of old instruments and new textures is so cozy and magical that maybe they’ve given me a reason to hang on to winter for just a tad bit longer.

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The Gloaming YouTube

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