Articles by admin

No Image

Garbine Muguruza Wins French Open By Defeating Serena Williams

Spain's Garbine Muguruza receives the trophy after winning the final of the French Open against Serena Williams in two sets 7-5, 6-4, at the Roland Garros stadium in Paris on Saturday.

Spain’s Garbine Muguruza receives the trophy after winning the final of the French Open against Serena Williams in two sets 7-5, 6-4, at the Roland Garros stadium in Paris on Saturday. Alastair Grant/AP hide caption

toggle caption Alastair Grant/AP

Garbine Muguruza, 22, of Spain, won her first major title on Saturday by beating Serena Williams in two sets 7-5, 6-4 at the French Open.

“I can’t explain with words what this day means to me,” Muguruza said after the match.

Williams, 34, was playing for a record-equaling 22nd Grand Slam title.

Steffi Graf has 22 major singles championships.

The all-time record of 24 is held by Margaret Court.

Williams said after the match that Muguruz has a “bright future, obviously.”

Muguruza lost to Williams last year in the finals at Wimbledon.

The new French Open champ said she played very aggressively, and goes for shots “with no regrets.”

The men’s doubles final was also deciced on Saturday.

Feliciano Lopez and Marc Lopez of Spain beat Bob and Mike Bryan of the United States 6-4, 6-7 (6), 6-3.

The battle for the men’s singles title will be played on Sunday.

No. 1 Novak Djokovic of Serbia will play No. 2 Andy Murray of Britain.

Let’s block ads! (Why?)


No Image

Los Angeles Film Festival Highlights Diversity In Film Industry

The Los Angeles Film Festival opened this week, showcasing the work of its most diverse roster of filmmakers yet. Film critic Carla Renata offers her take on the festival lineup.

Transcript

MARY LOUISE KELLY, HOST:

The Los Angeles Film Festival is in full swing in Culver City, Calif. For more than 20 years, the festival has highlighted independent films. And it’s known for fostering diversity in the film industry. Nearly half the movies at this year’s festival are directed by women or by people of color. To hear more, we called Los Angeles film critic Carla Renata, and I asked her to tell me about Stephanie Allain, the first woman of color to direct the festival.

CARLA RENATA: Stephanie Allain is an amazing woman of color. She was a studio executive. She’s worked for such studios as Columbia, where she was a senior vice president of production there, Fox, Warner Bros., the list goes on. But Stephanie brings to the festival the fact that she is very passionate about bringing all types of groups of people together. As a matter of fact, at the festival this year, the film is opening with a Latino film. It opened with a film called “Lowriders,” starring Eva Longoria from – everybody knows her from “Desperate Housewives” and…

KELLY: Sure.

RENATA: “…Devious Maids.”

RENATA: And it’s closing with a Latino film. They’ve also have films dealing with transgender people, films dealing with the opiate abuse situation that’s happening right now, and that’s really at the top of everyone’s list because of the recent passing of Prince.

KELLY: Tell us a little bit more about the film you mentioned, “Lowriders,” which opened the festival with a very mainstream, well-known star, Eva Longoria. What’s the story there?

RENATA: The story is about the East LA culture, which deals with lowriders, and the fact that lowriders is not just a car. It’s a culture, it’s family, it’s tradition. And “Lowriders” deals with a particular family, their relationships. It’s just a wonderful, wonderful film.

KELLY: I’ve got to ask, you know, as you make your way around the festival and talk to people, how the conversation about diversity is playing out because this is one that’s played out in mainstream Hollywood, of course, when we all followed the controversy at the Oscars, the hashtag #oscarssowhite. So how is that conversation playing out at the LA festival this week?

RENATA: It’s interesting you brought that up. Last night, I attended a panel moderated by Stephanie Allain, the festival’s director, with Nate Parker, the director, writer, star of “Birth Of A Nation,” which is due to come out on October 7. And someone brought that subject up to him. And people are really kind of talking about the diversity thing right now, this week in particular because “Roots” was on television this week. We’ve got WGN’s “Underground” on TV. There’s, like, five or six slavery movies coming out in this year alone, and people are just like, really? Enough.

KELLY: Help me understand what you’re saying. Are you saying that people would like to see people of color represented on screen, but it doesn’t always have to be about slavery? It can just be about people living their life today as it’s unfolding?

RENATA: Yes and no. And I can only speak for myself. I can’t speak for the masses. I personally would like to see people represented the way they are in real life. Like, I think Shonda Rhimes does an excellent job of that – “How To Get Away With Murder,” and “Scandal,” and “Grey’s Anatomy.” It’s a diverse cast. You see women of color in positions where they’re not playing a prostitute, where they’re not playing some downtrodden ghetto mother or whatever. They’re playing real people, people that middle-class black people in America can relate to.

So yes, we’re having a conversation at the festival about, let’s include all people of color – Latinos, Asians, black people, disabled people, LGBT, everybody. Let’s include everybody. This is a melting pot that is comprised of a variety of different types of people from all over the world. It doesn’t have to just be one narrative of one type of people.

KELLY: That’s Carla Renata. She is co-host of On Air With Tony Sweet on ubnradio.com, telling us there all about the LA Film Festival. And Carla Renata, hope you’ve got your popcorn, and hope you see a lot more good stuff this weekend. Thanks for talking to us.

RENATA: Thank you so much for the opportunity to express.

Copyright © 2016 NPR. All rights reserved. Visit our website terms of use and permissions pages at www.npr.org for further information.

NPR transcripts are created on a rush deadline by Verb8tm, Inc., an NPR contractor, and produced using a proprietary transcription process developed with NPR. This text may not be in its final form and may be updated or revised in the future. Accuracy and availability may vary. The authoritative record of NPR’s programming is the audio record.

Let’s block ads! (Why?)


No Image

Best of the Week: Brie Larson Could Play Captain Marvel, Susanne Bier Could Direct James Bond and More

The Important News

Marvel Madness: Brie Larson is in talks to play Captain Marvel. Thor: Ragnarok will reportedly feature Planet Hulk action. Thor might be in Guardians of the Galaxy Vol. 2. Elizabeth Debicki is playing the villain Ayesha in Guardians of the Galaxy Vol. 2.

DC Delirium: Rick Famuyiwa will direct The Flash. Ben Affleck’s Batman movie will be an original story. Jesse Eisenberg confirmed he’ll be back for Justice League Part One.

X-Citement: Bryan Singer confirmed the X-Men: Apocalypse end credits scene leads to Wolverine 3. Mystique might get a solo movie.

Star Wars Mania: Rogue One will reportedly end within minutes of the start of the first Star Wars plot. Lucasfilm is selling authentic Force Awakens prop replicas.

Bond Bonanza: Sam Mendes confirmed he won’t direct the next James Bond. Susanne Bier may take the helm on Bond 25 instead.

Sequelitis: Megatron was revealed to be returning for Transformers: The Last Knight. Mary Poppins Returns will open on Christmas 2018. Stefano Sollima will direct the Sicario sequel, titled Soldado.

Turtle Power: Stephen Amell will play Casey Jones in more Teenage Mutant Ninja Turltes movies. Tyler Perry revealed he modeled his Teenage Mutant Ninja Turtles: Out of the Shadows character on Neil deGrasse Tyson.

Remake Report: Bill Skarsgard is the new Pennywise for It. The next Friday the 13th reboot will feature an origin never seen before.

Casting Net: Dwayne “The Rock” Johnson was confirmed to star in Shane Black’s Doc Savage. Melissa McCarthy will play Lee Israel in Can You Ever Forgive Me? Jake Gyllenhaal will star in Tom Clancy’s Division. T.J. Miller joined Ready Player One.

New Directors, New Films: Paul Thomas Anderson will reunite with Daniel Day-Lewis for a movie set in the 1950s fashion world.

Box Office: X-Men: Apocalypse dominated in its opening weekend.

Reel TV: FX officially greenlit the X-Men series Legion.

Ways of Seeing: The Shallows will screen on water for a “dive-in” experience.

The Videos and Geek Stuff

New Movie Trailers: Collide, The Fundamentals of Caring, Satanic and Monster Trucks.

First Look: Cars 3 concept art.

See: R-rated footage in the Batman v Superman: Dawn of Justice Ultimate Edition trailer.

Watch: A Red Band trailer for an R-rated version of X-Men: Apocalypse.

See: Concept art and details for Sam Raimi’s canceled Spider-Man 4.

Watch: Jeff Goldblum narrates a new Independence Day: Resurgence viral video.

See: Fiery action set videos for Fast 8.

Watch: Steven Spielberg’s Harvard graduation commencement speech.

See: A gallery of Suicide Squad posters. And the best movie posters of the week.

Our Features

Movie Calendar: Check out your guide to all the releases and trivia you need for June above.

Geek Movie Guide: All the movies, toys, and shoes geeks need to look for this June.

Comic Book Movie Guide: What DC’s “Rebirth” comics could mean for the movies.

Sci-Fi Movie Guide: Why a Logan’s Run remake is necessary now.

RIP: Remembering all the movie people we lost in May.

Home Viewing: Here’s our guide to everything hitting VOD this week.

and

MORE FROM AROUND THE WEB:

Let’s block ads! (Why?)


No Image

Boxer Muhammad Ali, 'The Greatest Of All Time,' Dies At 74

Boxer Muhammad Ali weighs in a week before his heavyweight bout with Jerry Quarry on Oct. 20, 1970 in Atlanta. Ali died at XX.
  • Hide caption

    Boxer Muhammad Ali weighs in a week before his heavyweight bout with Jerry Quarry on Oct. 20, 1970 in Atlanta. Ali died at XX.
    AP
  • An 85-pound Cassius Marcellus Clay Jr. is shown posing at 12 years old, prior to his amateur ring debut in 1954. He won a gold medal in the light-heavyweight division at the 1960 Summer Olympic Games in Rome as a member of the U.S. Olympic boxing team.
    Hide caption

    An 85-pound Cassius Marcellus Clay Jr. is shown posing at 12 years old, prior to his amateur ring debut in 1954. He won a gold medal in the light-heavyweight division at the 1960 Summer Olympic Games in Rome as a member of the U.S. Olympic boxing team.
    AP
  • Clay with trainer Angelo Dundee at City Parks Gym in New York in 1962.
    Hide caption

    Clay with trainer Angelo Dundee at City Parks Gym in New York in 1962.
    Dan Grossi/AP
  • Clay with his first wife, Sonji Roi, on June 21, 1963. He married three more times.
    Hide caption

    Clay with his first wife, Sonji Roi, on June 21, 1963. He married three more times.
    Evening Standard/Hulton Archive/Getty Images
  • Heavyweight champion Muhammad Ali stands over fallen challenger Sonny Liston on May 25, 1965, in Lewiston, Maine. The bout lasted only one minute into the first round. Ali is the only man ever to win the World Heavyweight Boxing Championship three times.
    Hide caption

    Heavyweight champion Muhammad Ali stands over fallen challenger Sonny Liston on May 25, 1965, in Lewiston, Maine. The bout lasted only one minute into the first round. Ali is the only man ever to win the World Heavyweight Boxing Championship three times.
    John Rooney/AP
  • Ali listens intently to Elijah Muhammad, leader of the Nation of Islam, as Muhammad gives a marathon speech to black Muslims in Chicago on Feb. 28, 1966. The fighter had dropped the name Cassius Clay in 1964 and adopted the Muslim name Muhammad Ali.
    Hide caption

    Ali listens intently to Elijah Muhammad, leader of the Nation of Islam, as Muhammad gives a marathon speech to black Muslims in Chicago on Feb. 28, 1966. The fighter had dropped the name Cassius Clay in 1964 and adopted the Muslim name Muhammad Ali.
    Paul Cannon/AP
  • Ali says "no comment," confronted by members of the press as he leaves court for the noon recess, June 19, 1967. Ali was on trial for refusing to be inducted into the armed services.
    Hide caption

    Ali says “no comment,” confronted by members of the press as he leaves court for the noon recess, June 19, 1967. Ali was on trial for refusing to be inducted into the armed services.
    Ed Kolenovsky/AP
  • Ali lies on his back with Joe Frazier, the heavyweight champion, standing over him after a 15th-round punch by Frazier dropped him in New York, March 8, 1971. Frazier retained his title with a unanimous decision over Ali.
    Hide caption

    Ali lies on his back with Joe Frazier, the heavyweight champion, standing over him after a 15th-round punch by Frazier dropped him in New York, March 8, 1971. Frazier retained his title with a unanimous decision over Ali.
    AP
  • Ali toys with the finely combed hair of television sports commentator Howard Cosell before the start of the Olympic boxing trials, Aug. 7, 1972, in West Point, N.Y.
    Hide caption

    Ali toys with the finely combed hair of television sports commentator Howard Cosell before the start of the Olympic boxing trials, Aug. 7, 1972, in West Point, N.Y.
    AP
  • Ali tours downtown Kinshasa on Sept. 17, 1974, ahead of his fight with Foreman. The bout was famously hyped as the "Rumble in the Jungle."
    Hide caption

    Ali tours downtown Kinshasa on Sept. 17, 1974, ahead of his fight with Foreman. The bout was famously hyped as the “Rumble in the Jungle.”
    AP
  • Ali watches as defending world champion George Foreman goes down to the canvas in the eighth round of their WBA/WBC championship boxing match in Kinshasa, Zaire, on Oct. 30, 1974. Foreman was counted out by the referee and Ali regained the world heavyweight crown by knockout.
    Hide caption

    Ali watches as defending world champion George Foreman goes down to the canvas in the eighth round of their WBA/WBC championship boxing match in Kinshasa, Zaire, on Oct. 30, 1974. Foreman was counted out by the referee and Ali regained the world heavyweight crown by knockout.
    AP
  • Muhammad Ali lights the Olympic flame during the 1996 Summer Olympic Games opening ceremony in Atlanta on July 19, 1996.
    Hide caption

    Muhammad Ali lights the Olympic flame during the 1996 Summer Olympic Games opening ceremony in Atlanta on July 19, 1996.
    Michael Probst/AP
  • Ali spars with a Cuban amateur boxer on Sept. 10, 1998, during his visit to the Cerro Pelado sport complex in Havana. Ali was on a three-day visit to Cuba to deliver a $1.2 million donation in humanitarian aid to local hospitals.
    Hide caption

    Ali spars with a Cuban amateur boxer on Sept. 10, 1998, during his visit to the Cerro Pelado sport complex in Havana. Ali was on a three-day visit to Cuba to deliver a $1.2 million donation in humanitarian aid to local hospitals.
    Adalberto Roque/AFP/Getty Images
  • Ali is escorted onstage by his wife, Lonnie, and a personal assistant during The Muhammad Ali Celebrity Fight Night Awards XIX in Phoenix on March 23, 2013. The awards are given out to celebrities who embody the qualities of Ali and his fight to find a cure for Parkinson's disease.
    Hide caption

    Ali is escorted onstage by his wife, Lonnie, and a personal assistant during The Muhammad Ali Celebrity Fight Night Awards XIX in Phoenix on March 23, 2013. The awards are given out to celebrities who embody the qualities of Ali and his fight to find a cure for Parkinson’s disease.
    Ralph D. Freso/Reuters/Landov

1 of 14

View slideshow i

Muhammad Ali, the man considered the greatest boxer of all time, died late Friday at a hospital in Phoenix at age 74. He was battling respiratory problems.

Ali inspired millions by standing up for his principles during the volatile 1960s and by always entertaining — in the boxing ring and in front of a microphone.

Cassius Clay (Ali’s given name) won a gold medal at the Rome Olympics in 1960. He wanted more: a professional heavyweight championship. He arrived in Miami in October to work with legendary trainer Angelo Dundee. Dundee, who died in 2012, recalled the first day Clay showed up.

“Bounding up the steps of the Fifth Street gym, and the steps were pretty rickety, you know, all wood. Bouncing up, he said, ‘Angelo, line up all your bums. I’m gonna beat ’em all,’ ” Dundee said.

‘King Of The World’

Clay was 18: bounding, fearless, leading with his mouth.

“I’m not only a fighter. I’m a poet; I’m a prophet; I’m the resurrector; I’m the savior of the boxing world. If it wasn’t for me, the game would be dead,” he said.

Young Clay made boxing an art form. He was an original, a heavyweight who didn’t move around the ring — he danced. He’d thrill the crowd with his quick scissor-step shuffle. On defense, he’d slip and slide, Dundee said, and then flick that jab.

“He had a jab that was like a snake,” he said.

Float like a butterfly, sting like a bee; rumble, young man, rumble. Boxing reporters never had so much fun.

As the mouth roared, the victories started piling up, all of it prelude to a 1964 battle against the big, bad bear: heavyweight champion Sonny Liston.

Liston was a fearsome opponent. Nobody believed the young Ali had a shot. But after six rounds, Liston was done. He didn’t come out for the seventh, and Clay was the new champion.

“I am the king of the world! … I’m pretty! … I’m a bad man! I shook up the world!” he exclaimed.

But the 22-year-old was just getting started.

A Polarizing Figure

After the Liston fight, Ali revealed he was a member of the black separatist movement Nation of Islam. He wanted to be called Muhammad Ali, a name he said was given to him by the group’s leader, Elijah Muhammad.

“That’s my original name; that’s a black man name,” Ali said. “Cassius Clay was my slave name. I’m no longer a slave.”

Muhammad, the Nation of Islam leader, preached that integration and intermarriage were wrong and that white people were devils. It was an idea Ali defended in a 1971 TV interview.

Muhammad Ali is held back by referee Joe Walcott after knocking out Sonny Liston in the first round of their championship bout in Lewiston, Maine, on May 25, 1965.

Muhammad Ali is held back by referee Joe Walcott after knocking out Sonny Liston in the first round of their championship bout in Lewiston, Maine, on May 25, 1965. AP hide caption

toggle caption AP

“I’m gonna look at two or three white people who’re trying to do right and don’t see the other million trying to kill me? I’m not that big of a fool, and I’m not going to deny it,” he said. “I believe everything he [Muhammad] teach, and if the white people of a country are not the devil, then they should prove they’re not the devil.”

Ali became a polarizing figure in America. Many sportswriters vilified him. Black boxer Floyd Patterson said, “I don’t believe God put us here to hate one another. Cassius Clay is disgracing himself and the Negro race.”

To others, Ali became a loud and unapologetic symbol of black pride.

The Rev. Kwasi Thornell of Washington, D.C., was a teenager when Ali burst onto the scene.

“There was a great deal of excitement in seeing that because that was a boldness that many of us did not know,” says Thornell, who is African-American. “We were more encouraged by our parents to just go along with the system and not be bold and bodacious, as [Ali] was.”

Ali’s boldest move — and most controversial — came in 1967. At the height of the Vietnam War, he refused induction into the U.S. military, saying, “I ain’t got no quarrel with them Viet Cong.”

“My intention is to box, to win a clean fight. But in war, the intention is to kill, kill, kill, kill and continue killing innocent people,” he said.

Some called him a traitor. For those in a growing anti-war movement, Ali was a hero who paid a significant price. He was convicted of draft evasion, and though he avoided jail time, he was stripped of his heavyweight title and banned from boxing at the age of 25, just as he was entering his prime. It would be more than three years before Ali returned to the ring.

Rivalry With Frazier

Following his exile, Ali squared off against Joe Frazier, who became heavyweight champion in Ali’s absence. The March 1971 showdown was billed as the fight of the century.

Frazier won, handing Ali his first professional loss. It was also the first of three epic bouts between the two men. Frazier, with his boxer’s mashed face and snorting-bull style in the ring, could never equal Ali’s finesse and skill as a fighter. Nor could he match Ali’s wit, which often turned cruel when the subject was Frazier.

“You’ll also see why I say he’s a gorilla,” Ali said. “You’ll see how ugly he is, and how pretty I am.”

It was theater to Ali. But in a 2007 interview, Ali biographer Thomas Hauser said the words and frequent taunts were like broken glass in Frazier’s stomach. It’s one of the reasons, Hauser said, that even late in life, Frazier harbored ill will toward Ali.

“Even though Muhammad said to me that if God ever called him to a holy war, he wanted Joe Frazier fighting beside him,” Hauser said.

Undoubtedly, sports announcer Howard Cosell would have done the holy war’s play-by-play, as he did for many of Ali’s fights. The two men had a symbiotic relationship. Their interview sessions were more like hilarious jousting matches, with Ali needling the pedantic former lawyer, always threatening to tear off Cosell’s obvious toupee.

When it came to boxing IQ, none was higher than Ali’s. In 1974, against the menacing George Foreman, Ali used a tactic called the “rope-a-dope.” He stayed on the ropes, covering up, letting Foreman punch himself out. Then Ali struck quickly, knocked out Foreman and became champion a second time.

Parkinson’s Diagnosis

A year later, “The Thrilla in Manila” was the final fight in the Ali-Frazier trilogy. It was an awesome and horrible slugfest that ended with Ali winning, but admitting afterward, “It was the closest to death that I could feel.”

“This is too painful. It’s too much work. I might have a heart attack or something. I wanna get out … while I’m on top,” he said.

It would have been the perfect time to stop. But Ali kept fighting six more years. In the early 1980s, he was diagnosed with pugilistic Parkinson’s syndrome.

His last big public moment came in 1996, when he lit the flame at the Atlanta Summer Olympics. Shaking, his face frozen by a Parkinson’s mask, this was a new generation’s image of the man called the greatest of all time. But the sadness was mixed with global love.

Ali was the rare and perhaps only person who could go anywhere — Fifth Avenue in Manhattan, a marketplace in Latin America — and people would stop and point and smile.

In his life, he traveled from a boxer’s cruelty to kindness. A man who stood up and shouted out for his principles ultimately embraced the quiet principle of spirituality. But in later years, his words muted by Parkinson’s, Ali was asked if he’d do it all over exactly the same, even if he knew in advance how he’d end up. The answer: You bet I would.

Let’s block ads! (Why?)


No Image

Jobs Growth Slows Dramatically In May

The Labor Department says in May, employers added just 38,000 workers to payrolls. Economists surveyed by The Wall Street Journal had forecast the report would show 158,000 new jobs. The unemployment rate fell to 4.7 percent, but only because so many people dropped out of the workforce. Forecasters had expected the unemployment rate to hold steady at 5 percent.

Transcript

KELLY MCEVERS, HOST:

Here’s how some are describing the latest U.S. employment numbers – not good, pretty bad, far below expectations. That was the reaction when the Labor Department announced just 38,000 jobs were created last month. So is this the beginning of a trend or is it an aberration? NPR economics correspondent John Ystdie reports.

JOHN YDSTIE, BYLINE: Everyone expected the job growth in May might be a little subdued. Analysts knew a strike by Verizon workers was going to subtract 35,000 jobs from the total. But most economists anticipated about 160,000 jobs would be added. So Diane Swonk of DS Economics says the paltry gains were a body blow.

DIANE SWONK: It was a lousy report not only in its total, which was hurt by the Verizon strike, and we know those workers are now back at work so they’ll come back in June. But even beyond that, the losses were broader and deeper than we expected, and there were downward revisions to the previous two months.

YDSTIE: That put the average job growth for the past three months at about half the pace of last year. Presumptive Republican presidential nominee Donald Trump tweeted that the jobs report was terrible. Speaking for the Obama administration, Labor Secretary Thomas Perez acknowledged the numbers were disappointing. But, he argued, a slowdown in job growth is an expected outcome as the economy gets closer to full employment.

THOMAS PEREZ: When you’re getting close to the summit of the mountain – and we’re not at full employment yet, but we’re inching closer to it – what ends up happening, you tend to have lower job growth numbers in any given month. But that’s offset by the fact that you see wages go up, and that’s exactly what we’re seeing now.

YDSTIE: Wage growth has picked up a bit in recent months. Wages are about 2.5 percent higher now than a year ago. But in May, they were once again subdued.

Dyke Messenger, who runs a small manufacturing firm in Salisbury, N.C., says Perez’s theory makes some sense. His firm Power Curbers builds machines that make curbs and gutters for housing developments and commercial projects. Messenger says he’s actually added jobs in the past month to meet demand. But, he says, the workers he needs are getting hard to find.

DYKE MESSINGER: We employ mostly skilled labor. And there’s real demand, and we’ve had upward pressure on pay, which in the overall scene is good because, you know, it attracts better people. And people’s standard of living rises which helps all of us.

YDSTIE: Messenger says he was not surprised to see more jobs lost in manufacturing in May. He points out that firms that make stuff for the oil and gas industry and agriculture are still hurting. But he was surprised to see that the economy lost 15,000 construction jobs because, he says, there’s lots of residential and commercial building going on across the country.

Economist Diane Swonk who’s based in Chicago thinks the lack of skills may be a factor restraining construction hiring, too. She says lots of workers left the industry during the Great Recession.

SWONK: Some of those skilled workers just aren’t there, especially in the skill trade carpenters, electricians, welders, people that we need on big projects. In fact, even if Chicago, they’ve had to delay some projects because of an inability to find some of those workers.

YDSTIE: Whatever the reason for the lousy May jobs report, Swonk says it will convince the Fed to hold off raising interest rates later this month and possibly skip July, too. John Ydstie, NPR News, Washington.

Copyright © 2016 NPR. All rights reserved. Visit our website terms of use and permissions pages at www.npr.org for further information.

NPR transcripts are created on a rush deadline by Verb8tm, Inc., an NPR contractor, and produced using a proprietary transcription process developed with NPR. This text may not be in its final form and may be updated or revised in the future. Accuracy and availability may vary. The authoritative record of NPR’s programming is the audio record.

Let’s block ads! (Why?)



No Image

New U.S. Ban On Ivory Sales To Protect Elephants

Fish and Wildlife Director Dan Ashe (left) and Secretary of the Interior Sally Jewell select confiscated illegal ivory to crush in an effort to halt elephant poaching and ivory trafficking in New York City's Times Square in June 2015.

Fish and Wildlife Director Dan Ashe (left) and Secretary of the Interior Sally Jewell select confiscated illegal ivory to crush in an effort to halt elephant poaching and ivory trafficking in New York City’s Times Square in June 2015. Bebeto Matthews/AP hide caption

toggle caption Bebeto Matthews/AP

The federal government is moving to ban virtually all sales of items containing African elephant ivory within the U.S. For a long time it’s been illegal to import elephant ivory. This new rule extends the ban to cover ivory that’s already here.

The new regulations come out of the U.S. Fish and Wildlife Service which says the move will further limit the market for traffickers of illegal ivory. They say the problem is that smugglers currently can evade detection and bring illegal ivory into the U.S. Once here, it’s impossible for people to know whether that billiard cue or pocket knife they’re buying was made with sanctioned or illegal ivory.

Research by wildlife protection groups has found that the U.S. is one of the largest markets for illegal ivory. So under the new system, officials hope that the near-total ban on sales will largely shut down the U.S. as a buyer of the illegal ivory.

Appraisers Fred Oster, left, and David Bonsey, review a 1920 French violin at an Antiques Roadshow event in Los Angeles in 2005. Many stringed instruments throughout history have been made using small amounts of ivory.

Appraisers Fred Oster, left, and David Bonsey, review a 1920 French violin at an Antiques Roadshow event in Los Angeles in 2005. Many stringed instruments throughout history have been made using small amounts of ivory. KIM D. JOHNSON/ASSOCIATED PRESS hide caption

toggle caption KIM D. JOHNSON/ASSOCIATED PRESS

“Today’s bold action underscores the United States’ leadership and commitment to ending the scourge of elephant poaching and the tragic impact it’s having on wild populations,” said Secretary of the Interior Sally Jewell.

Of course, any regulation can have unintended consequences. And one group that you might not expect to be worried about this is The League of American Orchestras. It turns out that many professional musicians play stringed instruments that have pieces of ivory used in their construction, for example ivory tuning pegs. Some antique violins and cellos are quite valuable both in terms of their price tags and their value to the musicians who play them. So the orchestra association says it worked with the Obama administration to craft the new regulations in a way that will allow for the sale and interstate transport of such instruments.

There are also some other limited exemptions for bona fide antiques and items with small amounts of ivory that federal regulators say are not “drivers of poaching.”

The move is part of a broader effort by the Obama administration. In 2013, the president issued an executive order on combating wildlife trafficking. The government has the authority to regulate ivory sales under the Endangered Species Act.

The administration is encouraging other nations to follow suit. China is another very large market for illegal ivory. And the new regulations were announced ahead of a trip to China by Secretary of State John Kerry and Treasury Secretary Jack Lew.

The National Rifle Association is opposed to the new regulations. A statement on the NRA website that appears underneath a photo of an antique ivory-handled pistol reads:

“While the NRA supports efforts to stop poaching and the illegal trade of ivory, these proposals would do nothing to protect elephants in Africa and Asia, but would instead make sellers of legal ivory potential criminals overnight, as well as destroy the value of property held by countless gun owners, art collectors, musicians and others.”

Regulators, though, say they have carved out protections for gun owners. U.S. Fish and Wildlife Service Director Dan Ashe said in a statement:

“We listened carefully to the legitimate concerns raised by various stakeholder groups and, as a result, are allowing commonsense, narrow exceptions for musicians, musical instrument makers and dealers, gun owners and others to trade items that have minimal amounts of ivory and satisfy other conditions.”

Regulators say they will provide additional implementation guidance on the rule before it goes into effect on July 6 of this year.

Let’s block ads! (Why?)


No Image

Zika Worries Prompt U.S. Cyclist To Pull Out Of Rio Contention

Tejay van Garderen says even a small risk from the Zika virus is enough to make him stay home with his wife, who is pregnant. He's seen here last year ahead of the start of the Tour de France cycling race.

Tejay van Garderen says even a small risk from the Zika virus is enough to make him stay home with his wife, who is pregnant. He’s seen here last year ahead of the start of the Tour de France cycling race. Christophe Ena/AP hide caption

toggle caption Christophe Ena/AP

With his wife expecting a baby in October, American road racer Tejay van Garderen has withdrawn from consideration for the Rio Summer Olympics, citing the Zika virus that’s been linked to birth defects.

From a statement released by USA Cycling on van Garderen’s behalf today:

“After thinking long and hard about the Olympic Games in Rio, I have decided to withdraw my name from consideration for selection in the U.S. team. Although the risks associated with the Zika Virus can be minimal and precautions can be taken, my wife Jessica is pregnant, and I don’t want to risk bringing anything back that could potentially have an effect.”

When asked whether van Garderen is the only American athlete to have withdrawn, a U.S. Olympic Committee official said the organization isn’t aware of any similar cases in which an American Olympic hopeful has opted out of competing in Rio.

A two-time winner of the USA Pro Challenge, van Garderen placed fifth in the Tour de France in 2014 and in 2012 — the same year he raced for the U.S. in the London Olympics. And as the highest-ranked American in the UCI’s most recent world rankings of road cyclists, he had been seen as a strong contender for the U.S. team, whose roster will be finalized this month.

In recent years, van Garderen, 27, has made something of a habit out of bringing his daughter onto the podium to help celebrate when he wins a stage race or other competition.

Back in March, the World Health Organization announced that a scientific consensus had determined “the Zika virus is connected with microcephaly — a condition in which babies are born with very small heads and brain damage,” as NPR’s Michaeleen Doucleff reported.

“If circumstances were different I would have loved to be selected again to represent the USA,” van Garderen said, “but my family takes priority and it’s a decision that I’m completely comfortable with. I hope that I’ll be in the position to race at the 2020 Olympic Games.”

Last month, WHO issued tips for athletes and visitors to Rio. The list ranges from protecting against mosquito bites to using condoms or abstaining from sex during and for eight weeks after a visit.

WHO also said, “Pregnant women continue to be advised not to travel to areas with ongoing Zika virus transmission. This includes Rio de Janeiro.”

But the agency also noted that the Rio Olympics will be held in August, during Brazil’s winter, meaning that the number of mosquitoes will be relatively low, reducing the risk of being bitten.

That fact was also touted Thursday by leaders of Rio’s Olympics effort who sought to reassure international visitors that it’ll be safe to visit Brazil for the games.

At a news conference, Rio 2016 Organizing Committee President Carlos Nuzman told reporters “there is not a public health risk with Zika,” according to the Around the Rings website.

Let’s block ads! (Why?)


No Image

'Music Of Morocco': A Labor Of Love For Mid-Century Moroccan Musical Diversity

Music Of Morocco features recordings of classical Moroccan musicians.

Music Of Morocco features recordings of classical Moroccan musicians. Courtesy Dust-to-Digital / Library of Congress hide caption

toggle caption Courtesy Dust-to-Digital / Library of Congress

Composer and author Paul Bowles first went to Morocco in 1931. He fell in love with the country, returning often and eventually moving to Tangier, where he lived from 1947 until his death in 1999. Among the things Bowles valued most about Morocco was its varieties of music.

During an intensive five-month period in 1959, Paul Bowles made a series of recordings of Moroccan music for the Library of Congress. Now, they have been released as a four-CD box set called Music Of Morocco. These vivid recordings tell us almost as much about Bowles as they do about Morocco a half-century ago.

To record this music, Bowles traveled far and wide by Volkswagen Beetle with a large reel-to-reel tape recorder. Often, musicians had to come to locations where there was electricity, and Bowles would do his best to arrange them around his microphone to get the sound he desired. In the northern city of Fez, he recorded an entire Andalusian orchestra, music with ties to medieval Moorish Spain.

[embedded content]
YouTube

Bowles was not a scholar, out to study and survey; this was a labor of love. These CDs come with a 120-page booklet, full of Bowles’ colorful field notes and commentary complied by ethnomusicologist Philip Schuyler. Schuyler points out that Bowles was willing to resort to surprising, even questionable, tactics to get what he wanted. When one flute player insisted his instrument had to be accompanied by a drum, Bowles demanded that he play it alone, proclaiming “the American government wished it.”

There’s a fascinating contradiction here. Bowles always wanted to record the most authentic, archaic, traditional version of everything — except when something about the sound offended him personally. For instance, when he heard the buzz on a traditional bass lute as distortion, he made the musician remove the resonator and record again without it.

To listen through these diverse recordings and read Bowles’ urgent, revelatory notes is to enter a realm of his psyche. Bowles does not render these sometimes strident sounds safe or friendly. But, he makes them his. This collection has the power to lure us into his own deep hypnosis, his gut-level obsession with a North African land he has chosen to call home.

Let’s block ads! (Why?)


No Image

Bright Lights, Big Hassles For Children In The Hospital

Children who get more sleep while in the hospital need less sedation and anesthesia, researchers have found.

Children who get more sleep while in the hospital need less sedation and anesthesia, researchers have found. Sebastian Rose/Getty Images hide caption

toggle caption Sebastian Rose/Getty Images

At home, parents try to keep their children on a regular sleep schedule, with the evening bedtime transition marked by rituals like reading stories, flipping on night lights and getting tucked in with favorite stuffed animals.

But the difference between night and day blurs in hospitals, making it more difficult for young patients to rest when they need it the most.

Between the fluorescent lights, the chatter of on-duty doctors and nurses, and being roused for baths and vitals checks, getting eight hours of shut-eye is challenging. So now, with research increasingly highlighting the link between sleep and good health, children’s hospitals are rethinking just how they work at night.

“If we’re going to try to heal kids, we need to try to have them do the one thing that’s so important for their brain development. And that’s optimizing their sleep,” said Dr. Sapna Kudchadkar, an assistant professor of anesthesiology, critical care and pediatrics at Johns Hopkins Children’s Center in Baltimore. She launched an initiative to improve sleep in the hospital’s pediatric intensive care unit a year ago.

Children’s hospitals are now adopting some of the strategies used to foster better sleep at hospitals serving adults. For example, some are enforcing quiet hours after dark, clustering things like overnight blood draws and medication doses to minimize interruptions, and bringing in white noise machines to promote a soothing environment.

Activities such as bathing children are shifted to daylight hours. Also, playtime is promoted in the afternoon to help maintain a sense of normalcy and contrast nighttime rest. The hope is that children will sleep better and heal faster.

Physicians and hospital administrators are starting to recognize that “we’re doing some stuff in our hospitals that doesn’t really reflect what we’re telling people to do at home,” said Dr. Jennifer Jewell, a pediatric hospitalist at the Barbara Bush Children’s Hospital in Portland, Maine, who chairs the American Academy of Pediatrics’ Committee on Hospital Care.

Children’s hospitals aren’t yet held to the same patient satisfaction standards as other facilities. But there is growing interest in better catering to both children and their parents, doctors said. There’s the competitive element, noted Heather Walsh, a registered nurse who coordinates some of the quality improvement training for clinical staff at Children’s National Health System in Washington, D.C. If families don’t like the care they get, they can go elsewhere.

And doctors are starting to realize that poor sleep isn’t just inconvenient. It can make children sicker.

In the intensive care unit, for instance, children who aren’t disturbed at night don’t need as much sedation or anesthesia, Kudchadkar said. That matters, she noted, since some of those drugs — benzodiazepines and prescription opioids — can be more dangerous for young patients to take. Kids who rest well at night are also more likely to get up and move around in the daytime.

In addition, because many children’s hospitals encourage parents to spend the night in their child’s room, late-night interruptions — whether a temperature check or the cleaning machine in the hallway — wake them, too. As a result, parents aren’t rested when getting instructions for kids’ follow-up care. It’s easier to mishear or misremember a complicated medication instruction, said Lisa Meltzer, associate professor of pediatrics at National Jewish Health in Denver. Meltzer has also researched sleep quality in children’s hospitals.

“There’s more evidence really showing a direct link between insufficient and poor quality sleep and negative outcomes,” she said.

The changes can seem small. At Hopkins, blinds are typically lowered between 8 p.m. and 8 a.m., though nurses might adjust that based on a particular family’s needs and habits.

Parents are asked about their children’s favorite music to sleep to. The ICU’s child life staff will find those songs to play on portable radios. One teenager requested Tupac, while some patients might bring in the soundtracks from their favorite video games. In a number of rooms, many alerts no longer trigger loud beeps blasted from overhead speakers. Instead, they’re sent straight to the relevant nurse’s phone. He or she can see to the child’s need, but the noise doesn’t disturb the whole unit.

Finding a balance can be tough. With very sick children, doctors and nurses do need to wake them more often at night. Some tests and medications can’t wait, especially in the ICU, said Patricia Hickey, vice president of cardiovascular and critical care services at Boston Children’s Hospital.

Plus it’s hard to accommodate what patients need at different ages. Think of the habits of a 2-year-old versus a teenager. One goes to sleep and wakes early. The other may be unable to sleep before 11 p.m. Hospitals need to accommodate both.

The jury’s still out on how effective these strategies are. It’s difficult to prove reduced chatter leads to shorter hospital stays for kids. But there’s anecdotal support. At Boston Children’s, which launched its sleep-promotion campaign last summer, hallways are markedly quieter, and families have said they appreciate the attention, Hickey said. The hospital’s conducting a survey this fall to better assess that, she added.

But challenges remain. Foremost is teaching doctors and nurses to be quiet and considerate.

“For some people, the night is no different than the day — that’s when they work,” said Myke Federman, a critical care pediatrician who started a sleep initiative at Mattel Children’s Hospital UCLA in Los Angeles.

Curbing the nighttime ruckus requires continued attention, she said. Mattel, which launched its program in 2015, is trying to bring its noise levels down. So far, they haven’t budged significantly from 50 decibels at night. That’s north of their goal: 30 to 40 decibels, the sound of a quiet library.

Many nighttime interruptions — like bathing a child at 3 a.m. — happen because they suit the staff’s schedule, Hopkins’ Kudchadkar said. Getting away from that required a major recalibration of the ICU’s workflow and culture. At Hopkins, it took about a year, she added. The ICU used to be as loud as an emergency department. Now, the staff speaks in hushed whispers, even by day.

Changes haven’t been easy but they are taking root.

“The bottom line is, ‘How do you create a peaceful, healing environment?'” she said. “We’re getting there.”

Kaiser Health News is an editorially independent news service that is part of the nonpartisan Henry J. Kaiser Family Foundation. You can follow Shefali Luthra on Twitter:@shefalil.

Let’s block ads! (Why?)