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First Listen: A-WA, 'Habib Galbi'

A-WA's new album, Habib Galbi, comes out June 24.

A-WA’s new album, Habib Galbi, comes out June 24. Tomer Yosef/Courtesy of the artist hide caption

toggle caption Tomer Yosef/Courtesy of the artist

Last year, a newly formed trio of sisters from Israel called A-WA (pronounced “AY-wah”) caught attention with a video that seemed to come out of nowhere. In the midst of an arid desert landscape, here was A-WA, resplendent in fuchsia-pink robes and accompanied by three male dancers decked out in blue tracksuits and red snapbacks topped with fez-style tassels. Their singing was just as brash — an old Yemeni folk song, utterly transformed in bracing three-part harmonies and understitched with electronic beats.

That video, for “Habib Galbi” (Love Of My Heart), became a calling card for what A-WA is all about. The band is fronted by sisters Tair, Liron and Tagel Haim, who take the Arabic-language songs of their heritage and recast them for the 21st-century dance floor. Their father’s family is Yemeni Jews, whose distinct culture and nearly extinct Arabic dialect bridges the Arab world and Israel; that video for “Habib Galbi” was shot near their home village, in Israel’s far south, nearly wedged in between Egypt and Jordan. Even the band’s name is a callback to shared cultural identity: aywa means “yeah” in Arabic.

The album opens with an a cappella selection, “Yemenite Lullaby,” which features the trio in those signature, surprising harmonies and fully grounded in their desert roots. But almost as soon as you settle into those otherworldly textures, A-WA flips the script and bursts into a psychedelic-soaked, drum-pad-fueled song called “Ya Raitesh Al Warda” (I Wish You Were A Rose). It’s here that you really begin feeling the influence of the album’s producer, Tomer Yosef, whose band Balkan Beat Box has provided a few massive hits with its distinctive and brassy-brash earworms, including Jason DeRulo’s “Talk Dirty” featuring 2 Chainz and Mac Miller‘s “Goosebumpz.”

There’s a lot of cheeky humor in the arrangements A-WA worked up with Yosef, a fellow Israeli of Yemenite descent. Take, for example, the ska-ish backbeat and squealed chorus in “Lau Ma Al Mahaba” (If Not For Love), the synth-driven bleeps and bloops that leaven the uneven rhythm of “Galbi Haway” (My Heart Is Lost In Love), and even the overtly childlike singsong of “Ala Wabda” (I Will Begin By Calling You) — a tune with firmly religious lyrics, beginning with, “I will begin by calling you, oh God / The great Almighty / Oh, king of kings / Who has no bounds.” The heaviest beats come late in the album, in “Shamak Zabad Radai” (Your Scent Is Of Rada’a), a song that’s ripe for remixing.

But throughout, it’s the sisters’ vocals, perfectly attuned to each other, along with their cutely off-kilter reimaginings of Yemenite folk songs, that makes Habib Galbi such a pleasure, and such a logical continuation of what they started with the “Habib Galbi” video. Instead of earnestly reconstructing the music of their cultural ancestors, A-WA has catapulted this roots material into new terrain.

A-WA, Habib Galbi

A-WA, Habib Galbi Courtesy of the artist hide caption

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A-WA, ‘Habib Galbi’

01Yemenite Lullaby

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    02Ya raitesh al warda

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      03Habib Galbi

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        04Lau ma al mahaba

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          05Ala Wabda

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            06Zangabila

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              07Ya shaifin al malih

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                08Galbi Haway

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                  09Ya rait man ybsorak

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                    10Shamak zabad radai

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                      11Lagaitani laltarig

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                        12Ismer ma al gat

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                          Today in Movie Culture: Manchester United Fights 'Independence Day' Aliens, Donald Glover as Spider-Man and More

                          Here are a bunch of little bites to satisfy your hunger for movie culture:

                          Movie Promos of the Day:

                          UK’s Manchester United fights aliens in the below cross-promotion between 20th Century Fox and the English football team for Independence Day: Resurgence. See previous promos for X-Men: Apocalypse and Deadpool at io9.

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                          Movie Trivia of the Day:

                          Speaking of Independence Day: Resurgence, in anticipation of the sequel check out a bunch of trivia about the 1996 original:

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                          Dream Casting of the Day:

                          Donald Glover has actually been cast in Spider-Man: Homecoming, but we’re not sure whom he’s playing. BossLogic illustrates what he’d look like as the Miles Morales version of Spidey (via Twitter):

                          Movie Comparison of the Day:

                          In one of the most unlikely comparison video yet, Couch Tomato shows us 24 reasons Zootopia is the same movie as The Amazing Spider-Man 2:

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                          Fan Theory of the Day:

                          In anticipation of the release of Finding Dory, The Film Theorists continue their evidence that Dory is faking her short-term memory loss:

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                          Vintage Image of the Day:

                          Helen Hunt, who turns 53 today, in her 1973 screen acting debut, a TV movie titled Pioneer Woman:

                          Filmmaker in Focus:

                          The following supercut from Jacob T. Swinney highlights David Fincher’s use of the long shot:

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                          Cosplay of the Day:

                          Once again we have some cosplay based on movie fan art with the art nouveau Cinderella below based on these drawings. See the rest of the Disney Princesses in this style at Fashionably Geek.

                          Video Essay of the Day:

                          For Fandor Keyframe, Drew Morton explores how reputation is everything in Quentin Tarantino’s Inglorious Basterds:

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                          Classic Trailer of the Day:

                          Today is the 50th anniversary of the release of The Endless Summer. Watch the original trailer (which sounds like it’s narrated by Orson Welles) for the popular surfing documentary below.

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                          Orlando's Tourism Industry Hopes To Overcome A Nightmarish Week

                          Tourists walk past the flag flying at half-staff at Disney's Epcot theme park in Orlando on Monday.

                          Tourists walk past the flag flying at half-staff at Disney’s Epcot theme park in Orlando on Monday. Dewayne Bevil/Orlando Sentinel/TNS via Getty Images hide caption

                          toggle caption Dewayne Bevil/Orlando Sentinel/TNS via Getty Images

                          The streets around the Pulse nightclub in Orlando, Fla., are slowly coming back to life — slowly.

                          Police removed one of the roadblocks a few blocks away from the gay nightclub Wednesday, allowing local traffic to drive past a makeshift memorial of flowers, balloons, candles and crosses for the 49 victims, to within view of the club.

                          Alex Brehm was standing by the door of a still-shuttered 7-Eleven, watching scores of federal and local law enforcement officials work the scene, thinking about what’s next for his home and the city of Orlando.

                          “Especially now,” he says. “We’ve had three things on the major news in a week.”

                          It’s been a nightmarish week for the city. First, 22-year old Christina Grimmie, a singer and former contestant on NBC’s The Voice, was shot and killed in the city on Friday. Days later, a gunman entered Pulse and killed 49 people before being killed by police.

                          On Tuesday, a toddler at a Disney World resort was playing on the shoreline when he was snatched by an alligator and pulled underwater. His body was recovered Wednesday.

                          The string of events would be devastating to any community, but it has the potential to be particularly so for the city of Orlando.

                          Tourism is a multibillion-dollar industry in Orlando and Orange County, Fla. More than 66 million people visited the city last year to see attractions like Disney World and Universal Studios, according to Visit Orlando, making it the one of the most visited places in the U.S. The leisure and hospitality industry makes up more than 20 percent of the city’s workforce.

                          A report by the New York-based investment research firm Maxim Group says that the attack on the Pulse nightclub has the potential to “reduce tourism-related spending” over the next couple of months. The report compared the attacks to those that happened in Paris in November. “Holiday bookings travel dropped 13 percent after those attacks,” says Stephen Anderson, a senior vice president at Maxim.

                          At Orlando International Airport, arriving passengers expressed concern over the attacks. In the baggage claim area, many people said that they had talked about changing their travel plans or were altering their plans on the ground.

                          “I was a little green over it,” says Jennifer Trujillo, who was planning to visit Disney World with her husband, Robert, and two kids. Her husband, who spent 24 years in the military, was less concerned.

                          “You weigh the options and mitigate the risk,” Robert Trujillo says. “Honestly, you’d think that the awareness is raised and the security is probably a little more enhanced now than it is normally.”

                          River and Jacob Anderson felt the same way.

                          “There’s no point in walking around scared of it,” says Jacob Anderson.

                          “That’s the point of terrorism,” says River Anderson. “That you stop living your life the way that you would’ve.”

                          Disney World, Universal Studios and other major tourist attractions haven’t reported slowdowns in visitors. George Aguel, the president of Visit Orlando, says that’s been the case for businesses across the city so far. But there’s no avoiding the problem, he says.

                          “The name Orlando will be associated with [the attack] for a time to come, but we hope it will not deter people from visiting our theme parks and hotels,” Aguel says.

                          He hopes that people’s relationship with Orlando — be it memories or stories shared — will be enough to overcome whatever shadow recent events have cast on the Central Florida city.

                          Closer to the Pulse nightclub, at Brick and Fire Pizza and Pasta Parlor, owner Mark Dollard is more worried about how the community will get back to some semblance of normal.

                          The business has been closed off to major traffic since the attack Sunday night, but his employees have still been making pizzas. There are still bills to pay, he says, but that’s not why they’ve remained open.

                          “We’re open because we want to provide anybody that walks through the door a degree of normalcy and in this community, that’s something that’s going to be sought for a while,” he says.

                          Dollard knew people that were killed at Pulse. He knows the owners. Any financial loss he and other businesses have suffered, or will suffer, are meaningless compared with the loss of life there, he says.

                          A couple of days ago he talked to a local politician about what comes next, how the city recovers.

                          She didn’t have an answer, he says. “She just had a hug.”

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                          A Band From Beirut Speaks To Tragedy In Orlando

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                          Monday morning, as we were all absorbing the horrors of the Pulse attack in Orlando — the deadliest mass public shooting in modern U.S. history — Mashrou’ Leila arrived to play a Tiny Desk concert. For this band from Beirut, Lebanon, the full weight of the tragedy hung heavily, and its members wanted to begin their set by addressing the Pulse shootings. We’ll have their full performance available soon, but this was so timely, we wanted to share it right away.

                          Mashrou’ Leila (the name translates as “Night Project”) includes five young Beirutis — singer Hamed Sinno, violinist Haig Papazian, keyboardist and guitarist Firas Abou Fakher, Ibrahim Badr on bass and drummer Carl Gerges — of mixed religious heritage. They are well acquainted with the targeting of both LGBT people and those questioning the political, religious and cultural status quo.

                          Sinno, who is also the band’s lyricist, is openly gay, and Mashrou’ Leila has faced condemnation, bans and threats in its home region, including some from both Christian and Muslim sources. The group’s sound is beautifully layered, with vocals that allude to the Arab tradition of ornamenting melodies, but is also fresh, modern and compelling. Sinno’s nuanced lyrics run deep.

                          The group opened its Tiny Desk set with “Maghawir” (Commandos), a song Sinno wrote in response to two nightclub shootings in Beirut — a tragic parallel to what happened in Orlando. In the Beirut shootings, which took place within a week of each other, two of the young victims were out celebrating their respective birthdays. So “Maghawir” is a wry checklist of sorts about how to spend a birthday clubbing in their home city, but also a running commentary about machismo and the idea that big guns make big men.

                          “All the boys become men / Soldiers in the capital of the night,” Sinno sings. “Shoop, shoop, shot you down … We were just all together, painting the town / Where’d you disappear?”

                          Ibn El Leil (Son Of The Night) is available now. (iTunes) (Amazon)

                          Set List

                          • “Maghawir” (Commandos)

                          Credits

                          Producers: Anastasia Tsioulcas, Niki Walker; Audio Engineer: Josh Rogosin; Videographers: Niki Walker, Claire Hannah Collins, Kara Frame; Production Assistant: Sophie Kemp; Photo: Ruby Wallau/NPR.

                          For more Tiny Desk concerts, subscribe to our podcast.

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                          Dying In A Hospital Means More Procedures, Tests And Costs

                          When it comes to the end of life, hospital stays are more intensive and more expensive than alternatives.

                          When it comes to the end of life, hospital stays are more intensive and more expensive than alternatives. Medicimage/Science Source hide caption

                          toggle caption Medicimage/Science Source

                          People who die in the hospital undergo more intense tests and procedures than those who die anywhere else.

                          An analysis by Arcadia Healthcare Solutions also shows that spending on people who die in a hospital is about seven times that on people who die at home.

                          The work confirms with hard data what most doctors and policymakers already know: Hospital deaths are more expensive and intrusive than deaths at home, in hospice care, or even in nursing homes.

                          “This intensity of services in the hospital shows a lot of suffering that is not probably in the end going to offer people more quality of life and may not offer them more quantity of life either,” says Dr. Richard Parker, chief medical officer at Arcadia.

                          Where people died and how much the final month of care cost:

                          • 42% of patients died at home: $4,760
                          • 40% of patients died in the hospital: $32,379
                          • 7% of patients died in hospice: $17,845
                          • 7% of patients died in a nursing facility: $21,221
                          • 5% of patients died in the ER: $7,969

                          Source: Arcadia Healthcare Solutions

                          Arcadia analyzed all the Medicaid claims data for a private Medicaid insurance company in one Western state and detailed how many billable medical procedures each patient received and where. Patients in hospitals were billed for far more medical interventions in the last days of their lives than people who died in other settings. The company declined to name the state or company.

                          The study showed that 42 percent of patients died at home at a cost of about $4,760 for their last month of life, while 40 percent died in a hospital at a cost of $32,379. Dying in a nursing home was the second most expensive locale, inpatient hospice was third and an emergency room was fourth.

                          “In the end, everyone died. They all died,” Parker tells Shots. “If we look at this retroactively, retrospectively — and we could go back and ask people — I bet most of them would say I’d rather be home with my family.”

                          Parker says the cost of hospital deaths paid for by Medicare or private insurance are likely even higher because they pay doctors and hospitals more for their services.

                          Many studies have shown that people, when asked, say they’d prefer to die at home rather than in a hospital. However, those wishes aren’t always realized if a person hasn’t given clear instructions to a doctor or family member.

                          Parker says hospitals are designed to cure people who are ill rather than to allow people to die peacefully.

                          “The culture of American medicine today and for the last several decades is to keep treating patients regardless of the quality of life,” he says. “A lot of physicians have been reluctant to admit that the patient’s life is coming to an end.”

                          The picture is more complicated than the data show, says Dr. Lachlan Forrow, a professor of medicine and medical ethics at Harvard University.

                          Many patients move from home to hospice to hospitals and back during the last 30 days of life. And some may end up in the hospital because their pain or symptoms weren’t adequately controlled at home.

                          Still, he says, hospitals are just not good at caring for dying people.

                          “We do lots of very expensive things in hospitals to people in the last part of life who would rather be home, and we do those in part because in the hospital they get paid for,” he says.

                          It’s the only way to justify keeping in a hospital the people who need around the clock nursing care but can’t get it at home.

                          “If we really tried to make sure people at home could have what they needed at home, we could take better care of them, with less medical system-caused suffering, at lower cost, sometimes much lower cost,” he says.

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                          Pistorius Walks Without His Prosthetic Legs In Dramatic Show At Sentencing Hearing

                          Oscar Pistorius walks without his prosthetic legs Wednesday during his resentencing hearing at the Pretoria High Court for the 2013 murder of his girlfriend, Reeva Steenkamp.

                          Oscar Pistorius walks without his prosthetic legs Wednesday during his resentencing hearing at the Pretoria High Court for the 2013 murder of his girlfriend, Reeva Steenkamp. Alon Skuy/AFP/Getty Images hide caption

                          toggle caption Alon Skuy/AFP/Getty Images

                          Oscar Pistorius reached out a hand to steady himself as he walked across the South African High Court room on the stumps of his amputated legs.

                          Lawyers for the former track star, nicknamed “blade runner” for his speed and double-prostheses, are trying to demonstrate that Pistorius is severely disabled and deserves a more lenient murder sentence than the 15-year minimum term for killing his girlfriend, Reeva Steenkamp, on Valentine’s Day 2013.

                          Under South Africa’s sentencing rules, minimum sentences can be reduced under special circumstances, at the discretion of the judge.

                          Pistorius, who sobbed during Wednesday’s hearing, was acquitted of murder but convicted of culpable homicide in 2014 for shooting Steenkamp multiple times through a bathroom door. Prosecutors appealed the conviction, and an appeals court found him guilty of murder. Pistorius appealed and was denied earlier this year. He was released on bail last year, and has been living under house arrest while he awaits sentencing.

                          In the sentencing hearings this week, defense lawyer Barry Roux has focused on his client’s mobility and fame. On Wednesday, he called Pistorius a “broken man,” and said Pistorius is not the “strong, ambitious” person he is perceived to be. He also said the Olympic runner has made a “series of enemies” over the course of his legal saga.

                          “It was not the man winning gold medals that must be judged,” Roux said in his closing arguments. He pointed out that without his prosthetics, Pistorius is much shorter than his 6-foot frame with them.

                          A clinical psychologist, Jonathan Scholtz, testified that Pistorius suffers from both depression and post-traumatic stress disorder. Chief prosecutor Gerrie Nel pointed out on cross-examination that although Pistorius said he could not testify at the hearing because of psychological problems, he did recently give a TV interview.

                          According to The Associated Press, the courtroom in Pretoria was packed with both Pistorius’ and Steenkamp’s family members.

                          The sentencing judge, Thokozile Masipa, is the same one who originally acquitted Pistorius of murder. Sentencing hearings are scheduled to continue through Friday, and the judge is expected to make her decision in early July.

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                          Today in Movie Culture: How 'Finding Nemo' Should Have Ended, a Tribute to LBGT Cinema and More

                          Here are a bunch of little bites to satisfy your hunger for movie culture:

                          Movie Takedown of the Day:

                          With Finding Dory out this week, Honest Trailers sinks Finding Nemo and even offers a disturbing science factoid at the end:

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                          Alternate Ending of the Day:

                          Speaking of Finding Nemo, here’s how the classic Pixar animated movie should have ended:

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                          Custom Toy of the Day:

                          The new Chinese restaurant headquarters from the Ghostbusters remake gets a fan-made Lego playset in this submission to Lego Ideas (via Comic Book Resources):

                          Supercut of the Day:

                          For Fandor Keyframe, Candice Drouet pays tribute to LGBT cinema in this timely, Rainbow Flag-themed video (NSFW):

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                          Rap Battle of the Day:

                          Austin Powers may have spoofed James Bond silly, but can he beat 007 in a rap battle? Watch the two spy characters go musically head to head here (NSFW):

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                          Vintage Image of the Day:

                          Today is Flag Day, so here’s your obligatory classic movie still, from Patton, in honor of the holiday:

                          Cosplay of the Day:

                          Whether or not it’s actually Jurassic Park cosplay or not, we can’t get enough of this T.rex and his attempt at the American Ninja Warrior obstacle course (via Geekologie):

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                          Video Essay of the Day:

                          The following video by Channel Criswell highlights the importance of dialogue design in movies, particularly The Social Network:

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                          Visual List of the Day:

                          Cracked spotlights the most clever instances of foreshadowing in movies, including The Thing and Shaun of the Dead:

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                          Classic Trailer of the Day:

                          Today is the 25th anniversary of the release of Robin Hood: Prince of Thieves. Watch the original trailer for the movie below.

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                          Bonds Pay Less Than Zero As Investors Flee To Safety

                          British Prime Minister David Cameron delivers a speech on the upcoming EU referendum in London on June 7. Concerns about a possible "Brexit" from the EU have rattled financial markets.

                          British Prime Minister David Cameron delivers a speech on the upcoming EU referendum in London on June 7. Concerns about a possible “Brexit” from the EU have rattled financial markets. WPA Pool/Getty Images hide caption

                          toggle caption WPA Pool/Getty Images

                          In more and more countries, investors are paying the government for the privilege of owning its bonds. It’s usually the other way around.

                          The yield on Germany’s 10-year government bond fell into negative territory for the first time ever on Tuesday, as worries build that the United Kingdom could decide to leave the European Union next week.

                          Interest rates on government debt also fell in other countries, such as Japan and the United States, after new polls indicated that support for a so-called Brexit is stronger than previously thought.

                          The yield on the 10-year U.S. Treasury note approached an all-time low, and U.S. stock prices fell for a fourth straight day.

                          The prospect of a Brexit has rattled investors, who worry that a decision to leave the EU would send the value of the British pound falling and cause problems for some of Europe’s biggest banks. British Prime Minister David Cameron has also warned that the impact of leaving the EU could hurt the British economy and be felt throughout the Continent.

                          “People are looking for safety. They’re looking for places to park their money,” says David Blanchflower, professor of economics at Dartmouth.

                          By dipping into negative territory, albeit slightly, Germany joins a small club of wealthy, developed countries, including Denmark, Switzerland, Japan and Sweden, that are essentially able to borrow money from investors and then charge them to do so.

                          “We have some countries — the most notable ones are in Europe — where the investors are willing to buy bonds that have a negative yield. So you don’t get compensated for putting your money into these bonds. It’s like paying a little tax if you like,” says Simon Johnson, professor of global economics and management at the Massachusetts Institute of Technology, and a senior fellow at the Peterson Institute for International Economics.

                          Such countries have benefited from investor fears about the state of the global economy. Growth has been anemic in many wealthy countries, and is slowing in China and other places. As they often do, investors have responded by fleeing to the safe havens of government debt.

                          “The fundamental facts of Japan and much of the euro area are that growth is disappointing. Growth is low. Investors do not feel there are attractive places to put their money, with good returns at reasonable risk,” Johnson says.

                          As demand for these bonds has surged, interest rates have fallen.

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                          'Such A Fantasy Of A Fantasy': U.S. Fencer On Reaching Rio Olympics

                          He never dared imagine he could make it to the Olympics, but 28-year-old fencer Jason Pryor will be competing at this summer’s games in Rio de Janeiro. He’s ranked No. 1 in the U.S. in men’s epee fencing.

                          Transcript

                          KELLY MCEVERS, HOST:

                          More than 10,000 athletes will be competing in the Rio Olympics this summer, and we are going to meet one of them now. He never thought he would be an Olympian. NPR’s Melissa Block spent a busy training day with fencer Jason Pryor in New York.

                          MELISSA BLOCK, BYLINE: Just listen to how Jason Pryor describes the thrill of a win.

                          JASON PRYOR: Lightning – there’s just this excitement shooting through you everywhere. There’s just this thrill that just explodes. And then it’s gone. Just like that, and it’s gone. You just have to keep chasing it over and over and over again.

                          BLOCK: That’s the feeling Pryor first came to know as a chubby kid growing up outside Cleveland. He played soccer first, didn’t much like it. His parents told him he had to do a sport, so he said…

                          PRYOR: OK, well, fencing.

                          BLOCK: Figuring that would get him out of it. But surprise – his parents found a local fencing club, and he discovered he loved it. He fenced all through high school. He says he was extremely mediocre but passionate, got an academic scholarship to Ohio State and helped propel his team to the NCAA fencing championship. He figured his fencing career would stop there. He was making plans for law school.

                          PRYOR: I don’t think I was even brave enough to admit to myself that I wanted to go to the Olympics. That thought was such a fantasy, such a fantasy of a fantasy.

                          BLOCK: But he ended up getting recruited to join the Olympic training program in Colorado Springs, and that means this unlikely Olympian has spent the past six years focused on one thing – Rio – one day, one shot. Jason Pryor is ranked No. 1 in the U.S. in men’s epee. That’s his fencing weapon. And he’s the only U.S. men’s epee fencer going to Rio.

                          I meet up with the 28-year-old first thing in the morning as he makes breakfast. He’s in a muscle shirt, compact and strong. A tattoo of a mongoose fighting a snake winds down his left arm. Jason’s renting a room in Queens, living with a high school buddy and his wife.

                          PRYOR: I eat four eggs every morning. I’d eat more because I’m super hungry, but then I go through, you know, a carton in two days as opposed to three, which is too much because eggs cost quite a bit in New York.

                          BLOCK: Money is a huge, constant worry. Like a lot of Olympic athletes, Jason struggles financially to support his passion. He has a couple of small corporate sponsors, gets paid for occasional athlete appearances. He swallowed his pride and accepted donations from his family church back home. Members passed the hat to help get Jason to Rio.

                          We take the subway into Manhattan for a full day of practice and weightlifting. He’s carrying 25 pounds of gear and trying to explain why those three-minute bouts on the fencing strip are so addictive.

                          PRYOR: That is one of the sweetest things – when you’ve broken their soul and you can see that cold, slimy feeling creep up in their chest when they know they’ve lost the bout. You can taste it in the air when it happens.

                          BLOCK: You’re saying this Jason, and yet you are such a nice guy.

                          PRYOR: Oh, I am a nice guy. You know, but the strip – the strip’s different. It’s two dudes trying to ram a metal rod as hard and fast as they can into each other.

                          BLOCK: It is a combat sport after all.

                          PRYOR: Oh, no – come on.

                          BLOCK: The epee is a slim blade of carbon steel. It weighs about a pound, flexes on contact, and it’s wired. When you score a touch with the tip, the scoring machine beeps, and a light flashes.

                          (SOUNDBITE OF FENCING MATCH)

                          BLOCK: As he fences, Jason is in constant motion, his dreadlocks bouncing on his shoulders. It’s like his feet has springs. They seem to hover above the ground. Pryor is short for a fencer – a little under 5-9. He compensates for that with speed and unpredictable motion. For Kornel Udvarhelyi, who coaches at the New York Fencers Club, watching Jason is like watching a dancer.

                          KORNEL UDVARHELYI: What I tell him usually is just, be the Jason Pryor, you know? Be yourself because I know when he’s himself and he’s moving like that, he’s very hard to hit. And he’s capable of beating anybody in the world.

                          PRYOR: I want to suck people into my motions so that they get desensitized. They don’t notice when I creep distance and then finish the action. You know, in and out so that when they think, oh, he’s coming in and then they jump, and no, that’s the moment when I’m leaving. I want all the motions like my chest and my hips and my hand all moving independent in this sort of weird, flowing, jerking motion that, you know, is really in your face.

                          BLOCK: After practice, it’s another subway ride up to the New York Athletic Club for his daily lesson with his coach, Christian Rivera.

                          CHRISTIAN RIVERA: There it is. Find that moment that they don’t know about.

                          BLOCK: For the last six years, fencing has been Jason’s entire life. I ask if he allows himself to picture it – standing on the podium in Rio, the American flag rising behind him, the national anthem playing.

                          PRYOR: I’m not thinking about medals or podiums or any of that crap. I’m thinking about being amazing, what it feels like to score those touches when I’m so sharp around the short target that as soon as I feel someone extending – pow, one light for me – pow, one light on the toe. Boom – that’s what I’m thinking about – but past the actual touches – no.

                          RIVERA: Woo – get them – next one.

                          BLOCK: Jason Pryor will compete in Rio on August 9. Melissa Block, NPR News.

                          Copyright © 2016 NPR. All rights reserved. Visit our website terms of use and permissions pages at www.npr.org for further information.

                          NPR transcripts are created on a rush deadline by Verb8tm, Inc., an NPR contractor, and produced using a proprietary transcription process developed with NPR. This text may not be in its final form and may be updated or revised in the future. Accuracy and availability may vary. The authoritative record of NPR’s programming is the audio record.

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                          If Zika May Derail A Trip, Look At 'Cancel-For-Any-Reason' Travel Insurance

                          Would the threat of Zika lead you to rethink a scheduled trip to Ipanema beach or the Summer Olympics in Rio de Janeiro, Brazil? You'd need the right kind of travel insurance to cover the cost of a canceled trip.

                          Would the threat of Zika lead you to rethink a scheduled trip to Ipanema beach or the Summer Olympics in Rio de Janeiro, Brazil? You’d need the right kind of travel insurance to cover the cost of a canceled trip. Mario Tama/Getty Images hide caption

                          toggle caption Mario Tama/Getty Images

                          As the summer unfolds, people are understandably interested in whether travel insurance will cover them if they cancel a trip because of concerns about the Zika virus. Other readers asked whether student health plans are a better option than the coverage from a health law marketplace and how an employer can’t offer mental health coverage. Here are the answers.

                          My wife and I have a trip planned to South America, but we’re increasingly worried about the Zika virus. We bought travel insurance when we booked the trip. If we cancel, will we be able to get our money back?

                          A typical travel insurance policy won’t reimburse you for trip expenses if you cancel because you’re afraid of traveling to a country where there have been reports of an outbreak of a disease such as the Zika virus.

                          But if you purchased a “cancel-for-any-reason” policy, your claim is more likely to be approved, said Megan Freedman, executive director of the U.S. Travel Insurance Association, a trade group. Like standard trip cancellation policies, these policies provide financial protection for unreimbursed expenses if you have to cancel your trip before it starts or interrupt it once you’re there. These policies also allow you to cancel for any reason, including pregnancy, a particular concern with the Zika virus. They typically cost a bit more than a standard policy. If you cancel, you’ll generally be reimbursed for about 75 percent of your prepaid expenses.

                          The Zika virus causes only mild flu-like symptoms in most people, but if women contract it during pregnancy, it can cause a devastating birth defect called microcephaly in their baby. Researchers estimate that babies born to between 1 and 13 percent of pregnant women who are infected during their first trimester will have that problem.

                          The virus is generally passed along through the bite of an infected mosquito.

                          Even if your travel insurance policy won’t approve your claim, it’s worth contacting your airline or hotel to ask about refunds, Freedman said.

                          “Ask what if any concessions your hotel or airline is extending,” she said.

                          I’m leaving my job to go to graduate school this summer. The college offers a student health plan, but would I be better off buying an individual plan on the marketplace? Since I worked half of the year, I suspect I won’t get much in subsidies.

                          The best choice for you will depend on a couple of factors, including how good the student plan is at your school and your coverage priorities: Do you want a plan with generous coverage or would you prefer something that may have a higher deductible, for example, but probably has a lower price tag?

                          Student health plans vary widely from school to school, said Stephen Beckley, a higher education health care consultant in Fort Collins, Colo. At many schools, coverage is equivalent to a platinum level plan on the state marketplace, meaning it pays 90 percent of the cost of medical services. A survey of student health plans at 38 public and private schools conducted by Hodgkins Beckley Consulting found average premiums were $184 at public universities and $217 at private colleges.

                          A platinum-level plan on the health law marketplaces would likely run more than that, especially if you don’t qualify for a federal tax credit to help pay the premium. On the state marketplaces, more than three-quarters of people who buy plans get premium tax credits, which are available to people with annual incomes up to 400 percent of the federal poverty level (about $47,000 for an individual). This year, after factoring in an average premium tax credit of $290, consumers paid on average $106 per month for coverage in the 38 states where the federal government operates the marketplace. Most people buy silver plans on the state exchanges, which pay for 70 percent of medical services, leaving them to pick up more of the cost of care than a platinum plan does.

                          My employer does not offer mental health benefits. What can I do?

                          You’re in a tough spot. The federal mental health parity law doesn’t require companies to offer mental health benefits. Rather, it says that if they do, the benefits have to be at least as generous as their medical/surgical benefits.

                          You have several options, but none of them is a slam dunk. Some therapists charge on a sliding scale for a small proportion of their caseload, said Lynn Bufka, a psychologist who is the associate executive director for practice research and policy at the American Psychological Association.

                          Depending on where you live, you may be able to find a local mental health clinic or federally qualified health center that offers mental health services for less than you’d pay a private therapist, Bufka said. You could also check out universities near you that have training programs for mental health professionals. You might be able to work with a student who’s under close supervision by a trained professional.

                          Once you find someone, ask if there are things you can do to help accelerate the work using self-help books or guided exercises between sessions.

                          “It’s important for people to understand that psychotherapy does not need to be a forever thing,” Bufka said. “It could be a 10 to 12 week intervention.”

                          Kaiser Health News is an editorially independent news service that is part of the nonpartisan Henry J. Kaiser Family Foundation. Email questions for future columns: KHNHelp@KFF.org. Michelle Andrews is on Twitter: @mandrews110.

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