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Movie News: Amy Poehler to Star in and Direct 'Wine Country'; Watch Jeremy Renner in First 'Tag' Trailer

The House

Wine Country: Amy Poehler (The House, above) will direct and star in Wine Country. The comedy will mark her directorial debut; it follows longtime friends who travel to the Napa Valley region of California to celebrate a birthday. Rachel Dratch, Ana Gasteyer, Paula Pell, Maya Rudolph and Emily Spivey will also star, while Tina Fey will be featured .Spivey wrote the original screenplay with Liz Cackowski. Production will begin later this month. [The Hollywood Reporter]

It’s happening—Amy Poehler’s directorial debut, Wine Country, is coming soon to Netflix! Starring Amy Poehler, Rachel Dratch, Ana Gasteyer, Paula Pell, Maya Rudolph, Emily Spivey and featuring Tina Fey. Get excited. Get real excited. pic.twitter.com/kZedPmzeVC

— Netflix US (@netflix) March 20, 2018

The Big Sick

Stuber: Kumail Nanjiani (The Big Sick, above) will star in Stuber. Dave Bautista is already set to star in the action comedy, which will be directed by Michael Dowse (Goon). Tripper Clancy wrote the original script. Nanjiani will portray an Uber driver who picks up a cop (Bautista) on the trail of a killer. [Heat Vision]

Wonder

Good Boys: Jacob Tremblay (Room; Wonder, above with Julia Roberts) will star in Good Boys. The film is described as an “R-rated comedy” that revolves around four boys who skip school for a day-long adventure. Lee Eisenberg and Gene Stupnitsky, whose credits as a writing team include Year One and Bad Teacher, wrote the screenplay and will make their directorial debut. Producers include Seth Rogen and Evan Goldberg. [Deadline]

Tag

Tag Trailer: Jeremy Renner (above), Jon Hamm, Ed Helms and Hannibal Buress star in Tag as friends who gather every year for a month-long game of tag. As the first trailer shows, however, their annual gathering may be coming to a close. Annabelle Wallis, Rashida Jones and Isla Fisher also star in the action-comedy, which will open in theaters on June 15. [Movieclips]

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Run-DMC, Pauline Oliveros, 'Rumours,' Chic And Beethoven Added To Library Of Congress

Run-D.M.C. backstage at the Grammy Awards in March 1987. The hip-hop group’s 1986 album Raising Hell is one of 25 new inductees to the Library of Congress Recording Registry.

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The National Library of Congress has shared its latest batch of musical inductees to the National Recording Registry. The 25 works — a mix of singles, field recordings, albums and soundtracks — represent myriad genres and time periods, and bring the Registry’s overall catalog up to 500 entries.

From pop, the class includes The Temptations‘ 1965 hit single “My Girl”; Tony Bennett‘s 1962 love song “I Left My Heart in San Francisco”; the soundtrack to The Sound of Music; Harry Belafonte‘s 1965 album Calypso; Arlo Guthrie’s 1967 anti-war monologue “Alice’s Restaurant Massacree”; the 1967 compilation New Sounds in Electronic Music, which included separate works from Steve Reich, Richard Maxfield and Pauline Oliveros; Chic’s indelible disco hit “Le Freak” from 1978; and Run-D.M.C.‘s 1986 album Raising Hell.

Other timeless inductions run the gamut from Arthur Schnabel’s The Complete Beethoven Piano Sonatas (1932-1935), the works’ first recordings, to historical field recordings of songs, preserved on wax cylinders by George Herzog in 1928, from the Sioux’s Yanktonai-Dakota band. The cylinders captured songs of the band following its relocation to Standing Rock Reservation (near the site of the protracted Dakota Access Pipeline protests) and songs recalled from times prior to establishment of the reservation. The 1930 bolero folk song “Lamento Borincano” gave a voice to the plight of Puerto Rico’s farming community during the Great Depression. NBC’s two-month radio series covering the United Nations Conference on International Organization, which took place in San Francisco between April and June, 1945, gives a fly-on-the-wall account of how the United Nations’ charter was created.

The 2017 inductees are listed chronologically below.

“Dream Melody Intermezzo: Naughty Marietta” (single), Victor Herbert and his Orchestra (1911)

Standing Rock Preservation Recordings, George Herzog and Members of the Yanktoni Tribe (1928)

“Lamento Borincano” (single), Canario y Su Grupo (1930)

“Sitting on Top of the World” (single), Mississippi Sheiks (1930)

The Complete Beethoven Piano Sonatas (album), Artur Schnabel (1932-1935)

“If I Didn’t Care” (single), The Ink Spots (1939)

Proceedings of the United Nations Conference on International Organization (4/25/45-6/26/45)

Folk Songs of the Hills (album), Merle Travis (1946)

“How I Got Over” (single), Clara Ward and the Ward Singers (1950)

“(We’re Gonna) Rock Around the Clock” (single), Bill Haley and His Comets (1954)

Calypso (album), Harry Belafonte (1956) album

“I Left My Heart in San Francisco” (single), Tony Bennett (1962)

“King Biscuit Time” (radio), Sonny Boy Williamson II and others (1965)

“My Girl” (single), The Temptations (1964)

The Sound of Music (soundtrack), Various (1965)

“Alice’s Restaurant Massacree” (single), Arlo Guthrie (1967)

New Sounds in Electronic Music (album), Steve Reich, Richard Maxfield, Pauline Oliveros (1967)

An Evening with Groucho (album), Groucho Marx (1972)

Rumours, (album), Fleetwood Mac (1977)

“The Gambler” (single), Kenny Rogers (1978)

“Le Freak” (single), Chic (1978)

“Footloose” (single), Kenny Loggins (1984) remake released in 2011.

Raising Hell (album), Run-DMC (1986)

“Rhythm Is Gonna Get You” (single), Gloria Estefan and the Miami Sound Machine (1987)

Yo-Yo Ma Premieres: Concertos for Violoncello and Orchestra (album), Various (1996)

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Today in Movie Culture: Justice League vs. Watchmen Fan Trailer, 'Jurassic World: Fallen Kingdom' in Lego and More

Here are a bunch of little bites to satisfy your hunger for movie culture:

Mashup of the Day:

Justice League disappointed at the box office, but what if that movie’s team faced-off against the heroes of Watchmen? Alex Luthor shows us in this fan-made trailer:

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Supercut of the Day:

The best comic book movies are those that have great villains, like the ones highlighted in this supercut by Robert Jones:

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Reworked Trailer of the Day:

Huxley Berg Studios remade the latest Jurassic World: Fallen Kingdom trailer in Lego, as they do so perfectly:

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Reworked Movie of the Day:

In anticipation of the release of Pacific Rim: Uprising this weekend, here’s John Boyega battling puppies in a more adorable version of the movie:

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Cosplay of the Day:

Speaking of Pacific Rim, it’s a good time to showcase cosplaying fans of the franchise, such as this one dressed as Sasha Kaidonovsky from the first movie:

Today on Daily #Cosplay: Incredible Sasha Kaidanovsky from Pacific Rim, More: https://t.co/TVJLxTWOewpic.twitter.com/MexSt0uaqH

— Daily Cosplay (@dailycosplay) March 19, 2018

Movie Scene Comparison of the Day:

Watch the different versions of the same sequences from Looper played side by side for comparison by Dimitreze:

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Vintage Image of the Day:

Carl Reiner, who turns 96 today, looking sad on his 57th birthday with Steve Martin on the set of The Jerk in 1979:

Filmmaker in Focus:

In anticipation of Isle of Dogs, Honest Trailers looks at all of Wes Anderson’s movies and truthfully markets them appropriately:

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Video Essay of the Day:

This year marks the 45th anniversary of the release of The Exorcist so it’s a good time for this deep analysis of the horror classic by Rob Ager:

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Classic Trailer of the Day:

Today is the 20th anniversary of the release of Mike Nichols’ Primary Colors. Watch the original trailer for the classic political drama below.

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Talking About Periods in Public

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Five people tackle the period taboo head-on.

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“Shark week,” “Aunt Flo,” “Carrie at the prom” — these are a few common nicknames for periods, according to Jennifer Weiss-Wolf, author of Periods Gone Public:Taking a Stand for Menstrual Equity. But the list is far from exhaustive: “There are something like 5,000 euphemisms for periods,” she says.

Why all the code words? Society has become more open to talking about menstruation in recent years (in fact, NPR declared 2015 the “year of the period”), but periods are still a topic more often talked around than talked about. That can have consequences — like shame, undiagnosed medical conditions and lack of product innovation, to name a few.

Hear five people who are fighting the taboo share their thoughts and experiences about periods — from leaks to the “tampon tax” to what it means to bleed when you don’t identify as a woman — all out in the open.

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The Puzzle Of Quantum Reality

Conceptual computer art of superstrings; the superstring theory is a

Pasieka/Getty Images/Science Photo Library RF

There’s a hole at the heart of quantum physics.

It’s a deep hole. Yet it’s not a hole that prevents the theory from working. Quantum physics is, by any measure, astonishingly successful. It’s the theory that underpins nearly all of modern technology, from the silicon chips buried in your phone to the LEDs in its screen, from the nuclear hearts of the most distant space probes to the lasers in the supermarket checkout scanner. It explains why the sun shines and how your eyes can see. Quantum physics works.

Yet the hole remains: Despite the wild success of the theory, we don’t really understand what it says about the world around us. The mathematics of the theory makes incredibly accurate predictions about the outcomes of experiments and natural phenomena. In order to do that so well, the theory must have captured some essential and profound truth about the nature of the world around us. Yet there’s a great deal of disagreement over what the theory says about reality — or even whether it says anything at all about it.

Even the simplest possible things become difficult to decipher in quantum physics. Say you want to describe the position of a single tiny object — the location of just one electron, the simplest subatomic particle we know of. There are three dimensions, so you might expect that you need three numbers to describe the electron’s location. This is certainly true in everyday life: If you want to know where I am, you need to know my latitude, my longitude, and how high above the ground I am. But in quantum physics, it turns out three numbers isn’t enough. Instead, you need an infinity of numbers, scattered across all of space, just to describe the position of a single electron.

This infinite collection of numbers is called a “wave function,” because these numbers scattered across space usually change smoothly, undulating like a wave. There’s a beautiful equation that describes how wave functions wave about through space, called the Schrödinger equation (after Erwin Schrödinger, the Austrian physicist who first discovered it in 1925). Wave functions mostly obey the Schrödinger equation the same way a falling rock obeys Newton’s laws of motion: It’s something like a law of nature. And as laws of nature go, it’s a pretty simple one, though it can look mathematically forbidding at first.

Yet despite the simplicity and beauty of the Schrödinger equation, wave functions are pretty weird. Why would you need so much information — an infinity of numbers scattered across all of space — just to describe the position of a single object? Maybe this means that the electron is smeared out somehow. But as it turns out, that’s not true. When you actually look for the electron, it shows up in only one spot. And when you do find the electron, something even stranger happens: The electron’s wave function temporarily stops obeying the Schrödinger equation. Instead, it “collapses,” with all of its infinity of numbers turning to zero except in the place where you found the electron.

So what are wave functions? And why do they only obey the Schrödinger equation sometimes? Specifically, why do they only obey the Schrödinger equation when nobody is looking? These unanswered questions circumscribe the hole at the heart of quantum physics. The last question, in particular, is notorious enough that it has been given a special name: the “measurement problem.”

The measurement problem seems like it should stop quantum physics in its tracks. What does “looking” or “measurement” mean? There’s no generally agreed-upon answer to this. And that means, in turn, that we don’t really know when the Schrödinger equation applies and when it doesn’t. And if we don’t know that — if we don’t know when to use this law and when instead to put it aside — how can we use the theory at all?

The pragmatic answer is that when we physicists do quantum physics, we tend to think of it only as the physics of the ultra-tiny. We usually assume that the Schrödinger equation doesn’t really apply to sufficiently large objects — objects like tables and chairs and humans, the things in our everyday lives. Instead, as a practical matter, we assume that those objects obey the classical physics of Isaac Newton, and that the Schrödinger equation stops applying when one of these objects interacts with something from the quantum world of the small. This works well enough to get the right answer in most cases. But almost no physicists truly believe this is how the world actually works. Experiments over the past few decades have shown that quantum physics applies to larger and larger objects, and at this point few doubt that it applies to objects of all sizes. Indeed, quantum physics is routinely and successfully used to describe the largest thing there is — the universe itself — in the well-established field of physical cosmology.

But if quantum physics really applies at all scales, what’s the true answer to the measurement problem? What’s actually going on in the quantum world? Historically, the standard answer was to say that there is no measurement problem, because it’s meaningless to ask what’s going on when nobody’s looking. The things that happen when nobody’s looking are unobservable, and it’s meaningless to talk about unobservable things. This position is known as the “Copenhagen interpretation” of quantum physics, after the home of the great Danish physicist Niels Bohr. Bohr was the godfather of quantum physics and the primary force behind the Copenhagen interpretation.

Despite its historical status as the default answer to these quantum questions, the Copenhagen interpretation is inadequate. It says nothing about what’s going on in the world of quantum physics. In its stubborn silence on the nature of reality, it offers no explanation of why quantum physics works at all, since it can point to no feature of the world that is anything like the mathematical structures at the heart of the theory. There’s no compelling logical or philosophical grounds for declaring unobservable things meaningless. And the word “unobservable” isn’t much better defined than the word “measurement” anyhow. So declaring unobservable things meaningless is not only a silly position, it’s a vague one. That vagueness has plagued the Copenhagen interpretation from the start; today, the “Copenhagen interpretation” has become a collective label for several mutually contradictory ideas about quantum physics.

Despite this host of problems, the Copenhagen interpretation was overwhelmingly dominant within the physics community for much of the 20th century, because it allowed physicists to perform accurate calculations without worrying about the thorny questions at the heart of the theory. But over the past 30 years, support for the Copenhagen interpretation has eroded. Many physicists still voice support for it — surveys suggest that a plurality or majority of physicists subscribe to it — but there are live alternatives that now have significant support.

The best known of these alternatives is the “many-worlds” interpretation of quantum physics, which states that the Schrödinger equation always applies and wave functions never collapse. Instead, the universe continually splits, with every possible outcome of every event occurring somewhere in the “multiverse.” Another alternative, pilot-wave theory, states that quantum particles are guided in their motions by waves, and that the particles in turn can exert faster-than-light influences on far-distant waves (though this cannot be used to send energy or signals faster than light).

These two ideas give two very different depictions of reality, but they both line up perfectly with the mathematics of quantum mechanics as we know it. There are also alternative theories that modify the mathematics of quantum physics, such as spontaneous-collapse theories, which suggest that the collapse of the wave function has nothing to do with measurement, and is instead a natural process that happens entirely at random.

There are many, many other alternatives. Quantum foundations, the field that deals in resolving the measurement problem and the other basic questions of quantum theory, is a lively subject brimming with creative ideas. The hole at the heart of quantum physics is still there — there’s still an open problem that needs solving — but there are many fascinating theories that have been proposed to solve these problems. These ideas might also point the way forward on other problems in physics, such as a theory of quantum gravity, the “theory of everything” that has been the ultimate goal of physicists since Albert Einstein.

Whether that will come to pass remains to be seen. But the problems papered over by the Copenhagen interpretation for so long are finally receiving the attention they deserve. And plumbing the depths of the quantum hole may yield an entirely new perspective, not just on the world of the quantum, but on the nature of reality itself.


Adam Becker is the author ofWhat Is Real?: The Unfinished Quest For The Meaning Of Quantum Physics, published March 20. He is a visiting scholar in the University of California, Berkeley, Office for History of Science and Technology. Becker holds a PhD in astrophysics from the University of Michigan and a BA in philosophy and physics from Cornell.

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What Questions Do You Have About Facebook And Your Personal Data?

With recent backlash surrounding analytics firm Cambridge Analytica‘s access to and alleged misuse of massive amounts of Facebook user data, NPR wants to hear from social media users.

Fill out the form below. An NPR producer might be in touch, and your response may be used for an upcoming story.

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SXSW 2018 Wrap-Up: Our Favorite Discoveries And Memorable Moments

Clockwise from upper left: Sudan Archives, THICK, Gato Preto, Saint Sister, Surma

Courtesy of the artists

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Courtesy of the artists

Our bleary-eyed, ear-ringing week of seemingly non-stop live music in Austin, Texas has ended and we’re back one last time to reflect on the 2018 South by Southwest festival and play some of our favorite discoveries.

Hosts Bob Boilen and Robin Hilton, along with NPR Music’s Stephen Thompson and Rodney Carmichael, convene in the NPR studios to share the most memorable stories and songs of the festival, from the gritty rock of Brooklyn’s THICK and Afro-electronic soundscapes of Sudan Archives to the mumble rap of Tierra Whack, the soaring pop of G Flip and much more.

You can find a whole lot more from the festival here, including South by Lullabies (from Stella Donnelly, Natalie Prass and more), live concert videos and more.

Artists And Songs Featured On This Episode

Cover for It's Always Something

04Are You With Me?

1:50

THICK

  • Song: Are You With Me?

The Brooklyn trio THICK’s “Are You With Me?” is a raging, tightly-wound sonic boom that punches far above the “postage stamp-sized” venue the band played in.

Cover for It Is But It's Not

01Are We There Yet?

6:34

Theodore

  • Song: Are We There Yet?

Greek musician Theodore’s song, “Are We There Yet?” brings to mind the aural largess of Pink Floyd’s “Us And Them,” but its title belies just how satisfying the slow-building journey can be.

Cover for About You

01About You

4:06

G Flip

  • Song: About You

Australian singer-drummer G Flip emerged from behind the kit for a star-making turn on “About You.” It’s a soaring pop smash that helped make her one of the most buzzed-about acts at this year’s South by Southwest festival.

Cover for Pendulum

02Bridges

3:28

Aisha Badru

  • Song: Bridges

Aisha Badru transfixed NPR Music’s Robin Hilton with her bare, heart-rending SXSW set, despite the sterile hotel lounge where she played.

Cover for Sudan Archives

02Come Meh Way

2:26

Sudan Archives

  • Song: Come Meh Way

The music of Sudan Archives was the definitive favorite of the festival for NPR Music’s Bob Boilen and Rodney Carmichael. She’s inspired by Sudanese violin music, but branches off into minimal vox-and-violin clinics (“Come Meh Way”) and dizzying electronica (“Water”).

Cover for Mumbo Jumbo

01Mumbo Jumbo

2:33

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Tierra Whack

  • Song: Mumbo Jumbo

NPR Music’s Rodney Carmichael compares Philadelphia rapper Tierra Whack to the inimitable Missy Elliott for Whack’s imaginative concepts and jagged-edge lyricism.

Cover for Black

01Black (feat. A$AP Ferg)

3:54

Buddy

  • Song: Black (feat. A$AP Ferg)

Compton rapper Buddy, who was born to a devout Baptist family and avoided gang life, carves out his own space with this track featuring A$AP Ferg.

Cover for Go Farther In Lightness

02What Can I Do If The Fire Goes Out?

4:55

Gang Of Youths

  • Song: What Can I Do If The Fire Goes Out?

Big, bold guitar rock isn’t dead quite yet, and this Australian export is proof. Gang Of Youths makes bellowing, grandiose rock music. “What Can I Do If The Fire Goes Out,” as NPR Music’s Stephen Thompson puts it, would blow the roof off a stadium or the moon.

Cover for Mother

08Call And Response

3:24

Xylouris White

  • Song: Call And Response

Xylouris White, the duo comprised of Jim White from The Dirty Three and Greek lute player George Xylouris, soothed NPR Music’s Bob Boilen’s weariness. The expert interplay and improvisation in “Call And Response” proved to be a balm amid a sea of artists and groups still honing their sound.

Cover for Causing Trouble

01Causing Trouble

3:19

Saint Sister

  • Song: Causing Trouble

From the land of left-of-field instruments comes Saint Sister, an Irish duo whose spacious electropop is anchored by a Celtic harp.

Cover for Tempo

03Dia D

3:31

Gato Preto

  • Song: Dia D

The Dusseldorf, Germany-based duo behind Gato Preto — producer Lee Bass and singer Gata Misteriosa — merged Afropop riffs, Portugese rapping and an infectious four-on-the-floor house stutter to create a small frenzy in the Convention Center room they shared with twenty or so people.

Cover for Antwerpen

Surma

  • Song: Hemma

Surma’s “Hemma” feels like a study in contrasts. A brutal, bass-heavy undercurrent is pushed against starry overtones and the Portugese multi-instrumentalist’s childlike timbre.

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Cover for Blisstonia

07My Dear Elena Summer’s Vudun

3:34

Weird Bloom

  • Song: My Dear Elena Summer’s Vudun

NPR Music’s Robin Hilton says Weird Bloom sounds like Tiny Tim collaborated with T. Rex, making this quirky Italian rock band one of the stranger and more memorable acts he saw this year.

Cover for Greatest Tits

02Velvet Noose

3:45

Thunderpussy

  • Song: Velvet Noose

Closing the episode off the way we started is Thunderpussy, the Seattle rock band that gave a thrashing, charismatic performance fronted by the incredible singer Molly Sides.

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Today in Movie Culture: 'Avengers: Infinity War' Easter Eggs, a 'Return of the Jedi' Plot Hole Explained and More

Here are a bunch of little bites to satisfy your hunger for movie culture:

Easter Eggs of the Day:

There’s a new Avengers: Infinity War trailer, so here’s your obligatory humorous breakdown of Easter eggs and more from Mr. Sunday Movies:

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Remade Trailer of the Day:

Speaking of the new Avengers: Infinity War trailer, so there had to be another redo of the trailer using Marvel animated series footage care of Darth Blender:

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Cosplay of the Day:

Smart Aleck Comedy also remade the Avengers: Infinity War trailer by piecing together clips of Marvel character cosplayers:

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Alternate Movie Poster of the Day:

With all the complaints about Hawkeye not being on the Avengers: Infinity War poster, this BossLogic redo was inevitable:

Don’t worry bro @renner4real we got you #hawkeye#infinitywar@Avengers@MarvelStudiospic.twitter.com/pU40cRIYbY

— BossLogic (@Bosslogic) March 17, 2018

Movie Bridge of the Day:

Wonder where Leia got her Boushh disguise before Return of the Jedi? Watch her get the suggestion from Maz Kanata and defeat the bounty huntery for the costume in this official Star Wars animated short:

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Vintage Image of the Day:

Ursula Andress, who turns 82 today, discusses her iconic Bond girl role with author Ian Fleming on the set of Dr. No in 1962:

Filmmaker in Focus:

With Isle of Dogs opening this weekend, Luis Azevedo showcases the sounds of Wes Anderson movies in this Fandor video:

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Fake Audition Reel of the Day:

The cast of Saturday Night Live plus guest host Bill Hader impersonate Al Pacino, Jodie Foster, Wesley Snipes and more icons of the ’90s as if they were auditioning for Jurassic Park:

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Fan Craft of the Day:

Check out this fan’s croteched characters from the movies It and Black Panther (and TV’s Doctor Who and The Golden Girls):

What are you #crocheting today? Or should I say WHO? (Photos are my most popular #amigurumi patterns!) pic.twitter.com/NdtHn1BrGx

— Allison Hoffman (@craftyiscool) March 17, 2018

Classic Trailer of the Day:

Today is the 25th anniversary of the release of Teenage Mutant Ninja Turtles III. Watch the original trailer for the sequel below.

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The Weinstein Co. Files For Bankruptcy, Cancels Non-Disclosure Agreements

Hollywood mogul Harvey Weinstein whose production company announced it has filed for bankruptcy protection.

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The Weinstein Company Holdings LLC announced that it has filed for voluntary bankruptcy and entered into an agreement to sell its assets to a Dallas-based equity firm.

It also announced that it is ending all nondisclosure agreements that prevented victims of alleged sexual misconduct at the hands of disgraced Hollywood mogul Harvey Weinstein from talking about their experiences.

The Weinstein Co. will enter into a “stalking horse” agreement with an affiliate of Lantern Capital Partners in conjunction with entering into bankruptcy proceedings.

“Under the agreement, Lantern will purchase substantially all of the assets of the Company, subject to certain conditions including approval of the Bankruptcy Court. The Board selected Lantern in part due to Lantern’s commitment to maintain the assets and employees as a going concern,” said the company in a statement released late Monday.

But it was the second and third paragraphs of the statement that are likely to draw even greater attention in light of the many women who have come forward to accuse Weinstein of sexually harassment and abuse.

“Today, the Company also takes an important step toward justice for any victims who have been silenced by Harvey Weinstein. Since October, it has been reported that Harvey Weinstein used non-disclosure agreements as a secret weapon to silence his accusers.

Effective immediately, those “agreements” end. The Company expressly releases any confidentiality provision to the extent it has prevented individuals who suffered or witnessed any form of sexual misconduct by Harvey Weinstein from telling their stories. No one should be afraid to speak out or coerced to stay quiet. The Company thanks the courageous individuals who have already come forward. Your voices have inspired a movement for change across the country and around the world.”

The announcement comes after a group of investors, led by former Obama administration official, Maria Contreras-Sweet, tried and failed to purchase the assets of The Weinstein Co. earlier this month. That deal, which would have re-invented the firm as a female-run company, collapsed upon the discovery of debt previously unknown by the investors.

Weinstein has been accused of raping or sexually assaulting many women over decades.

New York Attorney General Eric Schneiderman, who has brought suit against The Weinstein Co., Harvey Weinstein and his brother, Bob Weinstein, issued a statement praising the announcement.

“This is a watershed moment for efforts to address the corrosive effects of sexual misconduct in the workplace. The Weinstein Company’s agreement to release victims of and witnesses to sexual misconduct from non-disclosure agreements—which my office has sought throughout this investigation and litigation—will finally enable voices that have for too long been muzzled to be heard.”

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SXSW 2018 Recap: Hip Hop, Latin Folk and Mexican Barbecue

Sudan Archives

Robb Klassen/Courtesy of the artist

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Robb Klassen/Courtesy of the artist

The 2018 South by Southwest Music Festival in Austin, Texas has come to an end. But before the week-long fest finished, Alt.Latinohost Felix Contreras and NPR Music hip-hop correspondent Rodney Carmichael met up at a barbecue joint in Austin to dish about their favorite performances from the week.

Tierra Whack

“This is, like, my new favorite hip-hop artist right now,” Carmichael says. “She has this song called ‘Mumbo Jumbo’ … that she laid down rough vocals for and she never went back and cleaned them up. It sounds so good, and her energy on stage was so incredible.”

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La Cuneta Son Machin

“They do a combination of Nicaraguan folk music mixed with jazz, mixed with ska, mixed with a bit of rock,” Contreras says. “They blew the roof of this place.”

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Sudan Archives

“She’s up on the stage; this tall, thin, regal-looking black woman with an afro that adds another five feet to her stature,” Carmichael says. “It’s just a mix of soul and funk and classical thrown in.”

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Hear the full conversation at the audio link.

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