{"id":18967,"date":"2019-04-13T16:30:43","date_gmt":"2019-04-14T00:30:43","guid":{"rendered":"https:\/\/associatednews.info\/content\/uncharted-waters-union-tells-hollywood-writers-to-fire-their-agents\/"},"modified":"2019-04-13T16:30:43","modified_gmt":"2019-04-14T00:30:43","slug":"uncharted-waters-union-tells-hollywood-writers-to-fire-their-agents","status":"publish","type":"post","link":"https:\/\/associatednews.info\/content\/uncharted-waters-union-tells-hollywood-writers-to-fire-their-agents\/","title":{"rendered":"&#8216;Uncharted Waters&#8217;: Union Tells Hollywood Writers To Fire Their Agents"},"content":{"rendered":"<p><span style=\"font-style:italic;font-size:16px\">By  <a target=\"_blank\" href=\"https:\/\/www.npr.org\/2019\/04\/13\/713030206\/uncharted-waters-union-tells-hollywood-writers-to-fire-their-agents?utm_medium=RSS&amp;utm_campaign=business\">Sasha Ingber<\/a><\/span>  <\/p>\n<div class=\"ftpimagefix\" style=\"float:left\"><a target=\"_blank\" rel=\"nofollow\" href=\"https:\/\/www.npr.org\/2019\/04\/13\/713030206\/uncharted-waters-union-tells-hollywood-writers-to-fire-their-agents?utm_medium=RSS&amp;utm_campaign=business\"><img decoding=\"async\" width=\"150\" src=\"https:\/\/media.npr.org\/assets\/img\/2019\/04\/13\/gettyimages-1130393757_wide-b6be1b41d971b04661614e58e08d6385aee48489-s1100-c15.jpg\" alt><\/p>\n<div>\n            <a target=\"_blank\" rel=\"nofollow\" href=\"https:\/\/media.npr.org\/assets\/img\/2019\/04\/13\/gettyimages-1130393757_wide-b6be1b41d971b04661614e58e08d6385aee48489-s1200.jpg\"><\/a><\/div>\n<div>\n<div>\n<div>\n            <a target=\"_blank\" rel=\"nofollow\" href=\"https:\/\/media.npr.org\/assets\/img\/2019\/04\/13\/gettyimages-1130393757_wide-b6be1b41d971b04661614e58e08d6385aee48489-s1200.jpg\">Enlarge this image<\/a>\n        <\/div>\n<\/div>\n<div>\n<div>\n<div>\n<p>\n                Writers Guild of America West President David Goodman speaks in Los Angeles at the 2019 union award ceremony. The WGA instructed is writers to fire their agents on Friday.<\/p>\n<p>                <b><\/p>\n<p>                    Frazer Harrison\/Getty Images<\/p>\n<p>                <\/b><br \/>\n                <b><b>hide caption<\/b><\/b>\n            <\/p>\n<\/p><\/div>\n<p>            <b><b>toggle caption<\/b><\/b>\n    <\/div>\n<p>    <span><\/p>\n<p>        Frazer Harrison\/Getty Images<\/p>\n<p>    <\/span>\n<\/div>\n<\/p><\/div>\n<p>Thousands of Hollywood writers have been told by the Writers Guild of America to fire their agents \u2014 a drastic move that could impinge the production of new TV shows and films.<\/p>\n<p>The abrupt directive on Friday followed a breakdown in negotiations over proposed changes to <a target=\"_blank\" rel=\"nofollow\" href=\"https:\/\/www.wga.org\/employers\/agencies\/agency-agreement\">the agreement<\/a> that has guided the basic business relationship between writers and agents for the past 43 years. <\/p>\n<p>With talks stalled ahead of a midnight deadline, the WGA sent its 13,000 writers an email with instructions to notify their agents in writing that they cannot represent them until signing a new code of conduct.<\/p>\n<p>&#8220;We know that, together, we are about to enter uncharted waters,&#8221; the message stated. &#8220;Life that deviates from the current system might be various degrees of disorienting. But it has become clear that a big change is necessary.&#8221;<\/p>\n<p>It was a bold move for a group accustomed to writing its own scripts. &#8220;I guess the idea of taking on our agents is something people never thought we would do,&#8221; said David Goodman, the president of the Writers Guild of America West, in an interview with NPR.<\/p>\n<aside>\n<div><\/div>\n<\/aside>\n<p>&#8220;Studios and networks still need writers to do the work so until agents figure out that they need us more than we need them, we will carry this out,&#8221; said Goodman.<\/p>\n<p><!-- END ID=\"RES713033872\" CLASS=\"BUCKETWRAP INTERNALLINK INSETTWOCOLUMN INSET2COL \" --><\/p>\n<p>At the center of the conflict is a complaint among writers that their agents are not just drastically out-earning them, but preventing them from receiving better pay. The dispute threatens to hinder production at a time when the major broadcast networks are typically staffing up for their fall lineups. It could also lead to job losses in the industry.<\/p>\n<p>&#8220;This whole fight is really about the fact that in a period of unprecedented profits and growth of our business &#8230; writers themselves are actually earning less,&#8221; said Goodman.<\/p>\n<p>A main point of contention involves what are known as packaging fees, the money that agents get from a studio when they provide a roster of talent for a film or TV project. Traditionally, agents would earn a 10 percent commission for the work their clients receive from a studio. But with packaging fees, they are compensated by the studios directly. &#8220;They are not incentivized to increase the income of those writers,&#8221; Goodman said.<\/p>\n<p>Writers are also protesting a shift in the business model in recent years at some of Hollywood&#8217;s largest talent agencies. Agents have increasingly entered the film and TV businesses as producers, and writers contend that such a dual-hat arrangement represents a conflict of interest. <\/p>\n<p>Goodman said that in order to break the impasse, the industry needs to return &#8220;to the traditional agent-writer relationship&#8221; where an agent takes 10 percent of a writer&#8217;s income.<\/p>\n<p>On Saturday, some writers <a target=\"_blank\" rel=\"nofollow\" href=\"https:\/\/twitter.com\/ItsJoshFeldman\/status\/1117089641633435648\">posted images<\/a> of the letters they had signed and sent to their agents, showing solidarity if not total support.<\/p>\n<p>&#8220;I have an amazing agency that represents me,&#8221; screenwriter, actor and comedian Patton Oswalt <a target=\"_blank\" rel=\"nofollow\" href=\"https:\/\/twitter.com\/pattonoswalt\/status\/1116880925806055425\">said on Twitter.<\/a> &#8220;But I have an even better guild which stands for me.&#8221;<\/p>\n<p>&#8220;Dammit,&#8221; <a target=\"_blank\" rel=\"nofollow\" href=\"https:\/\/twitter.com\/AoDespair\/status\/1116913596238372867\">wrote David Simon<\/a>, a Baltimore-based author and television writer best known for <em>The Wire<\/em>. &#8220;Just realized that the [agency agreement] midnight deadline is PST. So I have to stay up another three hours and one minute to send a pic of my naked a** to [the Creative Artists Agency].&#8221;<\/p>\n<p>The Association of Talent Agents, which represents the agencies, has promised more transparency when agencies are involved in the production of a film or TV show. The association committed to reopening talks on the issue after two years if the Writers Guild determines that members aren&#8217;t benefiting.<\/p>\n<p>The association also offered concessions leading up to Friday&#8217;s breakdown, including a chance to share 80 percent of &#8220;a percentage&#8221; of their profits when packaging fees for a television series are involved.<\/p>\n<p>The guild said that based on the offer they received from agents, that &#8220;percentage&#8221; amounted to 0.8 percent of the money agents make from packaging fees.<\/p>\n<p>ATA also said agencies would spend $6 million over six years to foster a more inclusive environment and insisted they &#8220;are, and always have been, on the side of the writer.&#8221;<\/p>\n<p>In a statement, Karen Stuart, the executive director of the ATA, said Friday&#8217;s failure &#8220;was driven by the Guild&#8217;s predetermined course for chaos.&#8221; She said it would ultimately harm artists.<\/p>\n<p>&#8220;The WGA is mandating a &#8216;Code of Conduct&#8217; that will hurt all artists, delivering an especially painful blow to mid-level and emerging writers, while dictating how agencies of all sizes should function.&#8221;<\/p>\n<p>Goodman said writers are already hurt. He called the proposal &#8220;a ridiculous offer given the fact that the writers are the reason that any television show succeeds.&#8221;<\/p>\n<p>Until the impasse is solved, members of the guild have told writers they could turn to managers or lawyers to handle their business affairs.<\/p>\n<p>Lawyers for the ATA threatened to sue the guild, contending that the union was violating California and New York licensing laws. As part of its argument, it said in a letter that the union &#8220;cannot &#8216;delegate&#8217; authority it does not have.&#8221;<\/p>\n<p>Friday&#8217;s breakdown in negotiations marked just the latest chapter in the Writers Guild&#8217;s longstanding aversion to packaging fees. Goodman said the union sought reforms as far back as the 1970s.<\/p>\n<p>&#8220;People are saying this is an unprecedented move, but it isn&#8217;t in the sense that 43 years ago we tried to get rid of packaging and we failed and now it&#8217;s gotten much worse,&#8221; Goodman said.<\/p>\n<p><strong><a target=\"_blank\" rel=\"nofollow\" href=\"https:\/\/blockads.fivefilters.org\/\">Let&#8217;s block ads!<\/a><\/strong> <a target=\"_blank\" rel=\"nofollow\" href=\"https:\/\/blockads.fivefilters.org\/acceptable.html\">(Why?)<\/a><\/p>\n<p>Source:: <a href=\"https:\/\/www.npr.org\/2019\/04\/13\/713030206\/uncharted-waters-union-tells-hollywood-writers-to-fire-their-agents?utm_medium=RSS&amp;utm_campaign=business\" target=\"_blank\" title=\"'Uncharted Waters': Union Tells Hollywood Writers To Fire Their Agents\" rel=\"nofollow\">https:\/\/www.npr.org\/2019\/04\/13\/713030206\/uncharted-waters-union-tells-hollywood-writers-to-fire-their-agents?utm_medium=RSS&amp;utm_campaign=business<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<div class=\"ftpimagefix\" style=\"float:left\"><a target=\"_blank\" rel=\"nofollow\" href=\"https:\/\/www.npr.org\/2019\/04\/13\/713030206\/uncharted-waters-union-tells-hollywood-writers-to-fire-their-agents?utm_medium=RSS&amp;utm_campaign=business\"><img decoding=\"async\" width=\"150\" src=\"https:\/\/media.npr.org\/assets\/img\/2019\/04\/13\/gettyimages-1130393757_wide-b6be1b41d971b04661614e58e08d6385aee48489-s1100-c15.jpg\" alt><\/p>\n<div>\n            <a target=\"_blank\" rel=\"nofollow\" href=\"https:\/\/media.npr.org\/assets\/img\/2019\/04\/13\/gettyimages-1130393757_wide-b6be1b41d971b04661614e58e08d6385aee48489-s1200.jpg\"><\/a><\/div>\n<div>\n<div>\n<div>\n            <a target=\"_blank\" rel=\"nofollow\" href=\"https:\/\/media.npr.org\/assets\/img\/2019\/04\/13\/gettyimages-1130393757_wide-b6be1b41d971b04661614e58e08d6385aee48489-s1200.jpg\">Enlarge this image<\/a>\n        <\/div>\n<\/div>\n<div>\n<div>\n<div>\n<p>\n                Writers Guild of America West President David Goodman speaks in Los Angeles at the 2019 union award ceremony. The WGA instructed is writers to fire their agents on Friday.<\/p>\n<p>                <b><\/p>\n<p>                    Frazer Harrison\/Getty Images<\/p>\n<p>                <\/b><br \/>\n                <b><b>hide caption<\/b><\/b>\n            <\/p>\n<\/p><\/div>\n<p>            <b><b>toggle caption<\/b><\/b>\n    <\/div>\n<p>    <span><\/p>\n<p>        Frazer Harrison\/Getty Images<\/p>\n<p>    <\/span>\n<\/div>\n<\/p><\/div>\n<p>Thousands of Hollywood writers have been told by the Writers Guild of America to fire their agents \u2014 a drastic move that could impinge the production of new TV shows and films.<\/p>\n<p>The abrupt directive on Friday followed a breakdown in negotiations over proposed changes to <a target=\"_blank\" rel=\"nofollow\" href=\"https:\/\/www.wga.org\/employers\/agencies\/agency-agreement\">the agreement<\/a> that has guided the basic business relationship between writers and agents for the past 43 years. <\/p>\n<p>With talks stalled ahead of a midnight deadline, the WGA sent its 13,000 writers an email with instructions to notify their agents in writing that they cannot represent them until signing a new code of conduct.<\/p>\n<p>&#8220;We know that, together, we are about to enter uncharted waters,&#8221; the message stated. &#8220;Life that deviates from the current system might be various degrees of disorienting. But it has become clear that a big change is necessary.&#8221;<\/p>\n<p>It was a bold move for a group accustomed to writing its own scripts. &#8220;I guess the idea of taking on our agents is something people never thought we would do,&#8221; said David Goodman, the president of the Writers Guild of America West, in an interview with NPR.<\/p>\n<aside>\n<div><\/div>\n<\/aside>\n<p>&#8220;Studios and networks still need writers to do the work so until agents figure out that they need us more than we need them, we will carry this out,&#8221; said Goodman.<\/p>\n<p><!-- END ID=\"RES713033872\" CLASS=\"BUCKETWRAP INTERNALLINK INSETTWOCOLUMN INSET2COL \" --><\/p>\n<p>At the center of the conflict is a complaint among writers that their agents are not just drastically out-earning them, but preventing them from receiving better pay. The dispute threatens to hinder production at a time when the major broadcast networks are typically staffing up for their fall lineups. It could also lead to job losses in the industry.<\/p>\n<p>&#8220;This whole fight is really about the fact that in a period of unprecedented profits and growth of our business &#8230; writers themselves are actually earning less,&#8221; said Goodman.<\/p>\n<p>A main point of contention involves what are known as packaging fees, the money that agents get from a studio when they provide a roster of talent for a film or TV project. Traditionally, agents would earn a 10 percent commission for the work their clients receive from a studio. But with packaging fees, they are compensated by the studios directly. &#8220;They are not incentivized to increase the income of those writers,&#8221; Goodman said.<\/p>\n<p>Writers are also protesting a shift in the business model in recent years at some of Hollywood&#8217;s largest talent agencies. Agents have increasingly entered the film and TV businesses as producers, and writers contend that such a dual-hat arrangement represents a conflict of interest. <\/p>\n<p>Goodman said that in order to break the impasse, the industry needs to return &#8220;to the traditional agent-writer relationship&#8221; where an agent takes 10 percent of a writer&#8217;s income.<\/p>\n<p>On Saturday, some writers <a target=\"_blank\" rel=\"nofollow\" href=\"https:\/\/twitter.com\/ItsJoshFeldman\/status\/1117089641633435648\">posted images<\/a> of the letters they had signed and sent to their agents, showing solidarity if not total support.<\/p>\n<p>&#8220;I have an amazing agency that represents me,&#8221; screenwriter, actor and comedian Patton Oswalt <a target=\"_blank\" rel=\"nofollow\" href=\"https:\/\/twitter.com\/pattonoswalt\/status\/1116880925806055425\">said on Twitter.<\/a> &#8220;But I have an even better guild which stands for me.&#8221;<\/p>\n<p>&#8220;Dammit,&#8221; <a target=\"_blank\" rel=\"nofollow\" href=\"https:\/\/twitter.com\/AoDespair\/status\/1116913596238372867\">wrote David Simon<\/a>, a Baltimore-based author and television writer best known for <em>The Wire<\/em>. &#8220;Just realized that the [agency agreement] midnight deadline is PST. So I have to stay up another three hours and one minute to send a pic of my naked a** to [the Creative Artists Agency].&#8221;<\/p>\n<p>The Association of Talent Agents, which represents the agencies, has promised more transparency when agencies are involved in the production of a film or TV show. The association committed to reopening talks on the issue after two years if the Writers Guild determines that members aren&#8217;t benefiting.<\/p>\n<p>The association also offered concessions leading up to Friday&#8217;s breakdown, including a chance to share 80 percent of &#8220;a percentage&#8221; of their profits when packaging fees for a television series are involved.<\/p>\n<p>The guild said that based on the offer they received from agents, that &#8220;percentage&#8221; amounted to 0.8 percent of the money agents make from packaging fees.<\/p>\n<p>ATA also said agencies would spend $6 million over six years to foster a more inclusive environment and insisted they &#8220;are, and always have been, on the side of the writer.&#8221;<\/p>\n<p>In a statement, Karen Stuart, the executive director of the ATA, said Friday&#8217;s failure &#8220;was driven by the Guild&#8217;s predetermined course for chaos.&#8221; She said it would ultimately harm artists.<\/p>\n<p>&#8220;The WGA is mandating a &#8216;Code of Conduct&#8217; that will hurt all artists, delivering an especially painful blow to mid-level and emerging writers, while dictating how agencies of all sizes should function.&#8221;<\/p>\n<p>Goodman said writers are already hurt. He called the proposal &#8220;a ridiculous offer given the fact that the writers are the reason that any television show succeeds.&#8221;<\/p>\n<p>Until the impasse is solved, members of the guild have told writers they could turn to managers or lawyers to handle their business affairs.<\/p>\n<p>Lawyers for the ATA threatened to sue the guild, contending that the union was violating California and New York licensing laws. As part of its argument, it said in a letter that the union &#8220;cannot &#8216;delegate&#8217; authority it does not have.&#8221;<\/p>\n<p>Friday&#8217;s breakdown in negotiations marked just the latest chapter in the Writers Guild&#8217;s longstanding aversion to packaging fees. Goodman said the union sought reforms as far back as the 1970s.<\/p>\n<p>&#8220;People are saying this is an unprecedented move, but it isn&#8217;t in the sense that 43 years ago we tried to get rid of packaging and we failed and now it&#8217;s gotten much worse,&#8221; Goodman said.<\/p>\n<p><strong><a target=\"_blank\" rel=\"nofollow\" href=\"https:\/\/blockads.fivefilters.org\/\">Let&#8217;s block ads!<\/a><\/strong> <a target=\"_blank\" rel=\"nofollow\" href=\"https:\/\/blockads.fivefilters.org\/acceptable.html\">(Why?)<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19],"tags":[],"class_list":["post-18967","post","type-post","status-publish","format-standard","hentry","category-business-2"],"_links":{"self":[{"href":"https:\/\/associatednews.info\/content\/wp-json\/wp\/v2\/posts\/18967","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/associatednews.info\/content\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/associatednews.info\/content\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/associatednews.info\/content\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/associatednews.info\/content\/wp-json\/wp\/v2\/comments?post=18967"}],"version-history":[{"count":0,"href":"https:\/\/associatednews.info\/content\/wp-json\/wp\/v2\/posts\/18967\/revisions"}],"wp:attachment":[{"href":"https:\/\/associatednews.info\/content\/wp-json\/wp\/v2\/media?parent=18967"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/associatednews.info\/content\/wp-json\/wp\/v2\/categories?post=18967"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/associatednews.info\/content\/wp-json\/wp\/v2\/tags?post=18967"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}