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Watch: Charlie Brown and the Gang Are Back in the New Trailer for 'The Peanuts Movie'

Peanuts Movie Charlie and Snoopy hug

A new trailer for The Peanuts Movie has arrived online, giving us our best look yet at the new revamped, CG’d version of Charlie Brown and his merry band of misfits.

The voices sound a bit different from the Peanuts cartoons you may have grown up with, but the humor seems right on point, with just enough old-school charm mixed in with more modern sensibilities. And we love the concept of Charlie Brown taking ownership over his life, which seems to be one of the big plotlines this time around. Good for him!

Check it out below.

Producer Paul Feig (Bridesmaids, Spy) chatted with USA Today late last year about the new movie, revealing that he wants to stay true to the beloved comic strips and TV specials created by Charles Schulz. That means we won’t be seeing new characters, or updated modernized takes on Charlie Brown, Linus or any of the rest of the Peanuts gang. Go ahead and breathe your sigh of relief here.

Director Steve Martino’s film will have two storylines – one following Charlie Brown as he sets out on a quest to find something he thinks he really needs, and another that features Snoopy flying his doghouse Sopwith Camel to Paris to engage in an aerial duel with the Red Baron.

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With Schulz’s son Craig on board as a writer and producer, we suspect that Martino’s film will stay true to what we loved about the Peanuts comic strips in the first place. While the new movie will take the 2D characters and move them into a three-dimensional world, the team has been careful to not radically change anyone’s physical appearance. This is particularly noticeable in the eyes, which are still basically just little dots on the characters’ faces. Conveying emotion through these minimalist peepers proved to be a challenge, but the team is up to the task.

“A little tilt of that eye shape can give you worry. A little stretch and raise of that little dot can give you surprise,” says Martino.

Based on what Feig and his crew have revealed so far, The Peanuts Movie is shaping up quite nicely. Fans will be able to relive the magic of Schulz’s timeless characters when the film hits theaters next November 6.

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'A Lot Of Hope And A Lot Of Fear': Anouar Brahem's Arab Spring Remembrance

Anouar Brahem's new album Souvenance is a response to the Arab Spring, steeped in four years of personal reflection.
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Anouar Brahem’s new album Souvenance is a response to the Arab Spring, steeped in four years of personal reflection. Arthur Perset/Courtesy of the artist hide caption

itoggle caption Arthur Perset/Courtesy of the artist

Anouar Brahem is one of Tunisia’s best-known composers and musicians. He’s released numerous solo albums and collaborated with a renowned French choreographer and an esteemed Greek filmmaker. Yet Brahem couldn’t figure out a way to respond to the upheaval in his country that began at the end of 2010 — the one that launched the Arab Spring. So he waited four years.

That response is captured on Brahem’s new album Souvenance, which is French for “remembrance.” He wrote this short text for the album’s liner notes:

“Extraordinary events had suddenly shaken the daily lives of millions of people. We were propelled towards the unknown, with immense fears, joys and hopes. What was happening was beyond our imagining. It took a long time before I was able to write this music.”

Brahem says he’s always been skeptical when artists suggest that they’re influenced by political events, so he didn’t want to be too specific in his notes.

“I really wanted to leave the imagination of the people free and to try to listen to the music without this kind of indication. This was important for me,” he says. “That’s why I wrote this small text.”

Brahem says he was at an artistic crossroads at the end of 2010, trying to find a new direction for his music. He’d written a few draft pieces, but a series of events then began to unfold in Tunisia.

“It was really amazing, because in a few days, the regime fell down, the president left and we were in a kind of revolutionary situation, with a lot of hope and a lot of fear,” Brahem says. “There were a lot of demonstrations on the street, and sometimes with a very chaotic situation.”

Brahem says he didn’t want to leave, but it was difficult for him to write music. He says everything he tried to compose sounded banal and trivial in the wake of the Arab Spring.

“I had a kind of fear that maybe I lost my inspiration,” he says.

Brahem was stuck. But A.J. Racy — a professor of ethnomusicology at UCLA with a specialty in Arab music — says he understands why the composer stayed in Tunisia.

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“You can stay in your hometown, where you were born, and the advantage of that is you’re in the consciousness of the society that you’re living in,” Racy says. “He senses the tensions of his being there.”

Brahem says it was important for him to wait for things to settle down in Tunisia, to give himself some distance from the events. When he started composing the music for this album, he says, the creative process felt all too familiar.

“To be honest, when I start to compose, I feel always that I am moving more or less in the fog,” Brahem says. “I would say that I just try to follow my inspiration with a maximum of freedom.”

But amid the political and social uncertainty, Brahem says he wasn’t hearing the instruments of his working quartet: the oud, piano, clarinet and bass for which he often composes. Instead, he heard a string orchestra.

It took Brahem months to figure out how to use that new set of tools. But when it finally came together, the music on Souvenance became the composer’s personal tribute to what he’d experienced during and after the Arab Spring.

“All these four last years were a little bit difficult, sometimes chaotic,” he says. “But now I think we are in the good way. We just had a democratic election of the parliament and of the president, and the situation is more stable. We have much more hope than before.”

Although Brahem says the country is still fragile, he remains hopeful for its future.

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Today in Movie Culture: 'Doctor Strange' Trailer, All Six 'Star Wars' Movies At Once and More

Movies.com, the ultimate source for everything movies, is your destination for new movie trailers, reviews, photos, times, tickets + more! Stay in the know with the latest movie news and cast interviews at Movies.com.

Copyright © 2014 FANDANGO MOVIES.

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Arnold Schwarzenegger Explains His New “Guardian” Terminator in 'Terminator: Genisys'

Imagine going back in time to 1984 and telling fans of The Terminator that Arnold Schwarzenegger would become the hero of the franchise. Not just that, but he would be a father figure to John Connor and later Sarah Connor in sequels spread out over nearly 25 years. Not only that but his good Terminator would eventually go back in time to literally and figuratively all but erase the existence of his bad Terminator from the first movie, and make null all the events that play out in that original installment.

They’d look at you like you’re crazy. Mostly just for claiming to be from the future.

But all of it is where we’re at with Terminator: Genisys, a movie that might at least make you feel like you’ve gone back in time yourself and helped changed the past. Schwarzenegger plays another good Terminator, as he did in the second and third installments, this time as a surrogate father for Sarah (played as an adult by Game of Thrones star Emilia Clarke). The parental position begins when she’s a little girl (actress unknown), as he saves young Sarah after her parents are nearly (?) killed by some other Terminator.

These details are confirmed in a new featurette promoting Terminator: Genisys, in which Schwarzenegger and Clarke clarify the role of “Guardian,” as this new good Terminator is named. The video shows footage of young Sarah’s rescue and other scenes showcasing their relationship while the actors explain that he’s glued to her 24/7 and how it’s really a father/daughter dynamic. He even makes sure she wears her seatbelt, like a good dad ought to.

If you’re looking to stay as spoiler-free as possible before seeing Terminator: Genisys (opening July 1), this is not a video for you, as brief as it is. The thing begins with a fight scene between Guardian and grown-up John Connor, played by Jason Clarke.

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Box Office Report: ‘Jurassic World’ Explodes Into the Record Books

Here’s your estimated 3-day box office returns (new releases bolded):

1. Jurassic World – $204.6 million ($204.6 million total)

2. Spy – $16.0 million ($56.9 million total)

3. San Andreas – $11.0 million ($119.3 million total)

4. Insidious Chapter 3 – $7.3 million ($37.3 million total)

5. Pitch Perfect 2 – $6.0 million ($170.7 million total)

6. Entourage – $4.3 million ($25.8 million total)

7. Mad Max: Fury Road – $4.1 million ($138.6 million total)

8. The Avengers: Age of Ultron – $3.6 million ($444.7 million total)

8. Tomorrowland – $3.4 million ($83.6 million total)

10. Love & Mercy – $1.7 million ($4.7 million total)

The Big Stories

It has been 14 years since the last Jurassic Park movie hit theaters. But its been just a little more than two since the original came back in a 3-D version; probably the last notable instance of a re-release in the format to register as a success. The film grossed another $45 million in 2013, probably from a new generation still reveling in the opportunity to see rampaging dinosaurs on the big screen. It should have been no surprise that an audience still existed for this franchise. But I’m sure nobody in 2001 thought that when Jurassic Park III made $181 million in the U.S. that the next film would make more than that in a single weekend. Nor did anyone in 2015.

$200 Million Dollars In The Making

There is not a lot of perspective to be offered when a film grosses as much as Jurassic World did this weekend. You simply say Congratulations and let the next few weeks tell the full story. Until then, though, let’s just see where Jurassic World ranks in history.

Best Fridays Ever (Including Thursday Night Previews)

Harry Potter and the Deathly Hallows Part 2 ($91.0 million), Avengers: Age of Ultron ($84.4), Jurassic World ($82.8), Marvel’s The Avengers ($80.8), The Dark Knight Rises ($75.7), The Twilight Saga: New Moon ($72.7), The Twilight Saga: Breaking Dawn Part 1 ($71.6), The Twilight Saga: Breaking Dawn Part 2 ($71.1), The Hunger Games: Catching Fire ($70.9), Iron Man 3 ($68.8)

Best Opening Weekends Ever

Marvel’s The Avengers ($207.4), Jurassic World ($204.5), Avengers: Age of Ultron ($191.2), Iron Man 3 ($174.1), Harry Potter and the Deathly Hallows Part 2 ($169.1), The Dark Knight Rises ($160.8), The Dark Knight ($158.4), The Hunger Games: Catching Fire ($158.0), The Hunger Games ($152.5), Spider-Man 3 ($151.1), Furious 7 ($147.1)

Best Openings In Universal Studios History

Jurassic World ($204.5 million), Furious 7 ($147.1), Fast & Furious 6 ($97.3), Fast Five ($96.1), Fifty Shades of Grey ($85.1), Despicable Me 2 ($83.5), The Lost World: Jurassic Park ($72.1), Fast and Furious ($70.9), Dr. Seuss’ The Lorax ($70.2), The Bourne Ultimatum ($69.2), Pitch Perfect 2 ($69.2)

Can you believe we would have to go all thew way down to 27th on that list to find the first Jurassic Park? It started with just $47 million back in 1993, which at the time was the best opening weekend in Universal’s history. That is a fun list to revisit.

Best Openings In Universal Studios History (circa June 1993)

Jurassic Park ($47.0), Back to the Future Part II ($27.8), Back to the Future Part III ($19.0), Bird on a Wire ($15.3), Jaws 3-D ($13.4), Backdraft ($12.6), Death Becomes Her ($12.1), The Best Little Whorehouse in Texas ($11.834), E.T. The Extra-Terrestrial ($11.83), Twins ($11.17), Back to the Future ($11.15), The ‘Burbs ($11.10), Smokey and the Bandit II ($10.8), Dragnet ($10.54), Parenthood ($10.50)

Jurassic Park made roughly $746 million in the U.S. adjusted for inflation. So more people will still end up seeing the first film in theaters than Jurassic World, but now we are on a serious watch to see if Colin Trevorrow’s virtual remake can actually take the top spot at the box office for 2015. At least in the U.S. (It has accumulated another $130 million internationally). It has jumped out ahead of the curve of Age of Ultron so $78 million is your designated over/under for next weekend. Spider-Man 3 is the only film on the all-time Top Ten opening weekend list to not reach $350 million. It needs $357 million to reach the original’s initial run. Anyway you slice it, the disasters this year of Blackhat and Seventh Son are distant memories for the studio since between Furious 7, Fifty Shades of Grey, Pitch Perfect 2 (and minor successes Unfriended and The Boy Next Door) plus pending successes in Ted 2, Minions and Trainwreck, this is turning into one heckuva summer for the studio.

Tales of the Top Ten

Melissa McCarthy and Paul Feig’s Spy took an average dive in its second weekend putting it exactly on pace with her last starring vehicle, Tammy, which had $56.9 million after 10 days. Spy has the same. The film still has another week before Ted 2 opens and even it if fails to hit $71 million by next Sunday it will still likely be #3 at the box office with a lot of summer left, so at least $90 million could still be within its grasp. Tammy finished at $84.5 million.

Of the other openers last week, together they may struggle to make $100 million after big drops. Insidious Chapter 3 was hopeful its second week horror drop wouldn’t be as bad. But “B+” rating and decent reviews notwithstanding, it still took a huge 67% drop even if it should have no problem getting into profit. WB’s Entourage also took a 57% I expected it to and now will probably do no better than $35 million, keeping it in the red as another loser for the studio.

The good news for them though is that San Andreas will be making its way into profit this week; the first for Warner Bros. since American Sniper and only the third film of the summer to do so this year, though Insidious is not far behind and Jurassic World should be quickly there as well. Mad Max: Fury Road still needs about another $97 million to be a success. Poltergeist and Aloha both look like bonafide losers and it was reported this week that Disney is going to be taking about a $120+ million bath on Tomorrowland. Their worst since The Lone Ranger.


– Erik Childress can be heard each week on the WGN Radio Podcast evaluating box office with Nick Digilio.

[box office figures via Box Office Mojo]

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Best of the Week: 'The Martian' Trailer, Chris Hemsworth Joined 'Ghostbusters' and More

The Important News

Chris Hemsworth joined the Ghostbusters reboot.

Chiwetel Ejiofor will play Doctor Strange villain Baron Mordo.

Matthew Vaughn will write and direct Kingsman 2.

Melissa McCarthy is a bonafide box office star.

Brad Pitt is going to be a Netflix movie star.

The Stand could be a Showtime miniseries that leads into theatrical movies.

The live-action remake of Akira could still be happening.

James Cameron endorsed Terminator: Genisys.

Joe Carnahan might direct Bad Boys 3.

Elizabeth Banks might direct the YA adaptation Red Queen. Meanwhile, Pitch Perfect 3 will again be written by Kay Cannon.

The U.S. military is making Star Wars-inspired laser weapons.

Six minutes of Ant-Man is now playing in theaters.

The Videos and Geek Stuff

New Movie Trailers: The Martian, The Hunger Games: Mockingjay – Part 2, The Man From U.N.C.L.E., Disney’s Zootopia, Regression, Rock the Kasbah, Creep, The Overnight (Red Band), The Program, Weepah Way for Now, A Deadly Adoption and Ricki and the Flash.

And here’s new TV spots for the James Bond movie Spectre, Fantastic Four and Ant-Man.

Watch an honest trailer for Jurassic Park.

Watch an animated version of the Mad Max: Fury Road trailer. Now read about the real love story that happened during the making of Mad Max: Fury Road. Now learn how to make your own flame-throwing ukelele inspired by Mad Max: Fury Road.

See how you can watch movies with a pizza box.

Watch a video highlighting the sound design of Jurassic Park.

Now watch a Sesame Street parody of Jurassic Park. Now watch Jurassic Park starring pugs.

Check out some new Batmobile and Wonder Woman previews for Batman v Superman: Dawn of Justice.

Watch a video proving Bryce Dallas Howard and Jessica Chastain are different people.

See Wolverine vs. Deadpool in fan art inspired by the upcoming Deadpool movie.

Watch a version of Blade Runner made up of deleted scenes.

See some fan tributes to Christopher Lee.

Check out this week’s best new movie posters.

Our Features

Movie Guide: The Martian could be one of the best movies of 2015.

Interview: We talked to director Dean Israelite about Project Almanac, time travel and Power Rangers.

R.I.P.: We remembered cinema icon Christopher Lee.

Home Viewing: Here’s our guide to everything hitting VOD this week. And here’s our guide to all the best new indie and foreign DVD releases.

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Today in Movie Culture: Jurassic Pugs, Christopher Lee Tributes and More

Here are a bunch of little bites to satisfy your hunger for movie culture:

Mash-Up of the Day:

If the original Jurassic Park is too scary for you, try this version starring pugs:

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Parody of the Day:

Imperator Furiosa from Mad Max: Fury Road is so popular, she’s begun starring in commercials, fake ones (via Geek Tyrant):

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Vintage Image of the Day:

He was best known for frightening roles, but Christopher Lee deserves to also be remembered for his more jovial self. Here he is having a laugh with Sammy Davis Jr. and regular collaborator Peter Cushing on the set of the comedy One More Time.

Daily Dose of Star Wars:

Of course, Christopher Lee also has to be the focus of today’s Star Wars dose.

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Cosplay of the Day:

It’s also necessary that we randomly highlight guys dressed as Saruman and Dooku in tribute to Christopher Lee:

Fan Art of the Day:

Christopher Lee also gets to take over this part of the culture with an excellent look at his many characters:

Supercut of the Day:

Roman Holiday collects shots of movie characters opening the refridgerator, film from inside the refridgerator:

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Movie Analysis of the Day:

For The Onion, Peter K. Rosenthal humorously considers the message of The Goonies for its 30th anniversary:

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Filmmaker in Focus:

The image of Alfred Hitchcock in this painting isn’t technically “in focus,” but it sure is a cool poster (via Design Taxi):

Today’s Anniversary:

Robert Altman‘s musical masterpiece Nashville opened in New York City on this date 40 years ago. Watch the original trailer below.

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Chiwetel Ejiofor to Play 'Doctor Strange' Villain Baron Mordo

It was revealed back in January that Chiwetel Ejiofor, who recently gave a true powerhouse performance in 12 Years a Slave, was circling a key role in Marvel’s Doctor Strange. What the role would be, however, was still speculative.

Well, speculate no more! Deadline has revealed that Ejiofor will be playing classic Doctor Strange enemy Baron Mordo.

It’s still unclear what, if any, storyline from the comics Scott Derrickson’s movie will be adapting, but in the early days of Doctor Strange Mordo was another one of the pupils learning the ways of magic from The Ancient One (recently cast as Tilda Swinton). He becomes a bit more interested in the darker side of the mystical arts, though, and plots to kill The Ancient One. Strange tries to foil his plot, and in doing so creates his own nemesis.

However, in newer comics Mordo is less an outright villain and more of a sometimes bad guy, sometimes good guy, so it’s possible the movie will go this route and still has another, bigger villain up its sleeve. Time will tell.

Doctor Strange begins filming later this year. It will hit theaters on November 4, 2016.

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Today in Movie Culture: Wolverine Vs. Deadpool, 'Jurassic Park' Redone in 8-Bit Graphics and More

Here are a bunch of little bites to satisfy your hunger for movie culture:

Mash-Up of the Day:

Ahead of the release of Jurassic World, revisit Jurassic Park — only this time watch it redone in 8-bit video game graphics.

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Vintage Image of the Day:

D.W. Griffith made the first known live-action movie featuring dinosaurs, 1914’s Brute Force, aka The Primitive Man. See a still below.

Supercut of the Day:

Inspired by the new Poltergeist remake, Slate highlights the scariest clowns in movies and TV in a video called “Do You Want a Balloon?”

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Fan Art of the Day:

It’s not certain that Hugh Jackman will appear as Wolverine in Deadpool, but artist Dave Paget gives us a look at their necessary fight scene anyway (via Geek Tyrant):

Toy Time:

Never mind a regular old Peter Venkman figure for Ghostbusters fans; Funko has unveiled this slimed Peter Venkman figure for Comic-Con 2015 (via Topless Robot):

Study of an Actor:

Here are the best performances by Joaquin Phoenix according to Watch Mojo:

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Filmmaker in Focus:

This 20-minute documentary, titled Lost Kubrick, focuses on the unfinished features of Stanley Kubrick (via The Playlist):

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Cosplay of the Day:

Slave Leia cosplay (based on Return of the Jedi) is a common sight at conventions, but bearded Slave Leia is not. Nor is balloon-art Jabba the Hutt (via Fashionably Geek):

Daily Dose of Star Wars:

Speaking of Princess Leia, now that Star Wars is a Disney property, she is technically a Disney princess, and cosplayers are happy to make the connection (via Neatorama):

Today’s Anniversary:

Woody Allen‘s Love and Death opened 40 years ago on this date. Watch the original trailer below.

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New 'Regression' Trailer: Ethan Hawke Saves Emma Watson From a Satanic Cult in the '80s

Update 6/10/15: The first American trailer is now online. Find it below.

Previously: You may recall that Regression was on our list of “2015 Movies That Need to Be on Your Radar.” The reason it was on there was simple: Alejandro Amenábar (Thesis, Open Your Eyes, The Others, The Sea Inside) has yet to make a bad movie, and Ethan Hawke and Emma Watson meant the cast was sure to be reliable as well.

But when we put Regression on that list, we hadn’t seen a trailer, or even stills, from the movie. We were going off the talent involved and the vague premise that it was about a father who is facing jail for committing a crime he has no memory of. Now that we’ve seen the actual trailer, it’s rocketed even further up our list of most anticipated 2015 movies.

We were looking forward to it, sure, but we were expecting a crime thriller. This looks more like a boiling, sinister occult thriller, with Emma Watson being the key witness in a police investigation to some unsavory, and potentially supernatural, doings.

The New American Trailer:

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The Older, International Trailer:

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And check out this killer poster.

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