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Songs We Love: Christos Baniakas, 'Eseis Padia Vlahopoila'

An antique image of Vlach musicians in northwestern Greece playing a graveside mirologia, or dirge.
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An antique image of Vlach musicians in northwestern Greece playing a graveside mirologia, or dirge. Courtesy of Long Gone Sounds/Third Man Records hide caption

toggle caption Courtesy of Long Gone Sounds/Third Man Records

Reissue producer, engineer annotator and record collector Christopher King is a 78 RPM acolyte of the highest order: His love of raw sound seems to know no bounds — and the wilder the music, the better.

Why The Mountains Are Black

Why The Mountains Are Black Courtesy of Big Hassle Media hide caption

toggle caption Courtesy of Big Hassle Media

King’s now-lengthy and incredibly wide-ranging discography is a testament to this obsession, as are his appearances in Amanda Petrusich’s absorbing book Do Not Sell At Any Price: The Wild, Obsessive Hunt for the World’s Rarest 78rpm Records as well as a regrettably exoticizing account Petrusich wrote for the New York Times about a trip she took with King to northwestern Greece. And it’s Greece that has pulled him back for this latest, highly curated collection of 28 recordings originally made on 78 RPM records.

This current collection of material, titled Why the Mountains Are Black: Primeval Greek Village Music 1907-1960, is like the rest of King’s impressive and wide-ranging discography: it isn’t meant for cultural insiders. Its hipster street cred has been polished to a glimmer. Why Are The Mountains Black was released by Jack White’s Third Man Records and with cover art by the cartoonist Robert Crumb (an avid musician and record hound himself).

King’s starting point — and it’s a quite understandable one — is that you’ve never heard anything like this music before. “Is that a 303?” one newcomer asks in a Los Angeles Times profile of King, mistaking a pair of two oboe-like zournas and a frame drum for an early 1980s bass synthesizer and sequencer.

But King is not very interested in pop-culture presence, nor is he a mere disciple of the weirdly beguiling. He is an evangelist, and the materials he brings together are stellar. As with all musicians constrained by the technology of their time, you can hear these Greek improvisers chafing against the impositions of recording three – and four-minute sides. Their wild passion and melodic inventiveness are shackled by the limits of the 78rpm form — and yet, they manage to upend the universe within those few grooves.

Just take a listen to “Eseis Padia Vlahopoila (You Young Vlach Children),” played by clarinetist Christos Baniakas and recorded in 1935. It’s a syrtos — a straightforward line dance — whose heavy rhythm is delineated by a simple laouto accompaniment. But over that basic skeleton, Baniakas’ clarinet flies, swoops and soars, with the soloist stitching impossibly dense ornamentations upon the melodic frame. It’s a breathtaking tour-de-force. And cheers to King for once again bringing such sounds to a much wider audience.

Why The Mountains Are Black is out now on Third Man.

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Today in Movie Culture: Bob Ross Paints 'The Revenant,' Deadpool Underoos and More

Here are a bunch of little bites to satisfy your hunger for movie culture:

Artistic Interpretation of the Day:

Lampooning its natural beauty splattered with blood, here’s Bob Ross demonstrating how to paint the landscapes of The Revenant:

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Cosplay of the Day:

Underoos are a kind of costume play, right? Well, Deadpool now has officially licensed Underoos. For adults, of course (via Geek Tyrant):

Film Score Breakdown of the Day:

Speaking of Deadpool, watch as Junkie XL shows how he created the ’80s inspired synth score for the hit superhero movie (via io9):

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Music Video of the Day:

Speaking of film scores, watch Ennio Morricone conduct the Czech National Symphony Orchestra in a video for “L’ultima diligenza di Red Rock” (“The Last Stage to Red Rock”) from The Hateful Eight:

Film Studies Lesson of the Day:

Still speaking of film scores, here’s Nerdwriter on how music elevates story, with focus on Howard Shore‘s scores for the Lord of the Rings trilogy (via Devour):

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Vintage Image of the Day:

Jim Brown, who turns 80 today, in a lobby card for 1964’s Rio Conchos, the movie that transitioned him from football player to actor:

Supercut of the Day:

From editor Roman Holiday comes a new supercut of lone figures in large spaces:

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Video Essay of the Day:

Speaking of lone figures, here’s a video essay on The Martian‘s “miniature astronaut in a maximal landscape” (via Press Play):

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Movie Comparison of the Day:

Couch Tomato shows us 24 reasons why Iron Man 2 is the same movie as the first Charlie’s Angels:

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Classic Trailer of the Day:

This week is the 20th anniversary of Muppet Treasure Island. Watch the original trailer for the twist on classic pirate adventure below.

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LA Hospital Pays Hackers Nearly $17,000 To Restore Computer Network

A Los Angeles hospital paid a nearly $17,000 ransom to hackers who breached and disabled its computer network, the hospital said in a statement Wednesday.

Hollywood Presbyterian Medical Center paid the ransom of 40 bitcoins, which is currently worth $16,664, in order to restore the computer system which was infiltrated on Feb. 5.

The hackers used a malware that locks systems by encrypting files and demanding ransom to obtain the decryption key.

“The quickest and most efficient way to restore our systems and administrative functions was to pay the ransom and obtain the decryption key,” CEO Allen Stefanek said in the statement. “In the best interest of restoring normal operations, we did this.”

Hospital employees noticed problems with the computer systems on Feb. 5, at which point computer experts and law enforcement were brought in to investigate, Stefanek said. By Feb. 15, the hospital’s computer system was fully restored.

The statement also said that the infiltration “did not affect the delivery and quality” of the hospital’s care, and there is “no evidence at this time that any patient or employee information was subject to unauthorized access.”

The Associated Press reports that the FBI is investigating the breach, but that neither “law enforcement nor the hospital gave any indication of who might have been behind the attack or whether there are any suspects.”

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For Fertility Treatment, Wounded Veterans Have To Pay The Bill

Matt Keil participates in physical therapy during a BeFit class at Craig Hospital in Englewood, Colo., in 2007.
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Matt Keil participates in physical therapy during a BeFit class at Craig Hospital in Englewood, Colo., in 2007. Helen H. Richardson/The Denver Post/Getty Images hide caption

toggle caption Helen H. Richardson/The Denver Post/Getty Images

Midway through Matt Keil’s second deployment in Iraq, he came home and married his fiancee, Tracy, in 2007.

He had two weeks R&R; no time for a honeymoon.

Before he went back to war the couple had the sort of conversation unique to newlyweds in the military. “I told her if you get a phone call that I’m injured, I’m probably fine,” Matt says. “But if they come to the apartment or to your work in person, then I’m dead.”

Six weeks later the news came — a phone call, thankfully. Matt had been shot in the shoulder. It wasn’t until Tracy got to Walter Reed Army Medical Center that she got the full story. The sniper’s bullet had nicked Matt’s spine.

“The doctor came in and told me he was paralyzed from the neck down, and he said it was a ‘Christopher Reeve’-type injury,” says Tracy.

Questions overwhelmed them about the future, including whether they’d ever be able to have children. It seemed like something they could figure out later.
“They were kinda telling us we’re putting the cart before the horse,” Matt recalls. “You guys got to get through a whole hell of a lot of rehab.”

Time was running out, though, and the Keils didn’t realize it.

To have children they’d need help: in vitro fertilization. But IVF is expensive, costing, on average, at least $12,000 per cycle of treatment, according to the American Society for Reproductive Medicine.

The Pentagon’s health care system for active-duty troops covers IVF for wounded soldiers like Matt Keil. The Department of Veterans Affairs for veterans doesn’t. By the time the Keils learned about the difference, it was too late.

“We were just swallowing the fact that he was never going to go back to work,” Tracy says. “But finding out that IVF wouldn’t be covered because we agreed to retire out so quickly, that was hard, because nobody told me that.”

A law passed in 1992 made it illegal for the VA to pay for IVF, which some people oppose because embryos are often destroyed in the process.

The only option for the Keils would have been to get the procedure done immediately after Matt’s injury. They had missed the window.

Matt was just starting to accept that with the limits of current science he might never walk again. But the limit on his ability to pay for IVF was put in his way by Congress.

“This is a direct result of a combat injury,” says Tracy. “Don’t tell me that his service wasn’t good enough for us to have a chance at a family. Because we’ve already lost so much. I just want to have a family with the man that I love and please don’t make this any worse than it already has to be.”

In the decades since Congress banned IVF for the VA, the procedure has become much more common. And about 1,400 troops came back from Iraq and Afghanistan with severe injuries to their reproductive organs. Thousands more have head injuries, paralysis or other conditions that make IVF their best option.

Bills to change the law come up periodically, only to be blocked at the last minute, says Sen. Patty Murray, a Democrat from Washington. “They don’t come out and say that directly, but there continues to be a backroom concern about the practice of IVF,” Murray says. Murray’s bipartisan IVF bill nearly passed last summer.

Republican Sen. Thom Tillis of North Carolina, who is staunchly against abortion rights, effectively blocked it. Tillis declined requests for comment, but said at the time that he opposed the bill because other problems at the VA need to be fixed first.

The Congressional Budget Office estimates a change in VA policy to pay for fertility treatment could cost more than $500 million over four years.

Murray says vets should get the same options as active-duty troops. “It’s really ridiculous that Congress would deny a widely used medical procedure to our veterans just because of their own … beliefs,” she says.

Rep. Jeff Miller, the Republican chairman of the House Committee on Veterans’ Affairs, said he’s working toward a compromise that “meets the needs of this special group of severely injured veterans while being sensitive to concerns surrounding IVF procedures.”

In the meantime, many fertility clinics across the country offer discounted rates for veterans who are paying out of their own pockets for IVF.

For the Keils, who spent the year after Matt’s injury figuring out how their new life could work, offers like that came too late.

“We weren’t at a good spot in our marriage at the time, and thought that if we’re going to bring kids into this world they need to be brought into a healthy relationship,” says Matt.

“What if we didn’t even end up staying together?” Tracy adds.

They took a year to work it out, and then decided it was for sure — their marriage would survive. They also wanted a family.

“We were ready, and it didn’t matter what it was going to take,” Tracy says.

The VA told them what they already knew — no coverage for IVF. The decision still seemed crazy to them, considering how much medical care VA would pay for.

“I served my country. I was injured,” Matt says. “All my medical supplies are paid for, but the one thing they won’t facilitate [by] paying — that I lost the ability to have — was a family.”

Paying for IVF on their own seemed impossible to Matt and Tracy.

The Keils play with their twins, Matthew and Faith, at their home near Parker, Colo., in 2012.

The Keils play with their twins, Matthew and Faith, at their home near Parker, Colo., in 2012. Ed Andrieski/AP hide caption

toggle caption Ed Andrieski/AP

Matt’s condition meant that IVF would be even more of a financial strain than usual. Among other things, Tracy was her husband’s full-time caregiver, and they would need to hire help while she was getting treatments.

Their savings weren’t going to cut it.

But then a veterans charity paid for the Keils’ wheelchair accessible house, so they could target their money toward IVF. The local VFW held a fundraiser to help. Kids all around Denver and then Colorado set up lemonade stands and collected donations, too.

The couple’s twins, Faith and Matthew, were born in November 2010. They ride on the back of their dad’s motorized wheelchair. When he wants to lift them high in the air they jump on his feet and he reclines the chair until he’s upside down.

This winter the kids are outside building igloos and snowmen.

Thousands of vets have injuries that make IVF their only option for having a family. Matt and Tracy Keil say they want them all to get that chance.

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Today in Movie Culture: Leonardo DiCaprio's Oscar-Chasing Video Game, Lady Deadpool and More

Here are a bunch of little bites to satisfy your hunger for movie culture:

Video Game of the Day:

Help Leonardo DiCaprio get his Oscar in a new online game called “Leo’s Red Carpet Rampage.” Play it here or just watch a video of the gameplay here (via Gregory Ellwood)

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Trailer Parody of the Day:

Speaking of giving Leo the Oscar, here’s a new trailer for The Revenant made by College Humor stressing why the Academy really needs to give Leo the Oscar:

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Actress in the Spotlight:

The brilliant talent of Jennifer Jason Leigh, who is finally nominated for an Oscar this year, is showcased in this supercut (via Cinematic Montage Creators):

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Cosplay of the Day:

The following image is not a cartoon. It’s a woman with body paint for female Deadpool cosplay. Watch the time-lapse video of her process down below (via Geek Tyrant).

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Mashup of the Day:

These images mashing up Back to the Future and Star Wars by artist Thirsty Bstrd are a few months old but still brilliant. See more at the artist’s website (via @nevesytrof).

Alternate Ending of the Day:

Here’s the mostly happier way that Pixar‘s The Good Dinosaur should have ended:

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Vintage Image of the Day:

The late John Schlesinger, who was born 90 years ago, directs Jon Voight and Dustin Hoffman in Midnight Cowboy:

Film History of the Day:

Here are the 20 greatest homages to silent films in the age of sound cinema (via Reddit):

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Supercut of the Day:

See some of the most iconic hands in cinema in a video called “A Show of Hands” (via Geek Tyrant):

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Classic Trailer of the Day:

Today is the 20th anniversary of Happy Gilmore. Watch the original trailer for the Adam Sandler comedy below.

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and

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OPEC Tries To Freeze Oil Output, But Most Say Effort Will Melt Away

Saudi Arabia, Russia, Qatar and Venezuela have agreed to freeze oil production at January 2016 levels if other producers do the same.The move reflects growing concern among major oil producers about the economic effects of a prolonged slump in crude prices.

Saudi Arabia, Russia, Qatar and Venezuela have agreed to freeze oil production at January 2016 levels if other producers do the same.The move reflects growing concern among major oil producers about the economic effects of a prolonged slump in crude prices. Hasan Jamali/AP hide caption

toggle caption Hasan Jamali/AP

Millions of Americans have been freezing in record-low temperatures this month.

Now many are mapping out road trips, preparing to head south soon for Easter and spring breaks. And with gas prices averaging just about $1.70 a gallon nationwide, they are looking forward to affordable travel.

But on the other side of the world, oil producers are trying to engineer a different kind of freeze — one that could heat up gas prices again.

Leaders of some of the biggest oil-producing nations in OPEC want to freeze their oil output at January levels rather than continue increasing output. Tighter oil supplies eventually could translate into higher prices.

So, will that happen?

Most experts say consumers are playing a stronger hand than OPEC, the once-fearsome cartel that now seems so diminished.

The chances that OPEC will be able to maintain a production freeze are “extremely remote,” said Gregg Laskoski, a petroleum analyst with Gasbuddy.com, a website that tracks consumer gasoline prices. At OPEC meetings, “there’s a lot of posturing, but we simply have a glut of oil” that will continue for a long time, he said.

Still, OPEC will keep trying to boost prices. Here’s what’s happening, and what it might mean for your wallet:

OPEC, the Organization of the Petroleum Exporting Countries, is made up of 12 of the world’s largest oil producers, including Saudi Arabia, Venezuela, Qatar, Iran and Iraq.

The United States is not part of the cartel, which was formed about a half-century ago to push up or hold down oil supplies. OPEC’s goal is to keep supplies at levels that ensure stable prices and healthy profits for members.

But production from U.S. shale formations has driven up oil supplies so quickly that prices have fallen globally, down to 12-year lows.

Despite this oil price plunge, OPEC countries keep drilling.

Now the largest OPEC producer, Saudi Arabia, has struck a deal with Russia, the largest non-OPEC producer, to freeze output at January levels. Qatar and Venezuela also have agreed to the deal struck at a meeting in Qatar Tuesday, a Saudi official told reporters in Doha.

If OPEC countries would stick to the January output levels, then oil supplies would get whittled down over time and eventually boost prices.

But the freeze would work only if two additional OPEC countries, Iran and Iraq, participate. In Iraq, that’s not likely to happen because the government needs oil sales to keep fighting ISIS.

And in Iran, officials have said that with economic sanctions finally lifted following a nuclear deal, producers want to return output to pre-sanctions levels. That means ramping up, not pulling back.

Despite all of these reasons for not cooperating with each other, OPEC leaders are still hoping some deal can be worked out to restrain production. They plan to meet in Tehran on Wednesday.

At first, oil investors appeared optimistic — if nothing else because any agreement between the Saudis and Russians could be seen as a step toward more production restraint.

“The obvious thing here is that you have Russia and the Saudis agreeing potentially to work together,” Dan Katzenberg, a senior oil analyst at Baird and Co., said.

That glimmer of hope sent crude oil prices up more than 7 percent on the New York Mercantile Exchange. But as the day wore on, optimism faded, sending oil prices back down.

By the day’s end, West Texas Intermediate, the U.S. benchmark for oil, was down more than 1 percent to $29.12.

For consumers, gasoline prices are likely to move up in March and April, but that will be because more drivers will be taking those vacation road trips, allowing gas station owners to charge a bit more. Also, refineries will be switching to more expensive summer blends.

“We will see incremental increases at the pump” because of seasonal factors, not because OPEC got its act together, Laskoski predicted.

NPR correspondent John Ydstie contributed to this report.

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With Special Tax Suspended, Medical Device Firms Reap Big Savings

Products that are regulated and taxed as medical devices include a wide range of machines and objects, including various scopes, scanners, tubing and pumps.
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Products that are regulated and taxed as medical devices include a wide range of machines and objects, including various scopes, scanners, tubing and pumps. iStockphoto hide caption

toggle caption iStockphoto

U.S. manufacturers of medical devices started 2016 with a windfall — a two-year suspension of a controversial tax on their revenue.

Medical devices include a wide range of products and machines used in medical care, such as tongue depressors, endoscopes and MRI scanners, for example. Manufacturers say the tax on devices hurt their business. The Congressional Research Service estimates companies paid out $2.4 billion in 2014.

“When this tax went into place it forced us to make cuts and sustain those cuts,” says George Montague, chief financial officer of Minnesota-based Smiths Medical. His firm takes in more than $1 billion a year for its specialty medical products.

Smiths Medical had paid $10 million a year in medical device taxes, Montague says, “and so now we’re getting that funding back.” He insists the money will go into building the business.

“We’re making significant investment in our product portfolio — in improving our product portfolio,” Montague says. “And what this enables us to do is accelerate some of that investment.”

The medical technology industry has branded the device tax a job-killer. Montague says Smiths Medical will now be adding new jobs, but he doesn’t know how many.

Minnesota is home to a concentration of device makers, and U.S. Rep. Erik Paulsen, R-Minn., is a leading opponent of the tax. He says the law suspending it for two years could provide a major boost to Minnesota’s economy.

“There are estimates that because of Minnesota’s high concentration in this sector — essentially the largest in the world in a concentrated environment — that Minnesota would be paying 25 percent of the tax,” Paulsen says. “That’s a big deal to our economy.”

Bob Paulson is CEO of NxThera, a small firm in Minnesota that makes devices involved in the treatment of urological conditions. His company had only been paying the device tax since November, he says, when NxThera started selling products in the United States. The tax made it harder to find financing, he says, because investors balked at putting their money into an industry that’s been singled out to pay a tax. Thanks to the tax hiatus, he says, he now plans to enlarge his staff of 43 researchers and sales people.

“It absolutely means additional money that we can invest in both of those areas,” he says.

Still, some industry analysts question whether suspending the tax will significantly boost the number of jobs created.

The Congressional Research Service concluded the tax was having fairly minor effects on employment, changing payrolls by no more than two-tenths of 1 percent. The same report called the tax difficult to justify, and noted that such excise taxes are typically put in place to discourage a particular behavior, such as smoking.

Jason McGorman, a senior analyst with Bloomberg Intelligence, says the suspension won’t really change what big companies are doing, but will help their bottom lines. Big, publicly traded firms also might return the money to shareholders by buying up their own shares, he says.

“Smaller companies felt a bigger tax bite than the giants, so they are more likely to put the tax savings back into the business,” McGorman says.

Industry analyst Brooks West, of Piper Jaffray, says device makers would be smart to reinvest the windfall.

“Politically, they better spend this money on R and D,” West says, “or the government can look at this and say, you know, ‘Look, if you just pass this on to the shareholders, we’re going to reimpose the tax.’ “

But Rep. Paulsen says he doubts the tax will return. He’s optimistic the two-year tax suspension will become a permanent repeal.

This story is part of NPR’s reporting partnership with Minnesota Public Radio and Kaiser Health News.

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Misty Copeland Achieves #SquadGoals In The Documentary 'A Ballerina's Tale'

Misty Copeland (center) performed in the Washington Ballet production of Swan Lake in April 2015.
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A Ballerina’s Tale tells the story of Misty Copeland’s rise to become American Ballet Theatre’s first black principal dancer.

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Onstage, Misty Copeland’s career revolves — chaînés? — around making hard work look easy. She breezes through Under Armour commercials and brisés through book signings, but she’s most famous for defying gravity onstage with American Ballet Theatre. ABT’s first black principal dancer, Copeland has been lighting up the ballet world for years. Now, the documentary A Ballerina’s Tale is lifting the curtain on just how excruciating her journey has been.

A Ballerina’s Tale aired on PBS this Monday after premiering at the Tribeca Film Festival last April. Copeland has been called a prodigy countless times, but the film unearths hardships that often go unmentioned when detailing her rise to star status. She experienced the usual setbacks any dancer can expect — ruthless competition, career-changing injuries, constant scrutiny. But unlike most of her her peers, Copeland also had to succeed as a black, self-described “curvy” woman in an industry where, historically, “balletomanes, choreographers and directors generally concurred that black bodies were unsuited to the lines of classical technique.”

While Copeland’s dancing has received overwhelming critical acclaim, her offstage persona has been subject to some negative reviews. “I think that people think that I sometimes focus too much on the fact that I’m a black dancer,” says Copeland in the opening lines of A Ballerina’s Tale. “But there’s never been a black principal woman at the Royal Ballet. At the Paris Opera Ballet. At the Kirov Ballet, in the top companies in the world. In New York City Ballet, in New York City. I don’t think that people realize what a feat it is being a black woman. But that’s so much of who I am, and I think it’s so much a part of my story.”

Copeland is of course remarkable, but A Ballerina’s Tale also shines in spotlighting the community it took to get her where she is today. Copeland was just 17 when she moved by herself from Southern California to New York City to perform as a junior dancer with ABT. At first, she struggled with depression, binge-eating and isolation. But when the company’s executive director noticed Copeland’s listlessness, she reached out to Susan Fales-Hill, then-vice chair of the American Ballet Theatre Board, a strong advocate for diversifying ballet (and formally the lead writer and producer for A Different World). Hill used her connections to arrange for a squad of black female “firsts” to mentor Copeland.

The women included singer and actress Diahann Carroll and cosmetics mogul Veronica Webb. Later, Gilda Squire, Copeland’s manager and publicist, added former Ballet Russe de Monte Carlo dancer Raven Wilkinson, the first black woman to tour with a major American ballet company, to the crew. Wilkinson soon became a close friend and mentor to Copeland.

Misty Copeland (center) performed in the Washington Ballet production of Swan Lake in April 2015. Emily Jan/NPR hide caption

toggle caption Emily Jan/NPR

“So many films about artists seem to focus on the white, male artist achieving alone,” writes film critic Ren Jender. “But this documentary shows what many of us know from real life, that artists need support systems in place — and women and people of color often have to build their own.”

With the help of her mentors, Copeland was able to regain her focus. Within three years, she was chosen to star in The Firebird, a role that had never been performed by a black woman at a major theater in the history of ballet. For Copeland’s debut performance, Hill arranged for a whole host of famous black women, including the head of BET, to be in attendance. “To sit in that theater that night, surrounded by African-American women of accomplishment watching a ballerina take center stage in one of the most important works, just felt like her life had come full circle,” said Hill in the film.

The significance of that support system is not lost on Copeland. For years she has made a special point of encouraging young people of color to pursue ballet through speaking engagements and activism. Her autobiography, Life in Motion, was an instant best-seller, but less known is her children’s book, Firebird, in which she tells a young African-American girl who dreams of being a dancer that she can — and will — succeed.

“There’s generations of white girls who can see themselves as ballerinas,” says Copeland in A Ballerina’s Tale. “It’s not even a question because they can see themselves on the stage. And it’s like this psychological thing where [women of color] don’t see ourselves up there, so it’s not something we think we can even dream.”

You can watch A Ballerina’s Tale on PBS’s website, but that’s not the only place to find Copeland right now. She stars in a stunning photo shoot for Harper’s Bazaar, in which she re-creates poses from some of Edgar Degas’ most famous paintings. And later this spring, she’ll perform with the American Ballet Theater in The Sleeping Beauty, Firebird, La Fille Mal Gardee, Le Corsaire, The Golden Cockerel, Swan Lake and Romeo and Juliet.

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Today in Movie Culture: Fan-Made 'Wonder Woman' Teaser, Keira Knightley as Cable and More

Here are a bunch of little bites to satisfy your hunger for movie culture:

Fan-Made Trailer of the Day:

Aside from there being too much WW1 scenes in the WW2-set superhero movie, this fan-made Wonder Woman teaser is pretty good (via Cinematic Montage Creators):

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Casting Depiction of the Day:

She’s got range! In honor of the suggestion in Deadpool that Keira Knightley play Cable in Deadpool 2, here’s BossLogic’s take on what that would look like:

Reimagined Movie of the Day:

Oh no, a bear! Mashable shows us what The Revenant would look like as a silent film:

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Fan Build of the Day:

If you dream of being a hood ornament, here’s an instruction video on how to make your own Mad Max: Fury Road face mask:

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Cosplay of the Day:

Why do we only see male hunters in the Predator movies? Here’s a woman dressed as a female Predator, and she looks just as deadly (via Fashionably Geek):

Classic Cartoon of the Day:

Today is the 80th anniversary of the classic Disney animated short Orphan’s Picnic. Watch the cartoon, which stars Mickey Mouse and Donald Duck, below.

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Movie Truth of the Day:

Watch more Disney animated feature musical numbers, including songs from Frozen and Beauty and the Beast, sung in the characters’ actual language:

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Political Movie Parody of the Day:

Heeeeeeere’s Bernie! Let’s not forget, folks, that the guy wielding the axe in The Shining is defeated in the end (via Larry Wright):

Film Studies Lesson of the Day:

Now You See It shows us how lateral movement in movies can mean different things depending on the direction a characters is going:

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Classic Trailer of the Day:

Today is the 25th anniversary of the theatrical release of King Ralph. Watch the original trailer for the comedy, which stars John Goodman, below.

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Scalia's Death May Mean Texas Abortion Case Won't Set U.S. Precedent

An American flag flies at half staff in front of the U.S. Supreme Court building in Washington in honor of Supreme Court Justice Antonin Scalia.
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An American flag flies at half staff in front of the U.S. Supreme Court building in Washington in honor of Supreme Court Justice Antonin Scalia. Manuel Balce Ceneta/AP hide caption

toggle caption Manuel Balce Ceneta/AP

The U.S. Supreme Court next month is scheduled to hear its biggest abortion case in at least a decade, and the reach of that decision will likely be impacted by the absence of Justice Antonin Scalia, who died over the weekend.

A Texas law requires that doctors have local admitting privileges, and that clinics make costly building upgrades to operate like out-patient surgical centers. Numerous other states have passed similar laws, and Scalia was widely expected to provide a fifth vote to uphold such restrictions.

Without him, it may not change much for Texas. A 4-4 split in the court would leave in place the 5th Circuit Court of Appeals ruling that upheld these provisions. Ilyse Hogue of NARAL Pro-Choice America says that would shut down a number of clinics that perform abortion. And she says that would come in addition to other Texas restrictions that have already closed about half the state’s clinics, leaving some women to travel hundreds of miles to obtain an abortion.

“We would be looking at an even greater health care crisis in Texas than we’re already facing,” Hogue says.

But a split decision in the Supreme Court would have no national precedent. That means other appeals court rulings striking down similar laws would also stand. And Hogue says there are more cases to come.

“I think this vacancy is far, far greater in terms of its implication than this one case in Texas,” she says. “There are so many laws looking to restrict not only abortion access and abortion rights, but a broader set of reproductive rights in front of the court right now.”

One of them also comes up next month, when the court hears a challenge to the Affordable Care Act’s mandate on covering birth control for female employees.

There’s also been a wave of abortion restrictions passed since Republicans took control of numerous statehouses in 2011, and many of those cases are winding their way through the appeals courts. Abortion opponents had been hoping to have them affirmed by the Supreme Court, with the help of a great ally in Justice Scalia.

“He was one of the two justices on the court who has publicly opposed Roe v. Wade in prior cases and prior votes,” says Clarke Forsythe, senior counsel with Americans United for Life. “And he was probably the most vocal and longstanding, having been there since 1986.”

Scalia had said that since the U.S. Constitution does not recognize a right to abortion, neither should the Supreme Court. The issue, he wrote, should be left to the states.

Now, if the court flips to a liberal majority, Forsythe foresees a large scale rolling back of decades of abortion restrictions. He can imagine justices overturning the ban on public funding for the procedure. That ban is known as the Hyde Amendment, something presidential candidates Hillary Clinton and Bernie Sanders have both vowed to overturn.

Forsythe also thinks a liberal Supreme Court “will probably throw out all parental notice and parental consent laws in the country, will throw out all informed consent laws in the country, and virtually any regulation, and create an absolute right to abortion for any reason at any time that we haven’t seen in 42 years.”

Abortion rights groups say all that is speculation at best. But with so much at stake, both sides of this contentious issue say they’re throwing themselves into the fierce battle over choosing Scalia’s replacement.

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