May 11, 2019

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Soybean Farmer Loses From Retaliatory Tariffs With No Bailout Funds In Sight

Heavier tariffs on Chinese goods have led to retaliatory tariffs from China. Virginia soybean farmer John Wesley Boyd Jr. tells NPR’s Michel Martin that he hasn’t gotten relief for his lost wages.



MICHEL MARTIN, HOST:

China was a major buyer of U.S. soybeans until last year when they all but stopped these imports in retaliation for Trump’s tariffs. That’s been hard on American farmers who have long grown the crop. We’ve been following this story for some time now, so we’ve reached out once again to John Wesley Boyd. He’s a farmer in Baskerville, Va. And he’s with us once again. John Boyd, welcome back. Thanks so much for joining us once again.

JOHN WESLEY BOYD: And thank you for having me, Michel. It’s wonderful to be here.

MARTIN: Well, the last time we spoke with you, which was in December of last year, you had too many soybeans. You had nobody to buy them. You said your grain elevator was full of soybeans. And you were trying to wait out this 90 day truce called by the U.S. and China to see how the tariffs would shake out. But what’s been happening since then?

BOYD: Well, basically, the situation has not improved for myself and other American farmers. The price is still around $8 a bushel. And President Trump said that all of this stuff would be over in a few months. And this week, he came out with something else with China. And right now, it’s difficult for farmers to actually borrow money for farm operating loans. If you try to tell a banker that the going rate is $8 dollars a bushel and you really don’t see any relief in sight, it makes it difficult for farmers like myself to borrow farm operating money, to make plans.

And, you know, the president says to just wait it out. But I’m not in the position to wait it out. You know, we have to plan a season ahead. I just got off my tractor and hopped in here on this interview so I can talk about this because right now, I’m actually still planting soybeans. And I thought as a farmer that the price would break through by now. But right now, we’re at a stalemate with the president. And the price has not improved for myself and other American farmers.

MARTIN: Well, you know, in July of last year, the Trump administation announced that there would be this $12 billion bailout program for farmers who were hurt by the trade war. Have you seen any of that money?

BOYD: I haven’t seen a dime of that money. And I’ve been calling and calling USDA. And they continue to say that the funds are in process, and the funds are going to be sent to me. I have yet to receive these funds. And I’ve reached out to the agriculture secretary, Sonny Perdue, to ask him for a meeting to see why the payments are late to farmers like myself and other small-scale farmers around the country. And that meeting has fell upon deaf ears and blind eyes.

MARTIN: And I want to mention that you are also head of the National Black Farmers Association. So you have some experience in dealing with officials not just from this administration, but prior administrations, kind of representing their interests. I presume you’ve talked to a number of the other farmers who are a member of this association. Is their experience similar to yours?

BOYD: Absolutely. And they’re complaining every day. And so the listening audience is clear, I have met with every agriculture secretary since Jimmy Carter’s administration, both Republican and Democrat. And this is the only administration that has not came to the table and at least had a meet-and-greet. And farmers are calling. They’re saying, you know, what’s going on? Does the administration not have any answers for the future of soybeans? And I’m ready to ask the administration those questions, and they refuse to come to the table.

MARTIN: So what are you and some of the other smaller farmers doing to keep your heads above water right now?

BOYD: Well, right now, I’m taking a huge risk by planting soybeans because, like I said, I don’t know what the outcome of this is going to be. But this year, I am changing a little bit. And I’m taking a chance on planting some hemp. And I’m working with the Virginia agriculture secretary on getting a license to plant hemp. So I’m going to take a chance and plant 100 acres of hemp. I’ve never grown any before. But it’s legal, and I think myself and other farmers may see it as an out or a new income for our farming operations.

MARTIN: You know, we actually did some research on this. And we saw that in Indiana where farmers have started growing and selling hemp – because as you mentioned, last year’s Farm Bill made it easier for reasons we don’t have time to go into – that we hear from Indiana that farmers are bringing in about $100 to $300 more per acre compared to corn and soybeans. This is according to the Purdue University Industrial Hemp Project.

So you mentioned that, in January, President Trump addressed a conference of farmers in Louisiana. He said that if farmers can just wait out the initial stages of this trade war conflict or whatever it is, he said that their livelihoods would come back and they would be better than ever. I mean, is that – you think hemp is one answer to that?

BOYD: I think hemp is certainly an opportunity for small-scale farmers like myself. And I see the future of agriculture in trouble on the major commodities such as corn, wheat and soybeans because these prices are too low for farmers to stay in business.

MARTIN: And is that because the timing is such that, you know, waiting it out has different meaning in farming than it does in other jobs, for example, right. I mean, like, waiting out, you have to plan so far ahead and – that you can’t just – it’s not a 90 day problem. Is that what I’m hearing from you?

BOYD: Exactly. And for the people that are listening, most Americans pay their bills every 30 days. Farmers pay their bills basically twice a year. Like right now, I’m getting ready to sell my winter wheat, which is coming for harvest next month. So I receive a payday there – hopefully it’s a fair payday – and then my soybean crop later on this fall.

So we plan our operations a year out. And I thought by now that there would be a big change in the commodity price for soybeans. And that simply hasn’t happened. And this president is playing footsie with American agriculture and American farmers here.

MARTIN: So why do you say that? He seems to believe that this stance will yield benefits in the long run, that there will be short-term pain but a long-term gain. Do you feel like he doesn’t understand your business, or what do you – just where you are right now, how – what do you think?

BOYD: Where I am, if I was in any kind of leadership in his administration in the Agriculture Department and you saw this coming down the pike, then immediately, the Agriculture Department should have opened more trade avenues for American farmers. So you closed 90% of the biggest purchaser for American soybeans, which was China, and you don’t open up other channels for alternative markets. Somebody dropped the ball here.

MARTIN: Well, that’s John Wesley Boyd. He’s a farmer in Baskerville, Va. He grows corn, soybeans and wheat, as he just told us. And he’s thinking about planting hemp in the coming months. And he was kind of to join us from Richmond, Va. John Wesley Boyd, thanks so much for talking to us once again.

BOYD: Thank you.

MARTIN: So we’d like you to know we did reach out to the Department of Agriculture for comment on Mr. Boyd’s statements about the status of the bailout funds he’s applied for, but we have not yet received a response by the time we went on the air.

Copyright © 2019 NPR. All rights reserved. Visit our website terms of use and permissions pages at www.npr.org for further information.

NPR transcripts are created on a rush deadline by Verb8tm, Inc., an NPR contractor, and produced using a proprietary transcription process developed with NPR. This text may not be in its final form and may be updated or revised in the future. Accuracy and availability may vary. The authoritative record of NPR’s programming is the audio record.

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Not My Job: We Quiz Baseball Great Ozzie Smith On ‘The Wizard Of Oz’

St. Louis Cardinals shortstop Ozzie Smith waves to fans on Sept. 13, 1996.

Michael Caulfield/AP


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Michael Caulfield/AP

We recorded the show in St. Louis this week and invited former Cardinals shortstop Ozzie Smith to play our quiz. We’ll ask the Baseball Hall of Famer, known as “The Wizard” for his magical plays, to answer three questions about the 1939 movie The Wizard of Oz.



(SOUNDBITE OF MUSIC)

BILL KURTIS: From NPR and WBEZ Chicago, this is WAIT WAIT… DON’T TELL ME, the NPR news quiz.

(APPLAUSE)

KURTIS: I’m Bill Kurtis. We’re playing this week with Tom Bodett, Amy Dickinson and Brian Babylon. And here again is your host at the Fox Theatre in St. Louis, Mo…

(CHEERING)

KURTIS: …Peter Sagal.

PETER SAGAL, HOST:

Thank you, Bill. Hey, thanks, everybody. And listen, if you are just tuning in, and you’re like, oh, no, I missed it, or maybe you just want to hear it all again so you can pretend you haven’t and impress your friends by knowing all the answers, all you need to do is download the WAIT WAIT podcast. It’s the same show you love on the radio but with ads for mattress companies and stamps.

(LAUGHTER)

SAGAL: Right now, it is time to play the WAIT WAIT… DON’T TELL ME Bluff the Listener game. Call 1-888-WAIT-WAIT to play our games on the air. Hi, you are on WAIT WAIT… DON’T TELL ME.

EBEN ATWATER: Hi. I’m Eben Atwater. I’m from Lummi Bay, Wash.

SAGAL: Eben from Lummi Bay, Wash.

ATWATER: Well, the – I think they had a girl’s name figured out but not a guy’s name figured out, and I got stuck with the family name.

SAGAL: Do you know what the girl’s name was?

AMY DICKINSON: (Laughter).

ATWATER: Yeah, it was Emily.

SAGAL: Let me ask you a question – given what you’ve been through, would you have preferred to be named Emily?

(LAUGHTER)

ATWATER: I’d roll with it.

SAGAL: All right. You could go with it. Well, welcome to the show, Eben. You are here to play our game in which you must try to tell truth from fiction. Bill, what’s Eben’s topic?

KURTIS: I’m your biggest fan.

SAGAL: Celebrities have long found fans the traditional ways, like press tours and purchasing Twitter followers from a Chinese bot farm. But this week, we heard about a new way that a fan found the person or people they’re fans of. Our panelists are going to tell you about it. Pick the one who’s telling the truth – you’ll win the WAIT WAITer of your choice on your voicemail. You ready to play?

ATWATER: Let’s do it.

SAGAL: All right. First, let’s hear from Tom Bodett.

TOM BODETT: The lyrics to “A Horse With No Name” blew my mind, said Blollapalooza organizer Mason Ford (ph). Ford, who is 16 years old, discovered early ’70s soft rock bands like America and Bread when his dad erased his Spotify playlist of hip-hop favorites and replaced it with what he thought would be the genre from hell. I couldn’t stand the F words and (unintelligible) emanating from his room and earbuds another day, said the elder Ford. I wanted to punish him with some “Diamond Girl” and “Muskrat Love.”

(LAUGHTER)

BODETT: I thought he needed to understand what obnoxious feels like. Instead, he loves it. What I realized, explained Ford the younger, is that hip-hop is not chill music. All me and my friends want to do is chill and hang out. This weird sound is so chill, it almost doesn’t make sense. I mean, baby, Imma (ph) want you?

DICKINSON: (Laughter).

BODETT: Who says that?

(LAUGHTER)

BODETT: And with that googly sounding guitar thing in the background, it’s sick. I love it. After two or three songs, you can’t move.

(LAUGHTER)

BODETT: The Blollapalooza will be no Fyre Fest, promises Ford, referring to the famous concert fail of last summer. It’s more of a warming drawer fest. Surviving members of America, along with Dan Fogelberg, will headline the event to be held this August in a closed Walmart parking lot in Springfield, Iowa. Father Ford will not be attending. I lived through the ’70s once, he said. A day of this might kill me.

(LAUGHTER)

SAGAL: A young man…

(APPLAUSE)

SAGAL: …Becomes a fan of ’70s soft rock through a cruel prank from his father. Your next story of a celeb making new fans comes from Brian Babylon.

BRIAN BABYLON: UPenn volleyball player Elizabeth Watty (ph) was running late for practice in Philly. The pressure was on because she had to park her 1964 Pontiac GTO – a hand-me-down from her grandpa – into a parking space barely big enough for an enormous land yacht. I hate this car, said Watty. As soon as I land my pro beach volleyball contract, I’m buying myself a Honda Fit. She tried eight times, each time scraping or bumping the car in front of her and going up on the curb. With drivers behind her honking their horns and complaining, finally, she was ready to give up and keep driving. But then, a gentleman appeared in her window and said, may I assist? She was very angry about this implied sexism but got out and let him in.

(LAUGHTER)

BABYLON: And the most amazing display of driving happened. He hopped in. And in the most amazing display of driving she had ever seen, he whipped that 20 feet of Detroit steel into a parking space with just a few turns of the wheel. She wrote his name down to send him a nice thank-you note. And then when she showed the name to her teammate, the teammate said, Jimmie Johnson, the NASCAR driver.

(LAUGHTER)

BABYLON: No, said Elizabeth. I think he had a Toyota car of some kind. But it was No. 48 himself, seven-time NASCAR champion, who was in town for a personal appearance. Elizabeth, of course, had to watch him race and instantly became a fan. He’s just so confident, so tactical on the track, she says.

(LAUGHTER)

BABYLON: And if you think he’s good at racing, you should see him park.

(APPLAUSE)

SAGAL: A NASCAR fan is made when Jimmie Johnson, himself, steps in to park her car. Your last story of a famous person convincing someone to like them comes from Amy Dickinson.

DICKINSON: When they heard that Lyle Lovett, their favorite singer, was coming to Austin, 17 women from three generations of one big Texas family decided to call it a Girls Gone Wild Weekend. The Lovett love is mighty strong in the Walker clan. So Belinda from El Paso rallied her gal pals from all over the country – sisters, cousins, her mother and even her 85-year-old grandmother – and told them (imitating Southern accent) pack up your spangly cowboy boots and send Bota Boxes of chardonnay, ladies, because we’re going to see Lyle Lovett. Whoo (ph).

(CHEERING)

DICKINSON: The concert tickets got bought. The event was coming up when Walker sister figured out that the Lovett coming to Austin was not the Texas native and rectangle-faced, Grammy Award-winning singer Lyle Lovett. No, this Lovett was Jon Ira Lovett of Connecticut, a former Obama speechwriter, bringing his…

(LAUGHTER)

DICKINSON: …Popular progressive politics podcast “Lovett Or Leave It” to Austin for a live taping.

(LAUGHTER)

DICKINSON: The Lyle Lovett-loving ladies decided to go ahead with their Girls Gone Wild Weekend.

(LAUGHTER)

DICKINSON: It turns out having to watch a politics lecture from a guy who can’t sing and was never even briefly married to Julia Roberts…

(LAUGHTER)

DICKINSON: …Was just about right for these girls gone mild.

(LAUGHTER)

SAGAL: All right, so here are your choices. Somebody made a fan in an unusual way. Was it from Tom Bodett – ’70s soft rockers get a fan when a kid is punked by his own father who switched his playlist? Was it from Brian Babylon – Jimmie Johnson created one new NASCAR fan when he graciously parked her car for her? Or from Amy Dickinson – the political pundit and podcaster Jon Lovett got a whole bunch of Texas women to come see him because they thought he was Lyle Lovett. Which of these is the real story of an unexpected meeting of fan and idol in the news?

ATWATER: (Imitating Southern accent) Well, I’ll tell you what…

(LAUGHTER)

ATWATER: …I lived for 12 years in Texas, and there ain’t no way on God’s green Earth I’m picking any other story but that one.

DICKINSON: Oh.

SAGAL: You’re going to pick, then, Amy’s story…

(LAUGHTER)

SAGAL: …Of the 17 women who went to see Lyle Lovett and ended up hearing some interesting political comedy from Jon Lovett.

ATWATER: Got to be it.

SAGAL: All right. Well, we actually spoke to one of the fans in question.

BELINDA WALKER: One of my cousin’s looked, and it said Jon Lovett. And my sister’s like, no, no, no, I got Lyle Lovett tickets. And we’re like, oh, my God, it is the wrong one. What are we going to do? What are we going to do?

(APPLAUSE)

SAGAL: That was Belinda Walker. Practically an entire female side of the family went to see Lyle Lovett and got Jon instead. It’s OK. They like him. Congratulations. You got it right, Eben. You have won our prize by picking Amy’s story.

(CHEERING)

SAGAL: And you’ve won a prize for her. Well done, sir.

ATWATER: Hey, thanks a lot. That was great.

SAGAL: Bye-bye.

(SOUNDBITE OF MUSIC)

Copyright © 2019 NPR. All rights reserved. Visit our website terms of use and permissions pages at www.npr.org for further information.

NPR transcripts are created on a rush deadline by Verb8tm, Inc., an NPR contractor, and produced using a proprietary transcription process developed with NPR. This text may not be in its final form and may be updated or revised in the future. Accuracy and availability may vary. The authoritative record of NPR’s programming is the audio record.

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Cuban Diva Omara Portuondo Feels As Strong As Ever On ‘Last Kiss’ World Tour

Omara Portuondo may be on her “Last Kiss” Tour, but the Cuban music matriarch says she plans to keep performing for as long as possible.

Johann Sauty/Courtesy of the artist


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In 1996, Omara Portuondo was working on an album at Havana’s famous recording studio, Egrem. Upstairs, American musician Ry Cooder was laying down tracks for Buena Vista Social Club, a project with veteran Cuban musicians like Compay Segundo. Portuondo was invited to come up and sing a duet with him. They sang “Veinte Anos,” a song Portuondo learned as a child.

“Without rehearsal, this was a live recording. One take. It’s unbelievable,” says Cuban bandleader Juan de Marcos Gonzalez. He had scouted and rediscovered the older musicians for Buena Vista Social Club. But he says Portuondo was still a star on the island, and bringing her into the project was a dream.

“I remember that once, Mr. Ry Cooder told me, ‘Omara is the Cuban Sarah Vaughan.’ And I said to him, ‘No, Sarah Vaughan was the American Omara Portuondo,'” Gonzalez says.

NPR met up with the legend herself at a downtown Los Angeles hotel the day she began her latest world tour, deemed “The Last Kiss.” Now 88 years old, Portunodo sometimes sings answers to questions about her long career.

Por eso, yo soy Cubana, y me muero siendo Cubana,” she sings: “I’m Cuban, and I’ll die Cuban.”

Portuondo’s first gig for her latest world tour was at LA’s Regent Theater. Even though she was sitting, she had the audience clapping, dancing and singing along.

“Omara is the most important singer of our culture,” Cuban pianist Roberto Fonseca, who performs with Portuondo on the tour, says. “She’s able to do any Afro-Cuban style, Latin jazz, jazz, boleros, traditional Cuban music, rumba. She’s magical, intense, pure, strong.The audience … the public … they are crying, smiling, dancing. All the time, she’s making jokes.”

“Yes, she’s flirting with the audience the whole time,” Alicia Adams, international program director for the John F. Kennedy Center for the Performing Arts in Washington, D.C. says. Adams brought Portuondo to the center’s Cuban Arts Festival last year, and recalls seeing the singer peak out from beneath the curtain to wave to her fans. Adams says as relations between Cuba and the U.S. have morphed over the decades, Portuondo has always been a cultural ambassador.

“She spans before the revolution and after the revolution,” Adams says. “From before, when there was much more ability to go back and forth, until later years, after the revolution, when things were not so easy in terms of that kind of travel.”

Unlike some other Cuban musicians — including her sister Haydee and her old friend, the late Celia Cruz — Portuondo chose not to defect to the U.S. She says she comes and goes from her home in Cuba as she likes, pretty much like her father, Bartolo Portuondo, did. He’d been a black professional infielder for both the Cuban League and the Negro Leagues in the U.S. Portuondo says that he was a great baseball player and that her mother, who was white, scandalized her upper-class family by marrying him.

When she was a little girl, Portuondo dreamed of being a ballet dancer. But she says in those days, you could only dance ballet if you were white. Instead, she and Haydee danced and sang at Havana’s famous Tropicana. Later, in 1945, the sisters formed a quartet with two other women, Elena Burke and Moraima Secada (the aunt of singer Jon Secada’s.) The Cuarteto D’Aida danced and sang in nightclubs and on television. The quartet even backed Nat King Cole when he performed in Havana.

Portuondo sang with the quartet for 15 years before launching a solo career in 1963. Since then, she’s sung with everyone from Pablo Milanes and Chucho Valdes to Los Van Van and reggaetoners Yomil Y el Dany. She even sang in the 2009 Spanish version of Disney’s The Princess and the Frog. For years, Portuondo was associated with Cuba’s movimiento filin — the feeling movement that celebrates singers who interpret lyrics with great emotion.

Portuondo remained a star in Cuba, but it was the Buena Vista Social Club that introduced her to an even bigger audience in the U.S. and around the world. Audiences wept for her duets with Ibrahim Ferrer, who Portuondo sang with in the 1950’s. He’d been long-forgotten until the Buena Vista Social Club. The group’s first album won a Grammy award in 1998. And an Oscar-nominated documentary by Wim Wenders chronicled the group’s journey from Cuba to an historic concert at Carnegie Hall.

Portuondo never stopped recording or performing. Gonzalez says for many years, Portuondo also sang with his band, the Afro-Cuban All Stars. As for this tour being her “last kiss”? Gonzalez says that’s just marketing ploy . “She’s going to die on the stage. That’s what she wants,” he says. “She’s the Cuban diva.”

And Portuondo agrees. “Despedida? No.” This is not goodbye, Portuondo says as she breaks into song: “Lo que me queda por vivir será en sonrisas“: “What I have left to live for is smiles,” she sings, adding “Me queda tiempo todavia,“: “I still have time.”

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