March 22, 2018

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Today in Movie Culture: Funny 'Pacific Rim' Recap, Fact Checking 'Superman III' and More

Here are a bunch of little bites to satisfy your hunger for movie culture:

Recap of the Day:

Before going to see Pacific Rim: Uprising, recall what happened in the first Pacific Rim with help from this silly recap:

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Reworked Movie of the Day:

Nerdist imagines Pacific Rim: Uprising as a 1975 release in this reworked trailer for the new sequel:

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Reworked Trailer of the Day:

Aldo Jones is back with another surreal Weird Trailer version of an Avengers: Infinity War trailer, this time messing with its Super Bowl spot:

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Vintage Image of the Day:

William Shatner, who turns 87 today, with co-stars Leonard Nimoy and DeForest Kelley, director Robert Wise and creator Gene Roddenberry on the set of 1979’s Star Trek: The Motion Picture:

Actor in the Spotlight:

Ahead of his great voice work in Isle of Dogs, here’s a celebration of Bryan Cranston by Jacob T. Swinney for Fandor:

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Movie Science of the Day:

Kyle Hill scientifically explains whether or not Superman could really create a diamond with his bare hands as he does in Superman III:

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Cosplay of the Day:

This Wolverine fan gets special points for cosplaying a very specific look for the character at the end of Logan:

Goodbye…my old friend#LOGAN#Cosplay#Xmen#Marvel#Comics#Wolverine#cosplayer@RealHughJackmanpic.twitter.com/gYqGWv9zFB

— SambuZ Cosplay (@SambuzCosplay) March 22, 2018

Movie Comparison of the Day:

According to Couch Tomato, among its many faults, Transformers: Revenge of the Fallen is basically a rehash of Indiana Jones and the Kingdom of the Crystal Skull:

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Storyboards of the Day:

Speaking of comparisons, see the “Un Poco Loco” number from Pixar’s Coco side by side with the storyboards for the scene:

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Classic Trailer of the Day:

This weekend is the 30th anniversary of the release of Biloxi Blues. Watch the original trailer for the classic Neil Simon comedy below.

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and

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Illinois Town Tries Hard To Wean Off Of Steel

In Granite City, Ill., 500 laid-off steel workers are being called back to work following President Trump’s steep tariffs that go into effect Friday on imported steel.

David Schaper/NPR

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David Schaper/NPR

Workers in traditional steel towns across the country are rejoicing over President Trump’s steep tariffs on imported steel that go into effect Friday.

Especially in Granite City, Ill., where U.S. Steel is calling back 500 laid-off workers to restart one of its two idled blast furnaces at a mill there.

That mill is the town’s largest employer and for decades Granite City’s fortunes have largely tracked the success of the steel industry.

That even goes back to the city’s founding in 1896, because the enormous steel mill that Granite City is known for wasn’t built in the town. It was actually the other way around.

“Our community here, Granite City, was originally designed as a planned community, much like Pullman in Chicago is kind of famous for being,” says James Amos, Granite City’s Economic Development Director. “This community continued to be built around specifically the steel mill.”

For more than a century, this city across the Mississippi from St. Louis has been known as a “steel town.” No one knows that better than Delmar Farless, who is more than a century old.

“I’m almost six months past! My birthday was in September,” says the 100 1/2-year-old Farless. “And I’ve lived here since 1924.”

As he eats lunch with some younger friends at Petri Cafe, Farless recalls that like many in this town of 29,000, he worked in the town’s signature mill.

“When I got first married,” he says, “I worked two years at Granite City Steel,” which is what it was called then, decades before U.S. Steel would buy it.

And Farless says it is what put Granite City on the map.

“If it wasn’t for Granite City Steel, people wouldn’t have came here,” he says. “That was the main place, boy, when I was a kid.”

At it’s peak in the 1970s, the mill was a massive operation, employing more than 4,500 people.

There were still about 2,000 people working there in December of 2015, when U.S. Steel cut way back, laying off all but a few hundred workers.

The ripple effect of losing those good paying jobs hit the community hard. It also hurt suppliers and machine shops that work with the mill, as well as those who work in logistics — running the trucks, trains and barges that bring raw materials to and from the steel mill.

“Today, we’ve got a situation where we’ve got another 40-plus companies in the heavy metals industrial cluster in the area,” says economic development director James Amos. “And so all of these businesses are integrated together, they work together in kind of a symbiotic way.”

“U.S. Steel’s production facility is by far the largest of them,” says Amos, acknowledging that the mill’s impact on Granite City’s economy is huge.

But “Granite City does not live and die on one steel mill,” he is quick to add. “We’re a bigger town than that and there are other thriving jobs in our community.”

He points to the city’s medical center, the Prairie Farms dairy, a Kraft Foods processing plant, trucking companies, the rail yards and America’s Central Port at the intersection of two of the nation’s busiest waterways, the Mississippi and Missouri Rivers.

Still, Larry Petri says he sure feels it when there are layoffs at the mill.

He runs Petri Cafe, which his parents started 71 years ago just down the street from the gigantic steel mill. He says the ebb and flow there has always affected the cafe’s fortunes.

Just down the street from the steel mill in Granite City, Ill., stands Petri Cafe. Owner Larry Petri says for the past 71 years the ebb and flow of the mill has always affected the cafe’s business.

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Petri has weathered many steel industry downturns over the years, but now says that U.S. Steel is not the only game in town.

“We have another mill, American Steel, down there, we have the hospital, we have other smaller businesses that have seen the effect of the mill being shut down but they’ve survived,” Petri says.

Among those survivors is Laura Smith, who with her husband owns Holt’s Shoe Shop.It specializes in metatarsal industrial work boots.

“It has a steel toe and this plate that goes on top of it,” she explains, “so if they drop something on it, it doesn’t break their foot.”

These metatarsal boots are required for anyone working inside the steel mill and it’s a big part of the Smiths’ business.

“When they shut down, we went down about 28 percent,” she says.

But Holt’s Shoes has survived by catering to customers who work in those other, albeit overshadowed industries, including the area’s rail yards, the port, the food and beverage processing plants, and other factories.

The longtime family-owned shop, which they bought from the Holts a couple of years ago, also does shoe repairs, a personal touch that helps it stave off competition from big retailers like Walmart.

Granite City’s long-term economic development plan emphasizes the kind of entrepreneurship demonstrated by the Smiths and people like Brenda Whitacre, who spent many years working in the mill herself.

“I was a coiler operator on the 80-inch hot strip and I worked there for 15 years,” she says, before deciding to go out on her own.

Whitacre’s first venture was a quaint restaurant called the Garden Gate Tea Room, which NPR first featured seven years ago in a story on efforts to diversify the economy in Granite City after the great recession.

She still owns and runs that restaurant and is now opening a new one, a 24-hour diner.Whitacre has added a used book store called Novel Idea Bookstore & More, which also sells used record albums, vintage posters, assorted knick-knacks and includes a sweet shop with nostalgic nickel and dime candy.

“It’s just kind of a fun, funky place,” says Whitacre.

Brenda Whitacre spent many years working in the steel mill in Granite City, Ill., before deciding to go out on her own. She now owns a used book store which also sells used records, vintage posters, assorted knick-knacks and more.

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And funky it is: the record room’s vinyl flooring is made up of scratched and damaged records and has to be one of the few places in America where you can pick up a Nancy Drew mystery, buy a vintage KISS concert poster and browse old Beatles and Coltrane records while your kids snack on Pixie Stix, Slo-Pokes, Chuckles and Bottlecaps.

“I always try to do something that isn’t there … that fills another niche and that you can’t find anyplace else,” says Whitacre, who is 55. “I didn’t want to copy anyone else in town. I wanted to try to create something else and to fill a need.”

Though she’s tucked away in downtown Granite City, away from busy highways and thoroughfares, the town center is just a 10 to 15 minute drive from downtown St. Louis. Her customers come from across the region.

“You would be surprised, the people who want old-school stuff,” says Whitacre while scanning through the used VHS tapes she sells.

“And I think that’s what a town like my town needs,” the life-long Granite City resident says. It needs “a different experience” to stand out in tough and competitive economic times.

The vinyl flooring is made up of scratched and damaged records.

David Schaper/NPR

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The eclectic mix of businesses appears to be successful. Whitacre says she has 35 employees, and her businesses have grown even during the last two years while the U.S. Steel mill has been largely shut down.

“My personal business is not affected because I wouldn’t say I have a huge amount of steelworkers that come here,” she says.

There has been other business and cultural growth in the community, too, with an independent coffee and sandwich shop by day that becomes a music venue at night, a new movie theater, a new arts center in development and a nonprofit theater company that performs in a renovated old church.

But those efforts are not producing the kinds of jobs that pay like those at the steel mill when it’s running, nor like those in the industry’s supply and distribution chains.

And when the blast furnaces go cold?

“What I’ve noticed, being in business all of these years, is when you have something like the mill and it’s been shuttered and it’s in your community, and people hear that that’s no longer a viable industrial base … they view your entire community as downtrodden … it’s a dead town,” Whitacre says.

James Amos, the economic development director, echoes those concerns. He insists that Granite City would survive without U.S. Steel, but he concedes that one of the problems attracting new businesses is the perception that that mammoth mill is all this city has to offer.

“If people hear that it is not in business, or it’s on a partial shutdown or whatever, they’re just not as inclined to invest in our community,” Amos says. “They’re more inclined to take those dollars and go somewhere else.”

Amos and others in Granite City say they still have a lot of work to do to prove to investors that this town has more to offer than just steel. That includes a strong workforce and access to river, rail and highway transportation networks, among other assets, which are the very same things that initially led planners to wrap this city around a steel mill in the first place, well over a century ago.

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Government Spending Bill Could Change How Health Agencies Study Guns

Some say the new appropriations bill contains language that will free up the Centers for Disease Control and Prevention to do more gun violence research, but others are more skeptical that anything will change.

AILSA CHANG, HOST:

The new government spending bill working its way through Congress contains some language about research on gun violence. For two decades, government health agencies have shied away from doing studies on guns. Some say that’s about to change because of what’s in this spending bill. But as NPR’s Nell Greenfieldboyce reports, others are more skeptical.

NELL GREENFIELDBOYCE, BYLINE: Every year, guns kill more than 35,000 Americans and cause about 80,000 injuries. But good luck finding anything on guns if you go to the website of the Centers for Disease Control and Prevention, the nation’s premier public health agency.

Go up to the search box, type in guns, and the first thing that comes up is nail gun safety. Then you’ve got something about a comic, more nail gun injuries.

There’s almost nothing on firearms, and here’s why. Back in 1996, Congress passed something called the Dickey Amendment. It said that none of the funds given to the CDC for injury prevention could be used to advocate or promote gun control. It was pushed by the gun lobby and had an immediate chilling effect as people at the CDC feared that Congress would cut their funding if they pursued research on controversial questions about guns. The former lawmaker who sponsored that federal law, Jay Dickey, later said he regretted it. Three years ago, he told NPR he didn’t intend to cut off all gun research.

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JAY DICKEY: It wasn’t necessary that all research stop. It just couldn’t be the collection of data so that they can advocate gun control. But for some reason, it just stopped altogether.

GREENFIELDBOYCE: Recent shootings have forced government officials to address this. The secretary of the Department of Health and Human Services, Alex Azar, spoke to lawmakers on Capitol Hill in February days after the Parkland shooting in Florida. He was asked about the Dickey Amendment or rider.

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ALEX AZAR: My understanding is that the rider does not in any way impede our ability to conduct our research mission.

KATHY CASTOR: So will you…

AZAR: It is simply about advocacy.

CASTOR: But will you proactively speak out?

GREENFIELDBOYCE: Representative Kathy Castor, a Democrat from Florida, pressed him on whether he would instruct the agencies he leads to do gun research.

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AZAR: We certainly will. Our Centers for Disease Control and Prevention, we’re in the science business and the evidence-generating business. And…

CASTOR: Thank you.

AZAR: …So I will have our agency certainly be working in this field.

GREENFIELDBOYCE: As mild as his remarks were, they made headlines. And now the big government spending bill expected to be passed by Congress explicitly refers to those comments. Inside some agency instructions that accompany the bill, there’s one sentence noting that the secretary has stated that the CDC has the authority to conduct research on the causes of gun violence. Representative Stephanie Murphy, a Democrat from Florida, describes it this way.

STEPHANIE MURPHY: A huge victory for our country and our communities and our children.

GREENFIELDBOYCE: She says it effectively repeals the Dickey Amendment that has long kept the CDC from doing gun research. But others aren’t so sure.

DANIEL WEBSTER: I’m not particularly optimistic that anything will change.

GREENFIELDBOYCE: Daniel Webster is a researcher at the Johns Hopkins Bloomberg School of Public Health. He’s actually gotten funds from the CDC to study gun violence prevention. He says the agency has been willing to look at things like the effect of mediating disputes between gangs.

WEBSTER: But the CDC has not, and I don’t believe they will, examine other kind of interventions or other kind of solutions to the problem that have any sort of connection or threat to people who make their living selling guns.

GREENFIELDBOYCE: He says in this political climate there’s still no way the CDC is going to examine solutions that threaten the status quo on gun ownership and sales. What’s more, he says this giant spending bill contains no new funding for research on gun violence. Georges Benjamin is executive director of the American Public Health Association. He says in an ideal world, Congress would have done something much bolder.

GEORGES BENJAMIN: I would have preferred the Dickey language to be removed, strong language that says, yes, research is permissible and money.

GREENFIELDBOYCE: But he believes this is a start and that the intent was to make research more possible. Nell Greenfieldboyce, NPR News.

Copyright © 2018 NPR. All rights reserved. Visit our website terms of use and permissions pages at www.npr.org for further information.

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First Listen: Orquesta Akokán, 'Orquesta Akokán'

Orquesta Akokán’s self-titled debut comes out Mar. 30 on Daptone.

Adrien H. Tillman/Courtesy of the artist

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Adrien H. Tillman/Courtesy of the artist

I am not ashamed to admit it: I was overcome with emotion a few moments after entering Areito Estudio Ciento Uno (Areito Studio 101) inside the EGREM recording complex in the center of Havana, Cuba.

It is Ground Zero of Cuban music. Built in the early 1940’s to exact audio specifications by a recording engineer, it has played host to virtually every single Cuban musician of note for almost 75 years. Nowhere else in the world is one studio responsible for a country’s musical identity and if you’re hip to all that, the spirits welcome you when you walk in.

In 1996, the Buena Vista Social Club phenomenon put the studio on the map again and since then many Cubans, and non- Cubans, have recorded inside the legendary wood paneled room.

Orquesta Akokán, Orquesta Akokán

The latest, and most intriguing, such project comes via Daptone Records.

Orquesta Akokán is the name of the band and the album — Akokán is a Yoruban word meaning “from the heart” — and of course the Daptone masterminds would choose the iconic studio to record their first Spanish language album. Meticulous attention to analog sound is the foundation on which albums by Amy Winehouse, Sharon Jones and Charles Bradley have sprung forth to worldwide acclaim.

The album is the brainchild of Cuban vocalist Jose “Pepito” Gomez, producer Jacob Plasse and arranger Mike Eckroth. It is a loving tribute to the sax and brass-driven orchestras of the past that operated like one giant rhythm machine.

On “La Cosa,” the saxophone section introduces a melodic theme while the trumpets offer counterpoint. But if you listen closely, you’ll hear the trumpets are actually echoing the distinct drum part called cascara, which is played by drum sticks on the side of the timbales to keep time (think hi-hat cymbals from a drum set). When the trumpets take over the melody during the instrumental break toward the end of the tune, the saxes then play cat and mouse with the conga/timbal/bongo/cowbell rhythm section with a part that shadows the patterns of each drum.

It’s the kind of deceptively simple complexity that made listening to classic orchestras of Tito Puente, Machito and Perez Prado such a joy. These guys execute it perfectly.

I’ve heard Cuban musicians and sound techs speak effusively about how the natural reverb in Areito Studio 101 is particularly nice to the combination of wood and animal skin that make up the components of conga and bongo drums. Every track on Orquesta Akokán benefits from that studio magic.

“Cuidado Con El Tumbador” is a humorous dance floor warning to men to watch out for the tumbador, the conga player, because he will steal your girl. But the arrangement is a sparse piano/conga driven groove that in fact features the love the room has for tumbadores.

Gomez shines on this project. The arrangements and production envelop him so distinctly that his voice sounds as if he could have been fronting a Cuban band at the fabulous Tropicana Nightclub on the outskirts of Havana in the 1950s.

Orquesta Akokán is a joy. Listeners who are not ware of the history behind the album will enjoy it simply because it is a damn good record. Cuban music geeks will enjoy soaking up the same sonic space that brought us pre-revolution Celia Cruz and Benny Moré.

This album is also another creative notch in the belt for Daptone Records, proving once again that paying homage to history is a specialty that they do with love and great skill.

Orquesta Akokán, Orquesta Akokán

First Listen: Orquesta Akokán, ‘Orquesta Akokán’

01Mambo Rapidito

3:19

    02La Corbata Barata

    5:25

      03Un Tabaco Para Elegua

      5:35

        04Otro Nivel

        4:25

          05La Cosa

          4:01

            06Cuidado Con El Tumbador

            4:11

              07Yo Soy Para Tí

              5:14

                08No Te Hagas

                3:55

                  09A Gozar La Vida

                  3:37

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