March 5, 2018

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Today in Movie Culture: The Lonely Island's Unused Oscars Song, Charles Barkley 'Star Wars' Spoof and More

Here are a bunch of little bites to satisfy your hunger for movie culture:

Unused Oscars Musical Number of the Day:

Apparently the guys from The Lonely Island pitched a musical number for this year’s Oscars but it was deemed “financially and logistically impossible,” so they shared the awards-satirizing song online instead:

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Star Wars Parody of the Day:

Charles Barkley stars as a confused Jedi in this also-unaired J.J. Abrams-introduced Saturday Night Live sketch for The Mos Eisley Five: A Star Wars Story:

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Alternative Movie Posters of the Day:

Get ready for the ’80s and ’90s nostalgia explosion of Ready Player One with this gallery of posters pay homage to classic movies of that era:

Ready Player One (Homage Posters)

Commercial of the Day:

Speaking of classic movie tributes, here’s the Academy Museum ad parodying The Shining that aired during the Oscars last night:

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Vintage Image of the Day:

James Ivory, who becamse the oldest Oscar winner in history last night, poses on the set of his movie The Wild Party in 1974:

Filmmaker in Focus:

Fandor celebrates Oscar nominee and lifetime achievement honoree Agnes Varda with this video by Luis Azevedo highlighting the sounds of her films:

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Video Essay of the Day:

The latest Channel Criswell video essay looks at how Requiem for a Dream structures self-destruction:

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Cosplay of the Day:

The sign of a great comic book movie villain is the passion that people put into cosplaying as that character, like here:

This is commitment right here. Every single scar was individually placed. #Killmonger#BlackPanther#ECCC2018#cosplaypic.twitter.com/rL0A5OI6KC

— theblerdgurl @ECCC (@theblerdgurl) March 5, 2018

Movie Food of the Day:

See how to make tiny pawpsicles from Frozen courtesy of Oh My Disney:

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Classic Trailer of the Day:

This week is the 20th anniversary of the release of U.S. Marshals. Watch the original trailer for the classic Fugitive spin-off below.

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and

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Sticker Shock: The State Of The American Car Industry

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The quality of American cars got a lot better after the financial crisis. They got lighter, more efficient and more reliable. And the car business boomed.

But now they’re getting too expensive. Sticker prices for the SUVs and trucks that Americans love are high enough that manufacturers don’t have to sell as many vehicles to make money.

But that’s not going to last.

Music by Drop Electric. Find us: Twitter/ Facebook.

Subscribe to our show on Apple Podcasts, PocketCasts and NPR One.

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How 'Icarus' Accidentally Exposed A Major 'Ocean's Eleven-Style' Doping Scheme

Midway through Icarus, what begins as director Bryan Fogel’s documentation of his own performance-enhancing drug experiment pivots to a far larger tale of state-sponsored doping in Russia.

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Nearly every sport has been hit with news of doping — of athletes using illegal performance-enhancing drugs. Perhaps the most famous example is cyclist Lance Armstrong, who denied doping allegations for years and then admitted using performance-enhancing drugs in 2013. That’s where the documentary Icarus begins.

Director Bryan Fogel decided to explore the subject by taking his own regimen of performance-enhancing drugs to prepare for an amateur cycling race. He injected himself in the butt; he framed shots of blood running down his leg. It was, by his own admission, “almost an absurdist comedy.”

“I mean, it was a little ludicrous,” he says in an interview. “But for what I was doing — which was, you know, going on this very, very detailed mission of charting what I was taking and then getting blood tests done every single week and collecting my urine and, you know, there was a very, very large extent to which I was going — but, you know, I was out to make a film. And I was documenting that process. So to that extent, I mean, there was a method and a purpose to the madness.”

But halfway through his film, what began as an experiment on himself turns into something much bigger. One of the film’s main subjects blows the whistle on a massive Russian doping program with links to the highest levels of Russian government. And the film pivots to the tale of Grigory Rodchenkov, the mastermind behind that program, and the man who happened to be guiding Fogel through his own program, and the man now fearing for his life.

And now Icarus has won the Academy Award for best documentary feature. Here are highlights from our 2017 interview with Bryan Fogel.


Interview Highlights

On Fogel’s first impressions of Grigory Rodchenkov

Over the course of Icarus, Grigory Rodchenkov is identified as the mastermind behind a Russian doping scheme — and he decides to tell his story.

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Well, Grigory at the time oversaw the testing of all Russian athletes across all sports, and all international competitions in Russia — of all athletes coming to Russia to compete — on top of the Sochi games. And this guy is just this incredibly likable, enigmatic, larger-than-life personality.

Well, I mean, it was beyond strange [that he was simultaneously helping Fogel to dope himself]. And it was jaw-dropping. And it was also why, at that time before, you know, it pivoted, I felt like I still had a really interesting film. The fact that I’ve got this Russian scientist, who was supposed to be catching athletes for doping, breaking every single rule in the book to not only help me dope but to tell me what to do, and then even go so far as to come to Los Angeles to collect all of my urine samples which I had been taking, to bring them back to Moscow to test them in his WADA [World Anti-Doping Agency]-accredited lab — I mean, everything about what he was doing was against the rules.

On what happened after a November 2015 WADA report identified Rodchenkov as the supervisor of a Russian state-sponsored doping program

So, suddenly, this is a crisis. And he’s forced to resign from the lab by Vitaly Mutko, who is the sports minister. And Vitaly Mutko answers to one person and one person only, and that’s Vladimir Putin.

It was a combination of oh-my-God, scared, shocked. Russia’s suspended from world track and field. And then [Vladimir] Putin is on television — on Russia-1 — holding an official press conference not only denying all the allegations of this report, but that if any of this proves to be true, that it will be the individuals that are held accountable and that punishment will be absolute. And at that point, Grigory has two FSB, KGB agents living in his apartment, “guarding him.” And five days after the report, I’m on Skype with Grigory, and Grigory is telling me that he has got word from other of his friends within the KGB, the FSB that they have planned his suicide and that he needs to escape.

This happened so fast. I mean, this is — six days after this report, Russia for whatever reason didn’t have him on the do-not-fly list. And he’s somehow able to get out of the country. I bought the plane ticket — I put it on my credit card. He comes with just a backpack in his hand and three hard drives. And we put them up in a safe house in Los Angeles.

And over the next month, I discover that not only is Grigory involved — Grigory is the mastermind of a spectacular, unbelievable scandal that calls into question every medal ever won in the Olympic Games. And not only that, he oversaw the Sochi Olympics, where Russia won 33 medals, and they did it through this elaborate Ocean’s Eleven-style scheme, where they had literally created holes in the laboratory to slip out the dirty urine samples of all the Russian athletes and swap out their urine with clean urine. And this guy was the only man on planet Earth who had this evidence. And he was able to prove it.

On one reason why Rodchenkov eventually told his story to authorities and to The New York Times

What happened at Sochi he was incredibly upset about, because he had went from being a scientist, meaning his whole life is — yes, it’s doing the exact opposite of what he should be doing, but he was using science to beat the system. There was a differentiation that he made in his mind. But at Sochi, this wasn’t about science. This was just fraud. This was literally like breaking into a bank vault and substituting real money for counterfeit money. It was spiraling out of control. And after Sochi, he was promised it would stop. Instead, he’s doing it for the swimming world championships. He’s doing it for the collegiate athletic world championships. And there’s essentially no end in this. And as you also see in the film, as you see that he’s disposable like so many others that betray the government or whatever.

On where Rodchenkov is now

He is in protective custody. And the reason why is the Department of Justice and FBI has been sitting on this case for the last 14 months. And we’re very, very optimistic that our government is going to continue to protect him because regardless of the wrongs that he did, it was tremendous courage and honesty to come forward with this staggering amount of evidence and let the world know what had happened. And without him, we would still be in the dark about this.

Alexi Horowitz-Ghazi and Ammad Omar produced and edited the audio of this interview for broadcast. Patrick Jarenwattananon adapted it for Web.

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Miracle Of Hemophilia Drugs Comes At A Steep Price

Jessica Morris prepares to inject a blood-clotting protein into son Landon’s arm at their home in Yuba City, Calif.

Heidi de Marco/Kaiser Health News

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Heidi de Marco/Kaiser Health News

When Landon Morris was diagnosed with hemophilia shortly after birth, his mother, Jessica Morris, was devastated. “It was like having your dreams — all the dreams you imagined for your child — just kind of disappear,” she recalled.

Hemophilia, a rare bleeding disorder caused by a gene mutation that prevents blood from clotting properly, is typically passed from mother to son. Morris’ grandfather had it, and she remembered hearing how painful it was. “It was almost like he was bubble-wrapped,” she said. “He was coddled, because his mom didn’t want him to get hurt.”

But Landon’s life turned out to be much different than she expected.

“He’s wild. He’s probably sometimes the roughest of them all,” she said, as she watched the 6-year-old race around a park in Yuba City, Calif., where the family lives. “He leads a totally normal life. He plays T-ball. He’ll start soccer in the fall. He runs and jumps and wrestles with his brothers.”

Landon Morris plays in the pool with his brothers. “He runs and jumps and wrestles with his brothers,” says his mom, Jessica Morris.

Heidi de Marco/Kaiser Health News

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Heidi de Marco/Kaiser Health News

His active approach to life is made possible by his medication — the kind that wasn’t available in his grandfather’s day. For the Morris family, this type of drug — broadly known as clotting factor — is a miracle, helping Landon’s blood clot normally. And its cost is almost entirely covered by his father’s federal employee health plan.

But for the health care system, such drugs are enormously expensive, among the priciest in the nation. Medications to treat hemophilia cost an average of more than $270,000 annually per patient, according to a 2015 Express Scripts report. If complications arise, that yearly price tag can soar above $1 million. The U.S. hemophilia drug market, which serves about 20,000 patients, is worth $4.6 billion a year, according to the investment research firm AllianceBernstein.

Examining the stubbornly high cost of these medications opens a window into why some prescription drugs the United States — especially those for rare diseases — have stratospheric prices. The short answer: Competition doesn’t do its traditional job of tamping down costs.

Vying For Patients

The market for hemophilia medicines in the United States is flooded with 28 different drugs, with another 21 drugs in development. Blood factor drugs are biological products — in this case, a protein — and there are no cheaper copies, called biosimilars, available. Not only do prices rise steadily as each new product comes on the market, demand is growing — and pushing costs upward — as more and more clotting factor is used to prevent bleeding episodes, not just to treat them.

Yet competition has not brought prices down in the way someone “operating at the level of undergrad Econ 101 would expect,” said Jerry Avorn, a professor at Harvard Medical School who studies prescription drug costs.

Jessica Morris injects son Landon with a blood-clotting factor three times a week.

Heidi de Marco/Kaiser Health News

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The problem is that companies have no incentive to lower prices. Patients generally don’t push back because insurers pay the bulk of the cost. And insurers tend not to object because the market for the drugs — expensive as they are — is small and the patients are especially vulnerable.

For drug companies, Avorn said, “it’s a magical formula: Lifesaving drug, child at risk of bleeding to death — it kind of casts anybody who looks at costs into the role of some evil Scrooge-like person.”

“The insurers don’t want to end up on the front page of the newspaper saying Little Timmy bled to death because his drug wasn’t covered,” he said.

Also, because prices are high across the hemophilia market, no drug company wants to be the one to blink first. “They don’t want to get a price war started and end up at a super low price point,” said Edmund Pezalla, a consultant to pharmaceutical companies and former executive at Aetna.

So, these drugmakers compete not on price but clinical benefits — such as how long the drugs’ effects last — and through intensive marketing. The pool of potential customers is so valuable that companies often vie directly for individual patients.

Manufacturers, as well as specialty pharmacies that sell the drugs, hire patients and parents as recruiters and advisers, hold dinners and holiday parties, offer scholarships to patients and even run summer camps for children with the disease. The Morris family regularly receives such invitations.

Dr. Jonathan Ducore, a pediatric hematologist-oncologist at the UC Davis Hemophilia Treatment Center in Sacramento, said some of his patients are persuaded by drug company presentations to switch medications. “But the real differences between the drugs are limited,” he said.

Ducore tells his patients if he thinks they are being misled by drugmakers about what a product will do. “But even though the tactics may seem a little smarmy, if it’s the patient’s choice, you have to go with it,” said Ducore, who has been Landon’s doctor since the boy was born.

The first clotting factor products, which came onto the market in the mid-1960s, were derived from human blood plasma, with thousands of donations combined to create one batch. This proved disastrous in the 1980s, when donors unwittingly spread HIV into the blood supply. An estimated 4,000 people with hemophilia — about 40 percent of the patient population in the U.S. — died from AIDS as a result.

In the 1990s, manufacturers introduced a product that did not carry the disease risk of plasma-based drugs — made by cloning human clotting proteins in animal cells. Companies charged a premium for this ever-more-popular “recombinant factor.”

Recombinant factor is difficult and delicate to make, said Steve Garger, a development scientist at Bayer, which produces two popular factor products at its Berkeley, Calif., plant — including Landon Morris’ drug, Kogenate.

Vials of Bayer’s Kogenate, a factor VIII product, at the company’s factory in Berkeley, Calif.

Eric Kayne for Kaiser Health News

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Eric Kayne for Kaiser Health News

Inside a concrete building on the campus, kidney cells from baby hamsters are grown in stainless-steel vessels called bioreactors, and the clotting factor they produce is then purified in steel tanks kept in cold rooms. Working at full capacity, this factory produces less than a pound of clotting factor each year — but when diluted with other ingredients, it’s enough to treat thousands of patients in 80 countries.

The investment in manufacturing and marketing is only part of the reason for the high cost of the drugs, said Kevin O’Leary, vice president of pricing and contracting at Bayer. Bayer does not simply add up the costs, slap on a profit margin and come up with the price, O’Leary explained.

Instead, he said, the company begins by talking to insurers, doctors and patients to get a sense of what value its products bring to the market, especially compared to drugs already available. Bayer then sets a price based on both its investment and the product’s perceived worth. In the end, he said, “we’re charging a price that’s competitive with the other factor products on the market.”

Bayer’s annual sales from its hemophilia drugs were 1.66 billion euros in 2016, the equivalent of $2 billion in the U.S.

Pushing Back On Costs

In Europe, hemophilia drugs cost less than half what they cost in the U.S. That’s because payers — usually governments — request bids and pick products based on cost and quality.

Without pushback from insurers in the U.S., “the price of any drug in the U.S. is whatever the market will bear as seen by the manufacturer,” said Avorn of Harvard.

Recently, a few insurance companies have quietly started to push back on costs. Bayer’s O’Leary said several insurers have approached the company and demanded rebates in exchange for offering the drug to their customers. O’Leary would not discuss the details because he said the contracts are confidential.

State Medicaid programs, which provide health insurance to low-income Americans and cover about half of hemophilia patients, already receive significant rebates from hemophilia drug manufacturers.

Michelle Rice, a senior vice president at the National Hemophilia Foundation, said she has been working with several insurers to help them manage costs safely. “We understand the need to control costs, but they can’t impede access to the product a patient needs,” she said.

It is not yet clear whether such efforts will work, let alone spread.

Sitting at a picnic bench at a park, Jessica Morris pages through Landon’s insurance documents. Over the past year, his care cost over $120,000. She wonders sometimes what would happen if they lost their coverage.

“How much would you be willing to pay to have your child lead a normal life?” she said. “I don’t think that there’s anything we wouldn’t pay or sacrifice for him.”

It’s a problem she prays they’ll never have to face.


Kaiser Health Newsis a nonprofit news service covering health issues. It is an editorially independent program of the Kaiser Family Foundationthat is not affiliated with Kaiser Permanente.

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Nicky Jam And J Balvin Show Off Their Footwork In 'X' Video

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Latin music continues to infiltrate the mainstream market at rapid pace and in new incarnations. The cross-cultural successes of J Balvin and Willy Williams’ “Mi Gente” and Luis Fonsi and Daddy Yankee’s YouTube record-breaking “Despacito” last year were undeniable indicators of the trend, and as 2018 unfolds Latinx artists continue to benefit from the increased attention. Puerto Rico and Colombia unite as Nicky Jam drops his latest track “X (Equis)” featuring J Balvin and produced by Afro Brother and Jeon, the first sample from Jam’s upcoming album.

“Y no te puedo mentir / Lo que dicen en la calle sobre mí,” Nicky sings, which translate to: “And I can not lie to you / What they say on the street about me.”

The song’s video is a clean and vivid affair, calling to mind Director X clip like Sean Paul’s “I’m Still In Love With You” or, more recently, Drake’s “Hotline Bling.” The colorful visual was shot in Miami, and directed by Jesse Terrero.

“X (Equis)” has sprinkles of reggaeton, pop and Afrobeat. The track is driven by a simple, sexy, synth-y trumpeted hook. It’s not the first time the Latin stars and real-life friends have collaborated (remixes to 2014’s “Travesuras” and 2015’s “Ay Vamos” are past standouts), but this is definitely the highest their profiles have ever been.

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'The Shape of Water' Named Best Picture at the 90th Academy Awards

The Shape of Water won the Oscar for Best Picture at the 90th Academy Awards, one of the few surprises of this year’s ceremony. Additionally, the movie won for Best Production Design, Best Original Score and Best Director, for Guillermo del Toro’s incredible vision. With just four wins, the fantasy drama was the most honored film of the night.

Other big multiple winners included Three Billboards Outside Ebbing, Missouri, which saw Frances McDormand named Best Actress and Sam Rockwell named Best Supporting Actor; Darkest Hour, which won Best Makeup and Hairstyling and Best Actor for Gary Oldman’s lead performance; Coco, which was named Best Animated Feature and recipient of the Best Original Song award for “Remember Me”; Dunkirk, which won for Best Editing, Best Sound Editing and Best Sound Mixing; and Blade Runner 2049, which won for Best Cinematography and Best Visual Effects.

Speaking of the cinematography win for the Blade Runner sequel, that was Roger Deakins finally taking home an Oscar on his record 14th nomination. And speaking of the Makeup and Hairstyling win, Kazuhiro Tsuji became the first Asian person ever to be honored in that category. Jordan Peele, meanwhile, became the first African American to win an Oscar for Best Original Screenplay.

Among the other milestones of the night, a Netflix feature film finally won an Oscar, with Icarus being named Best Documentary Feature (Netflix won its first Oscar last year with the documentary short The White Helmets). Also, Call Me By Your Name screenwriter James Ivory became the oldest winner ever, at age 89.

See all the winners highlighted in bold below.

BEST PICTURE
Call Me By Your Name
Darkest Hour
Dunkirk
Get Out
Lady Bird
Phantom Thread
The Post

The Shape of Water
Three Billboards Outside Ebbing, Missouri

BEST ACTRESS
Sally Hawkins, The Shape of Water
Frances McDormand, Three Billboards Outside Ebbing, Missouri
Margot Robbie, I, Tonya
Saoirse Ronan, Lady Bird
Meryl Streep, The Post

BEST ACTOR
Timothée Chalamet, Call Me By Your Name
Daniel Day-Lewis, Phantom Thread
Daniel Kaluuya, Get Out
Gary Oldman, Darkest Hour
Denzel Washington, Roman J. Israel, Esq.

BEST SUPPORTING ACTRESS
Mary J. Blige, Mudbound
Allison Janney, I, Tonya
Lesley Manville, Phantom Thread
Laurie Metcalf, Lady Bird
Octavia Spencer, The Shape of Water

BEST SUPPORTING ACTOR
Willem Dafoe, The Florida Project
Woody Harrelson, Three Billboards Outside Ebbing, Missouri
Richard Jenkins, The Shape of Water
Christopher Plummer, All the Money in the World
Sam Rockwell, Three Billboards Outside Ebbing, Missouri

BEST DIRECTOR
Christopher Nolan, Dunkirk
Jordan Peele, Get Out
Greta Gerwig, Lady Bird
Paul Thomas Anderson, Phantom Thread
Guillermo del Toro, The Shape of Water

BEST ADAPTED SCREENPLAY
Call Me By Your Name, James Ivory
The Disaster Artist, Scott Neustadter and Michael H. Weber
Logan, Scott Frank, James Mangold, Michael Green
Molly’s Game, Aaron Sorkin
Mudbound, Virgil Williams and Dee Rees

BEST ORIGINAL SCREENPLAY
The Big Sick, Emily V. Gordon and Kumail Nanjiani
Get Out, Jordan Peele
Lady Bird, Greta Gerwig
The Shape of Water, Guillermo del Toro and Vanessa Taylor
Three Billboards Outside Ebbing, Missouri, Martin McDonagh

BEST ORIGINAL SCORE
Dunkirk
Phantom Thread
The Shape of Water
Star Wars: The Last Jedi
Three Billboards Outside Ebbing, Missouri

BEST ORIGINAL SONG
“Mighty River,” Mudbound
“Mystery of Love,” Call Me By Your Name
“Remember Me,” Coco
“Stand Up For Something,” Marshall
“This Is Me,” The Greatest Showman

BEST CINEMATOGRAPHY
Blade Runner 2049
Darkest Hour
Dunkirk
Mudbound
The Shape of Water

BEST PRODUCTION DESIGN
Beauty and the Beast
Blade Runner 2049

Darkest Hour
Dunkirk
The Shape of Water

BEST COSTUME DESIGN
Beauty and the Beast
Darkest Hour
Phantom Thread

The Shape of Water
Victoria & Abdul

BEST VISUAL EFFECTS
Blade Runner 2049
Guardians of the Galaxy Vol. 2
Kong: Skull Island
Star Wars: The Last Jedi
War for the Planet of the Apes

BEST FILM EDITING
Baby Driver
Dunkirk
I, Tonya
The Shape of Water
Three Billboards Outside Ebbing, Missouri

BEST MAKEUP AND HAIRSTYLING
Darkest Hour
Victoria & Abdul

Wonder

BEST SOUND EDITING
Baby Driver
Blade Runner 2049

Dunkirk
The Shape of Water
Star Wars: The Last Jedi

BEST SOUND MIXING
Baby Driver
Blade Runner 2049
Dunkirk
The Shape of Water
Star Wars: The Last Jedi

BEST FOREIGN LANGUAGE FILM
A Fantastic Woman, Chile
The Insult, Lebanon
Loveless, Russia
On Body and Soul, Hungary
The Square, Sweden

BEST ANIMATED FEATURE FILM
The Boss Baby
The Breadwinner
Coco
Ferdinand
Loving Vincent

BEST ANIMATED SHORT FILM
Dear Basketball
Garden Party
Lou
Negative Space
Revolting Rhymes

BEST LIVE-ACTION SHORT FILM
DeKalb Elementary
The Eleven O’Clock
My Nephew Emmett
The Silent Child
Watu Wote/All of Us

BEST DOCUMENTARY SHORT SUBJECT
Edith and Eddie
Heaven Is A Traffic Jam on the 405
Heroin(e)
Knife Skills
Traffic Stop

BEST DOCUMENTARY FEATURE
Abacus: Small Enough to Jail
Faces Places
Icarus
Last Men in Aleppo
Strong Island

Congratulations to all the winners!

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