January 26, 2018

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The Week in Movie News: Oscar Nominations, Sundance Buzz, 'Jumanji' Sequel Plans and More

Need a quick recap on the past week in movie news? Here are the highlights:

BIG NEWS

The Shape of Water leads Oscar nominations with 13: Nominees for the 90th Academy Awards were announced this week, with Guillermo del Toro’s The Shape of Water earning the most at 13. Other movies represented well include Dunkirk, Darkest Hour and Three Billboards Outside Ebbing, Missouri. See the full list of nominees here. And read about the biggest snubs and surprises here, Logan‘s Oscar milestone here, and the winners of the SAG and PGA Awards here.

GREAT NEWS

Jumanji and Star Wars will compete again next year: After the surprising level of success Jumanji: Welcome to the Jungle has reached at the box office, holding its own against Star Wars: The Last Jedi after opening just five days later, Sony is planning for the next sequel to go head-to-head with Episode IX. Read more here.

SURPRISING NEWS

Ryan Reynolds is remaking Clue: We’ve been hearing about the possibility of a Clue remake for years, but now Deadpool star Ryan Reynolds has been revealed to be the latest person developing the board game adaptation. Read more here.

FESTIVAL BUZZ

Sundance 2018 reviews: We were at Sundance all this week, sharing buzz on our favorite movies screening at the film festival, including Eighth Grade. Read our review of the coming-of-age feature here and see some of the other topical buzz from Park City here.

EXCLUSIVE REPORT

Black Panther character guide: We visited the set of Marvel’s Black Panther last year and have now shared our first-hand report, including an in-depth guide to the characters in the movie. Read our exclusive take here.

COOL CULTURE

Crocodile Dundee got a pretend sequel: Many fans were fooled by fake teaser trailers that appears online for a Crocodile Dundee reboot/sequel starring Danny McBride and Chris Hemsworth. It turned out that the movie isn’t real and the videos are part of a Super Bowl ad campaign for Australia tourism. Watch one of the teasers below.

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MUST-WATCH TRAILERS

Pacific Rim Uprising cancels the apocalypse again: The second trailer for Pacific Rim Uprising arrived to get fans further excited about the sequel, which stars John Boyega in the lead this time. Watch it here:

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A Wrinkle in Time unleashes its warrior spirit: An international trailer for Ava DuVernay’s A Wrinkle in Time showcases its young star and a focus on the movie being an adventure story in need of warriors. Watch it here:

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Mamma Mia! Here We Go Again brings back the dancing queens: Mamma Mia! Here We Go Again also received a new international trailer, which focuses on the sequel’s characters in their younger years. Check it out here:

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Fallout Between USA Gymnastics And U.S. Olympic Committee Continues

The sentencing of former doctor Larry Nassar has increasingly put pressure on the U.S. Olympic Committee and USA Gymnastics. NPR’s Mary Louise Kelly talks to Juliet Macur of The New York Times about the fallout.

MARY LOUISE KELLY, HOST:

USA Gymnastics says its entire board of directors will resign. This comes after the U.S. Olympic Committee threatened to revoke the organization’s status as a national governing body for the sport of gymnastics. It’s the latest fallout from the Larry Nassar case.

The sentencing of Nassar, the former team doctor, has focused scrutiny on institutions associated with him, including both USA Gymnastics and the U.S. Olympic Committee. Juliet Macur has been writing about all this for The New York Times. Welcome back to the show.

JULIET MACUR: Thank you.

KELLY: What is your reaction to news of the entire board stepping down?

MACUR: It’s about time. The USOC sent a letter just yesterday requesting that the entire board step down and all this reorganization going on with USA Gymnastics. But that letter is probably a year and a half too late.

KELLY: The letter that you mentioned laid out six demands. This demand that the entire board step aside was the first one. What else leapt out at you in terms of what the U.S. Olympic Committee is calling for?

MACUR: They’re calling for the new USAG board to have ethics training, which I thought was interesting, that they might not be trained in ethics already…

KELLY: Yeah.

MACUR: …And also sexual abuse awareness training, which you would figure is necessary for any organization that governs tens of thousands of young people in sports. So the USOC said USA Gymnastics has to go through that training if they want to remain the governing body of the sport of gymnastics.

KELLY: This is the SafeSport training that is supposed to already be in place. Is it working? Is it enough?

MACUR: The problem with this is we don’t know if it’s working or if it’s enough because we’re not sure how many girls or boys or men and women out there have reported to this organization. And we haven’t really heard about any numbers or any information from SafeSport on how successful they’ve been. So that’s the biggest question – is how good is this new organization going to be in tackling these problems that obviously have been a gigantic problem for the USOC and USA Gymnastics?

KELLY: You know, it strikes me that this is a list of demands coming from the U.S. Olympic Committee to USA Gymnastics. Is the Olympic Committee blameless here?

MACUR: Absolutely not. I mean, they would like to think that they are blameless, but I think that we’ll find out exactly how much blame should be placed on them based on all these investigations that have been called for.

KELLY: Yeah. I mean, who are they accountable to, the U.S. Olympic Committee?

MACUR: Well, they would like to think nobody. But they are accountable to Congress. So Congress has asked for an investigation as to how and why this happened both with the USOC and the USA Gymnastics.

KELLY: Yeah. I mean, we should note that this is not the first time that instances, allegations of sexual abuse have come up with Olympic sports, something – you have the swim team and the many coaches who’ve been banned from coaching in that sport.

MACUR: Yeah. I think the biggest takeaway from all of this is just this is not a gymnastics problem. This is a problem that goes on in every single sport in America likely, not necessarily at the level of Larry Nassar. But what the USOC and all these federations can do is take a good look at their regulations and fix them so this doesn’t happen again.

KELLY: Juliet Macur, thank you.

MACUR: Thank you.

KELLY: Juliet Macur – she writes the Sports of the Times column for The New York Times.

Copyright © 2018 NPR. All rights reserved. Visit our website terms of use and permissions pages at www.npr.org for further information.

NPR transcripts are created on a rush deadline by Verb8tm, Inc., an NPR contractor, and produced using a proprietary transcription process developed with NPR. This text may not be in its final form and may be updated or revised in the future. Accuracy and availability may vary. The authoritative record of NPR’s programming is the audio record.

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Alexander Wang Discusses Why He's Leaving NYFW And His New Business Model

Fashion designer Alexander Wang recently announced the removal of his collection from New York Fashion Week starting this summer. He shares plans for how he’ll sell and show collections going forward.

MARY LOUISE KELLY, HOST:

If you follow the fashion world, then you know this about designer Alexander Wang. Expect the unexpected. Wang is shaking things up again next month. That would be when New York Fashion Week gets going, and Wang will be there for the last time. He has announced that going forward, he is ditching the traditional New York fashion calendar. Instead, he’s going to host his own shows in June and December, which would traditionally be the off-season for the fashion world.

Alexander Wang is on the line from New York to tell us why. Welcome to the program.

ALEXANDER WANG: Thank you – happy to be here (laughter).

KELLY: We are so glad to have you here. And let me start right there with the obvious question. Why is this going to be your last New York Fashion Week?

WANG: You know, it really goes back to the customer and the consumer. We’ve been really focusing the last couple years on how we can make our process more efficient, simplified and bring our collection with a shorter amount of time to our customer who demands that now and being able to deliver monthly drops that can service our customer better.

KELLY: OK, now you just said a key word – monthly drops. I mean, this has been the challenge of these huge runway shows since the beginning – right? – is that people would go. They would see these beautiful clothes, and then they couldn’t actually get their hands on them for months, right?

WANG: Yeah, so traditionally (laughter), you would, you know, see, you know, our show in either February or September, and you’d have to wait about six months in order to see the product in store. So we are essentially cutting that time in half. By showing in June, the product will already start shipping in early October. So what you see will be a much shortened time frame of being able to get your hands on the product.

KELLY: Is this something particular to New York? Are you still going to do the big shows in Paris and Milan and LA?

WANG: Well, we actually only show in New York, so nothing really changes in terms of the scale or the format of how we show. It’s really just the timing.

KELLY: But you won’t have the crowd that assembles twice a year in New York for Fashion Week if you’re doing it on your own calendar. So what are you losing by walking away from this?

WANG: What are we losing? Well, there’s always a risk of course. You know, I feel that if I’m going to fail, I want to fail big. So you know, when people watch a show now, essentially anyone can – doesn’t really have to go to a show. The editors, the buyers can reference everything from the Internet or social media. So it’s really about creating an experience and how we can communicate our brand DNA to the world.

KELLY: Now, you’re not the only big-name designer to decide to ditch New York Fashion Week. I noticed that Tom Ford and Vera Wang and Tommy Hilfiger and others have all at one point or another decided to skip it. I wonder. I mean, do you all talk amongst yourselves and compare strategies, how this might play out?

WANG: (Laughter) You know, it’s something that we’ve been thinking about for a long time as a brand. You know, we are very grateful to have the support of the CFDA behind us.

KELLY: CFDA is…

WANG: The CFDA is the Council of Fashion Designers America.

KELLY: OK.

WANG: And so they also want to be able to think about how we can start evolving the traditional fashion week and have also mentioned that there might be some other brands that will hopefully follow us into June and December.

KELLY: The window you described – you do a June show, and then you said the clothes would be available in October. Is that right?

WANG: Correct.

KELLY: So that’s still a window of several months. Is your goal to keep narrowing that, to get closer to the kind of see-now, buy-now method of showing high-end designer clothes, haute couture?

WANG: I would say not, not for right now. I think the see-now, buy-now, you know, obviously was a very hot topic, you know, a couple of seasons ago. And I believe that it only works for a certain price point and a certain type of product.

KELLY: Does shortening the lag time between when your clothes are shown, when you do a show and when they’re actually available for purchase – does getting closer to the season change the way you design at all? I mean, you know, it’s that sense of, like, you’re sitting in winter, trying to imagine what you would possibly want to wear in summer. And it’s just so hard to imagine. Do you struggle with that?

WANG: (Laughter) Our life is so hard. No, I’m kidding. You know, that’s one of the things that really feels outdated – is these labels of seasons. Being able to think about the product much more by the month enables us to think a little bit more neutrally about the seasonality of the product.

KELLY: You are known for enjoying and for throwing a good after-party at Fashion Week. Can people still expect those at your off-season shows?

WANG: Of course. Don’t forget about Wangfest (laughter).

KELLY: Wangfest – this was the infamous one last year.

WANG: This was the infamous one last year. I mean, we actually started it a few years ago, and it reincarnates itself every season. So yes, that will definitely be something that will be returning. But you have to expect the unexpected.

KELLY: Thank you very much.

WANG: All right, thank you so much.

KELLY: We’ve been talking with fashion designer Alexander Wang about his decision to make next month’s New York Fashion Week his last.

Copyright © 2018 NPR. All rights reserved. Visit our website terms of use and permissions pages at www.npr.org for further information.

NPR transcripts are created on a rush deadline by Verb8tm, Inc., an NPR contractor, and produced using a proprietary transcription process developed with NPR. This text may not be in its final form and may be updated or revised in the future. Accuracy and availability may vary. The authoritative record of NPR’s programming is the audio record.

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Flu Season Rages On, Hitting Baby Boomers Unusually Hard

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This year’s severe flu season is still pummeling the country from coast to coast. The respiratory illness appears to be unusually bad for baby boomers, federal health officials reported Friday.

While the flu appears to have started to ebb in some parts of the country, such as California, flu activity has remained widespread in 49 states for three weeks in a row. And that’s unusual.

“It’s been a tough flu season so far,” says Dr. Dan Jernigan, director of the influenza division at the Centers for Disease Control and Prevention. “Flu is still happening all over the United States.”

After an early start, the country is about nine weeks into this nasty flu season and could be only about halfway through, Jernigan says.

As a result, the percentage of people seeking medical treatment for the flu and the rates at which they are ending up in the hospital and dying are still rising.

The flu is hitting the 65-and-over age group hardest, but the next-hardest hit is the 50-to-64 age group. Usually, children are the second-hardest hit.

The reason is unclear. Jernigan says it may be because the strains of the flu to which baby boomers were exposed when they were young are different from the strains circulating this year, so they have less immunity.

Children are being affected, though. Seven more pediatric deaths from the flu were reported this week, bringing that total to 37.

And, Jernigan says, the actual number could be twice as high. “It does take time to get [the death numbers] to the systems where they’re collected,” he says. “Sometimes, tragically, children die outside of the hospitals” so there may be a delay in the CDC getting the numbers from coroners of medical examiners.

This year appears to be on track to be as severe as the 2014-15 flu season, when the main strain of flu circulating also was the H3N2 strains, which tends to cause more illnesses and deaths.

About 34 million Americans got the flu in 2014-15, including about 710,000 people who were hospitalized and about 56,000 who died, Jernigan said.

Most people who get the flu do get better. And antiviral drugs can help those who get the sickest.

As in previous weeks, the CDC advises people to get vaccinated, stay home if they are ill and go to the hospitals if symptoms are severe, especially in those who are at high risk: the very young, the very old, pregnant women and those with underlying illnesses.

Schools have closed in some parts of the country. “We know that every year schools close,” said Jernigan, but most of the time they close because students and teachers are sick, not in order to prevent transmission. CDC doesn’t have recommendations along these lines, saying local municipalities are the best to judge.

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