May 26, 2017

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Today in Movie Culture: 'Love Actually' Sequel Short, Deadpool's Possible True Identity and More

Here are a bunch of little bites to satisfy your hunger for movie culture:

Sequel of the Day:

If you missed the for-charity Love Actually sequel during the Red Nose Day Special last night, here is the star-studded short in full, with the American-exclusive Laura Linney and Patrick Dempsey scenes:

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Fan Theory of the Day:

Based on a clue in the Deadpool 2 teaser in front of Logan, MatPat of The Film Theorists makes the case that Deadpool’s true identity is a certain legendary American novelist:

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Reworked Trailer of the Day:

Did you expect Get Out to be a funnier movie than it is? Well, here’s a recut trailer making it look like a broad Meet the Parents type comedy (via Geek Tyrant):

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Mashup of the Day:

Watch artist Jon Payne sculpt a bust of Marvel’s the Hulk mashed with Star Wars villain Darth Maul:

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Vintage Image of the Day:

John Wayne, who was born on this day 110 years ago, calls his own shots as director (his official debut) while in costume as the star on the set of The Alamo in 1959:

Filmmaker in Focus:

Want to know how to draw a Studio Ghibli movie? Watch this Little White Lies video profiling The Red Turtle director Michael Dudok de Wit:

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Movie Food of the Day:

With Alien: Covenant now in theaters, Nerdy Nummies shows us how to make cake balls to look like the Alien Xenomorph eggs:

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Cosplay of the Day:

Some of the photos of cosplayer Anastasia Komori as Ramona Flowers from Scott Pilgrim vs. the World look so much like Mary Elizabeth Winstead in the role you’ll be looking twice. See more at Fashionably Geek.

Movie Trivia of the Day:

Today is the 35th anniversary of the Cannes premiere of E.T. the Extra-Terrestrial, so here’s ScreenCrush with a bunch of trivia about the movie:

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Classic Trailer of the Day:

Yesterday was the 10th anniversary of the release of Pirates of the Caribbean: At World’s End. Watch the original trailer for the hit sequel below.

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and

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Nashville Predators Look To Make History In Stanley Cup Finals

NPR’s Ari Shapiro talks with Justin Bradford, a reporter with Penalty Box Radio, about the Nashville Predators making it to the Stanley Cup finals.

ARI SHAPIRO, HOST:

The Nashville Predators have a chance at making history in this year’s Stanley Cup finals. Game one against the Pittsburgh Penguins is Monday night. If Nashville pulls it off, it would be the first championship for the franchise and the first time a team ranked at number 16 in the NHL won it all. Justin Bradford is a longtime Tennessean, and he’s a Predator’s reporter with Penalty Box Radio. Welcome to the program.

JUSTIN BRADFORD: Hey, thanks for having me.

SHAPIRO: OK, so Nashville’s only had a hockey team since the late ’90s, and the team has never been this close to winning the Stanley Cup. How does it feel down there right now?

BRADFORD: It’s absolutely electrifying. This city has not experienced a run to a championship by a team here since the Tennessee Titans made their run of the Super Bowl the very end of the ’90s. So it’s been a long time coming. The city is just – it’s ready to explode.

It’s ready to explode for support for the Nashville Predators and just ready to explode for something that’s really fun, especially when you see everything that’s going on in the world right now, too. People need something to kind of cheer them up and to get them going. And it seems like Predators are kind of becoming America’s team. It’s so exciting to see everything going on in the city and what it’s doing for it.

SHAPIRO: I have to imagine that hockey culture in Tennessee is a little bit different from like Montreal or Detroit. What’s it like?

BRADFORD: Well, the thing that makes Nashville unique is the location of Bridgestone Arena – right in downtown in the middle of everything, next to Broadway where all the neon lights are, all the restaurants, everything. So imagine yourself walking down the street. You see these neon lights. You smell barbecue. You smell all these great foods coming (inaudible). You hear live music as you’re walking into the arena. So just that alone helps paint the picture of how you can get excited go into this game.

And then after the game, what makes it different, too, you’re right there on the streets – all the bars, all the honky-tonks, all the live music, restaurants. During the game, intermissions – it’s not just advertisements playing on a Megatron. You have live music. So you have guys like Charles Esten from Nashville playing live music there. Sometimes you’ll have people from different major bands, as well. You have country music stars singing the national anthem. It is a totally unique experience in every single way.

SHAPIRO: As we said, Nashville’s only had an NHL team for 18 years. Was it an easy transfer to move all the enthusiasm for all the other sports that Tennessee has to hockey or has it been an evolution over time?

BRADFORD: It’s been an evolution over time. The biggest thing here in Nashville is that people are obviously excited when the team came here but that excitement – what was important for that is that you’re excited about. It’s a social gathering. It’s entertainment but then would breed knowledge of the sport. And that’s what’s really important is for the knowledge of the sport to evolve with that as well.

So once they started getting excited, then they started learning the rules more – started learning about other teams, started learning about the hockey culture and learning what prospects are like. And that’s what we see now here in Nashville is that the hockey culture has bred extreme hockey fans that can compete with anybody around the league.

Even though people may not want to believe it, they know the sport here. You can hear with the way they chant and cheer at the right moments, the right opportunities during a game. So the way it’s evolved has been obviously exciting and thrilling. The leagues have a lot to do with that. The organizations have a lot to do with that. And the fans have taken it upon themselves to do it, too.

SHAPIRO: OK, so what do you think the chances are against the Penguins?

BRADFORD: Well, I’ve been telling everybody my pick is Preds in six. And I say that not just as someone in Nashville, but as what I’ve seen from both teams, what they can offer and what Nashville has been able to do through the playoffs. So I will not skirt back from that. I will say Preds in six, and we’ll see if that comes true.

SHAPIRO: Justin Bradford speaking with us via Skype. Thanks a lot for joining us.

BRADFORD: Thanks so much for having me, really do appreciate it.

(SOUNDBITE OF BOB DYLAN SONG, “NASHVILLE SKYLINE RAG”)

Copyright © 2017 NPR. All rights reserved. Visit our website terms of use and permissions pages at www.npr.org for further information.

NPR transcripts are created on a rush deadline by Verb8tm, Inc., an NPR contractor, and produced using a proprietary transcription process developed with NPR. This text may not be in its final form and may be updated or revised in the future. Accuracy and availability may vary. The authoritative record of NPR’s programming is the audio record.

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In Arizona, Doctors Criticize Tightening Of Late Abortion Rules

Many states have laws about what to do if there are signs of life after an abortion. But Arizona legislators have passed new rules that some doctors say go against national standards of care.

AUDIE CORNISH, HOST:

The majority of abortions in the United States are performed in the first eight weeks of pregnancy. Sometimes women face severe medical conditions that lead them to terminate a pregnancy later. Many states have laws regulating these late abortions, especially if there are signs of life after the procedure, and Arizona is tightening those rules. Will Stone of member station KJZZ in Phoenix reports that doctors there are concerned.

WILL STONE, BYLINE: When she learned her pregnancy was in trouble, Maureen Williams already had a name picked out.

MAUREEN WILLIAMS: I knew in my heart it was the right decision to make for my baby Zoey.

STONE: Williams’ doctor said her baby would probably not make it to her first birthday. There were issues with her vertebrae and brain, tumors on her liver. So at 23 weeks, Williams and her husband chose to terminate the pregnancy.

WILLIAMS: It was most devastating time in my life. I would wake up crying. Like, that’s just how I woke up – bawling. And she was wanted.

STONE: Williams, who lives outside Phoenix, has no misgivings about that decision. She now has twin girls. But she worries women in this situation could soon face even more trauma because of a new Arizona law. It’s meant to ensure infants showing signs of life after an abortion get medical care.

WILLIAMS: If she was born, I felt like then they would have tried to, in my definition, torture her by trying to resuscitate her when I wanted to give her a peaceful death.

STONE: Rather than a flurry of extreme medical intervention that could have little or no chance of success. Many states have what proponents call Born-Alive Infant Protection laws, but Arizona is now taking its rules further. It’s defining what are signs of life, like a heartbeat or the movement of voluntary muscles, and requiring doctors follow set procedures to resuscitate if any of those are present.

CATHI HERROD: Once a baby is delivered alive following an abortion, then that baby is an autonomous human being deserving of basic medical care.

STONE: Cathi Herrod runs the Center for Arizona Policy, which lobbied for the bill. She believes right now, doctors have too much discretion, and these rules make existing law more enforceable.

HERROD: I fail to understand how anyone in the health care profession can think that it’s acceptable to allow a child that survived an abortion to simply not be given basic humane care and a chance at life.

STONE: While there are anecdotes, there aren’t reliable statistics about how often an abortion results in a live birth. Only a small fraction of abortions are performed after 20 weeks. And in general, during the 22nd and 23rd weeks, the chances of survival are still low. But some argue with advances in medicine, you don’t really know how well an infant will do unless you try to resuscitate.

PAUL LIU: It’s amazing how well some of these children recover.

STONE: Dr. Paul Liu specializes in pediatric critical care.

LIU: Left to our judgments, the reasonable physician would do what is the safe and efficacious thing and err on the side of life, not on the side that, oh, we’ll just let him die.

STONE: Proponents of the law echoed Liu, sharing success stories of babies born extremely premature. But the medical community mostly pushed back. Hugh Miller, an OB/GYN, argued this law could actually jeopardize care. He says deciding whether or not to resuscitate infants born near the limit of viability…

HUGH MILLER: That has to be done in a measured way. And in this zone or this domain of human existence, viability is a critical piece of the definition of life.

STONE: Miller says in practice, existing law has left enough room for physicians and families to make these difficult judgments without undue interference, but this new law will likely curb that. It doesn’t allow doctors to consider the chances of survival except for some lethal conditions, and it could force doctors to violate national standards of care.

JULIE KWATRA: This is undue interference into the practice of medicine.

STONE: Dr. Julie Kwatra is with the Arizona chapter of the American Congress of Obstetricians and Gynecologists. She says, ironically, this law may not even affect abortion providers that much. Instead…

KWATRA: It reaches into our labor and delivery suites where we have patients with wanted pregnancies who unfortunately deliver before viability. And that is where this law becomes incredibly cumbersome and not compassionate.

STONE: The state hasn’t developed the exact guidelines yet, but Kwatra worries about what those rules could mean for these determinations of early life and death. For NPR News, I’m Will Stone in Phoenix.

(SOUNDBITE OF SPOON SONG, “THIS BOOK IS A MOVIE”)

Copyright © 2017 NPR. All rights reserved. Visit our website terms of use and permissions pages at www.npr.org for further information.

NPR transcripts are created on a rush deadline by Verb8tm, Inc., an NPR contractor, and produced using a proprietary transcription process developed with NPR. This text may not be in its final form and may be updated or revised in the future. Accuracy and availability may vary. The authoritative record of NPR’s programming is the audio record.

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Episode 774: Unspeakable Trademark

Simon Tam of The Slants.

Ariel Zambelich/NPR

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Ariel Zambelich/NPR

Warning: This episode has explicit language, for unavoidable and soon-to-be obvious reasons.

Growing up in California, Simon Tam had some tough moments. He was Chinese-American, and in middle school, kids called him all kinds of racial slurs.

Those moments stuck with him.

Simon grew up, and eventually started a band that was beginning to take off. He decided on a band name that said something about being Asian. Something that asserted an identity. He picked “The Slants,” as a way to own a stereotype and turn it into something completely different.

There was a problem, though. Other bands started using the same name.

So in 2010, Simon did what artists and companies do when there’s confusion over their name. He applied to register for a trademark with the federal government.

But, it was rejected because the U.S. Patent and Trademark Office said it was disparaging to people of Asian descent.

This is the agency that decides what gets to be registered as a trademark. And that involves making all kinds of calls about racial slurs, homophobic putdowns, and sexist language.

Today on the show, a fight over a band name that turns into a fight about free speech. It goes all the way to the Supreme Court.

Music: The Slants’ “Endlessly Falling” “From the Heart,” and “Faded Dreams.” Find us: Twitter/ Facebook.

Subscribe to our show on Apple Podcasts or PocketCast.

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