February 24, 2017

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Best of the Week: Promising News for the DC Extended Universe, 'Alien: Covenant' Prologue and More


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Episode 756: The Bees Go To California

A honeybee collects nectar from an almond blossom in an almond orchard near Bakersfield in Wasco, California, U.S.

Phil Hawkins/Bloomberg via Getty Images

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Phil Hawkins/Bloomberg via Getty Images

Every spring convoys of trucks arrive in the almond orchards of central California. They are carrying bees. Millions of them.

They arrive from all over the country, but especially southern states like Louisiana, and they have to get there at just the right time, when the almond trees start to flower so the bees can pollinate hundreds of acres of almond fields.

But why make the 2,000 mile trek from the South instead of raising bees right in the Central Valley? It comes down to comparative advantage. Louisiana has better conditions for bees. It’s warm, green and there are plenty of flowers for the bees. And California has the edge in almond growing.

The journey has it’s own set of challenges. Not least of which is, you can’t stop during the day or the bees try to escape.

Today on the show, how bees keep our produce sections stocked with fruit.

Music: “Turquoise Sun” and “Cheyenne Shuffle.” Find us: Twitter/ Facebook.

Subscribe to our show on iTunes or PocketCast.

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Young Mexican Driver Rises To Top Of NASCAR Ranks

A young Mexican driver is making the leap to NASCAR’s top level this year, and he’s looking to bring more Latino fans with him. Along with the addition of Daniel Suárez, NASCAR is pursuing efforts to become more diverse.

ARI SHAPIRO, HOST:

NASCAR has been trying to broaden its appeal beyond the traditional base of Southern white men. One of its strategies is to put more people of color and women on the race track. Those efforts are starting to pay off. One of the hottest racers at the Daytona 500 this weekend will be Daniel Suarez. He’s from Mexico. And last year, he became the first foreign-born driver to win what is essentially a NASCAR minor league. From member station WFAE, Michael Tomsic has more.

MICHAEL TOMSIC, BYLINE: Daniel Suarez dominated the championship race last year in the series one step below NASCAR’s top circuit.

(SOUNDBITE OF ARCHIVED RECORDING)

UNIDENTIFIED SPORTSCASTER: As he comes out of turn number four, he will be the first ever international champion in NASCAR.

TOMSIC: Suarez was born in Mexico, and grew up racing there. Last year was only his second in what NASCAR calls its Xfinity Series. And now, at age 25, he’ll compete at the top level for Joe Gibbs’ racing team.

(SOUNDBITE OF ARCHIVED RECORDING)

DANIEL SUAREZ: It is hard to believe that I’m in this position. I feel like I – it’s just a perfect place to be for a rookie like me that is really hungry to learn and to go out there to perform well.

TOMSIC: He came up through NASCAR’s Drive for Diversity program, which helps develop minority and female talent. It’s already made a significant difference in the diversity on pit crews. This season, Suarez will become its second driver to make NASCAR’s top circuit. His success is helping NASCAR gain fans in the Latino community, says Ruben Garcia Jr., a 21-year-old from Mexico City.

RUBEN GARCIA JR: People are starting to look into the world of NASCAR way more than they used to.

TOMSIC: Garcia is now in Drive for Diversity, and says he’s trying to follow in Suarez’s footsteps. He says the sport’s popularity has also grown among Latinos because NASCAR started a series in Mexico about 10 years ago. NASCAR also has staff dedicated to creating Spanish-language content online and on social media. Jill Gregory is NASCAR’s chief marketing officer.

JILL GREGORY: Any brand that’s trying to make sure that they have growth in their sales or in their consumption, they need to get younger and more diverse. That’s where our country is going. And so that’s why you’ve seen us really make an investment in this area.

TOMSIC: She says Suarez’s success helps. But she emphasizes he does all the things NASCAR needs any successful driver to do, regardless of ethnicity. He’s skill on the track, charming with fans and great with sponsors. He’s also earned the respect of fellow competitors, including Matt Kenseth.

(SOUNDBITE OF ARCHIVED RECORDING)

MATT KENSETH: He’s a really hard worker. He asks a lot of questions. He always, you know, wants advice, wants help, puts a lot of time into it.

TOMSIC: Another driver, Kyle Busch, jokes that Suarez may ask too many questions.

(SOUNDBITE OF ARCHIVED RECORDING)

KYLE BUSCH: His rookie season at Xfinity, he came to me every single Thursday. I pretty much knew, it was set on the calendar – Daniel Suarez phone call, 3 o’clock. And we would talk about that weekend’s race track and about what to do and what to expect.

TOMSIC: Busch says it showed how eager Suarez is to succeed. NASCAR has had Latino drivers since its early days. But they’ve been a small minority. And only three have won races at NASCAR’s top level. Ruben Garcia Jr., says he’s heard some trash talk from fans.

GARCIA JR: There is some times where people will think that it’s better to have just American drivers in their sport because they feel like it’s their sport, like they really own the sport. But NASCAR has been growing so much that it – now it is a international sport.

TOMSIC: Garcia says the positive comments he’s heard vastly outnumber the negative ones. And Suarez takes pride in helping the sport grow.

(SOUNDBITE OF ARCHIVED RECORDING)

SUAREZ: It’s amazing to be able to be a role model for so many future new drivers or so many fans. I have seen how a lot of people from the entire Latin-American community follow the sport.

TOMSIC: They’ll see Suarez compete on one of NASCAR’s biggest stages this Sunday, The Daytona 500. For NPR News, I’m Michael Tomsic.

(SOUNDBITE OF JEFF BECK SONG, “ROY’S TOY”)

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GOP Health Bill Draft Would Cut Medicaid, Emphasize Tax Credits

Sen. Bill Cassidy, R-La., responds to constituents concerned about their coverage under the Affordable Care Act.

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In recent days, several Republican lawmakers have faced crowds of constituents at town hall meetings around the country who are angry that they may be in danger of losing their health coverage.

A GOP draft bill, recently obtained by Politico, would likely do little to assuage these concerns.

The Feb. 10 document follows the broad policy outline released by Republicans last week just before they went home for a Congressional recess. It proposes cuts to federal payments to states that have expanded Medicaid and offers tax credits for people to buy health insurance.

“This would mean fewer people could afford health insurance and that the health insurance would likely cover less,” says Larry Levitt, senior vice president at the Kaiser Family Foundation.

Under the plan, states that expanded eligibility for Medicaid would see their supplemental federal funding rolled back. The program would also be converted from a federal-state program that pays for all the health care beneficiaries get, to one where Washington sends a fixed amount of money to each state for each Medicaid enrollee.

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To help people who don’t get insurance through their employer buy coverage, the bill offers age-based tax credits that start at $2,000 for individuals under age 30. It would rise to $4,000 for those over 60. Those credits are unlikely to cover the full cost of a plan that pays for routine health care, but could potentially pay for insurance that protects against a catastrophic health event.

Levitt says those credits are less generous than the subsidies offered under Obamacare.

The draft bill is consistent with what Republicans have been saying they want to see in place of Obamacare, says Rodney Whitlock, vice president of health policy at ML Strategies.

“No surprises here,” says Whitlock, who was formerly the Republican health policy director for the Senate Finance Committee. “These are all ideas Republicans have championed. Now the Congressional Budget Office will decide if they agree.”

The Congressional Budget Office will “score” the ultimate bill, estimating how how many people it’s likely to cover and its impact on the federal budget.

Spokesmen for the House Energy and Commerce, and Ways and Means committees, which are drafting the legislation, declined to comment on the leaked bill.

It’s not clear that the details in the two-week-old draft bill, such as the size of the tax credits, are still being considered. One House staffer says lawmakers are testing different scenarios with the Congressional Budget Office, comparing cost and coverage levels, and fine tuning the legislation.

The draft bill would also get rid of the taxes created under the Affordable Care Act, including taxes on medical device makers and health insurers. Instead, it would limit how much employers can deduct for expensive insurance policies they give to their workers.

It would also eliminate the mandate for individuals to buy insurance.

The bill attempts to encourage healthy people to buy insurance by mandating that they cannot be charged more for existing medical conditions, or, once they get sick, if they maintain continuous coverage. People who elect not to buy insurance at the outset would pay a surcharge when they do, and could end up paying more if they’ve been ill.

Levitt is not convinced the Republican’s continuous coverage plan would work.

“Republicans are struggling to find the Holy Grail of how to get healthy young people to buy insurance,” he says. “I’m not sure they’ve found it here, but it’s a legitimate struggle.”

Senate Democrats denounced the proposal. “This isn’t a replacement, it’s a recipe for disaster,” says Senate Democratic Leader Charles Schumer, N.Y. “Republicans are determined to put insurance companies back in charge, make health insurance more expensive for millions of Americans, restrict women’s access to vital health services by by defunding Planned Parenthood, shift costs to states and dismantle Medicaid, while kicking millions more off of their plan.”

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World Cafe Nashville: Ahmed And Hasan Alzuabi

Ahmed (left) and Hasan Alzuabi perform at Sound Stage Studios in Nashville.

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Almost a month ago, President Trump’s immigration ban pushed words with long histories back into the foreground of the public conversation; one was “refugee.” Since then, much analysis and inflated rhetoric has attached itself to that word, but not that many Americans have had (or have taken) the chance to interact directly with those to whom it applies. Music has long provided one way for outsiders to connect with refugees’ hopes and fears. A recent encounter in Nashville reminded me of the revelations it bears.

Scouting cultural responses to the current political moment, World Cafe producer Kimberly Junod and I headed to the Basement East in Nashville one night not long after President Trump had first presented his executive order on immigration to observe a benefit concert for the Tennessee Immigrant and Refugee Rights Coalition. The evening, co-organized by the spirited soul woman Alanna Royale, featured many local luminaries: Adia Victoria read from the works of Toni Morrison; Ariel Bui, herself the daughter of Vietnamese immigrants to Louisiana, sang of her parents’ experience; rock ‘n’ roll powerhouse Sarah Potenza covered Sam Cooke‘s secular gospel hymn “A Change Is Gonna Come.” But the night’s indisputable high point came when the Syrian father-and-son duo Ahmed and Hasan Alzuabi took the stage.

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The Alzuabis arrived in Nashville in August after spending four years in Jordan waiting for their visas to come through. In their homeland, the elder artist trained as a vocalist and oud player; after being blinded in an accident as a young man, the 59-year-old maintained a career performing at parties and other social gatherings. His 21-year-old son, a dazzlingly adept tarabaki player, dropped out of high school when the family was relocated to the South and, along with his father, has been fitfully pursuing a music career here, playing at the hookah bars and restaurants around Nolensville Road, the center of Nashville’s immigrant communities. (There is also a significant Kurdish community here.) Alanna Royale found the Alzuabis through a friend in the Syrian community, and they welcomed the chance to perform for a room full of tattooed hipsters on hand for some protest and a “Nasty Women” art show.

The craft-beer-drinking crowd chattered through most of the evening’s performances, but when the Alzuabis took the stage, they were rapt. People moved toward the front and danced as a couple of family friends cut their own bravado moves onstage. These 15 or so minutes of music might have been the most joyful I’ve experienced in recent months, and Kimberly turned and whispered to me that we should try to book the Alzuabis for a session. Two days later, after a circuitous tangle of communiqués, they joined us at Sound Stage Studios for a brief interview and performance.

Our chat challenged me in ways to which I’m not accustomed. The two friends who had joined the Alzuabis on stage served as translators, and words flew across the microphone-filled room in multiple languages. What I did quickly learn was that Hasan and Ahmed Alzuabi shared the same ambitions that most musicians carry with them to Music City: to make a living through their art, to delight bigger audiences than what greets them at an average Tuesday night bar gig and — in the words of Hasan, whose style and sweet smile would perfectly suit a boy band — to “get famous.” To my ears, the music they performed was mysterious and deeply powerful. When I asked Ahmed what the lyrics were about, what he said proved that these songs are also universal, but in a way I hadn’t expected. “They’re about flirting and loving our homeland,” he said. Just like country music, I thought.

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