February 22, 2017

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Today in Movie Culture: David Lynch's 'La La Land,' 'Zootopia' Parodies the Oscar Nominees and More

Here are a bunch of little bites to satisfy your hunger for movie culture:

Alternate Universe Movie of the Day:

La La Land may be Damien Chazelle’s baby, but here’s what it might have looked like if David Lynch directed it instead:

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Remade Movie of the Day:

What if La La Land had an old-school video game? It would look like this 8-Bit Cinema version of the Oscar nominee, also from CineFix:

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Movie Parody Poster of the Day:

And to make it a trio of La La Land items, here’s one of the Oscar nominee parodies made by the makers of Zootopia. See more at /Film.

Oscars Montage of the Day:

Speaking of La La Land, it could very well be the next movie to add to Burger Fiction’s new supercut of all the Best Picture winners ever:

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Film Crew Guide of the Day:

In honor of the Oscars, for Fandor Keyframe, LJ Frezza shows us what different film crew members do:

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Fake Film Crew Member of the Day:

Meanwhile, here’s Above Average with a profile of a guy working as a “scarf wrangler” specifically for Johnny Depp:

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Vintage Image of the Day:

Drew Barrymore, who was born on this day in 1975, sits on Steven Spielberg’s shoulders on the set of 1982’s E.T. the Extra-Terrestrial:

Cosplay of the Day:

Speaking of cute kids, here are a couple of brothers fighting each other as Poe Dameron and Kylo Ren in a special effects-heavy video made by Felt Tip Films:

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Actor in the Spotlight:

Today is also the birthday of Chinese-American character actor James Hong, who is honored with a very long episode of No Small Parts:

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Classic Trailer of the Day:

Today is the 60th anniversary of the release of The Incredible Shrinking Man. Watch the original Orson Welles-narrated teaser for the sci-fi classic below.

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First Listen: Ibibio Sound Machine, 'Uyai'

Ibibio Sound Machine’s new album, Uyai, comes out March 3.

Dan Wilton/Courtesy of the artist

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Dan Wilton/Courtesy of the artist

Eno Williams, the lead singer and spiritual force behind Ibibio Sound Machine, was born in London, but she relocated to her mother’s native Nigeria as a girl. It’s a move that, years, later, would make a profound impact on musical career. In 2014, Ibibio Sound Machine’s eponymous debut album skillfully combined London electronic club music with Nigerian funk and pop, making for a compelling, ear-popping experience. The band’s follow-up album, Uyai, strengthens and deepens that cross-cultural alchemy.

“Uyai” means “beauty” in the Nigerian language of Ibibio, and it’s a fitting title for this beautiful record. Awash in exultation and infused with melody, Uyai is a gorgeous vision of international pop. “The Chant (Iquo Isang)” starts out with a punch of clipped, stabbing electro, but it settles into a jazzy haze by song’s end — tied together, as its title implies, by Williams’ infectious chanting. Swaying and gently syncopated, “One That Lights Up (Andi Domo Ikang Uwem Mi)” evokes African countryside and urban jungles alike. And on “The Pot Is On Fire,” the song’s incendiary catchiness bubbles brightly, a workout of jittery percussion and kinetic joy.

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That celebratory mood simmers down on tracks like “Quiet” and “Cry (Eyed),” which creep along with a haunting, dreamy atmosphere. The hush doesn’t last long: From the lively call-and-response of “Guide You (Edu Kpeme)” to the fizzing disco of “Sunray (Eyio),” the album retains a minimalist, horn-punctuated vibe while undertaking a dynamic journey across continents of sound and feeling. Williams sings largely in Ibibio with a sprinkling of English; her use of language, like the band’s use of musical genres, is fluid. Supple and soulful, her voice scales dizzying heights one moment and dips into sultry snarls the next. “Trance Dance” makes no bones about its dancefloor aspirations: With stuttering polyrhythms and vast slabs of synth, the song builds and releases in a frenzy of Afro-futurist ecstasy.

For all her unrestrained uplift, Williams gets serious on one of the album’s most arresting cuts, “Give Me A Reason.” Beneath the dark, propulsive bass and bursts of brass, she tells the story of 276 Nigerian girls, yet to be found, who were kidnapped by Boko Harum in 2014. But she turns this tragedy into an impassioned call for empowerment, as the band slathers the groove in sleek, Prince-worthy hooks. With Uyai, Ibibio Sound Machine has crafted a collection of irresistible, multidimensional anthems that reach far beyond the borders of geography, music and emotion.

Ibibio Sound Machine: Uyai

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Ibibio Sound Machine, ‘Uyai’

01Give Me a Reason

4:18

  • <iframe src="https://www.npr.org/player/embed/516636924/516651453" width="100%" height="290" frameborder="0" scrolling="no" title="NPR embedded audio player">

    02The Chant (Iquo Isang)

    4:30

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      03One That Lights Up (Andi Domo Ikang Uwem Mi)

      3:37

      • <iframe src="https://www.npr.org/player/embed/516636924/516651718" width="100%" height="290" frameborder="0" scrolling="no" title="NPR embedded audio player">

        04The Pot Is On Fire

        4:15

        • <iframe src="https://www.npr.org/player/embed/516636924/516651788" width="100%" height="290" frameborder="0" scrolling="no" title="NPR embedded audio player">

          05Quiet

          3:54

          • <iframe src="https://www.npr.org/player/embed/516636924/516652085" width="100%" height="290" frameborder="0" scrolling="no" title="NPR embedded audio player">

            06Joy (Idaresit)

            3:44

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              07Power of 3

              4:22

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                08Lullaby

                4:05

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                  09Guide You (Edu Kpeme)

                  3:14

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                    10Sunray (Eyio)

                    4:27

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                      11Cry (Eyed)

                      2:10

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                        12Trance Dance

                        4:39

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                          Episode 654: When The Boats Arrive

                          Migrants from Syria and Afghanistan arrive on an overcrowded dinghy from the Turkish coasts to the Greek island of Lesbos, Monday, July 27, 2015.

                          Santi Palacios/AP

                          This episode originally ran in 2015.

                          In 1980, Fidel Castro had a problem. The Cuban economy was in shambles. And there was open dissent in his tightly controlled country. People wanted to leave.

                          Castro said they didn’t ‘have revolutionary blood.’ So he decided, you know what? If you don’t like it here, you can leave. Get on any boat you can find at the port of Mariel, near Havana.

                          Over the next few months, more than 100,000 Cubans left the island on fishing boats, sailboats, and makeshift rafts, for Miami, just over 120 miles away.

                          When they arrived, they didn’t have a jobs, and most just had the clothes on their back.

                          And the U.S. was thinking, now what?

                          Today on the show, what happened to Florida when thousands of migrants showed up, and what that tells us about immigration.

                          Music “Feeeel It” Find us: Twitter/ Facebook.

                          Subscribe to our show on iTunes or PocketCast.

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                          Nick Dupree Fought To Live 'Like Anyone Else'

                          Nick Dupree arrives at the Federal Courthouse in Montgomery, Ala. on Feb. 11, 2003. His success in getting the state to continue support past age 21 enabled him to attend college and live in his own home.

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                          Jamie Martin/AP

                          Disability rights activist Nick Dupree died last weekend. Tomorrow would have been his 35th birthday.

                          Back in 2003, he told NPR: “I want a life. I just want a life. Like anyone else. Just like your life. Or anyone else’s life.”

                          He got that life.

                          Dupree had a severe neuromuscular disease and was living in Mobile, Ala. He was in a wheelchair and depended on a respirator to breathe. The state paid for nurses to come into his home — even take him to college classes. But that care was about to end the day he turned 21. He faced going to a nursing home, where he feared he would die.

                          Every state has a program that pays for care for severely disabled children to live at home, but not every state continues that care into adulthood. When Dupree was 19, he started Nick’s Crusade — an online campaign to change the rules in Alabama.

                          Just a few days before his 21st birthday, he won. In 2008, he decided to move to New York City.

                          “I assisted him moving to New York, which was very, very scary for me,” says Dupree’s mother, Ruth Belasco. “But, I figured that his joy would outweigh my fear.”

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                          In New York, Dupree made friends. He went to museums. He could move just the tip of his thumb and his index finger. And if someone placed his hand on a computer track ball, he could draw. That’s how he made online comic books that reflected his quirky humor.

                          Dupree created webcomics — occasionally featuring Theodore Roosevelt and zombies — that reflected his quirky humor.


                          Superdude Comics/Courtesy of Alejandra Ospina
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                          Superdude Comics/Courtesy of Alejandra Ospina

                          Like Theodore Roosevelt and the Rough Riders versus Zombies.

                          Something else happened in New York, too:

                          “It was just wonderful that he fell in love,” Belasco says. “And it was a wonderful story. And it was something that he always hoped for; [he was a] very romantic young guy and he actually found someone who loved him and he loved in return.”

                          He’d met the love of his life — Alejandra Ospina — online. Their wedding ceremony was in Central Park.

                          “We had vows. We had lots of people,” says Ospina, who has cerebral palsy and also uses a wheelchair. “There was food. And it was very windy that day, which didn’t play well with the ventilators. But it was all right.”

                          Still, like many other people with disabilities, they didn’t legally marry. If they had, their incomes would have been counted together, and Medicaid would have cut Nick’s benefits.

                          “He lived with me in an apartment in the community for seven years and 8 months,” Ospina says.

                          She knows exactly because that’s how Nick — who wasn’t supposed to live past his 21st birthday — counted time.

                          A chapter Dupree wrote about his life and struggles was included in a disability rights anthology.

                          Courtesy of Alejandra Ospina

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                          Courtesy of Alejandra Ospina

                          The ending to Nick’s story, though, isn’t a happy one.

                          The people who loved him ended up feeling helpless and guilty. Providing the round-the-clock care became difficult. When nurses didn’t show up for their shifts, Ospina and Dupree would fight over caregiving.

                          They separated last spring and Dupree decided to move to a hospital — the place he’d tried to avoid his whole life.

                          In the past 10 months, he moved between a hospital and nursing homes. He got pneumonia and bed sores.

                          “Each time he got sick again, it would be worse and worse and worse,” Belasco says. “And his ability to withstand that just ran out.”

                          Belasco says she wanted her son to come home to Alabama. But that wasn’t easy. She already cares for his younger brother who has the same disease. She takes the night shift seven nights a week, sleeping during the day.

                          And then last week, Nick fell ill with sepsis and heart problems. He died at a hospital in New York City.

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                          NBA Teams Enjoy 1 More Day Off Before All-Star Break Ends

                          Over the weekend, the NBA held its all-star game — which is the traditional mid-season break. In reality, the regular season already is two-thirds over. It’s now a sprint to the finish.

                          STEVE INSKEEP, HOST:

                          All right. The NBA returns to work on Thursday after this past weekend’s All-Star game – the traditional mid-season break for Pro Basketball. NPR sports correspondent Tom Goldman hardly ever takes a break. And he’s back with us. Hi, Tom.

                          TOM GOLDMAN, BYLINE: (Laughter) How are you?

                          INSKEEP: I’m doing fine. Good morning. Good morning. Not such a good start to the season – or first two-thirds of the season almost – for the Los Angeles Lakers. They’re 19-39. What do they do now?

                          GOLDMAN: Yuck. Well, you know, when in doubt, get Magic back. They got Magic back, Magic Johnson, probably the most popular and famous Laker of all. But unfortunately, they’re going to use him in a suit and tie and not in a jersey and shorts.

                          INSKEEP: Too bad for them.

                          GOLDMAN: Yeah. He was named as the team’s new head of basketball operations. He’s replacing Jim Buss, who said three years ago he would resign in three years if the struggling Lakers didn’t turn things around. Well, they didn’t. And his sister Jeanie, the team president, didn’t wait for him to walk away. She fired him.

                          INSKEEP: Wow.

                          GOLDMAN: Yeah.

                          INSKEEP: (Laughter) That is hardcore.

                          GOLDMAN: Thanks, sis. Although he’s still part-owner. There’s hope that Magic can help lead the Lakers back to greatness from the front office the way he led them to five titles in the 1980s on the court. Now, I should say he’s never really run a team. And he and Jeanie Buss warned this isn’t going to be easy or quick, but at least there’s a little hope in Laker land.

                          INSKEEP: So they’re not really hoping to salvage this season, but maybe in a future season they hope his – Magic can bring back magic?

                          GOLDMAN: Very good, yeah, absolutely.

                          INSKEEP: OK. All right. So tell me, Tom, we’re in this break, we’re about to get out of the break, isn’t this the last moment for teams to shuffle their lineups to get in some new talent and go for the playoffs?

                          GOLDMAN: Yeah. The trading deadline is coming up. And the biggest trade to date is a coveted center – DeMarcus Cousins – was traded to New Orleans and giving the Pelicans – the New Orlean (ph) Pelicans, New Orleans Pelicans – incredible potential. Both DeMarcus Cousins and Anthony Davis, who he’s joining in New Orleans, they’re called generational talents. Kind of like you, Steve, a generational talent. Once every generation, you come along.

                          INSKEEP: (Laughter).

                          GOLDMAN: But in the basketball world, these are guys that are big and skilled and versatile and they don’t come around often. And now they are playing together. Right now, New Orleans is outside the top eight teams in the Western Conference. The top eight from each conference go to the playoffs.

                          But if they can gel, if these two guys can work together, this team could be very interesting. And they could give the Warriors a little trouble. Because for all the Golden State Warriors do well, matching up against two active big men might be a weakness. Golden State doesn’t have the big guys to match. So it’ll be fun to watch.

                          INSKEEP: Well, when you talk about generational talents, Tom Goldman, once every generation it seems we have an Isaiah Thomas in the NBA. And literally another Isaiah Thomas in the NBA, short of six feet but making a big impact. Could he actually have an effect on the playoffs here?

                          GOLDMAN: I think he certainly could. He certainly had an effect on the regular season so far. He’s an amazing phenomenon. He’s listed at 5’9″. But I’ve heard that’s generous. He’s the second leading scorer in the league. He’s a deadly three point shooter. He drives to the hoop with a vengeance, which, Steve, is how you have to drive to the hoop when you’re 5’9″ and seven-footers are waiting at the hoop for you.

                          INSKEEP: Yeah. But he’s doing well for the Boston Celtics here. And he’s – what the namesake of the original Isaiah Thomas, I guess we should say.

                          GOLDMAN: Exactly, the original from Detroit. The current one is from Boston. And he is must-see NBA action.

                          INSKEEP: OK. Tom, thanks very much.

                          GOLDMAN: You’re welcome.

                          INSKEEP: That’s NPR sports correspondent Tom Goldman.

                          (SOUNDBITE OF DJ SORAMA’S “LOVE PROJECT – ADULT SWIM BUMP”)

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