February 6, 2017

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Today in Movie Culture: Kristen Stewart Spoofs 'Willy Wonka,' Michael Mann Influences 'The Dark Knight' and More

Here are a bunch of little bites to satisfy your hunger for movie culture:

Movie Parody of the Day:

Kristen Stewart stars as Charlie Bucket in Saturday Night Live‘s parody of a scene from Willy Wonka & the Chocolate Factory:

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Movie Comparison of the Day:

See how much Michael Mann’s Heat influenced Christopher Nolan’s The Dark Knight in this video putting scenes side by side:

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Movie Trivia of the Day:

Speaking of Nolan’s Batman movies, here’s a bunch of trivia about Batman Begins from ScreenCrush:

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Film Studies Lesson of the Day:

CineFix makes us better cinephiles by spotlighting five brilliant moments of camera movement:

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Body Art of the Day:

Speaking of cinephiles, check out one of the coolest movie fan tattoos ever, turning its host into a human zoetrope (via Fashionably Geek):

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Cosplay of the Day:

Speaking of body art, sometimes you can only afford to dress up a single finger, as Lowcostcosplay does with this Spirited Away cosplay:

Vintage Image of the Day:

Zsa Zsa Gabor, who would have turned 100 today, with Charlton Heston on the set of Orson Welles’s Touch of Evil in 1957:

Good Film Analysis of the Day:

For One Perfect Shot, H. Perry Horton spotlights Paul Thomas Anderson’s use of silence in There Will Be Blood:

Bad Film Analysis of the Day:

Learn the hidden meaning of Disney’s Aladdin from an alien in the future who likes to point out questionable plot holes in kids’ movies:

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Classic Trailer of the Day:

This week is the 20th anniversary of Richard Linklater’s SubUrbia starring Giovanni Ribisi. Watch the original trailer for the indie classic below.

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World Track And Field Body Maintains Russian Suspension From Competition

Anastasiya Grigoryeva (center) during a 60m heat at the Russian Winter national athletics meet in Moscow, Russia, on Feb. 5. Ivan Sekretarev/AP hide caption

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Ivan Sekretarev/AP

Track and field’s world governing body decided Monday to maintain Russia’s suspension from international competition.

During a meeting of the International Association of Athletics Federations, or IAAF, the governing body’s president Sebastian Coe told the AFP that Russia “could not be reintegrated into the sport before November.”

That means Russia’s national track and field team will not be able to compete in the August IAAF World Championships in London, although wiggle room in the ban could allow Russian athletes who are approved individually by the IAAF and submit to drug testing to compete without a country affiliation.

“Our priority is to return clean athletes to competition but we must all have confidence in the process,” Coe said, according to a press release. “Clean Russian athletes have been badly let down by their national system.”

A task force report released Monday cited Russia’s continued lack of sufficient testing for performance-enhancing drugs in its athletes as one of the reasons for its recommendation against reinstatement.

In the report, the head of the task force Rune Andersen, noted that Russia had made some progress by establishing a committee to investigate state collusion to cover up doping by Russian track and field athletes.

However, he also documented the Russian government’s apparent ongoing involvement in possible doping by its athletes:

“There continues to be very limited testing of Russian track & field athletes at the national level. Furthermore, there continue to be troubling incidents in respect of the testing that is taking place. For example, (i) on 25 January 2017 it was reported that five athletes had withdrawn from a national competition when they heard that DCOs had turned up to do drug testing; (ii) in at least one case, boxes of samples being shipped to foreign labs for testing were opened and inspected, and (it appears) attempts were made to open a sample bottle.”

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The report also noted that a Russian TV broadcast in January “showed Vladimir Kazarin, who has been provisionally suspended since August, continuing to coach at least two top Russian athletes,” as USA Today reported.

As we have reported, the IAAF banned Russian athletes from competing in the 2016 Summer Olympics in Rio de Janeiro, “Because the system in Russia has been tainted by doping from top level and down, we cannot trust that what we call and what people might call clean athletes really are clean,” Andersen said in a June 2016 announcement of the ban.

However, there was what he called a “tiny crack in the door” that might allow Russian athletes to compete in the games, as he explained at the time:

” ‘The task force does consider, however, that if there are individual athletes can clearly and convincingly show that they are not tainted by the Russian system because they have been outside the country or subject to other strong anti-doping systems, including effective drug testing, then there should be a process through which they can apply for permission to compete in international competition — not for Russia, but as a neutral athlete,’ [Andersen said].

“Additionally, athletes who have made an ‘extraordinary contribution to the fight against doping in sport’ should be able to apply for this permission, Andersen said [in June 2016].”

Those exceptions eventually allowed one track and field athlete, Russian long jumper Darya Klishina, to compete in the Olympics, as The New York Times reported.

On Monday, the IAAF approved a pair of recommended loopholes included in the task force report. The first allows athletes under age 15 to compete in international competitions as “neutral athletes,” meaning they would not represent the Russian state.

The second allows athletes between 15 and 18 and Masters-level athletes who want to compete neutrally be allowed to apply to the organization’s doping review board for individual consideration.

The Russian government has not commented on the governing body’s decision.

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Even With Travel Ban Blocked, Artists Are Still Left Hanging

Syrian singer Omar Souleyman (performing here in Malmö, Sweden, in August 2016) is among the musicians whose performances in the U.S. have been left in limbo. Pacific Press/LightRocket via Getty Images hide caption

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Pacific Press/LightRocket via Getty Images

President Trump’s executive order on immigration restricting travel to the U.S. for travelers from seven Muslim-majority countries led to a firestorm of criticism, lawsuits and injunctions by five federal judges staying the order. But questions remain about who can and can’t come to this country. Among those caught in the confusion are a number of prominent musicians, whose personal lives — and livelihoods — have been put on hold.

Omar Souleyman is a Syrian singer who in recent years has collaborated with Björk and performed at the Nobel Peace Prize concert. Five years ago, he moved to the southeast of Turkey to avoid the war at home in Syria.

Souleyman has a new album on the way, and he was planning a U.S. tour to promote it. He’s toured the U.S. 16 times before. This time around, says his manager, Mina Tosti, they were planning tour dates in New York, Detroit, Los Angeles and Arizona, and were in the thick of planning an appearance at the SXSW festival in March as well.

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The visa paperwork for this trip was already well underway when the executive order was announced. When Tosti visited the homepage of the U.S. Embassy in Ankara last week, she saw this notice: “‘If you already have an appointment scheduled,'” she reads aloud, “‘please DO NOT ATTEND.’ Capital letters.”

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She says there’s an unspoken message behind those words: “You are not welcome. Do not come near us.”

Now that the order is in limbo, Tosti is not sure what to do. Neither is immigration lawyer Matthew Covey, who heads a U.S. nonprofit called Tamizdat that advocates for foreign artists and helps facilitate their visa applications.

“For the arts, it’s really not a resolution at all,” Covey asserts. “Because at least for performing arts programmers, the temporary restraining order is just that. We don’t know when or if it will disappear, and we’ll go back to the ban. So if you’re running a performing arts organization here in the U.S., and you’re trying to figure out who to book for June, July, even for March — there are very few presenters who are going to risk contracting with an artist from one of the seven countries now for any point in the foreseeable future.”

Among those left hanging are some of the world’s top musicians. Kayhan Kalhor is a virtuoso of the Persian kamancheh, a bowed stringed instrument. Kalhor is a four-time Grammy Award nominee and a longtime collaborator of cellist Yo-Yo Ma.

Kalhor was born and raised in Iran, but he is a Canadian citizen — and he lives in California. Right now, he’s on tour in Iran. Isabel Soffer was hoping to help him tour the U.S. in May. She’s an American who produces concerts and festivals across the country and works extensively with artists from the Middle East.

“So many of these incredible artists from all over the world are doing this dance,” Soffer observes, “because so many of them have complex lives based around mobility. Where do they belong? Where do they live? What passports do they have? How do they function?”

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Mahdyar Aghajani is an Iranian producer and composer best-known in this country for his score for the film “No One Knows About Persian Cats” – a “near-documentary” about Iran’s banned underground music scene.

“Until two years ago,” Aghajani says, “we were considered satanists.”

He’s now based in Paris. Speaking via Skype, he says he still manages a hip-hop collective called Moltafet back home. “They cannot work in Iran,” he says, “because the government is against them, so they’re illegal. They cannot officially monetize their music.”

So Aghajani was hoping to bring Moltafet to the U.S., to reach both the Iranian diaspora here and mainstream hip-hop fans. “And we had so many states [as] part of the tour,” Aghajani says, “and now this thing has put everything on hold, basically, because half our plan is now nothing.”

Aghajani says that as an Iranian artist, he’s already had to figure out how to knock down official hurdles. And he thinks that what he and his friends have gone through can be a model for others.

“The borders, they cannot stop us,” Aghajani says. “Right now, with all this technology, we don’t have to physically be there to do a show. I mean, you’ve got projection to hologram to augmented reality, virtual reality, all these streaming services. There’s so many technologies right now that we have access to, that I think the artists should be creative, like they shouldn’t be scared or hopeless or anything like that. Imagine if I had this mentality — we had Ahmadinejad. I know Trump is very bad and everything, but Ahmadinejad was way crazier, I think!”

For now, attorney Matthew Covey of the organization Tamizdat is offering to prepare and file visa applications, pro bono, for artists from any of the seven countries named in the executive order, no matter what happens.

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'Glass House' Chronicles The Sharp Decline Of An All-American Factory Town

Once a thriving factory town, Lancaster, Ohio is now beset by underemployment and drug abuse. Shelly Metcalf hide caption

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Shelly Metcalf

Lancaster, Ohio, the home of the Fortune 500 company Anchor Hocking, was once a bustling center of industry and employment. At its peak following World War II, Lancaster’s hometown company was the world’s largest maker of glass tableware and employed more than 5,000 town residents.

Though Anchor Hocking remains in Lancaster today, it is a shell of its former self, and the once thriving town is beset by underemployment and drug abuse. Lancaster native Brian Alexander chronicles the rise and fall of his hometown in his new book, Glass House.

“People are genuinely struggling,” he tells Fresh Air’s Dave Davies. “The economy of the town is struggling, not because there’s high unemployment, [but] because the employment that there is all minimum wage, or even lower than minimum wage.”

Fairfield County, in which Lancaster is located, went 61 percent for Donald Trump in the presidential election — a fact that Alexander attributes to the candidate’s message of disaffection. Alexander says on Election Day one Lancaster woman told him she voted for Trump because she wanted “it to be like it was.”


Interview Highlights

On how Lancaster was once deemed an all-American town

After World War II, Forbes devoted almost its entire 30th anniversary issue to Lancaster, Ohio, of all places, and positioned Lancaster as the epitome and the apogee of the all-American town — a sort of perfect balance between large industry, agriculture [and] small businesses, like retail and merchants and so on. … And everything was in this state of almost Utopian equilibrium, and for the most part it really was like that.

Which is not to say there were not problems. There’s always been problems, there’s always been small-town scandals, and there’s always been an element of poverty, a fair amount of drinking in Lancaster. My grandfather used to say — he was an old glass man from western Pennsylvania — and when he would come to visit he would say that he never saw a town with more churches and more bars. … So it was not free of problems, but it was really, from my life, very much like Leave it to Beaver, quite honestly.

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On how Anchor Hocking contributed to the fabric of the town during its heyday

You had a core of college-educated, sophisticated people who made good livings working right downtown at the corner of Broad and Main Street, and more importantly, in some ways, their wives — remember this is ’40s, ’50s, ’60s and into the ’70s — their wives typically didn’t work at a career-type job outside the home. They threw themselves into the town. So they did hospital benefits, they did benefits for preserving the old Antebellum homes in Lancaster, they did vaccination drives, they made sure the sidewalks got repaired, the streets got paved, they attended city council meetings. This was a core of civic leadership.

On the 1987 acquisition of Anchor Hocking by the Newell Corp.

It was a hostile takeover. It’s still a little bit mysterious exactly how hostile it was, but they buy it in a hostile takeover, and the first thing they do is fire all of the executives and close down the headquarters. So now you have gutted a core group of people that were active in the life of the town. As one person in Lancaster, an old-timer who I interviewed said, “It ripped the heart out of this town.” So you’ve taken away the executives, you’ve taken away their wives, their families. …

[It was] devastating for the town. And the new incoming people, the people Newell picked to run Anchor Hocking never lived in Lancaster; they all lived in Columbus. There’s a long-standing belief, unshakable belief, that Newell instructed its incoming executives to not live in Lancaster, so as not to be involved in the United Way and other Lancaster civic activities. I could not find any proof of that, but you cannot shake Lancasterians’ belief that that was, in fact, the case. …

Workers will tell you that Newell was not a bad employer. They were not necessarily unhappy under Newell. It wasn’t the same; it was less of a family atmosphere. Workers who are hourly people and salaried people all say the same thing. They say that the company became somewhat more efficient, that they made money, they made money for Newell, that they were not unhappy under Newell, but it didn’t feel like the old Anchor Hocking, and it never would again.

On how what happened in Lancaster reflects a larger trend in capitalism

When you can pay a foreign worker a third or less of what you’re paying a unionized flint glass worker in Lancaster, that’s an element, but it’s far from the only one. We seem to have this shrugging-shoulders belief that this is all some sort of natural evolution, like how the dinosaurs died. But what I’m trying to argue in the book is that some of this, at least in part, results from a series of conscious decisions [by] politicians, economists, business people, financiers.

On what Lancaster is like today

Brian Alexander’s previous books include The Chemistry Between Us, Rapture and America Unzipped. Brian Alexander hide caption

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Brian Alexander

The houses, for example, are not quite as well kept up as they used to be. The west side, which has always been the working class side of town, is even more disheveled than it used to be. … Parents are in jail, so grandparents or aunts or uncles have the kids. I saw just the other day a map of the state of Ohio that showed the percentage of kids who are now a part of the social service system and what the percentage of their parents who are opiate users. In Fairfield County, 58 percent of the kids who are in the system, their parents used opiates. The county next door, Hocking County, it’s over 70 percent. So now you’ve got drugs in the community, which are an escape from all this sort of stuff. …

The best thing going for Lancaster is how much people love their town, and they want it to work. But they’re up against some very tough situations.

On Lancaster voters supporting Trump in the presidential election

I think partly Trump has already fulfilled at least one expectation, and that is to sort of express this sort of generalized anger and aggressiveness that they wish they could [have] and Trump, I think, is sort of their pilot in doing it for them. Ultimately, I think they’ll find that to be empty, but I can’t be sure.

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Trump, GOP Lawmakers Back Off From Immediate Obamacare Repeal

Sen. Lamar Alexander, R-Tenn., seen here with Sen. Patty Murray, D-Wash., at a Jan. 18 hearing of the Senate Health, Education, Labor and Pensions Committee, says he’d like to see the individual insurance market fixed before repealing Obamacare. Carolyn Kaster/AP hide caption

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Carolyn Kaster/AP

There’s a moment in the Broadway musical Hamilton where George Washington says to an exasperated Alexander Hamilton: “Winning is easy, young man. Governing’s harder.”

When it comes to health care, it seems that President Trump is learning that same lesson. Trump and Republicans in Congress are struggling with how to keep their double-edged campaign promise — to repeal Obamacare without leaving millions of people without health insurance.

During the campaign, Trump promised to repeal and replace the Affordable Care Act immediately upon taking office. Last month, in an interview with The Washington Post, he said he had a replacement law “very much formulated down to the final strokes.”

But on Sunday, he dialed back those expectations in an interview with Fox News.

“It’s in the process and maybe it will take till sometime into next year, but we are certainly going to be in the process. It’s very complicated,” Trump said.

He repeated his claim that Obamacare has been “a disaster” and said his replacement would be a “wonderful plan” that would take time “statutorily” to put in place. And then he hedged the timing again.

“I would like to say by the end of the year, at least the rudiments,” he said.

Trump’s recent hesitation comes as Republicans in Congress tame their rhetoric surrounding the health care law.

Sen. Lamar Alexander, R-Tenn., chairman of the Senate health committee, said he’d like to see lawmakers make fixes to the current individual market before repealing parts of the law.

“We can repair the individual market, which is a good place to start,” Alexander said on Feb. 1.

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He has also urged his colleagues to leave the other parts of the health care sector — Medicare, Medicaid and the employer market — alone.

Throughout the campaign, and over the six years since the law passed, Republicans in Congress have vowed to completely repeal the Affordable Care Act.

But in the time since the law went into effect, it has helped as many as 20 million people get insurance who didn’t have it before, according to the Department of Health and Human Services.

Just last week, the open enrollment period for 2017 ended and HHS reported that 9.2 million people bought insurance through the federal government’s insurance marketplace — slightly lower than last year but still a large number. About 3 million more people likely bought coverage on state-run exchanges, based on enrollment in past years.

In addition, about 10 million people qualified for health coverage because of the expansion of Medicaid in most states.

That left Trump and Republicans, the day after the election, facing the choice of fulfilling their clear promise to repeal the ACA and the reality that doing so could leave millions of people without access to health care.

At that time the public seemed to gain a new appreciation of the law once it was actually threatened with repeal. In recent weeks, several polls have shown that more people view it more favorably than they did before the election.

Another reality Republicans have had to face is that, even though they control both houses of Congress and the White House, their ability to repeal the ACA is limited. That’s because Democrats in the Senate can block bills using their filibuster power.

But laws dealing with taxes and the budget are protected from filibuster, so Republicans can roll back many Obamacare provisions because they involve tax credits and federal spending.

That leaves lawmakers having to build a new health care system that works within the general framework of the Affordable Care Act. They can get rid of subsidies to help people buy insurance, but the law creating government-run insurance exchanges, for example, will still be on the books.

That’s why Alexander and a handful of other Republicans are beginning to talk about repairing the current system. Currently, not enough young healthy people have signed up for coverage to offset the costs to insure sicker, older people. The result is that premiums have risen and insurance companies that lost money pulled out of many markets.

But not everyone is on board. House Speaker Paul Ryan, R-Wis., said last week in an interview on Fox that repairing the health care system means “You must repeal and replace Obamacare.”

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