January 10, 2017

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Today in Movie Culture: Fake 'Hidden Fences' Trailer, Honest 'The Princess Bride' Trailer and More

Here are a bunch of little bites to satisfy your hunger for movie culture:

Fake Movie of the Day:

Since so many people are getting the title of Hidden Figures wrong lately, here’s a fake trailer for Hidden Fences made for The Late Show with Stephen Colbert (via /Film):

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Fan Art of the Day:

Sick of the snow this week? Well, how about instead of the real stuff you check out these awesomely intricate Disney-themed paper snowflakes for The Lion King, Toy Story and more:

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Cosplay of the Day:

Speaking of snow, here’s The Unipiper dressed as Darth Vader shoveling from his unicycle while playing his flaming bagpipes (via Geek Tyrant):

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Toy Play of the Day:

Speaking of Star Wars, putting together a Lego AT-ST set is fun, but even better is making a stop-motion animated short of that plus the fun you have with it after (via Geekologie):

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Strange Casting Idea of the Day:

We’ve seen Willem Dafoe wearing Marilyn Monroe’s iconic The Seven Year Itch dress for Snickers, and now here’s a Photoshopped look at what he’d look like playing Mary Poppins:

I photoshopped Willem Dafoe as Mary Poppins for the fun of it. Here are the results. pic.twitter.com/Fi3CvBJPOY

— TODD SPENCE (@Todd_Spence) January 10, 2017

Movie Takedown of the Day:

Everybody loves The Princess Bride, right? Well, leave it to Honest Trailers to find some faults to make fun of:

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Vintage Image of the Day:

Ray Bolger, who was born on this day in 1904, as the Scarecrow with Judy Garland and director Victor Fleming on the set of The Wizard of Oz:

Supercut of the Day:

Art of the Film showcases the best visual effects in 2016 movies in this Oscars shortlist supercut:

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Video Essay of the Day:

How do you edit an animated film? The Royal Ocean Film Society answers the question in an enlightening new video (via Film School Rejects):

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Classic Trailer of the Day:

Today is the 75th anniversary of the release of All Through the Night starring Humphrey Bogart. Watch the original trailer for the classic film below.

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and

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George Lucas Chooses Los Angeles As Home For His Art Museum

George Lucas, pictured here in 2014, has announced that his museum will be built in Los Angeles. San Francisco had also been in the running. Wong Maye-E/AP hide caption

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Wong Maye-E/AP

After years of planning, negotiations and speculation, filmmaker George Lucas has chosen Los Angeles to be the home for his museum honoring visual storytelling. It will display his personal collection of fine and popular art, including Norman Rockwell paintings, Mad Magazine covers, photography, children’s art, as well as Hollywood props and visual effects from his famous movie franchise Star Wars.

Lucas and his wife Mellody Hobson are footing the bill — $1 billion for an endowment, a futuristic-looking museum building and park land. Lucas has spent years planning his Museum of Narrative Art, which will include cinema and digital art. The museum’s website states, “Our collection features the original, artist-made creations, from sketches to storyboards to sets and costumes from movies.” There are plans for lectures and movie screenings, as well as workshops and school programs.

Proposals for housing the museum at Chrissy Fields in San Francisco’s Presidio were nixed by the trust that manages the park. Then preservationists in Chicago sued to prevent Lucas from building on lakefront property there. Then Lucas and his board of directors were courted by city officials in both San Francisco and Los Angeles. Instead of the Bay Area’s Treasure Island, they chose L.A.’s Exposition Park, near Lucas’ alma mater, the University of Southern California

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“South Los Angeles’s Promise Zone best positions the museum to have the greatest impact on the broader community, fulfilling our goal of inspiring, engaging and educating a broad and diverse visitorship,” reads a statement from the board of directors for the Lucas Museum of Narrative Art. “Exposition Park is a magnet for the region and accessible from all parts of the city. As a museum uniquely focused on narrative art, we look forward to becoming part of a dynamic museum community, surrounded by more than 100 elementary and high schools, one of the country’s leading universities as well as three other world-class museums.”

Los Angeles Mayor Eric Garcetti, who lobbied heavily for the museum, said, “Millions of Angelenos and visitors will enjoy an extraordinary collection anchored in storytelling — an art that carries so much meaning in the history and legacy of Los Angeles. L.A. is gaining a new jewel.”

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Insurance Customers In Pennsylvania Look To Trump To Ease Their Burden

Matt and Abra Schultz, of Pottsville, Pa., say they’re frustrated by the rising cost of health insurance. Ben Allen/WITF hide caption

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Ben Allen/WITF

Abra and Matt Schultz, both 32, recently built a house in a middle class neighborhood in Pottsville, Pa. Matt works as a carpenter foreman for a construction company. He and Abra, his wife, are right in Trump’s wheelhouse — Republicans in Republican Schuylkill County.

The couple spent December trying to decide whether to buy health insurance or skip it for 2017. They voted for Trump because they were fed up with how much they are paying for health insurance.

In mid-December in the couple’s kitchen, Abra was sizing up their health insurance options. She showed off a thick notebook, along with a file folder with policy document and notes piled as high as a stack of pancakes. “Don’t touch my paperwork — don’t even try to touch it,” Abra joked to Matt. “I get so stressed out about it. I’ll not pick one until the very last minute, like that deadline day.”

Matt makes good money but he usually gets laid off in the winter when construction slows down. For the last few years, he and Abra have bought coverage on HealthCare.gov, the Affordable Care Act exchange.

But they’re in a tough spot. They make too much money to get a subsidy to help them pay for insurance. Subsidies are available only to those who make under 400 percent of poverty or about $97,000 for a family of four. But while the Schultzes don’t qualify for help, paying full price for health insurance stretches their budget to the limit.

Two years ago, when they first signed up for insurance on the exchange, Abra says they were paying $530 a month for a plan they liked. The price rose a little for 2016, but the options for 2017 went up a lot — about 30 percent on average in Pennsylvania.

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“We have one for $881, one for $938, one for $984, like the deductibles are — look, these are insane,” Abra said, as she checked the exchange website for monthly premiums. “The one that we would be stuck with would be the silver. This is $881.50, and our deductible would be $7,000.”

It’s frustrating, she said, because she and her husband are relatively healthy and haven’t needed that much care. Add to that the cost of a separate partially subsidized insurance policy for their two children, and the family is expecting to pay at least $14,000 in health premiums.

Abra Schultz resented the mandate to buy health insurance from the beginning. And she liked what Trump he said about the Affordable Care Act on campaign stops, like one in King of Prussia in November, just before the election.

“Obamacare has to be replaced, and we will do it and we will do it very, very quickly,” Trump said in his speech. “It is a catastrophe.”

Abra said she wouldn’t mind being in health insurance limbo while Trump and lawmakers debate the future of Obamacare.

Larry Levitt with the Kaiser Family Foundation said he understands her frustration with the law. “These are people who are playing by the rules, and doing the right thing, and they feel like they’re getting the shaft,” he said.

No one likes higher and higher premiums, he says, but there’s a trade-off. “Before the ACA, to get insurance on your own, you had to fill out a medical questionnaire, and an insurer would only take you if you were reasonably healthy,” Leavitt said. “That kept premiums down, but it’s because sick people were excluded from the market altogether.”

Levitt said the law’s goal was to to get insurance to a point where premiums only increase slightly every year while everyone can still get coverage, no matter their preexisting condition. And he says, any replacement plan devised by Republicans will have upsides and downsides, just like the Affordable Care Act. “If this were easy, it already would have happened,” he said.

Abra said she understands the broader picture, but she needs to focus on what’s best for her family — affordable health insurance.

“[Trump] just wants to fix what needs to be fixed, which I think is wonderful news,” she says.

Abra did decide on a policy for her and her husband — she selected the plan that costs $938 a month because she wants to keep her current doctor. But if lawmakers eliminate the penalty for people who don’t get insurance, she might take a risk and drop the coverage.

This story is part of a reporting partnership with NPR, WITF’s Transforming Health project and Kaiser Health News.

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FIFA Expands World Cup Format To 48 Teams

FIFA President Gianni Infantino speaks during a press briefing on Tuesday at the governing body’s headquarters in Zurich. Michael Buholzer /AFP/Getty Images hide caption

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In a decade, soccer’s biggest tournament is set to become even bigger.

FIFA, the game’s governing body, unanimously voted to expand the tournament to 48 teams from 32 teams starting in 2026.

The new format starts with the 48 teams playing one another in 16 groups of three. Then, the top two teams from each group will advance into a 32-team group for the knockout stage.

“We are in the 21st century and we have to shape the football World Cup of the 21st century,” said FIFA President Gianni Infantino, who had promised to expand the number of World Cup teams during last year’s election to replace Sepp Blatter.

Of the 211 member associations in FIFA, “135 of them have never played at a World Cup,” according to Reuters.

The change will help develop the game and expand its reach, Infantino said. He added: “Football fever that you have in a country that qualifies for the World Cup is the biggest promotional tool for football that you can have.”

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The expansion is also a money-maker — “FIFA forecasts the equivalent of $1 billion extra income at current rates from broadcasting and sponsor deals, plus ticket sales,” according to The Associated Press.

And, rebuffing criticism, Infantino said the new format will take place in the same number of days as the previous one, 32, thereby not adding to the time that clubs would need to release players. The tournament will also be played in 12 stadiums, as it is currently.

Some powerful stakeholders remain opposed. The European Club Association said the “regrettable” decision was based on “political reasons rather than sporting ones and under considerable political pressure.”

Critics such as The Independent’s chief sports writer argue that adding more teams will reduce the quality of play. “The prestige attached to World Cup qualification will be watered down at a time when international football is already fighting a losing battle for relevance in the face of the club game,” he writes.

But others say the change presents exciting opportunities, such as ESPN:

“The positives ought to be obvious. You would have far fewer dead rubbers (provided the top seeds play first). You would have another round of knockout games, which tend to be more tense because the stakes are higher. Most of all, you would turn the game’s global showcase into a truly global event, offering a greater shot to countries who would otherwise only watch it on TV.”

As Infantino put it: “Football is more than just Europe and South America. Football is global.”

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Our Top Discoveries From globalFEST 2017

Clockwise from upper left: Ssing Ssing, Jojo Abot, Betsayda Y La Parranda El Cavo, Batida, Septeto Sentiguero Kevin Yatarola/for NPR Music hide caption

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Kevin Yatarola/for NPR Music

Every January, we look forward to globalFEST, a one-night showcase of newly emerging and well-established artists from around the world. This annual event, held at Manhattan’s Webster Hall, is where industry insiders and cool-hunters alike ferret out the next big global music acts on the touring circuit — the buzzed-about bands playing on this single winter night form the vanguard of what you’re going to be watching at festivals and at venues across the country over the next couple of years.

This year’s globalFEST roster tipped towards splashy and conceptual sets from artists like SsingSsing, who melds glam-rock aesthetics with Korean folk songs, and Jojo Abot, a singer from Ghana who channels Grace Jones. But there were also big dance bands, like Cuba’s watertight Septeto Santiaguero, and the Orchestre Afrisa International, masters of the Congolese rumba. And “global music” doesn’t just mean sounds from abroad: This year’s lineup included several regional American artists and some hyphenate Americans, like the Sudanese-born singer (and Tiny Desk Concert alumna) Alsarah.

Joining All Songs Considered host Bob Boilen for this week’s podcast are NPR Music’s own Anastasia Tsioulcas, NPR contributor and Afropop Worldwide senior editor Banning Eyre and Rob Weisberg of WQXR, who also hosts WFMU’s Transpacific Sound Paradise.

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Artists Featured On This Episode

Septeto Sentiguero

Kevin Yatarola/for NPR Music

01Dónde Están

7:26

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Septeto Santiaguero

  • Song: Dónde Están

The band Septeto Santiaguero hails from Santiago de Cuba, a city on the country’s southeastern side. It’s easy to tell its members have been performing together for a long time: They delivered their globalFEST set with effortless polish. Septeto Santiaguero’s 2015 album, Tributo a Los Compadres No Quiero Llanto, won that year’s Latin Grammy for Best Traditional Tropical Album. Hear the band mix horns, vocals and the signature sound of the Latin American percussion instrument called the güiro in this song.

L'Orchestre Afrisa

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01Nakeyi Nairobi

3:03

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L’Orchestre Afrisa International

  • Song: Nakeyi Nairobi

L’Orchestre Afrisa International is perhaps known most widely for its work with Congolese star singer and bandleader Tabu Ley Rochereau in the 1970s and ’80s. Eventually, the band took a break — Tabu Ley returned to the Democratic Republic of the Congo to become a minister of culture there, while other band members settled in various places in the U.S. Now, after a long break, complete with cross-continental separation, a new iteration of the group has come back together.

Maarja Nuut

Kevin Yatarola/for NPR Music

01Hobusemäng

6:03

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Maarja Nuut feat. Hendrick Kaljujärv

  • Song: Hobusemäng

Estonian violinist Maarja Nuut combines acoustic violin with electronic elements, and her collaboration with producer Hendrik Kaljujärv lends her atmospheric sounds a bit more motion and rhythm. She accompanies her performance with storytelling that lends the music more immediacy. To introduce this song, she tells her audience about a traditional Estonian game involving a horse.

SsingSsing Kevin Yatarola/for NPR Music hide caption

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Kevin Yatarola/for NPR Music

01Minyo Medley

4:58

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SsingSsing

  • Song: Minyo Medley

This Korean band combines rock elements with the sounds of the regional folk style called Minyo, but to truly understand SsingSsing’s work, you have to understand how the band members dress on stage: very glam, very rock and roll and very ready to play with the concept of gender. Because male shamans in Korean traditional art need to channel male and female spirits, the men in the band cross-dress. As a nod to the band’s first trip to the United States, its members donned red, white and blue wigs for their globalFEST performance.

Jojo Abot. Kevin Yatarola/for NPR hide caption

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Kevin Yatarola/for NPR

01To Li

5:13

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Jojo Abot

  • Song: To Li

Ghanaian artist Jojo Abot has found a sound that’s entirely her own, as evidenced by the combination of dreamy production over a reggae-inspired beat on the song “To Li.”

Alsarah & The Nubatones Kevin Yatarola/for NPR hide caption

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Kevin Yatarola/for NPR

013yan T3ban

5:25

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Alsarah & The Nubatones

  • Song: 3yan T3ban

This year was singer Alsarah‘s second appearance at globalFEST — she appeared in 2016 as part of The Nile Project, a collective of musicians from 11 Nile countries. Alsarah was born in Sudan, but she’s now based in Brooklyn. Her music, which she calls “Sudanese-Nubian retro-pop,” is all about what happens when different identities, experiences and histories come together. With her band, The Nubatones, she delivers these stories and songs with effortless cool.

Betsayda Y La Parranda El Clavo Kevin Yatarola/for NPR hide caption

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Kevin Yatarola/for NPR

01Mayoral

2:06

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Betsayda Machado y La Parranda El Clavo

  • Song: Mayoral

This year’s globalFEST featured the U.S. debut of Betsayda Machado y La Parranda El Clavo, but it’s easy to tell that these musicians have been making music together forever. Most of the players come from three families in the town of El Clavo, Venezuela. Their music sounds African, and for good reason. Helmed by veteran vocalist Betsayda Machado, the band comes from an Afro-Venezuelan community that has maintained a strong connection to its roots.

Batida Kevin Yatarola/for NPR hide caption

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Kevin Yatarola/for NPR

01Alegria

8:27

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Batida

  • Song: Alegria

Born in Angola and raised in Portugal, DJ and producer Batida combines up-tempo kuduro beats with political expression, news footage and film in his live shows. For this song, he handed out whistles and encouraged the audience to whistle along — and he also told them a history lesson about the Angolan origins of the Brazilian celebration of Carnival.

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