November 30, 2016

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Grant Tinker, TV Producer And Network Boss, Dies At 90

Television executive Grant Tinker holds up his 1979 Hall of Fame award alongside his ex-wife Mary Tyler Moore at the Academy of Television Arts & Sciences’ 13th Annual Hall of Fame induction ceremonies in Los Angeles. Tinker, who brought The Mary Tyler Moore Show and other hits to the screen as a producer and a network boss, died on Monday. Chris Pizzello/AP hide caption

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Chris Pizzello/AP

Grant Tinker, who brought new polish to the TV world and beloved shows including Hill Street Blues to the audience as both a producer and a network boss, has died. He was 90.

Tinker died Monday at his Los Angeles home, according to his son, producer Mark Tinker.

Though he had three tours of duty with NBC, the last as its chairman, Tinker was perhaps best-known as the nurturing hand at MTM Enterprises, the production company he founded in 1970 and ran for a decade.

Nothing less than a creative salon, MTM scored with some of TV’s most respected and best-loved programs, including Lou Grant, Rhoda, The Bob Newhart Show and, of course, the series that starred his business partner and then-wife, Mary Tyler Moore.

“I am deeply saddened to learn that my former husband and professional mentor Grant Tinker has passed away,” Moore said in a statement. “Grant was a brilliant, driven executive who uniquely understood that the secret to great TV content was freedom for its creators and performing artists. This was manifest in his ‘first be best and then be first’ approach.”

Tinker summed it up with typical self-effacement in a 1994 interview with The Associated Press: “I just had the good luck to be around people who did the kind of work that the audience appreciates. The success just rubbed off on me.”

In 1981, Tinker flourished with that low-key approach in a last-ditch effort to save NBC, which was scraping bottom with its earnings, ratings, programs and morale. Five years later, when Tinker left to return to independent production, the network was flush thanks to hits such as The Cosby Show and Hill Street Blues.

Tinker, who had come to NBC as a management trainee in 1949 with legendary founder David Sarnoff still in charge, left the company for the last time at the end of an era, as NBC, along with its parent RCA, was about to be swallowed by General Electric.

In 2005, he won a prestigious Peabody Award honoring his overall career. In receiving his medallion, he called himself “a guy of no distinct or specific skills (who) always needed a lot of help.” He also had received the Governors Award from the Academy of Television Arts & Sciences.

“Grant Tinker was a great man who made an indelible mark on NBC and the history of television that continues to this day,” said Steve Burke, CEO of NBCUniversal, sole owner of the network since 2013. “He loved creative people and protected them, while still expertly managing the business. Very few people have been able to achieve such a balance.”

“His level of class set him apart from everyone else in our business,” said Bob Greenblatt, Chairman of NBC Entertainment, “and all of us at this company owe him a debt of gratitude. In fact, TV watchers everywhere do.”

Bob Newhart said in a statement that MTM created “this magical place where creativity and individuality (were nurtured). I was one of the people who was lucky enough to enjoy that freedom for 14 years on television.”

He “set the bar high both as a television executive and as a father,” said Mark Tinker. “I’m proud to be his son, and especially proud of the legacy he leaves behind in business and as a gentleman.”

Born in 1926, the son of a lumber supplier, Tinker had grown up in Stamford, Connecticut, and graduated from Dartmouth College before his first short stint at NBC.

Then he moved into advertising. At a time when ad agencies were heavily responsible for crafting programs its clients would sponsor, Tinker was a vice president at the Benton & Bowles agency when he helped develop The Dick Van Dyke Show for Procter & Gamble. There he met, and fell for, the young actress the whole country was about to fall in love with: Mary Tyler Moore.

Soon after the new CBS sitcom had begun its five-season run in fall 1961, Tinker returned to NBC, this time as vice president of West Coast programming.

Meanwhile, he and Moore became TV’s golden couple and, in 1962, they wed. (His first marriage had ended in divorce.)

Tinker stayed at NBC until 1967, after which he had brief stays at Universal and Twentieth Century Fox.

Then, with an itch to run his own shop, Tinker founded MTM and began developing its first series: a comedy to revive the flagging career of his wife.

The pilot for The Mary Tyler Moore Show rated poorly with test audiences. The heroine was dismissed for being over 30 and unmarried. Neighbor Phyllis (Cloris Leachman) was deemed too annoying, best friend Rhoda (Valerie Harper) “too New Yorky and brassy (read: Jewish),” as Tinker wrote in his 1994 memoir, Tinker in Television.

But the show, which premiered on CBS in fall 1970, was a critical and popular smash for seven seasons and became the flagship series of a studio whose mewing kitten (parodying the MGM lion) came to signify some of TV’s best.

Along the way, MTM became an incubator for some of TV’s best writers and producers, many of whom — like Steven Bochco, James L. Brooks and Tom Fontana — continue to excel in TV and films.

By 1981, Tinker’s stewardship of MTM had ended (as had his marriage to Moore) when he returned to NBC, where, he recalled in his book, “the company had lost its credibility with every important constituency — affiliates, advertisers, the press, the general public and its own employees.”

Under Tinker’s regime, NBC enjoyed a remarkable recovery. The Cosby Show was an overnight hit, but thanks to Tinker, slow starters such as Hill Street Blues (which was from MTM), Family Ties and Cheers were allowed to find their audience and became hits, too.

“Our practice was to make a judgment about a show,” Tinker recalled, “and, if we deemed it worthwhile, to really stay with it until it succeeded.”

Tinker left NBC in 1986, shortly after the announcement of its purchase by G.E.

He formed another independent studio, GTG Entertainment, in partnership with Gannett Newspaper Corporation, but its few series flopped and the company was dissolved.

Later, in somewhat of a reluctant retirement, Tinker spoke out against much of what he was seeing on television, particularly “reality” fare.

“These guys used to be corporate good citizens,” he told The AP in 2003, referring to TV programmers, “and I don’t see how they can close their eyes and turn their backs on things that air on their networks.”

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Tinker is survived by his wife, Brooke Knapp, sons Michael, Mark (an executive producer of NBC’s Chicago P.D.) and writer-producer John, and daughter Jodie DiLella.

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Today in Movie Culture: Wes Anderson's 'The Witch,' the Evolution of Movie Stunts and More

Here are a bunch of little bites to satisfy your hunger for movie culture:

Film History of the Day:

Stuntman Damien Walters chronicles the evolution of movie stunts in an amazing single performance in this video presented by Honda (via Collider):

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Reimagined Movie of the Day:

The Witch actually looks almost as good as Wes Anderson movie in this lighthearted reworking of the horror film:

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Movie Comparison of the Day:

Is Pixar repeating itself with its sequels? Couch Tomato shows us 24 reasons Finding Dory is the same movie as Toy Story 2:

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Cosplay of the Day:

As we get closer to the release of Rogue One, we’ll probably be seeing more Star Wars cosplay, like this terrific Gonk droid getup that a father and son built for Halloween. See more images at Fashionably Geek.

Regional Cinema of the Day:

Speaking of Rogue One, you can find footage of that movie in this BFI video celebrating new movies shot in the UK and/or made by British talent:

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Video Essay of the Day:

Inspired by Dan Harmon, this video essay by Will Schoder illustrates why all stories are the same (via /Film):

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Vintage Image of the Day:

Terrence Malick, who turns 73 today, with Martin Sheen on the set of Badlands in 1972:

Filmmaker in Focus:

Martin Scorsese likes to show things from God’s POV, as seen in this supercut from Jorge Luengo of overhead shots in his movies:

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Actor in the Spotlight:

For Vanity Fair, Natalie Portman discusses how she became Jackie Kennedy for the new biopic Jackie:

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Classic Trailer of the Day:

This weekend is the 70th anniversary of the release of John Ford’s My Darling Clementine. Watch the original trailer for the classic Western below.

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and

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Trump's Choice To Oversee Medicaid Signals Likely Changes

Big changes could be in store for Medicaid, the program that provides health care for more than 70 million. Trump has chosen the architect of Indiana’s Medicaid overhaul to run the program nationwide.

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Medicaid could be in line for a makeover. The government program provides health insurance for more than 70 million Americans, most of them poor. As NPR’s Scott Horsley reports, President-elect Trump’s choice to lead the program wants to weave more personal responsibility into the social safety net.

SCOTT HORSLEY, BYLINE: Seema Verma, who Donald Trump has tapped to oversee Medicaid and Medicare, is the architect behind an ambitious experiment to reshape health care for the poor in Indiana. That state agreed to offer Medicaid to more people but only if recipients were required to pay at least a little bit for their own coverage.

Verma crafted the so-called Healthy Indiana Plan as a consultant to Governor and Vice President-elect Mike Pence. She’s also been an adviser to other red states looking to adopt the Indiana model.

JOAN ALKER: She’s certainly been a thought leader in the last few years for Republican states on the direction they’d like to see the Medicaid program go in.

HORSLEY: Joan Alker studies Medicaid as head of the Georgetown University Center for Children and Families. She says the philosophy behind the Indiana Plan is that Medicaid recipients will make better decisions about health care if some of their own money is at stake. Alker herself is skeptical of how that might work on a national level.

ALKER: We can expect to see some far-reaching changes contemplated for Medicaid that will erect many more barriers to coverage and, in some cases, very punitive barriers.

HORSLEY: Indiana health care advocate Susan Jo Thomas had some of those same concerns, but she agreed to go along with Verma’s plan knowing it was the only way policymakers in conservative Indiana would agree to expand Medicaid to cover more people.

SUSAN JO THOMAS: What I have come to understand is that three quarters of a loaf of bread is still pretty good (laughter) if you’re hungry.

HORSLEY: And Thomas, who heads a group called Covering Kids and Families of Indiana, has been pleasantly surprised by the results. Hundreds of thousands of Hoosiers signed up for expanded Medicaid coverage. The modest premiums recipients are required to pay go into a savings account which is supplemented by the government to be used for medical expenses.

There are penalties for recipients who overuse costly care in the emergency room and incentives to promote preventive care and other healthy choices. Thomas says any improvement would be welcome.

THOMAS: We rank in the bottom third of everything – everything that’s good (laughter) – and in the top third of everything that’s bad. If you’re fat and you smoke, you probably live in Indiana.

HORSLEY: It’s too soon to say whether the Indiana model improves health outcomes or saves money for the government. But as Medicaid overseer in the Trump administration, Verma will be in a position to promote similar experiments around the country. Thomas, who’s known Verma for more than 20 years, thinks she’ll approach that job without any rigid ideology.

THOMAS: Whatever she proposes will be a practical program. That I can say with a hundred percent. It’s sort of an Indiana thing. She’s not a native Hoosier, but she’s been here long enough that’s she’s starting to think like us.

HORSLEY: Joseph Antos of the conservative American Enterprise Institute says Verma’s efforts to reshape Medicaid are just part of what’s likely to be a larger Republican push to shrink the federal government’s role in health care while also trying to introduce more market mechanisms.

JOSEPH ANTOS: For the last six or seven years, Republicans have been talking a pretty good game about conservative-oriented health reform. Now Republicans are in charge. Now they actually have to follow through. It’ll be interesting to see how that works out.

HORSLEY: There are likely to be some big fights with Democrats and even among Republicans. Georgia Congressman Tom Price, who Trump has picked as his new health secretary, wants to eliminate the Affordable Care Act’s Medicaid expansion. That would strip away the money that paid for Indiana’s Medicaid experiment. Scott Horsley, NPR News.

Copyright © 2016 NPR. All rights reserved. Visit our website terms of use and permissions pages at www.npr.org for further information.

NPR transcripts are created on a rush deadline by Verb8tm, Inc., an NPR contractor, and produced using a proprietary transcription process developed with NPR. This text may not be in its final form and may be updated or revised in the future. Accuracy and availability may vary. The authoritative record of NPR’s programming is the audio record.

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No, Fidel Castro Wasn't Nearly A New York Yankee

Cuban revolutionary leader Fidel Castro playing baseball. Keystone/Getty Images hide caption

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Keystone/Getty Images

The late Cuban dictator Fidel Castro loved baseball. And you may have heard that he was such a good player that years before the Cuban revolution, he tried out for the New York Yankees in Havana.

Or not. This myth has persisted for years, and though it might be fun to contemplate the historical consequences of this “What if?” scenario, Adrian Burgos Jr., University of Illinois history professor and author of Playing America’s Game: Baseball, Latinos and the Color Line, says it simply didn’t happen.

“He didn’t try out for the Yankees,” Burgos tells NPR’s David Greene.

It’s possible Castro went to an open tryout held by the Washington Senators in Havana, Burgos says, but he was not “at the level of a talented Cuban ballplayer where the scouts went looking for him.”


Interview Highlights

On teams that were active – and weren’t – in Cuba before the revolution, which began in 1953

The Yankees weren’t active in Cuba to scout any talent. They weren’t active in Latin America until the 1960s. So it wasn’t the Yankees. It was the Washington Senators and the New York Giants, right across the river from the Yankees, that were the most active teams in Cuba.

On what the myth says about baseball in Cuba

It says a lot about baseball in both Cuba and in the United States. One of the fascinating dimensions of this is that Castro very much loved baseball, he used baseball in a Cuban tradition of politics — that Los Barbudos [the Bearded Ones, Castro’s own baseball team made up of revolutionaries] played before exhibition game[s] in Cuba during professional seasons.

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He wanted to share with the Cuban people that he, too, was a fellow Cuban, he loved baseball. Baseball is such an ingrained part of Cuban identity that he and the other military leaders and even someone like [Cuban revolutionary] Che Guevara had to learn how to play baseball.

On what Castro did to dispel the myth

Fidel Castro enjoyed the myth of him having been a real Major League Baseball prospect and he would not have knocked that down in the least.

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