October 23, 2016

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On Baseball's Biggest Stage, 2 Lovable Losers Square Off To Become The Champ

This week, the World Series features two of professional sports’ most famously hapless franchises: the Chicago Cubs and the Cleveland Indians. Both teams have gone decades without a championship.

MICHEL MARTIN, HOST:

And now it’s time for Words You’ll Hear. That’s where we take a word or a phrase we think you’ll be hearing in the news and break it down for you. This week’s phrase is lovable losers. Yes, that’s right, we’re talking about the Chicago Cubs, who are one step closer to fulfilling the wish of long-suffering fans – winning the World Series. They’ll play the Cleveland Indians Tuesday in the first game of the series. And yes, we know both teams have endured epic drought since their last championships. We’re joined now by NPR’s David Schaper, who is in Chicago and spent some time with euphoric fans there. Hi, David.

DAVID SCHAPER, BYLINE: Hi, Michel.

MARTIN: So the Cubs have been called the lovable losers, but losers no more. They clinched a spot in the Series by beating the Los Angeles Dodgers at Wrigley last night. What’s the city like there now?

SCHAPER: You know, it’s really, truly unbelievable. It’s not unusual – I’m outside of Wrigley Field, and you see grown men and women come up with tear in their eyes. You start talking to people and they get choked up. They are so emotional about this. I just saw a guy walk by, too, who had spray-painted his dog. He has a white dog, and he spray-painted it red and blue, the Cubs colors, with the Cubs logo all over this dog. And people are stopping him and taking pictures. And it’s a really fantastic atmosphere. It’s just – people are euphoric. But, you know, as you mentioned, this is a 71-year drought that, you know, the Cubs haven’t been in the World Series. But they haven’t won it since 1908, and so there’s a lot of people who feel there’s unfinished business here.

MARTIN: Can you remind us why the Cubs are called the lovable losers? And just for people who want to send me the lawyers, I didn’t make this up. This is not me.

SCHAPER: (Laughter) No, no. And a lot of us kind of refer to them as lovable losers. It’s in part because it’s such a charming team. It’s got this iconic ballpark that people just love. Baseball fans from all over the world, not just all over the country, like to come to visit Wrigley Field because it’s a mecca of sorts for baseball fans. And the way that they’ve lost over the years has been so tragic, so heartbreaking, you know, ripped out the hearts of many fans over the years. So again, to get to this point and to move on outside of the National League Championship Series and into the World Series is just a phenomenal feat for fans here.

MARTIN: Now, you might not be the person to ask, but is there any sympathy for Cleveland ’cause Cleveland hasn’t had it that much better, having not won since 1948?

SCHAPER: That’s right. You know, and there is some sympathy here. There are a lot of people who feel like, you know, they’ve had a long drought, too. They don’t have the best reputation of baseball in terms of winning teams. And so a lot of people are thinking, yeah, it would be nice for them to win it, just not this year (laughter). It’s not going to happen.

(LAUGHTER)

MARTIN: All right, well, the first game is Tuesday in Cleveland. Are there any special plans in Chicago?

SCHAPER: Well, I can’t imagine anybody watch – not watching the game. I think people are going to be glued to their TVs whether it’s at home or at bars or pubs. It’s Cub fever through and through in this city. Schools are having special events where they’re having all the kids dressed in Cub uniforms and Cub colors. So it’s going to be quite something to watch.

MARTIN: So don’t call you that night, basically.

(LAUGHTER)

MARTIN: All right, that’s NPR’s David Schaper in Chicago. David, thank you.

SCHAPER: Oh, thanks, Michel.

Copyright © 2016 NPR. All rights reserved. Visit our website terms of use and permissions pages at www.npr.org for further information.

NPR transcripts are created on a rush deadline by Verb8tm, Inc., an NPR contractor, and produced using a proprietary transcription process developed with NPR. This text may not be in its final form and may be updated or revised in the future. Accuracy and availability may vary. The authoritative record of NPR’s programming is the audio record.

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'Doctor Strange' Proves Marvel Movies Are Evolving in Some Awesome Ways

If there’s any doubt left in your mind about Doctor Strange being Marvel’s strangest movie to date, then I’ll officially confirm that it is indeed their strangest, but also incredibly weird and wild in all the best ways.

This is a film that takes you to distant dimensions and to other planes of existence. It features magical portals for traveling anywhere the mind can conjure, as well as masters, sorcerers, deadly spells, a cloak with its own personality, creepy villainous eye makeup and, most importantly, a great introduction to Marvel’s mystical universe, complete with names you won’t be able to pronounce and bonkers imagery you won’t be able to forget.

If there’s any Marvel movie that will immediately inspire you to go back and read the comics, it’s this one.

Meet Doctor Strange

Doctor Stephen Strange (Benedict Cumberbatch) is like a rebooted Tony Stark in ways; he’s got Stark’s smarts, ego and arrogance, only he’s a doctor whose mystical powers are no accident or controlled with a powered suit — they’re taught and discovered from within. But it is a horrible car accident that leaves Strange with permanent damage to his hands, essentially ending the career he lives for. While on an expensive and never ending quest to find a way to put himself back together using science, he discovers the answer may instead be mystical.

Tipped off to a remote location somewhere in the mountains of Kathmandu, it’s there he finds a Celtin woman known as the Ancient One (Tilda Swinton), who runs a sort of sorcerer school training those deemed worthy in the ways of sorcery — all of it in an effort to defend earth from outside forces who seek to harm it or its people. The Ancient One reluctantly decides to train Strange with assistance from Mordo (Chiwetel Ejofor), a fellow sorcerer, and of course they all find themselves defending an attack on the planet in no time.

So quick, in fact, that Doctor Strange is one of Marvel’s most tightly paced movies. It breezes by at just under two hours, and the shorter runtime definitely works in favor of the story despite how heady it is and how many rules are buried within. The last half flies — we’re thrown from upside-down battles on the mirror-reality streets of New York City to psychedelic time-twisty showdowns in another dimension. All of it is just frenetic eye candy that’s elevated even moreso if you see it in IMAX 3D, where it really pops.

Doctor Strange is our freakadelic introduction to Marvel’s mystical universe, one that exists both on earth and away from it, in another reality or dimension. And with the ability to stage massive battles in mirror realities that don’t impact actual reality on earth, it opens the door for all kinds of visual inventiveness and action without sacrificing millions of lives.


A Quick Guide to Understanding What the Hell Is Going On in Doctor Strange

Let us pop into the mirror-reality of this review for some helpful tips on understanding the rules of Doctor Strange. This will present various plot spoilers, so feel free to skip ahead. This should not impact your experience of this review.

Here are five quick things to know about the rules of the film that will help make sense of it going in…

Mirror reality: Some fights, like the opening scene and two battles near the end, are contained within a mirror reality created by a sorcerer so that the action is contained in a sort of box that does not impact actual reality.

Astral plane: Some sequences involve the souls of characters exiting their body to examine what’s happening around them. There’s actually a fight scene that occurs between two souls outside their bodies, if you can believe it. Oh, they go there. Our first introduction to the astral plane can be seen in the image above.

Portals: One neat trick utilized in the film is the ability to conjure a portal to anywhere on earth or beyond just by thinking about the location. This is used in so many different ways; as a means to travel and as a means to disperse with villains. It’s pretty cool.

Spell weapons: The weapons our characters fight with in the film are typically conjured through magic. It’s not really explained how exactly one learns to do this (we just see Doctor Strange studying a bunch of books housed in a sort of master library throughout the movie), but the ability to continually switch up the mechanics of a fight is one of the unique aspects of the film.

Time bending: The ability to manipulate time itself also factors heavily into the film via a tool called the Eye of Agamotto. Strange uses this tool in specific situations, and it may also hold a major clue that directly ties Strange to the larger cinematic universe and another villain we’re still waiting to see show up in a bigger way: Thanos.


The stakes are still high, though, as at any time monstrous villainous powers from other dimensions or realms could break into our reality and wreak havoc, which is why Strange and his cohorts exist: to protect us from those kinds of forces. It’s almost as if they operate somewhere between the MCU’s other heroes, and while Doctor Strange definitely feels like its own contained story, those following along with Marvel’s ever expanding cinematic universe will clearly see groundwork being laid with regards to Strange’s world eventually colliding with the likes of both the Guardians and the Avengers.

Doctor Strange continues Marvel’s streak of assembling fantastic ensemble casts, as the Strange crew boasts multiple Oscar wins and nominations shared between the fivesome of Benedict Cumberbatch, Tilda Swinton, Rachel McAdams, Chiwetel Ejiofor and Mads Mikkelsen. All of them are strong, delivering convincing turns as their respective characters even if we could’ve used a little more depth to both McAdams’ nurse and Mikkelsen’s villain.

The most fascinating of the characters apart from Strange, whose selfish-to-selfless arc will feel familiar to those who’ve seen the original Iron Man, is actually Mordo. It’s his arc that kind of runs opposite to Strange, and future appearances could bring us the most complex and conflicted character since Tom Hiddleston’s Loki. Here’s hoping Ejiofer’s role in Doctor Strange is the beginning of a multi-picture storyline for him because more than anything (and especially if you stay through the credits) you’ll be hankering for more Mordo when it all wraps up.

Doctor Strange is a heady film that makes you work harder to process its plot than any previous Marvel adventure, and its action sequences are so trippy and mind-bending that at times it will leave you in awe of what you’re watching unfold in front of your eyes. Much credit goes to director Scott Derrickson for competently and compellingly steering us down a very wacky rabbit hole, and to his cowriters C. Robert Cargill and Jon Spaihts for making sense of the madness in a way that delivers a brainy experience at the movies, but also a fun and accessible one, too.

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The Next Generation Of Local, Low-Power FM Stations Expands In Urban Areas

The next wave of low power FM stations is coming on the air. Initially restricted to rural areas because of interference concerns, nearly 2,000 new stations have been approved — many in urban areas.

RACHEL MARTIN, HOST:

Radio has gotten bigger and bigger over the last few years. Back in 1996, a change in the law allowed a few large media giants to buy up hundreds of radio stations. Local shows were replaced with nationally syndicated programs. In an effort to increase local programming, The Federal Communications Commission introduced low power FM back in 2000, mostly in rural areas. Now the FCC has expanded that program to urban markets. Allyson McCabe reports.

ALLYSON MCCABE, BYLINE: If you tune into WQRZ-LP in Hancock County, Miss., you might hear letters from the mailbag, notices about lost pets or the daily weather report.

(SOUNDBITE OF ARCHIVED RECORDING)

UNIDENTIFIED WOMAN #1: It’s 8:02. It’s 86 degrees outside and it feels like 95. Yuck.

BRICE PHILLIPS: We provide the public a service – the most local information you can get.

MCCABE: So says WQRZ-LP’s founder, Brice Phillips. Stations like his were created in response to the increasing consolidation of the radio industry, says Peter Doyle, head of the FCC’s audio division.

PETER DOYLE: There was a loss of localism, a homogenization in radio broadcasting. And a low-powered FM service might provide a counterbalance that could serve niche and underserved communities.

MCCABE: These stations were initially called microradio. And like WQRZ, they were authorized to operate at up to 100 watts.

DOYLE: To give you a sense of contrast, our most powerful FM stations are authorized to operate with 100,000 watts.

MCCABE: Nevertheless, those big stations and NPR were concerned about signal interference from the LPFMs, so they were mostly restricted to rural areas where the dial was less crowded. After conducting studies, the FCC decided to expand their reach six years ago to urban communities. The commission received close to 3,000 applications. It approved construction permits for more than 1,900 new stations, many in cities, where Doyle says their potential reach is considerable.

DOYLE: In major markets, low power stations have the opportunity to serve tens or hundreds of thousands of people.

MCCABE: As with the first wave, new LPFMs this must be a local, non-profit and non-commercial. Some plan to offer faith-based programming, others educational or community affair shows. And some will be geared towards local music and arts.

(SOUNDBITE OF ARCHIVED RECORDING)

UNIDENTIFIED MAN #1: And welcome to another installment of “Transient Descent” here on ARTxFM Louisville.

MCCABE: ARTxFM launched in 2012 as an experimental pop-up station at a Louisville, Ky. arts festival. Then it went online. This year, the station went on air as WXOX-LP on Valentine’s Day, and hundreds came out to its studio to celebrate.

(SOUNDBITE OF ARCHIVED RECORDING)

UNIDENTIFIED WOMAN #2: We are officially on the Dallas domains, and you guys are here to celebrate it with us. Thank you so much.

MCCABE: But getting on air has been more than a collective labor of love. WXOX’s founder, Sharon Scott, say it’s also required significant financial investment.

SHARON SCOTT: I think a lot of people have this idea, like, you apply for a license and you get a license and then you just flip the switch and you’re on air. And that is absolutely (laughter) not the case. I wish that it was. But there are so many different expenses, you know, from rent to utilities, music licensing fees, legal fees, you know, insurance.

MCCABE: Community radio activists like to say that the equipment needed to get a new LPFM up and running often costs less than $10,000, but costs are far greater in major markets, even for established internet stations like the Chicago Independent Radio Project, which goes by the acronym CHIRP.

(SOUNDBITE OF ARCHIVED RECORDING)

UNIDENTIFIED MAN #2: Chirpradio.org. All-local music there, of course, because this is the local six-pack.

MCCABE: CHIRP has been live-streaming a mix of local and independent music since 2010 thanks to nearly 250 volunteers. But founder Shawn Campbell says it’s still struggling to get on the air.

SHAWN CAMPBELL: Because there had never been low power FMs built in big cities before, we probably underestimated some of the costs. Our costs ultimately will be close to $100,000 to set this up.

MCCABE: From the time they’re granted construction permits, LPFMs have 18 months to get on the air, says the FCC’s Peter Doyle.

DOYLE: About 775 of these have already completed construction, but our experience has been not all stations make the finish line.

MCCABE: So far, more than 100 have surrendered those permits and more than 500 have requested extensions. Nevertheless, Doyle says revitalizing the public airwaves remains a high priority even in the digital age.

DOYLE: There is a special place for radio in the media ecosystem, and that’s a different place than internet radio.

MCCABE: A good example of that place is back in Hancock County, Miss. When Hurricane Katrina made landfall, tiny WQRZ was the area’s only local 24-hour emergency information provider, says the station’s founder, Brice Phillips.

PHILLIPS: As I learned since 2005, if you have infrastructure damage, there’s no cellphones. There might not be any phone lines or the internet. But hey, a 1.5-volt battery and an FM radio, and you have the local emergency information you need. low power FM covers the whole gap.

MCCABE: And with luck, money and a lot of work, it’ll be there to do the same for urban communities. For NPR News, I’m Allyson McCabe.

Copyright © 2016 NPR. All rights reserved. Visit our website terms of use and permissions pages at www.npr.org for further information.

NPR transcripts are created on a rush deadline by Verb8tm, Inc., an NPR contractor, and produced using a proprietary transcription process developed with NPR. This text may not be in its final form and may be updated or revised in the future. Accuracy and availability may vary. The authoritative record of NPR’s programming is the audio record.

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