May 29, 2016

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Sounds Of The Indy 500

Today marked the 100th running of the Indianapolis 500. We get the sounds from today’s historic race, won by rookie driver Alexander Rossi.

Transcript

MICHEL MARTIN, HOST:

And now it’s time to start your engines. Today car racing fans celebrated a milestone.

(SOUNDBITE OF 2016 INDIANAPOLIS 500)

UNIDENTIFIED MAN: We’re honored to have you here on this historic day, the 100th running of the Indianapolis 500-Mile Race.

UNIDENTIFIED CROWD: Ladies and gentlemen, start your engines.

(APPLAUSE, SOUNDBITE OF CARS RACING)

MARTIN: The race was first run at the Indianapolis Motor Speedway in 1911. But it had to take a few years off during the First and Second World Wars. This afternoon, more than 400,000 people gathered at the Indianapolis Motor Speedway to watch drivers race to speeds of more than 200 miles per hour.

For the first time in 50 years, the race was broadcast live on local Indiana television. Officials decided to lift the media blackout after selling out the entire stadium this year. Donny and Wendy Brown from Danville, Ind., have been coming to the race off and on for about 30 years. They were here Sunday with their four teenage kids. The Browns said there was no way they would stay home and just watch the race on TV.

DONNY BROWN: Oh, you want to be here. You want to be…

WENDY BROWN: The atmosphere…

D. BROWN: Atmosphere, seeing the speed – you can’t get the speed on the TV. You see it in person.

W. BROWN: Just to hear the cars and just to feel the chest when they go by – you can’t replace that.

D. BROWN: Plus it’s a history…

W. BROWN: It’s awesome.

D. BROWN: …One-hundredth running? You want to be here.

(SOUNDBITE OF 2016 Indianapolis 500)

MARTIN: Rookie driver Alexander Rossi from Nevada City, Calif., won the race just in time before his fuel ran out. He told ABC Television, quote, “I have no idea how we pulled that off.”

Copyright © 2016 NPR. All rights reserved. Visit our website terms of use and permissions pages at www.npr.org for further information.

NPR transcripts are created on a rush deadline by Verb8tm, Inc., an NPR contractor, and produced using a proprietary transcription process developed with NPR. This text may not be in its final form and may be updated or revised in the future. Accuracy and availability may vary. The authoritative record of NPR’s programming is the audio record.

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Coca-Cola Halts Production In Venezuela Due To Nation's Sugar Shortage

Venezuela just became one of the few countries in the world that does not sell Coca-Cola. Tom Standage of the Economist tells NPR’s Rachel Martin what that says about the Venezuelan economy.

Transcript

RACHEL MARTIN, HOST:

Venezuela has just become one of the few countries in the world where you cannot buy a Coca-Cola. Other countries include Cuba and North Korea. But it’s not because of embargoes in Venezuela. It’s because there isn’t enough sugar. Venezuela is in the middle of a deep recession. The country has been dealing with a food shortage and the world’s highest inflation.

To talk more about this, we’ve reached out to Tom Standage. He’s the deputy editor of The Economist and the author of “The History Of The World In 6 Glasses” (ph). He joins us now from London. Thanks so much for being with us.

TOM STANDAGE: Thanks for inviting me.

MARTIN: First off, how did Venezuela get to the point where they don’t have enough sugar? What economic policies got them there?

STANDAGE: Well, the whole of the Venezuelan economy is just in a big mess. Essentially, Hugo Chavez, the previous president, had this, you know, great idea of a socialist revolution where he would give lots of money to the poor. And it all looked really good to start with. Essentially, the whole thing was funded by oil money. The oil prices collapsed. Chavez has died. His successor Nicolas Maduro is in a bit of a bad way because, actually, as well as giving money to the poor, the regime was helping itself to massive amounts of money.

And they’re now in this very odd situation where the official exchange rate means that you have to pay something like 10 bolivares for a dollar. The unofficial exchange rate, the black market rate, is about 100 times higher than that. And members of the regime are still allowed to exchange this pretty worthless local currency for dollars, which they can then sell for 100 times as much. So that means that they are not really terrifically well-incentivized to change this ridiculous policy.

And in the meantime, there are shortages of lots of products because if you import any products, there’s no way you want to sell them at the fixed prices the government is forcing you to sell them at. If you’re a sugar producer, you certainly don’t want to be making sugar because you’re forced to sell it at this ridiculously low price.

MARTIN: So people seize on this whole idea of Coca-Cola not being available in Venezuela ’cause it’s a catchy headline. But you argue – you have written in your book that it has symbolic power – that this particular product and not having it has symbolic meaning. Can you explain why?

STANDAGE: Well, Coca-Cola has always been the nearest thing to capitalism in a bottle. And, in fact, in 1997, The Economist did this correlation of Coca-Cola consumption in different countries. And it turns out to correlate positively with wealth, quality of life and social and political freedom. Now, of course, that’s not because Coca-Cola causes all of those things. It’s because, we think, free market capitalism encourages all of those things.

And whenever a country opens up, like Burma, for example, recently has – who are the first people to move in? You see the Coca-Cola lorries going in. And they go in and they find a partner. And, you know, off they go. So it really is this sort of symbol of moving towards greater economic freedom. And obviously, in Venezuela’s case, we sadly have this example of Coca-Cola going the opposite direction saying – actually, you can’t have that anymore in the same way that you can’t have social, political freedom, quality of life and economic growth.

MARTIN: So what happens now? How does this country get itself out of this – what has become a very devastating recession?

STANDAGE: It really is very hard to see an easy way out. The difficulty is that the opposition won the most recent election. And so they are trying to have a sort of recall vote to get rid of Maduro who’s technically meant to be in power until 2018. And I think if change does come, it will be because people within Maduro’s own party see that he is unviable.

And the only way that they can keep control and keep their cushy jobs is to push him out. So will the revolution happen within his own party, or will there be a sort of explosion on the streets? Neither of these scenarios is terribly nice. It’s all really quite frightening.

MARTIN: Tom Standage is deputy editor of The Economist. He also wrote a book titled “A History Of The World In 6 Glasses.” Tom, thanks so much for talking with us.

STANDAGE: Thank you.

Copyright © 2016 NPR. All rights reserved. Visit our website terms of use and permissions pages at www.npr.org for further information.

NPR transcripts are created on a rush deadline by Verb8tm, Inc., an NPR contractor, and produced using a proprietary transcription process developed with NPR. This text may not be in its final form and may be updated or revised in the future. Accuracy and availability may vary. The authoritative record of NPR’s programming is the audio record.

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Death Talk Is Cool At This Festival

A chalkboard "bucket list" stirred imaginations and got people talking at an Indianapolis festival designed to help make conversations about death easier.

A chalkboard “bucket list” stirred imaginations and got people talking at an Indianapolis festival designed to help make conversations about death easier. Jake Harper/WFYI hide caption

toggle caption Jake Harper/WFYI

In a sunny patch of grass in the middle of Indianapolis’ Crown Hill Cemetery, 45 people recently gathered around a large blackboard. The words “Before I Die, I Want To …” were stenciled on the board in bold white letters.

Sixty-two-year-old Tom Davis led us through the thousands of gravestones scattered across the cemetery. He’d been thinking about his life and death a lot in the previous few weeks, he told us. On March 22, he’d had a heart attack.

Davis said he originally planned to jot, “I want to believe people care about me.” But after his heart attack, he found he had something new to write: “I want to see my grandkids grow up.”

Others at the event grabbed a piece of chalk to write down their dreams, too, including some whimsical ones: Hold a sloth. Visit an active volcano. Finally see Star Wars.

The cemetery tour was part of the city’s Before I Die Festival, held in mid-April — the first festival of its kind in the U.S. The original one was held in Cardiff, Wales, in 2013, and the idea has since spread to the U.K., and now to Indianapolis.

The purpose of each gathering is to get people thinking ahead — about topics like what they want to accomplish in their remaining days, end-of-life care, funeral arrangements, wills, organ donation, good deaths and bad — and to spark conversations.

“This is an opportunity to begin to change the culture, to make it possible for people to think about and talk about death so it’s not a mystery,” said the festival’s organizer Lucia Wocial, a nurse ethicist at the Fairbanks Center for Medical Ethics in Indianapolis.

The festival included films, book discussions and death-related art. One exhibit at the Kurt Vonnegut Memorial Library had on display 61 pairs of boots, representing the fallen soldiers from Indiana who died at age 21 or younger.

These festivals grew out of a larger movement that includes Death Cafes, salon-like discussions of death that are held in dozens of cities around the country, and Before I Die walls — chalked lists of aspirational reflections that have now gone up in more than 1,000 neighborhoods around the world.

“Death has changed,” Wocial said. “Years ago people just died. Now death, in many cases, is an orchestrated event.”

Medicine has brought new ways to extend life, she says, forcing patients and families to make a lot of end-of-life decisions about things people may not have thought of in advance.

“You’re probably not just going to drop dead one day,” she said. “You or a family member will be faced with a decision: ‘I could have that surgery or this treatment.’ Who knew dying was so complicated?”

With that in mind, the festival organizers held a workshop on advance care planning, including how to write an advance directive, the document that tells physicians and hospitals what interventions, if any, you want them to make on your behalf if you’re terminally ill and can’t communicate your wishes. The document might also list a family member or friend you’ve designated to make decisions for you if you become incapacitated.

“If you have thought about it when you’re not in the midst of a crisis, the crisis will be better,” Wocial said. “Guaranteed.”

About a quarter of Medicare spending in the U.S. goes to end-of-life care. Bills that insurance doesn’t cover are usually left to the patients and their families to pay.

Jason Eberl, a medical ethicist from Marian University who spoke at the festival, said advance directives can address these financial issues, too. “People themselves, in their advance directive will say, ‘Look, I don’t want to drain my kids college savings or my wife’s retirement account, to go through one round of chemo when there’s only a 15 percent chance of remission. I’m not going to do that to them.’ “

The festival also included tour of a cremation facility in downtown Indianapolis. There are a lot of options for disposing of human ashes, it turns out. You can place them in a biodegradable urn, for example, have them blown into glass — even, for a price, turn them into a diamond.

“It’s not inexpensive,” Eddie Beagles, vice president of Flanner and Buchanan, a chain of funeral homes in the Indianapolis area, told our tour group. “The last time I looked into it for a family, “it was about $10,000.”

A crematorium tour was part of the festival, too. Metal balls, pins, sockets and screws survive the fire of cremation.

A crematorium tour was part of the festival, too. Metal balls, pins, sockets and screws survive the fire of cremation. Jake Harper/WFYI hide caption

toggle caption Jake Harper/WFYI

“Really, when it comes to cremation, there’s always somebody coming up with a million dollar idea,” Beagles added. “If you can think of it, they can do it.”

Beagles showed us a pile of detritus from cremated human remains. He picked up a hip replacement — a hollow metal ball — then dropped it back into the ashes.

I’m a health reporter, so I know a fair amount about the things that could kill me, or are already killing me. But watching this piece of metal that used to be inside a human be tossed back onto the heap gave me pause. I’m thinking about what I might write on a “Before I Die” wall. I still don’t know — there are many things to do before I go. But I’m thinking about it a lot harder now.

This story is part of NPR’s reporting partnership with Side Effects Public Media and Kaiser Health News.

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