May 13, 2016

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Best of the Week: 'Captain America: Civil War' Kicked Off the Summer, 'Assassin's Creed' Trailer Dropped and More

The Important News

DC Delierium: Ben Affleck will serve as executive producer on Justice League Part One. Steppenwolf will be that movie’s villain. Greg Berlanti will likely direct Booster Gold.

Marvel Madness: Michael B. Jordan joined Black Panther.

Box Office: Captain America: Civil War had a massive opening weekend.

X-Citement: The next X-Men movie will be set in the 1990s. Professor X will appear in New Mutants.

Casting Net: Michael Shannon will star in the next Guillermo del Toro movie. Dylan O’Brien will star in American Assassin. Antonio Banderas is getting his own Taken style thriller.

New Directors, New Films: Ridley Scott will direct the Western Wraiths of the Broken Land.

Remake Report: Gael Garcia Bernal is the new Zorro. Jack Black joined the Jumanji remake.

Sequelitis: King Kong 2 has been pushed back to 2019. And Gareth Edwards dropped out of directing it.

Life Imitates Art: Costume designer Jose Fernandez is making real spacesuits for Space X.

The Videos and Geek Stuff

New Movie Trailers: Assassin’s Creed, Billy Lynn’s Long Halftime Walk, The Accountant, Cafe Society, Inferno, Hell or High Water, The Woods, Swiss Army Man, Ice Age: Collision Course, Don’t Breathe, Queen of Katwe, Yoga Hosers, Nerve, Ma Ma and Tickled.

Clip: Kung Fu Panda 3.

Behind the Scenes: Jason Bourne and Regression.

See: Jean-Claude Van Damme’s daughter in the Paranormal Activity Security Squad trailer.

See: The X-Men Apocalypse trailer redone in Lego. And with footage from X-Men: The Animated Series.

Watch: Deadpool stars in his own Honest Trailer. And James McAvoy shaves his head for X-Men: Apocalypse.

See: Evidence that Deadpool is a remake of Spawn.

Learn: Why Psylocke was added to X-Men: Apocalypse at the last minute.

See: How many people Iron Man has killed in the movies. And the Captain America: Civil War trailer with 8-bit graphics.

Learn: What Captain America can teach us about science. And why Zemo doesn’t have his pink hood in Captain America: Civil War.

Watch: A James Bond type credits sequence for The Empire Strikes Back. And Star Wars dogfight scenes rescored to “Danger Zone.”

See: New photos from Assassin’s Creed.

Watch: Justin Timberlake and Anna Kendrick perform “True Colors” from Trolls.

See: The best new movie posters of the week.

Learn: How one becomes a creature performer.

Our Features

Horror Movie Guide: The horror movies of summer 2016.

Horror Movie Guide: A look back at the Friday the 13th franchise.

Home Viewing: Here’s our guide to everything hitting VOD this week.

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Pfizer To Stop Selling Drugs For Use In Lethal Injections

Pfizer's corporate headquarters in midtown Manhattan.

Pfizer’s corporate headquarters in midtown Manhattan. Spencer Platt/Getty Images hide caption

toggle caption Spencer Platt/Getty Images

The pharmaceutical company Pfizer said Friday it will move to prevent its drugs from being used in lethal injections.

Pfizer was the “last remaining open-market source of drugs used in executions,” The New York Times reported. More than 20 other U.S. and European drugmakers had already blocked their drugs from being used in executions.

“Pfizer makes its products to enhance and save the lives of the patients we serve,” Pfizer said in a statement. “Pfizer strongly objects to the use of its products as lethal injections for capital punishment.”

The company said it will begin restricting distribution of certain drugs that some states use in lethal injections. The newly restricted drugs are pancuronium bromide, potassium chloride, propofol, midazolam, hydromorphone, rocuronium bromide and vecuronium bromide.

“Pfizer’s distribution restriction limits the sale of these seven products to a select group of wholesalers, distributors, and direct purchasers under the condition that they will not resell these products to correctional institutions for use in lethal injections. Government purchasing entities must certify that products they purchase or otherwise acquire are used only for medically prescribed patient care and not for any penal purposes. Pfizer further requires that these Government purchasers certify that the product is for ‘own use’ and will not resell or otherwise provide the restricted products to any other party.”

For years, states have had difficulty obtaining drugs to use in executions because pharmaceutical companies don’t want their name to be associated with killing people.

As NPR’s Wade Goodwyn reported last year, “this has forced states to seek new formulas using untested doses and find new compounding pharmacies to make their execution drugs.”

These tests, however, don’t always go smoothly, and in 2014, there were four botched executions. Wade reported on one such case:

“Michael Kiefer, a veteran reporter for the Arizona Republic, has over the years been witness to five Arizona executions. Last July, Kiefer was observing the execution of double murderer Joseph Wood. For Wood’s execution, the Arizona Department of Corrections was using a different drug formula for the first time.”

Kiefer says that with those drugs it usually took about five to 10 minutes for an inmate to die. But in this case, something unexpected happened at the six-minute mark.

” ‘Suddenly he opened his mouth,’ Kiefer says. ‘His mouth sort of made this funny round shape, and you could see this expulsion of air, and we all jumped. This was something different.’

“Wood had begun fighting for his life, taking large intermittent breaths.”

Despite attempts from the executioner to reassure the distressed crowd that everything was OK, Wood continued to struggle. Two hours and 15 lethal injection doses later, Wood died.

Recently, executions have been delayed over concerns about the efficacy of the lethal injection drugs. And last year in Utah, the state passed a law bringing back the firing squad as a backup method of execution if there is a shortage of lethal injection drugs.

The New York Times reports that “a majority of the 32 states with the death penalty have imposed secrecy around their drug sources, saying that suppliers would face severe reprisals or even violence from death penalty opponents.”

It adds:

“But others, noting the evidence that states are making covert drug purchases, see a different motive. ‘The secrecy is not designed to protect the manufacturers, it is designed to keep the manufacturers in the dark about misuse of their products,’ said Robert Dunham, executive director of the Death Penalty Information Center, a research group in Washington.

“Georgia, Missouri and Texas have obtained pentobarbital from compounding pharmacies, which operate without normal F.D.A. oversight and are intended to help patients meet needs for otherwise unavailable medications.”

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Oncologists Break Old Rules With Precision Cancer Treatments

NPR’s Robert Siegel talks to physician and author Siddhartha Mukherjee about how the fight against cancer has changed so dramatically in this era of precisely targeted treatments.

Transcript

ROBERT SIEGEL, HOST:

When two people catch the flu in the same flu season, odds are they’ve been infected by the same virus with nearly the same genetic mutations. And that’s one reason it makes sense for millions of us to get the same flu shot. But when two women, say, have breast cancer, the genetic mutations present in one patient can be vastly different from those in the other. And that goes for other kinds of cancer, too.

The oncologist, Siddhartha Mukherjee, writes in this Sunday’s New York Times Magazine about a trend in fighting cancer that’s based on that fact, precisely targeted treatment that breaks some old rules. Siddhartha Mukherjee who wrote the Pulitzer Prize-winning book the “Emperor of All Maladies: A Biography of Cancer,” joins us now. Welcome to the program.

SIDDHARTHA MUKHERJEE: Thank you, Robert.

SIEGEL: How do these advances change the way that you deal with your patients?

MUKHERJEE: They’ve changed my interactions with patients dramatically. Ten years ago, there was something formulaic about treating cancer patients. You know, you’d have a patient with lymphoma and we treat them with, you know, a classical culmination chemotherapy.

These days, I take a very different look. I think to myself, well, OK, here’s a patient with cancer, how much information can I glean from this individual patient’s tumor? Can I understand something about its biology? Can I understand something about its particular behavior, its gene mutations? And now can I cleverly tailor some therapy? It’s far, far from where we want to be because I have only a few tools, but I try to use them in the most effective manner possible.

SIEGEL: You acknowledge that when therapies are in fact tailored to the individual patient and to, say, medications are used in novel ways or off-label ways, we’re talking about not only extremely expensive medicine but medicine that might not be reimbursed by insurers because it is novel and it’s not standard.

MUKHERJEE: Absolutely, this has become a new battle. You know, it’s we – on one hand, doctors are battling cancer, but on the other hand, they’re also battling a relatively old system of reimbursement and understanding disease, which is not personalized. And there are costs associated.

I’ll give you a very concrete example. There’s a patient of mine who I was convinced would respond to immunological therapy, new immunological therapy, except – this was several months ago – it was not still indicated for that particular cancer. And ultimately, this resulted in a very complicated battle across the insurance companies, the individual patient’s, et. cetera. These battles are common.

SIEGEL: Because I’ve read your work, because I’m familiar with the public TV series that’s been based on it, I trust your instincts about creative experimentation using the medications off-label, say, or doing procedures in novel ways. But isn’t there a risk in that kind of medicine of a lot of quackery and much snake oil being sold in the name of idiosyncrasy by people whom I shouldn’t trust as much as I trust you?

MUKHERJEE: Absolutely, and, you know, I clearly point that out in the piece that, you know, medicine needs standards and guidelines. We need standardized medicines. I mean, we’ve seen this. You know, you go to a website and someone is offering some snake oil for something or the other in cancer. It’s a very important thing to remain within guidelines, but it also needs some freedoms, some creative freedoms. And if you don’t fall appropriately in those creative freedoms, I think we’ll be badly stuck.

SIEGEL: Do newly-minted oncologists who are finishing their residencies in this era, do they know a lot more than oncologists in the same situations 15 years new?

MUKHERJEE: Absolutely, they know – I mean, I was in rounds this morning with a fellow, and I was just remarking how much the stable landscape has changed. One of the most incredible things is that these newly-minted oncologists know so much more about cancer.

They talk about genes, they talk about genetic mutations, targeted therapies, immune therapies, words that, you know, barely were in the vocabulary, at least in the hospital. It was certainly in the vocabulary of science forever, but they were not in the vocabulary in the hospital. And all of a sudden they are part of the vocabulary of the hospital. And the way they evaluate patients, the way they evaluate a kind of journey has changed. It’s quite remarkable.

SIEGEL: Even though you and other oncologists now understand tumors and cancer cells much better than people did even 10 or 15 years ago, it hasn’t yet hugely altered the chances of survival. Do you feel fairly hopeful about that? That is, does it seem to you that the trajectory is going towards still greater understanding of the disease and ultimately some kind of cure?

MUKHERJEE: I feel absolutely hopeful. And part of the reason I wrote this piece was that it began to restore my hope as I, as an oncologist, began to see these dreams about, you know, unique fingerprints of cancer, immune therapies, targeted therapies. As I began to see these dreams move from the scientific literature publications into the clinical literature, it almost restored my faith in my own discipline.

I describe this in my book, “The Emperor of All Maladies” – I describe a moment about 10 years ago, when I felt very despondent about what was happening in cancer care. It seemed to be stuck. I just – quite the opposite now, it feel it kind of – it feels like the blood is flowing. And sometimes the blood flows in wrong directions, but it’s still flowing, and there’s a kind of new energy that one feels in cancer wards.

SIEGEL: That was oncologist Siddhartha Mukherjee, talking about this Sunday’s New York Times Magazine article on improvising ways to treat cancer. He also has a new book out this month called, “The Gene: An Intimate History.” Siddhartha Mukherjee, thanks for talking with us.

MUKHERJEE: Thank you very much.

Copyright © 2016 NPR. All rights reserved. Visit our website terms of use and permissions pages at www.npr.org for further information.

NPR transcripts are created on a rush deadline by Verb8tm, Inc., an NPR contractor, and produced using a proprietary transcription process developed with NPR. This text may not be in its final form and may be updated or revised in the future. Accuracy and availability may vary. The authoritative record of NPR’s programming is the audio record.

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ESPN Hopes 'Undefeated' Will Elevate Discussions On Race, Sports And Culture

Before the launch of ESPN’s digital site The Undefeated, which will focus on minorities and sport, Editor-in-Chief Kevin Merida explains why the cross section of sports, culture and race is important.

Transcript

RENEE MONTAGNE, HOST:

After some early false starts and a change in management, a long anticipated branch of espn.com will finally launch next week, called The Undefeated. It’s not your average sports site. This one explores the intersection of race, culture and sport. Its editor-in-chief, Kevin Merida, gave us a preview of what it’s all about.

KEVIN MERIDA: Let’s take Cam Newton’s terrific run as the Most Valuable Player in the National Football League.

(SOUNDBITE OF ARCHIVED RECORDING)

JOE BUCK: His great year continues. Second and nine. (Shouting) Newton – end zone – touchdown, Cotchery.

MERIDA: You know, there were lots of discussions about him as a black quarterback – his image, his dancing in the end zone.

(SOUNDBITE OF ARCHIVED RECORDING)

UNIDENTIFIED MAN #1: …To just get in the end zone, and then go celebrate with your team.

(SOUNDBITE OF ARCHIVED RECORDING)

UNIDENTIFIED MAN #2: He’s arrogant. He’s showing up the opposition.

(SOUNDBITE OF ARCHIVED RECORDING)

UNIDENTIFIED MAN #3: There’s a virtue, and it’s called humility.

(SOUNDBITE OF ARCHIVED RECORDING)

UNIDENTIFIED MAN #4: A spoiled brat…

MERIDA: But what always accompanied the dance was him going to the end zone and handing the ball to some kid.

(SOUNDBITE OF ARCHIVED RECORDING)

UNIDENTIFIED ANNOUNCER: You see Cam Newton. He wants that ball. He’s going to go give it to one young kid here in the stands.

MERIDA: That’s the other part of that. When you’re at the top of your profession, whatever profession it is, you know, you often, if you’re African-American, sometimes feel the weight of the entire race on your shoulders. And I think that is oftentimes not handled very well. I think that one of the things that The Undefeated can do is really take black athletes and really show the complexity of their lives. You know, we all want to be understood in multiple dimensions.

(SOUNDBITE OF MUSIC)

MERIDA: We’re at a time in the country where we need more understanding. It’s a very diverse country now. It’s becoming more and more diverse. And we need to find ways to understand each other – to bring more light than heat.

(SOUNDBITE OF MUSIC)

MERIDA: I think that race has always been a subject that has, you know, both confounded us and pained us. I think we have an opportunity through the realm of sports and culture to really help push the conversation along and to really lead.

(SOUNDBITE OF MUSIC)

MONTAGNE: That’s Kevin Merida. He’s editor-in-chief of the new ESPN digital publication The Undefeated, which launches next Tuesday.

(SOUNDBITE OF MUSIC)

Copyright © 2016 NPR. All rights reserved. Visit our website terms of use and permissions pages at www.npr.org for further information.

NPR transcripts are created on a rush deadline by Verb8tm, Inc., an NPR contractor, and produced using a proprietary transcription process developed with NPR. This text may not be in its final form and may be updated or revised in the future. Accuracy and availability may vary. The authoritative record of NPR’s programming is the audio record.

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