Here are a bunch of little bites to satisfy your hunger for movie culture:

Movie Studio Showcase of the Day:

Get pumped for Captain America: Civil War with this great supercut of the best of the Marvel Cinematic Universe (via Live for Films):

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Casting Depiction of the Day:

Speaking of the MCU, Nathan Fillion was revealed this week to be playing Wonder Man in Guardians of the Galaxy Vol. 2, so here’s BossLogic’s depiction of what he could look like:

Reworked Movie of the Day:

What if The Revenant was a Disney animated feature? It might look like this redone trailer using footage from Brother Bear (via Cinematic Montage Creators):

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Location Vacation of the Day:

Relax to the sights and sounds of Dagobah in this 94-minute loop of a bit from The Empire Strikes Back that turns Yoda‘s backyard into a soothing retreat:

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Fake Outtakes of the Day:

Speaking of Star Wars, watch a reel of funny fake Kylo Ren bloopers that re-dub the masked villain’s dialogue from Star Wars: The Force Awakens (via Geek Tyrant):

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Vintage Image of the Day:

In honor of their latest collaboration, Mother’s Day, opening this weekend, here’s Julia Roberts and director Garry Marshall on the set of Pretty Woman in 1989:

Movie Poetry of the Day:

This supercut collects movie clips that rhyme with each for a video that gives new meaning to the term poetic cinema (via Live for Films):

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Character in the Spotlight:

See many different ways actors have played Macbeth in this Shakespearean supercut starring Michael Fassbender, Orson Welles and more (via Cinematic Montage Creators):

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Film Analysis of the Day:

In the spirit of Room 237, another Stanley Kubrick movie gets overanalyzed with this NSFW spotlight on the hidden jokes and cryptic metaphors in A Clockwork Orange (via One Perfect Shot):

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Classic Trailer of the Day:

Today is the 60th anniversary of the U.S. release of the Americanized version of Godzilla, reworked with Raymond Burr starring. Watch the original trailer for what was retitled Godzilla: King of the Monsters below.

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A popular and groundbreaking alt-rock band from Lebanon called Mashrou’ Leila was scheduled to play a big show in Amman, Jordan Friday.

Instead, their show was cancelled by the government — and the band says they have been told they can never perform again in the country, because of the group’s politics, religious beliefs and “endorsement of gender equality and sexual freedom.”

Mashrou’ Leila had been slated to play at the famous Roman amphitheater in Amman, where they have previously performed three times, as well as elsewhere across the country.

In a lengthy note posted on Facebook in both Arabic and English, the band alleges that the actual reason for the permission to be withdrawn is different:

“We have been unofficially informed that the reason behind this sudden change of heart, few days before the concert day, is the intervention of some authorities. Our understanding is that said authorities have pressured certain political figures and triggered a chain of events that ultimately ended with our authorization being withdrawn.

“We also have been unofficially informed that we will never be allowed to play again anywhere in Jordan due to our political and religious beliefs and endorsement of gender equality and sexual freedom.”

The lead singer of Mashrou’ Leila, Hamed Sinno, is openly gay, and the band has addressed gay rights as well as politics and corruption in both its songs and many of its interviews. In an interview last year with the CBC show Q, Sinno said that a show they did in a predominantly Christian town in Lebanon called Zouk Mikael was protested by people who believed that “homosexuals shouldn’t be allowed to set foot on Christian soil.” Sinno attributed that attitude to “broader fundamentalisms in the region.”

According to a report on the Jordanian news site jo24.net published Tuesday, at least one public supporter of the ban is a member of parliament named Bassam al-Batoush, who has called for the group to be banned due to their “controversial” material that references sex, homosexuality, “calls for revolution” and promotes “Satanic” ideas.

The governor of Amman district, Khalid Abu Zeid, told the Associated Press Wednesday that the band’s songs “contradict” Judaism, Christianity and Islam. Initially, the AP reports, officials from Jordan’s Antiquities Department rescinded permission because such a show would “contradict the ‘authenticity’ of the ancient venue.”

Mashrou’ Leila violinist Haig Papazian has posted pictures of one of their previous three shows at the amphitheater on Twitter.

As the band also noted on Facebook, Sanno’s mother is from Jordan, and the members say that the country is “a formative part of his identity and writing, and a place we have always considered our second home.”

The Facebook note concludes, “We urge the Kingdom to choose fighting alongside us, not against us, during this ongoing battle for a culture of freedom against the regressive powers of thought control and cultural coercion.”

The U.S. State Department’s 2015 human rights report on Jordan includes this assessment: “While consensual same-sex sexual conduct is not illegal, societal discrimination against LGBTI persons was prevalent, and LGBTI persons were targets of abuse. Activists reported discrimination in housing, employment, education, and access to public services. Some LGBTI individuals reported reluctance to engage the legal system due to fear their sexual orientation or gender identity would either provoke hostile reactions from police or disadvantage them in court. Activists reported that most LGBTI individuals were closeted and fearful of their sexual identity being disclosed.”

The five-member band was founded at the American University of Beirut in 2008 and has released three albums. Their name translates as both Leila Project and Night Project; Leila is a Juliet-like figure in Arabic literature. A rapturous review from London’s Guardian last November said that they “charge the stage with electricity, sensuality and a dazzling aura of resistance.”

Mashrou’ Leila’s latest video, for the song “AOEDE,” which was released earlier this month, opens with a young woman recounting a story of police brutality.

The band is heading to the U.S. and Canada on tour this May and June, with dates scheduled in Brooklyn, Manhattan, Washington, D.C. and Vancouver.

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