April 25, 2016

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Today in Movie Culture: Captain America Laments the Thousands He's Killed and More

Here are a bunch of little bites to satisfy your hunger for movie culture:

Movie Promo of the Day:

For the German release of Captain America: Civil War, Daniel Bruhl (Baron Zemo) villainously feeds Robert Downey Jr. (Tony Stark/Iron Man) ping pong balls and a laxative:

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Supercut of the Day:

For a guy who didn’t want to kill anyone, Captain America has been reponsible for a lot of deaths throughout the Marvel Cinematic Universe. Watch him watch his own kill count below.

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Trailer Parody of the Day:

The new trailer for Jason Bourne got a recut on Jimmy Kimmel Live! so that it reflects a funny new title: Bourne Loser:

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Reworked Movie of the Day:

Mashable turns My Cousin Vinny into a serious courtroom drama in this trailer re-imagining the classic comedy:

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Vintage Image of the Day:

Al Pacino, who turns 76 today, and Talia Shire, who turns 69 today, in a scene from The Godfather Part III:

Cosplay of the Day:

See the best cosplay of the Emerald City ComiCon, including a Deadpool and Say Anything mashup, a sexy Boba Fett and dogs dressed as Wolverine in the following two-part Beat Down Boogie showcase:

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Visual List of the Day:

For Fandor Keyframe, Zach Prewitt counts down the 20 best sci-fi films of the century so far, including Primer, Inception, Moon, Ex Machina and Children of Men:

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Bad Film Analysis of the Day:

Speaking of this century’s sci-fi movies, here’s a bad reading of Christopher Nolan‘s Interstellar by aliens from the future:

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Video Essay of the Day:

The world building in Wes Anderson‘s stop-motion film The Fantastic Mr. Fox is celebrated in this video from Jack’s Movie Reviews (via One Perfect Shot):

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Classic Trailer of the Day:

Today is the 15th anniversary of the original French release of Amelie (aka Le fabuleaux destin d’Amelie Poulain). Watch Miramax’s trailer for the American release, which followed many months later:

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#AirbnbWhileBlack: How Hidden Bias Shapes The Sharing Economy

Airbnb host Synta Keeling rents two bedrooms in her house in Washington, D.C.'s predominantly black Anacostia neighborhood.

Airbnb host Synta Keeling rents two bedrooms in her house in Washington, D.C.’s predominantly black Anacostia neighborhood. Maggie Penman/NPR hide caption

toggle caption Maggie Penman/NPR

Quirtina Crittenden was struggling to get a room on Airbnb. She would send a request to a host. Wait. And then get declined.

“The hosts would always come up with excuses like, ‘oh, someone actually just booked it’ or ‘oh, some of my regulars are coming in town, and they’re going to stay there,'” Crittenden said. “But I got suspicious when I would check back like days later and see that those dates were still available.”

In many ways Crittenden, 23, is the target audience for AirBnb. She’s young, likes to travel, and has a good paying job as a business consultant in Chicago. So she started to wonder if it had something to do with her race. Crittenden is African American, and on AirBnb, both hosts and guests are required to have their names and photos prominently displayed on their profiles.

Crittenden shared her frustrations on Twitter with the hashtag #AirbnbWhileBlack. She started hearing from lots of friends who had similar experiences.

“The most common response I got was, ‘oh yeah, that’s why I don’t use my photo.’ Like duh. Like I was the late one,” Crittenden said.

After Quirtina Crittenden changed her photo to a cityscape, she says she stopped having problems finding a room on Airbnb.

After Quirtina Crittenden changed her photo to a cityscape, she says she stopped having problems finding a room on Airbnb. Quirtina Crittenden hide caption

toggle caption Quirtina Crittenden

So she ran her own experiment—she shortened her name to just “Tina” and changed her photo to a picture of a landscape.

“Ever since I changed my name and my photo, I’ve never had any issues on Airbnb,” Crittenden said.

Crittenden’s story fits within a larger finding that racial discrimination on AirBnb is widespread. Michael Luca and his colleagues Benjamin Edelman and Dan Svirsky at Harvard Business School recently ran an experiment on AirBnb. They sent out 6,400 requests to real AirBnb hosts in five major American cities—Baltimore, Dallas, Los Angeles, St. Louis, and Washington.

All the requests were exactly the same except for the names they gave their make-believe travelers. Some had African American-sounding names like Jamal or Tanisha and others had stereotypically white-sounding names like Meredith or Todd.

Luca and his colleagues found requests with African American sounding names were roughly 16 percent less likely to be accepted than their white-sounding counterparts. They found discrimination across the board: among cheap listings and expensive listings, in diverse neighborhoods and homogenous neighborhoods, and with novice hosts as well as experienced hosts. They also found that black hosts were also less likely to accept requests from guests with African American-sounding names than with white-sounding ones.

Luca and his colleagues found hosts pay a price for their bias—when hosts rejected a black guest, they only found a replacement about a third of the time. In a separate study, Luca and his colleagues have found that guests discriminate, too, and black hosts earn less money on their properties on Airbnb.

To put this in perspective, AirBnb isn’t some little startup anymore. It’s one of the largest players in the hotel industry worldwide. In 2015, more than 2 million listings were offered on the platform, nearly four times as many rooms as the Marriott hotel chain.

Luca thinks this racial discrepancy is driven largely by unconscious bias—the hidden associations we have that affect our behavior without us realizing it. The way AirBnb’s platform is designed, names and photos are the first thing people see, and therefore one of the first things they consider, either consciously or unconsciously, when choosing a place to stay.

David King, AirBnb’s new director of “diversity and belonging,” says AirBnb is aware of discrimination on their platform and they want to be a leader in addressing it. He says he’s talking with Luca and others in finding potential solutions.

One thing that could help is removing people’s names and photos or making them less prominent. But this isn’t something AirBnb will improve their platform.

“The photos are on the platform for a reason,” King said. “It really does help to aid in the trust between the guest and the host . . . You want to make sure that the guest who shows up at your door is the person you’ve been communicating with.”

King pointed out that Airbnb has the opportunity to do a lot of good in communities. It brings tourists to neighborhoods without many hotels that don’t normally benefit from the tourism industry.

One of those neighborhoods is Washington, D.C.’s Anacostia. It’s a predominantly black neighborhood on the edge of the city, across the Anacostia River from the main tourist attractions. While there are only a couple hotels here, there are dozens of Airbnb hosts.

Synta Keeling is one. She earns thousands of dollars a month renting out two bedrooms in her townhouse, but she puts in a lot of work. She’s earned the official designation of “superhost” for getting excellent reviews and never cancelling a booking. It’s a title she says hosts in richer areas of the city don’t have to worry about.

Social scientists have uncovered racial bias in all different places online. Shankar talked with psychologist Raj Ghoshal, who’s found racial discrimination on Craigslist. Mikki Hebl, a psychologist at Rice University, has found racial bias on Facebook.

What’s unclear is what legal liability websites might have for discrimination on their platforms. So while online platforms offer us the opportunity to meet people we would never normally meet, our hidden biases may be getting in the way.

The Hidden Brain Podcast is hosted by Shankar Vedantam and produced by Kara McGuirk-Alison, Maggie Penman and Max Nesterak. To subscribe to our newsletter, click here. You can also follow us on Twitter@hiddenbrain, @karamcguirk,@maggiepenman and@maxnesterak, and listen for Hidden Brain stories every week on your local public radio station.

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Tom Brady's 'Deflategate' Suspension Reinstated By Appeals Court

Tom Brady’s four-game suspension by the NFL for reportedly deflating footballs is back on. The penalty was overturned by federal judge last summer, who agreed with Brady’s argument that the penalty was unfair. But on Monday, a three-judge panel disagreed, saying the NFL was within its rights when it imposed the suspension.

Transcript

KELLY MCEVERS, HOST:

Deflategate is the NFL story that just keeps on giving. A federal court panel ruled today the NFL commissioner did have the right to suspend Patriots quarterback Tom Brady for four games. NPR’s Tom Goldman reports.

TOM GOLDMAN, BYLINE: Tom Brady’s back-and-forth legal case is back again. He was suspended after the NFL decided it was more probable than not Brady ordered balls deflated below the legal limit during the 2015 AFC Championship game. Then in September, a federal judge overturned the suspension. Then today, a federal appeals court voted 2 to 1 to uphold the suspension, giving the NFL a massive win according to Tulane sports law professor Gabe Feldman.

GABE FELDMAN: Although there was a dissenting opinion, the majority opinion was about as favorable for the NFL as they could possibly have expected.

GOLDMAN: Feldman says the decision ends a losing streak for NFL Commissioner Roger Goodell in recent cases of player misconduct.

FELDMAN: In each of those cases, the commissioner’s initial discipline was either eliminated or reduced by an arbitrator or a federal judge.

GOLDMAN: But today’s ruling essentially says Goodell did not exceed the scope of his power, power the league says was negotiated as part of the current collective bargaining agreement. No word on a possible Brady appeal – if the suspension holds, Brady would miss the first four games of the regular season. Tom Goldman, NPR News.

Copyright © 2016 NPR. All rights reserved. Visit our website terms of use and permissions pages at www.npr.org for further information.

NPR transcripts are created on a rush deadline by Verb8tm, Inc., an NPR contractor, and produced using a proprietary transcription process developed with NPR. This text may not be in its final form and may be updated or revised in the future. Accuracy and availability may vary. The authoritative record of NPR’s programming is the audio record.

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Lesson Learned For Baltimore's Health Commissioner: 'I Like A Fight'

North Stricker Street near Riggs Avenue in the Sandtown-Winchester neighborhood of Baltimore.

North Stricker Street near Riggs Avenue in the Sandtown-Winchester neighborhood of Baltimore. Lance Rosenfield/The Washington Post/Getty Images hide caption

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To wrap up our series on public health in Baltimore, Audie Cornish met up with Baltimore City Health Commissioner Leana Wen in Freddie Gray’s neighborhood of Sandtown-Winchester. The health department recently opened a new outpost of its violence prevention program Safe Streets there, employing ex-offenders to mediate conflicts before they erupt in violence.

Wen spoke about pushing a public health agenda in a city that has long struggled with poverty, violence and addiction. She also talked about what she, as an emergency physician, has learned in her first stint in government. Here are interview highlights, edited for length and clarity.

On her goal to make Baltimore a model for the country

We have gotten significant national recognition for some of our programs, including our programs to respond to the opioid overdose epidemic. I had the opportunity to testify in front of the U.S. Senate and House and was invited to speak with President Obama about Baltimore’s work. I do believe that because of the way we’ve focused on addiction as a disease, that that’s changing the conversation in our city and actually, is leading the way around the country. People are beginning to see Baltimore not as [the HBO drama] The Wire and heroin overdose but actually as a model for recovery and resilience.

On what she wants to tackle next

The unrest [after Freddie Gray] paradoxically opened the door for us to address trauma, which is a natural segue to talk about mental health and the bigger picture of emotional well-being. People finally felt like they could talk about the trauma they’ve experienced for so many years. It’s the trauma of police brutality. It’s the trauma of discriminatory practices. It’s the trauma even of being poor. We now want to convene a citywide group to address this issue, which is very difficult because ultimately, the trauma work has to be done at the community level.

On her optimism, despite the challenges Baltimore faces

Dr. Leana Wen, Baltimore City health commissioner, visits a newly opened Safe Streets center in the Sandtown-Winchester neighborhood in West Baltimore.

Dr. Leana Wen, Baltimore City health commissioner, visits a newly opened Safe Streets center in the Sandtown-Winchester neighborhood in West Baltimore. Emily Bogle/NPR hide caption

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I’m not blind to the problems that exist. But I also realize these problems have been in the making for decades. We’re not going to be able to make a huge difference overnight. But there are things we can do along the way to demonstrate to our community that we hear you, and this is what we do in the meantime. We cannot solve the issue of addiction overnight, but we can reduce overdose deaths, and we have passed a Good Samaritan law [to protect people who help overdose victims] and we are introducing programs where individuals caught with drugs are not going to be incarcerated but actually, are going to be offered drug treatment. So we’re showing that things can be done, and that we’re taking small steps. And actually, our community gets it. If we just came to the community and said we’re going to solve all of our crime problems overnight, they’re not going to buy it. But if we say we know the success of Safe Streets, it’s been demonstrated in four sites across our city, now we’re going to open a fifth site in Sandtown, you can feel the energy and the optimism. And maybe that’s why I’m so optimistic.

On what she’s learned from the job since she began in January 2015

I was never in the political world, and I’m not from Baltimore. So coming here, everyone was new. It’s been a really steep learning curve.

The things I’ve learned over the year have been a lot about myself, and who I am as a manager, who I am with navigating complicated politics and situations, but also what motivates me. And I’ve learned that I like a fight. I don’t want to be in a situation where things are going well. I don’t feel like I have anything to do in that case. In the ER, it’s the patient dying in front of me. It’s someone who is gravely ill, and my fight is the fight to save their life.

I see the same thing in Baltimore. There are so many problems. There are so many fights I can have every single day. It’s the fight to get health on every agenda, to change legislation, to change public perception and mindset, to reduce stigma, to introduce new programs in a time of severe fiscal constraints. I like a fight, and I’m good at it, and that is what motivates me.

I’m learning now just how powerful that voice can be — to say, I’m not here as a politician. I’m here as a doctor and as a scientist. I’m here to give voice to all these issues that we’ve seen that are unfair — housing politics, policing policies, drug policies. And I’m saying from a health perspective how these policies have destroyed our community, and this is what we’re doing about it now.

Dr. Leana Wen has been a contributor to Shots since 2013. You can read her account of why she decided to become Baltimore’s health commissioner here.

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Remembering African Singer And Style Icon Papa Wemba

Congolese singer Papa Wemba performing Saturday in Abidjan, Ivory Coast, shortly before collapsing onstage. He died before reaching the hospital early Sunday.

Congolese singer Papa Wemba performing Saturday in Abidjan, Ivory Coast, shortly before collapsing onstage. He died before reaching the hospital early Sunday. AFP/Getty Images hide caption

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One of Africa’s most famous musicians and an international style icon, Congolese singer Papa Wemba, died suddenly during a performance early Sunday at age 66. He died after collapsing onstage in Abidjan, the capital of Ivory Coast; the show was being broadcast live on RTI 1, one of Ivory Coast’s public television channels.

Wemba’s death was confirmed by the culture minister of the Democratic Republic of Congo, Baudouin Banza Mukalay, the Associated Press reported. According to reports obtained by Reuters from the Ivory Coast morgue that received Wemba’s body, he died between his collapse and his arrival at a local hospital.

Papa Wemba was born in 1949 in Lubefu, in the Central African nation known then as the Belgian Congo, later as Zaire and now as the Democratic Republic of the Congo (DRC). His birth name was Shungu Wembadio Pene Kikumba, but as the eldest son in his family, he was nicknamed “Papa.” His mother was a professional mourner; he grew up steeped in the sounds of her music and blessed with a singularly keening tenor.

But other circumstances also made Wemba’s emergence as an artist particularly fortuitous. He grew up during a golden age of Congolese music. During the 1950s and 1960s, his country was the epicenter of a brilliant new kind of dance music variously called Congolese rumba, lingala and soukous. This new style borrowed heavily from the sound — and particularly rhythms — of Cuban big bands, but put in an African context. Artists like Franco and Tabu Ley Rochereau became idols all over the continent, and to the young Papa Wemba as well.

By the time he arrived in Zaire’s capital, Kinshasa, in the late 1960s, the young Wemba had set his sights on a professional singing career. In 1969, he became a founding member of what would become one of the biggest acts in African music in the 1970s, Zaïko Langa Langa. The band took Congolese rumba, stepped up the tempo, and brought in more rock-ified guitars. And with that band, Wemba launched a trailblazing career that emphasized an internationally accessible sound.

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Wemba left Zaïko Langa Langa in 1974; after co-founding a series of other short-lived bands (including Isisfi Lokole and Yoka Lokole), he founded a hugely popular group called Viva La Musica in 1977.

Offstage and on, Wemba embodied a dapper persona. He even turned to acting, and starred in the 1987 Congolese vehicle La vie est belle (released internationally as Life Is Rosy), in which he, unsurprisingly, played an aspiring young singer.

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Papa Wemba’s smooth, easy sound and extraordinary voice reached the ears of some very famous European and American artists as well. He settled in Paris in the 1980s, and became one of the best-known — and most well-connected — musicians from Africa. He sang with Stevie Wonder and opened for Peter Gabriel, before going on to record for Gabriel’s Real World label.

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As the years went by, Papa Wemba continued to hone his sound to keep up with current trends. In the early 2000s, he strove for a silky R&B sound on tunes like “Ye Te Oh.”

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More recent singles found him collaborating on more hip hop-flavored tracks like “O’Koningana,” alongside a rising young performer named Tony Madinda.

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Papa Wemba also gained notoriety for his offstage dealings. When he toured Europe in the 1980s, he would arrive with huge entourages of dozens of musicians, dancers and staff from Zaire. In 2003, he was accused in both France and Belgium of running a human-smuggling ring and went to jail for several months in France; when the case went to trial in 2004, prosecutors charged that many included in those entourages were actually illegal immigrants, who paid thousands of dollars to enter Europe with the famed singer. He was convicted in France, fined and given a suspended prison sentence; foreign news organizations like London’s Independent reported then that his bail was paid by the Congolese government. Upon his release, he moved back to the DRC.

At home, and across sub-Saharan Africa and the African diaspora, Papa Wemba will be remembered not just for his voice and for his musical innovations, but his legendary sense of fashion style. As I noted just last month on Latitudes, the singer was celebrated as “Le Pape (The Pope) de la Sape” — the undisputed king of the fashionable men known as sapeurs. That sobriquet is so well known in the French-speaking world that in a popular YouTube skit about dressing well and living large, a French comedy trio refers to their characters as “Papa Wemba’s hidden sons.”

The sapeurs‘ natty attire even became the inspiration for a number of international menswear designers, including Junya Watanabe and Paul Smith.

After Papa Wemba’s death, the BBC collected reflections from a number of other prominent African artists. Singer Angélique Kidjo, who recorded a duet with him for an album by Cameroonian saxophonist Manu Dibango, told the BBC’s Newshour:

“His whole attitude about dressing well was part of the narrative that we Africans have been denied our humanity for so long.

“People have always had stereotypes about us, and he was saying dressing well is not just a matter of money, not just something for Westerners, but that we Africans also have elegance. It was all about defining ourselves and refusing to be stripped of our humanity.”

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