February 28, 2016

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2016 Academy Award Winners: 'Spotlight' Nabs Best Picture; 'Mad Max' Also Wins Big

With six Oscars, Mad Max: Fury Road collected the most amount of Academy Awards on Hollywood’s biggest night, but it was Spotlight that snuck away with Best Picture and not the heavily predicted The Revenant. The latter film did collect awards for Best Director (Alejandro González Iñárritu), Best Actor (Leonardo DiCaprio, who won his first Oscar) and Best Cinematograpy (Emmanuel Lubezki), but that was it.

The night’s other major awards went to Brie Larson (Best Actress for Room), Alicia Vikander (Best Supporting Actress for The Danish Girl) and Mark Rylance (Best Supporting Actor, Bridge of Spies), who may be responsible for this year’s biggest snub, as Sylvester Stallone (Creed) missed out. (Yo Adrian… I didn’t do it!)

Our favorite moments?

Overall Favorite Moment: Chris Rock’s opening monologue

Not only did host Chris Rock come right out and confront the controversial lack of diversity among this year’s nominees, but he did so with hilarity and poignancy — and he wasn’t afraid to go right at the realities of Hollywood — going so far as to point out the fact that Leonardo DiCaprio gets great roles every year — while also making a point to say it’s not about boycotting anything, it’s about simply wanting more opportunity.

Favorite Friend Moment: Arnold Schwarzenegger’s message to Sylvester Stallone

When Sly lost the Oscar, his pal Arnold was quick to post this sweet video championing, well, the champ.

.@TheSlyStallone To me, you’re the best, no matter what they say. pic.twitter.com/zs4ZLl1nhY

— Arnold (@Schwarzenegger) February 29, 2016

Favorite Surprise Moment: Ex Machina winning Best Visual Effects

And how about the little sci-fi movie that could snagging a major Oscar from big-budget competition like Star Wars: The Force Awakens and Mad Max: Fury Road.

Most Powerful Moment: Lady Gaga’s performance of “‘Til It Happens To You” from The Hunting Ground.

Gaga’s powerful performance ended with he singer flanked by rape survivors. The entire crowd was on their feet, wiping away tears. Brie Larson even took the time to hug each and every survivor as they exited the stage.

Brie Larson hugged every survivor from @ladygaga‘s #Oscars performance (via @chrissGardner)pic.twitter.com/zCSvYs0XCK

— Mic (@micnews) February 29, 2016

Favorite Record Set: At 87 years of age, Ennio Morricone — who took home an Oscar for scoring The Hateful Eight — becomes the oldest winner of a competitive Oscar ever.

Biggest Record Set — With his Best Director win, Alejandro González Iñárritu becomes the first to win back-to-back directing Oscars in 65 years — and only the third person to ever accomplish that feat.

Favorite side story: Margaret Sixel, George Miller’s wife, wins Best Editing for Mad Max: Fury Road. She had never edited an action movie before. Well done, mate!

And the Oscar goes to…

Best Picture
The Big Short
Bridge Of Spies
Brooklyn
Mad Max: Fury Road
The Martian
The Revenant
Room
Spotlight — WINNER

Best Director
Alejandro Gonzalez Inarritu – The Revenant — WINNER
Adam McKay – The Big Short
George Miller – Mad Max Fury Road
Lenny Abrahamson – Room
Tom McCarthy – Spotlight

Best Actress
Cate Blanchett – Carol
Brie Larson – Room — WINNER
Jennifer Lawrence – Joy
Charlotte Rampling – 45 Years
Saoirse Ronan – Brooklyn

Best Actor
Bryan Cranston – Trumbo
Matt Damon – The Martian
Leonardo DiCaprio – The Revenant — WINNER
Michael Fassbender – Steve Jobs
Eddie Redmayne – The Danish Girl

Best Supporting Actor
Christian Bale – The Big Short
Tom Hardy – The Revenant
Mark Ruffalo – Spotlight
Mark Rylance – Bridge Of Spies — WINNER
Sylvester Stallone – Creed

Best Supporting Actress

Jennifer Jason Leigh – The Hateful Eight
Rooney Mara – Carol
Rachel McAdams – Spotlight
Alicia Vikander – The Danish Girl — WINNER
Kate Winslet – Steve Jobs

Best Original Screenplay
Matt Charman, Joel Coen, Ethan Coen – Bridge Of Spies
Alex Garland – Ex Machina
Josh Cooley, Pete Docter, Meg LeFauve – Inside Out
Tom McCarthy & Josh Singer – Spotlight — WINNER
Jonathan Herman, Andrea Berloff, S. Leigh Savage – Straight Outta Compton

Best Adapted Screenplay

Drew Goddard – The Martian
Nick Hornby – Brooklyn
Adam McKay & Charles Randolph – The Big Short — WINNER
Phyllis Nagy – Carol
Emma Donoghue – Room

Best Cinematography
Roger Deakins – Sicario
Edward Lachman – Carol
Emmanuel Lubezki – The Revenant — WINNER
Robert Richardson – The Hateful Eight
John Seale – Mad Max: Fury Road

Best Animated Feature
Anomalisa
Boy And The World
Inside Out — WINNER
Shaun The Sheep Movie
When Marnie Was There

Best Documentary Feature
Amy – WINNER
Cartel Land
The Look Of Silence
What Happened Miss Simone
Winter On Fire: Ukraine’s Fight For Freedom

Best Film Editing
Hank Corwin – The Big Short
Margaret Sixel – Mad Max: Fury Road — WINNER
Tom McArdle – Spotlight
Stephen Mirrione – The Revenant
Star Wars: The Force Awakens

Best Score
Carter Burwell – Carol
Ennio Morricone – The Hateful Eight — WINNER
Thomas Newman – Bridge Of Spies
Johann Johannson – Sicario
John Williams – Star Wars: The Force Awakens

Best Foreign Language Feature
Embrace Of The Serpent
Mustang
Son Of Saul — WINNER
Theeb
A War

Best Production Design
Bridge Of Spies
The Danish Girl
Mad Max: Fury Road — WINNER
The Martian
The Revenant

Best Visual Effects
Ex Machina — WINNER
Mad Max: Fury Road
The Martian
The Revenant
Star Wars: The Force Awakens

Best Animated Short Film
Bear Story — WINNER
Prologue
Sanjay’s Super Team
We Can’t Live Without Cosmos
World Of Tomorrow

Best Documentary Short Film
Body Team 12
Chau, Beyond The Lines
Claude Lanzmann: Spectres OF The Shoah
A Girl In The River — WINNER
Last Day Of Freedom

Best Live-Action Short Film
Ave Maria
Day One
Everything Will Be Okay
Shok
Stutterer — WINNER

Best Song
“Earned It” from Fifty Shades Of Grey
“Manta Ray from Racing Extinction
“Til It Happens To You” from The Hunting Ground
“Simple Song 3” from Youth
“Writing’s On The Wall” from Spectre — WINNER

Best Costume Design
Carol
Cinderella
The Danish Girl
Mad Max: Fury Road — WINNER
The Revenant

Best Sound Editing
Mad Max: Fury Road — WINNER
The Martian
The Revenant
Sicario
Star Wars: The Force Awakens

Best Sound Mixing
Bride Of Spies
Mad Max: Fury Road — WINNER
The Martian
The Revenant
Star Wars: The Force Awakens

Best Makeup & Hairstyling
Mad Max: Fury Road — WINNER
The 100-Year-Old Man Who Climbed Out THe Window And Disappeared
The Revenant

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MLB Aims To Speed Up Baseball With New Rules

2:21

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When spring training kicks off this week, baseball will be played with new rules. Most are designed to speed up the game. But one might slow things down.

Transcript

ERIC WESTERVELT, HOST:

Play ball – spring training starts in just two days. And Major League Baseball will continue its efforts to speed up the game with several new rules. NPR’s Eyder Peralta reports.

EYDER PERALTA, BYLINE: Here’s how David Lennon, a sports columnist for New York Newsday, describes plays around second base.

DAVID LENNON: I would say it’s always been part ballet and part, you know, UFC. You know, I think that’s what play around second base has been.

PERALTA: That cage match metaphor was fitting for a play during last season’s playoffs.

(SOUNDBITE OF 2015 NATIONAL LEAGUE DIVISION SERIES)

ERNIE JOHNSON, JR.: Up the middle, gloved by Murphy. Wow, did Chase Utley go in hard at second as the tying run scores.

PERALTA: The Dodgers’ Chase Utley stops a double play, but the Mets shortstop, Ruben Tejada, ends up writhing on the diamond with a broken leg. A new rule makes it illegal for a runner to try to break up a double play without sliding. It also forces a fielder to actually touch second base to make an out. In the past, an umpire could give a player the benefit of the doubt if they shuffled past the base to get out of the way from a charging runner. David Lennon says coaches and players are not sure the new rule will make the game safer.

LENNON: Is baseball making a shortstop or a second baseman more vulnerable now by making him spend more time around the base and be more of a target?

PERALTA: But Lennon believes the big difference will be in the pace of the game. Those plays at second base can now be challenged.

LENNON: What the fan will see is that there could be some more dead time.

PERALTA: At the same time, the other two new rules are meant to make games shorter.

(SOUNDBITE OF BASEBALL GAME)

UNIDENTIFIED ANNOUNCER #1: And now pitching coach Brent Strom comes out to the mound.

PERALTA: One of them limits visits to the mound to 30 seconds. Managers are known to buy time for relief pitchers by taking leisurely trips to the mound. In a game last year, Astros pitching coach Brent Strom comes out to talk to his pitcher. And he takes a good 40 seconds waiting for the umpire to come break it up. And then he gets tossed for mouthing off.

(SOUNDBITE OF BASEBALL GAME)

UNIDENTIFIED ANNOUNCER #2: And that’s why a pitching coach or a manager may stay at the mound sometimes, just wait until the home-plate umpire comes out there.

PERALTA: The other rule cuts commercial breaks between innings. Here’s David Lennon again.

LENNON: Here and there, they’re trying to snip and save some seconds. But yeah, that’s always going to be working in balance with the instant replay and the technology that’s being brought into the game.

PERALTA: In other words, the new rules might just lead to the same old game. Eyder Peralta, NPR News.

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Being Black In The Tech Industry

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Professor, author and CEO of Clearly Innovative, Aaron Saunders talks about the challenges of being African-American in the tech industry.

Transcript

ERIC WESTERVELT, HOST:

Today, we’re going to dig into the challenges people of color face when it comes to navigating the tech industry. For African-Americans, rising through the ranks of the tech world is challenging on its own. Aaron Saunders is taking what he’s learned and using it to prepare young black programmers-in-training for the tough realities of a career where almost everyone is white. As part of our Black History Month series called BlackAnd, where we bring you stories of people navigating more than one identity, today we’re going to talk about being black in the tech industry. Aaron Saunders is CEO of Clearly Innovative, a tech company here in Washington, D.C., that builds a range of digital products. He joins us in our studio in Washington. Aaron, welcome to the program.

AARON SAUNDERS: Thank you very much.

WESTERVELT: So tell us your story. You’re in your 50s. Growing up, did you have a mentor that guided you toward tech, or did you find it on your own?

SAUNDERS: Actually, it is a funny story. I found tech on my own in school. I was small, got picked up quite frequently. And so I chose to stay in the library during lunch time. There was a large box sitting in the corner which happened to be a Commodore 64 that the librarians did not really understand what to do with it. So I said hey, can I open it up? So I opened up the box, read the manuals, taught myself how to program in BASIC. And that’s kind of where it all started. And that was in sixth grade.

WESTERVELT: Started schooling the librarians a little bit…

SAUNDERS: Yeah.

WESTERVELT: …On how to use their computer?

SAUNDERS: (Laughter) Yes, yes.

WESTERVELT: In your early years starting out, how common was it to run into other African-Americans in the tech field?

SAUNDERS: It was nonexistent. In the early years and even after – you know, when I was working in New York in the ’80s, I was a consultant for IBM. And I would go into meetings, and they were literally no other people of color in the room on either side of the table in most cases. I was senior-level architect. I would lead teams; I would lead projects and I spent a lot of time doing client-facing work. I would usually go into meetings and sit down and far too often, the client assumed that the person next to me was Aaron Saunders and that I was not Aaron Saunders the architect. And the person next to me was not African-American. It was very frustrating because especially in the consulting business, you’re basically selling yourself, right? You’re walking in a room; you’re telling the client hey, we’re going to get this done for you. Please pay us a lot of money to do this before you even do any work. And I think for African-Americans it’s a huge challenge because people come to the table with preconceived notions about our capabilities and what we can do. So you have to try even harder to get that point across that yes, I can get this done for you, yes, I am capable, yes, I belong here.

WESTERVELT: Silicon Valley tech companies have pledged to do more to create a more diverse workforce. Why do you think it’s taking so long and it’s so hard for them?

SAUNDERS: Because there aren’t any black people there. I mean, you’re – you know what I mean? It’s real simple. As well-intentioned as they are, right, it’s still challenging for a room full of nondiverse people to figure out how to address diversity, right? I know there’s a big push right now to address the lack of diversity in tech through HBCUs.

WESTERVELT: Historically black colleges and universities.

SAUNDERS: Yes. The bulk of the HBCUs are on the East Coast. The bulk of the tech companies are on the West Coast. You’re not going to solve this problem by just dropping in for a weekend or for a job fair. It’s going to take a committed kind of – for lack of a better word, you know, on-the-ground war.

WESTERVELT: When you meet tech companies there and talk about diversity, do you feel like you’re coming at it from really different places?

SAUNDERS: I think as an African-American when I discuss tech and tech diversity, I definitely am coming from a different place than most of the people that I’m talking to because you’re discussing things with them that they simply can’t wrap their head around. For example, take a person of color who’s grown up in a black community, went to high school in a prominent black community, probably went to a predominantly-black college. And even if they got that job at that great tech company now, it’s a complete culture shock. Beyond even what they’re capable of doing technically, they now need to kind of handled this, you know, this dualism of who they are and who they believe they need to be to be successful in the workplace.

WESTERVELT: It’s not just as simple as hiring? It’s…

SAUNDERS: It’s not just as simple as hiring.

WESTERVELT: You’re also teaching in Howard University’s computer science department. How do you approach preparing young students of color not just technically but in a tech world that’s still not inclusive?

SAUNDERS: So one of the things that I do when I first start my class is I ask my students how much programming experience they have. And the very first semester that I taught, what I found interesting was that some of my students had never programmed before they’d got to college. And I clearly articulated to them that if you want a job in the Valley, the people that you’re competing with for those jobs, a lot them probably started programming sixth, seventh, eighth grade and have been doing it for years. And so it’s a focus on making that extra effort and that extra commitment to kind of get back on track to be successful and be competitive.

WESTERVELT: Aaron Saunders is CEO of Clearly Innovative. He joined us in our Washington, D.C. studios. Aaron’s story BlackAnd in tech is the final part of our Black History Month series BlackAnd, which features different voices of those balancing multiple identities. To look back on the series, you can search for #BlackAnd on Twitter as well as on npr.org. Aaron, thanks for coming in.

SAUNDERS: Thank you very much.

Copyright © 2016 NPR. All rights reserved. Visit our website terms of use and permissions pages at www.npr.org for further information.

NPR transcripts are created on a rush deadline by a contractor for NPR, and accuracy and availability may vary. This text may not be in its final form and may be updated or revised in the future. Please be aware that the authoritative record of NPR’s programming is the audio.

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Healthcare.gov Marketplace Looks To More Selective California Model

3:49

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Healthcare.gov accepts any insurance plan on its marketplace that complies with minimum standards. It’s now considering strengthening those standards, and it’s looking to California to see how.

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