February 3, 2016

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Today in Movie Culture: 'The Revenant' Video Game, Scarlett Johasson's 'Hail, Caesar!' Inspiration and More

Here are a bunch of little bites to satisfy your hunger for movie culture:

Fake Video Game of the Day:

One Perfect Shot shows us that The Revenant could easily be turned into a video game:

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Alternative Movie Poster of the Day:

Speaking of The Revenant, artist Matt Needle made a bunch of clever, relatively minimalist posters for Oscar-nominated movies. See more at Live for Films.

Cosplay of the Day:

Of course Jedi Belle of this mashup Disney Princesses and Star Wars cosplay has a candelabra-inspired lightsaber (via Fashionably Geek):

Movie Comparison of the Day:

Couch Tomato shows us 24 reasons why Cinderella and Coming to America are the same movie:

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Vintage Image of the Day:

Esther Williams in Million Dollar Mermaid, the inspiration for Scarlett Johansson‘s character in Hail, Caesar!:

Shooting Location of the Day:

In tribute to L.A.’s Sixth Street Bridge, which will be demolished this week, Vashi Nedomansky compiled clips of its appearnce in movies, including Grease, The Dark Knight Rises and Drive (via Cinematica Montage Creators):

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Movie Art of the Day:

This drawing inspired by a scene from Stand By Me is pretty cool until you find out it’s part of a Scratch and Sniff book devoted to classic food-related movie moments. See more at Toyland.

Supercut of the Day:

Are there too many Mexican standoffs in movies? See for yourself with this supercut from Burger Fiction:

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Movie Prop Exhibit of the Day:

At the Bavaria Filmstadt in Germany, a prop of Falkor from The Neverending Story is on exhibit and you can pretend to ride it (via Geek Tyrant):

Classic Clip of the Day:

Today is the 40th anniversary of the cult classic animated feature The Point. In lieu of a trailer, watch a clip featuring one of Harry Nilsson‘s songs for the film:

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First Listen: Rokia Traoré, 'Né So'

Rokia Traore's new album, Ne So, comes out Feb. 12.
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Rokia Traore’s new album, Ne So, comes out Feb. 12. Danny Willems/Courtesy of the artist hide caption

toggle caption Danny Willems/Courtesy of the artist

These days, the idea of home is on the mind of the fantastically gifted singer, songwriter and instrumentalist Rokia Traoré. It’s been four years since Mali, Traoré’s native west African country, began descending into ongoing bedlam. Only two months ago, jihadists attacked the Radisson Blu hotel in Mali’s capital, Bamako, and left 20 people dead. And, of course, the international migrant crisis is staggering in its numbers and complexity: At the end of 2014, the UN Refugee Agency says, 59.5 million people were displaced from their homes — a historical all-time high.

It’s no surprise that the idea of refuge — but also of abiding roots, and of possessing bone-deep knowledge of a specific place — serves as a central catalyst to Traoré’s gorgeous new album, Né So, whose title means “home” in the Bambara language.

The daughter of a diplomat, Traoré spent her childhood traveling internationally, and as an adult she’s moved back and forth between Europe and Mali. So it’s no surprise that she spends much of Né So investigating what, exactly, “home” means — and what it means when a person loses her or his home.

Sometimes, Traoré seizes on specific material; her sweetly tender song “Kolokani” references an ancestral town as its words alight upon particular experiences. (“Tell the hunters that I was deeply honored, amazed and moved by their tribute when last I visited. … Tell them I think of Kolokani; of the ancestral values of Kolokani; of the Zambila lineage of Kolokani.”)

At other times, Traoré embraces a much wider view: Her collaborators on Né So include not just a wealth of talented musicians from across western and central Africa, Europe and the U.S., but also guest performers John Paul Jones (of Led Zeppelin), Devendra Banhart and even author Toni Morrison, who appears in “Sé Dan.” (The album was produced by John Parish, who also collaborated with Traoré on 2013’s superb Beautiful Africa.)

As always with Traoré, her musical baseline reflects that cosmopolitanism: Listen to “Obikè” (Thus It Is), with its sinuous, funk-inflected grooves and odd-metered rhythms; “Ô Niélé” (First Woman), which puts Jones’ bass guitar and Parish’s drum kit front and center alongside Traoré’s voice; and the Prince-ly seductiveness of “Amour” (Love).

Another element carried over from her previous releases is the critical centrality and forthrightness of her lyrics. In “Kènia,” Traoré delivers a clarion call for behavior and action: “Failure,” she sings, “is due to an aim which has not found the right reasons … The good behavior of our congressmen, the attitude of opposition parties, the behavior of our ministers, the good behavior of our civil servants, the good example of our head of state — these are things that build a country’s progress, which inspire courage and integrity in a country’s citizens.” (Can you imagine an American singer-songwriter addressing politicians in such a way?)

Although the album consists mostly of originals, Traoré turns to one iconic, darkly bitter American song: Abel Meeropol‘s “Strange Fruit,” made famous by Billie Holiday. And though the song’s original context is (of course) racism in the U.S., Traoré’s spare and haunting rendition — which frames her voice with guitar, bass, ngoni lute and drums — provides a haunting reminder of how cruelty and bloodshed continue in our time.

Traoré, however, doesn’t settle for artistic introspection alone. She works closely with the UN Refugee Agency, and has been particularly outspoken regarding the crisis in her native country, though she keeps a wider scope. As she begins in the title track’s spoken introduction: “In 2014, another 5,500,000 people fled their homes … forced to seek refuge elsewhere.”

Her outrage and sorrow are palpable. Né So is a sonically beautiful project, for sure, and it’s easy to get lost in the lilting rhythms and Traoré’s smoky voice. But if you’re simply sitting back with this album, you may have missed her point.

Rokia Traoré, ‘Né So’

Rokia Traore, Ne So

Rokia Traore, Ne So Courtesy of the artist hide caption

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Tu Voles

  • Artist: Rokia Traoré
  • From: Né So
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Obikè

  • Artist: Rokia Traoré
  • From: Né So
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Kènia

  • Artist: Rokia Traoré
  • From: Né So
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Amour

  • Artist: Rokia Traoré
  • From: Né So
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Mayé

  • Artist: Rokia Traoré
  • From: Né So
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Ilé

  • Artist: Rokia Traoré
  • From: Né So
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Ô Niélé

  • Artist: Rokia Traoré
  • From: Né So
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Kolokani

  • Artist: Rokia Traoré
  • From: Né So
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Strange Fruit

  • Artist: Rokia Traoré
  • From: Né So
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Né So

  • Artist: Rokia Traoré
  • From: Né So
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Sé Dan

  • Artist: Rokia Traoré
  • From: Né So
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Media Mogul Sumner Redstone, 92, Steps Down At CBS

Sumner Redstone, 92, has resigned as executive chairman of CBS, amid concerns about his health.

Sumner Redstone, 92, has resigned as executive chairman of CBS, amid concerns about his health. Dan Steinberg/Dan Steinberg/Invision/AP hide caption

toggle caption Dan Steinberg/Dan Steinberg/Invision/AP

CBS Corporation CEO Leslie Moonves has been named executive chairman of the CBS Board of Directors, following longtime chief Sumner Redstone’s resignation.

“I am honored to accept the chairmanship of this great Company,” Moonves said in a statement. “I want to thank Sumner for his guidance and strong support over all these years. It has meant the world to me.”

Redstone is now chairman emeritus, the company said in the statement.

Starting with a mere chain of movie theaters, Redstone built a massive international entertainment and media conglomerate, NPR’s David Folkenflik reports.

“He never had the public profile or political influence of his billionaire counterparts Ted Turner, Rupert Murdoch or Mike Bloomberg. But he had the drive to expand to take over CBS and to build Viacom,” David says. His dual empire of CBS and Viacom were split into separate companies in 2006.

Under Redstone’s leadership, CBS acquired properties including MTV, Comedy Central and Showtime. Paramount Pictures is also part of Viacom and the Simon & Schuster publishing house is part of CBS Corp.

While his acumen grew the business, David says Redstone could be petty and obsessive in his dealings, fighting with family members, including his own children.

“Viacom CEO Tom Freston was forced out for a series of perceived failings, most notably his inability to acquire MySpace for Redstone, who coveted it,” David said. He added that when News Corp, which ended up buying MySapce, went on to lose nearly its entire $580 million investment in the social platform, many competitors thought Redstone had been fortunate to sidestep a huge financial headache.

Viacom, where Redstone apparently still holds the post of executive chairman of the board, has not yet responded to NPR’s request for comment.

Redstone has been the subject of a series of legal actions involving a former girlfriend. The Los Angeles Times reports that his former companion, Manuela Herzer, 51, is seeking to have Redstone declared mentally incompetent after she was removed from “her position of authority overseeing the billionaire’s household affairs.” Herzer was also replaced by Viacom CEO Philippe Dauman as the person in charge of making medical decisions for Redstone should he become incapacitated.

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Super Bowl-Winning Quarterback Ken Stabler Had C.T.E., Test Results Show

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The late quarterback Ken Stabler was an anti-establishment icon playing in the very pro-establishment NFL in the 1970s. Now he’s become an icon of a very different sort. Test results showed that Stabler suffered from C.T.E., the degenerative brain disease linked to repeated blows to the head. NPR’s Kelly McEvers talks to Stabler’s long time partner, Kim Bush.

Transcript

KELLY MCEVERS, HOST:

The late quarterback Ken Stabler was an antiestablishment icon playing in the very pro-establishment NFL. He was the face of the Oakland Raiders, which, in the 1970s, was the biggest collection of malcontents, scallywags and hell-raisers the league has ever seen before or since. He died last July of colon cancer, and today, The New York Times reports a study of his brain has shown that Stabler suffered from CTE. That’s the degenerative brain disease linked to repeated blows to the head. Stabler’s longtime partner, Kim Bush, joins us now. Welcome to the show.

KIM BUSH: Hi, Kelly. Nice to be here with you.

MCEVERS: When did you notice that something wasn’t right?

BUSH: I really can go back, and around 2008, I started noticing that he would repeat himself and sometimes more often than others. And you know, it was pretty obvious anytime we joined a group of his fellow teammates or other NFL players at all different types of celebrity events that we went to – just, they were all beat up in some fashion or another, whether it was hips, knees, shoulder and then, occasionally, you know, the ones who had very significant head injury issues, like the great John Mackey.

We ran into him at a golf tournament years and years ago, and I remember late that night, Kenny and I talking, and he was talking about Mr. Mackey. And he said, you know, are you ready for that? And I just said, yeah, I’m ready. It’s – you know, hey, we may not go there; that may not be your fate, you know – so I guess maybe just hopeful it didn’t come knock on his door, but unfortunately, as we found out this week, it did.

MCEVERS: Do you think there’s any possibility that the brain disorder made him more private than he might have been before?

BUSH: Oh, definitely, definitely. Like I said, when I saw those changes in ’08 of the memory stuff, that’s also about the time that we started dialing back public appearances and events ’cause he was just, number one, plagued with horrible knees. He was also starting with headaches that were frequent. Some days they would be so intense he, you know, spent the day basically in silence because the TV just annoyed him or pots and pans when I was cooking. A lot of times, he would have to go to another room.

You know, he said that he always had, like, a really high-pitched E sound. Just E just all the time. And I noticed he started gritting his teeth. And I think his head rattled. I mean, I really think the inside of his head was just rumbling and rattling all the time. And he would, you know, scrunch up his eyes so tightly that I’m like, that will give you a headache within itself, you know? But it was a very consistent situation that we experienced the last five or six years.

MCEVERS: He has two grandsons. They’re both 17. They both play high school football. Was he concerned about them playing the sport?

BUSH: Oh, he was. He was definitely, you know – I think he – one particular year, one of the boys had said that he didn’t think he wanted to play, and Kenny was like, that’s great; that’s great. Just work on your studied. Just – you know, that’s OK. You don’t have to play football. I mean, he was very supportive of Justin not playing.

MCEVERS: Ken Stabler is one of a growing number of professional football players who we now know had this disease. What do you think the NFL should do about this?

BUSH: Well, I mean, obviously, this science – it has to be used to make improvements, and you know, I don’t think you can build a supersonic helmet that is going to fix this problem. I personally think there’s going to have to be changes to the game in terms of contact. And you know, we’ve seen some changes already with how they’re allowing players to hit, and if a player’s helmet comes off, they have to sit out. But there has to be more, and I think more importantly than even at the pro level, we have to look at youth sports and education and training coaches and – is it really necessary for these kids to play contact? It’s going to take modifications to the game is my belief.

MCEVERS: There are a growing number of survivors of players, children of players and family members of players who had CTE and who died. Have you reached out to any of them? Are you in touch with any of them?

BUSH: I have not yet because we really, honestly, have been waiting for all of the final results to come, which just came this week. And now that we’re all headed into San Francisco for Super Bowl 50 and hopefully his induction into the Hall of Fame, I’ll be seeing a lot of people and meeting a lot of these families. But I can tell you already that I am very committed to working with the Concussion Legacy Foundation. You just can’t sit back with this kind of knowledge and not act. You just can’t. We must invoke change and progress.

MCEVERS: That’s Kim Bush, longtime partner of quarterback Ken Stabler. Thank you so much for your time today.

BUSH: Thank you, Kelly.

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California Exchange Chief Rips UnitedHealth For Obamacare Excuses

“Instead of saying, ‘We screwed up,’ they said, ‘Obamacare is the problem and we may not play anymore,’ ” Covered California’s Peter Lee said of UnitedHealth. Rick Loomis/LA Times via Getty Images hide caption

toggle caption Rick Loomis/LA Times via Getty Images

Amid growing questions over the future of Obamacare exchanges, the head of California’s marketplace said the nation’s largest private health insurer should take responsibility for nearly $1 billion in losses and stop blaming the federal health law.

In a blistering critique, Covered California’s executive director, Peter Lee, said UnitedHealth Group Inc. made a series of blunders on rates and networks that led to a $475 million loss in 2015 on individual policies across the country. The company estimates a similar exchange-related loss of $500 million in 2016.

“Instead of saying, ‘We screwed up,’ they said, ‘Obamacare is the problem and we may not play anymore,’ ” Lee said in an interview with California Healthline. “It was giving an excuse to Wall Street and throwing the Affordable Care Act under the bus.”

Lee, a staunch defender of the health law and a former official in the Obama administration, has tangled with UnitedHealth in the past. He knocked the company for sitting out the launch of Obamacare in 2014, then welcomed UnitedHealth into Covered California for 2016.

But now, he said, the company is “driving me bonkers” because it has “fed this political frenzy that Obamacare doesn’t work. It’s total spin and unanchored in reality.”

A company spokesman declined to comment on Lee’s criticism, and referred to UnitedHealth’s previous statements on the exchange business.

During a Nov. 19 conference call with analysts, UnitedHealth’s CEO Stephen Hemsley said: “We can’t really subsidize a marketplace that doesn’t appear at the moment to be sustaining itself. … I think that basically is an industrywide proposition.”

An Urban Institute report issued last week, however, found that some of UnitedHealth’s troubles may have been self-inflicted. The company’s premiums were substantially higher than its competitors’ in many of the largest U.S. markets. The insurer also offered broader provider networks that tend to attract sicker customers who incur big medical bills.

In November, UnitedHealth surprised analysts and health-policy experts with its steep losses and said it might leave the exchanges altogether, just after expanding into new states. The sudden reversal prompted questions about the sustainability of the government-run marketplaces, the linchpin of President Obama’s signature law.

UnitedHealth reiterated its dour outlook for the exchange market when it announced quarterly results Jan. 19. The company said it has seen an influx of sicker patients during special enrollment, fewer healthy people signing up and costs rising as a result.

UnitedHealth ended last year with about 500,000 customers in the public exchanges, and it expects membership to grow to about 800,000 during the recent open enrollment. It has said it will decide by midyear whether to continue selling in Obamacare marketplaces.

Other major insurers have expressed similar concerns about doing business in the public exchanges, albeit with less red ink than UnitedHealth.

Anthem Inc., the nation’s second-largest health insurer, said last week that its exchange enrollment in California and 13 other states was running about 30 percent below expectations, but the business was still slightly profitable. Anthem ended last year with 791,000 exchange members.

On Monday, insurance giant Aetna Inc. said it lost up to $140 million, or a negative margin of 3 percent to 4 percent, on individual coverage last year. It has 1 million members with individual policies, about 75 percent of them on public exchanges. The company said it expects to break even this year, however.

“Our individual commercial business ended the year with improved results,” Aetna’s chief executive, Mark Bertolini, said Monday during an earnings conference call. “Despite our improved finish, this business remained unprofitable in 2015, and we continue to have serious concerns about the sustainability of the public exchanges.”

In response to industry criticism, the Obama administration is taking steps to prevent the misuse of special enrollment so people can’t wait to sign up until they need care. Special enrollment is designed for people who lose coverage or need to make a change because of an event in their life, such as moving, getting married or having a child.

Insurance markets can’t function properly without enough healthy customers paying premiums, which are used to cover expenses incurred by sicker policyholders. The three-month open enrollment period for the federal and state exchanges just ended Jan. 31. California extended its deadline to Feb. 6 for people who already had begun the sign-up process by Sunday.

John Holahan, a health-policy researcher at the Urban Institute, said the Obama administration does need to impose stricter rules for special enrollment. He also said concerns over affordability have hampered enrollment because some middle-class consumers and young, healthy people are put off by high premiums and large deductibles.

“But I haven’t seen anything that shows the exchanges are really in trouble,” Holahan said. “That doesn’t mean every insurer is going to make it. Some companies don’t make it, and that isn’t a sign markets are unsustainable.”

The Department of Health and Human Services expects about 10 million people to be enrolled in federal and state exchanges at the end of 2016. That’s far below previous government forecasts.

UnitedHealth sat out Covered California for the first two years before joining in several rural areas. Lee said both sides will be analyzing whether the company returns for 2017. As an active purchaser, Covered California can decide whether or not to contract with certain health plans and allow them on the state exchange.

“United will be looking at what their prospects are in California,” Lee said.
“We will be looking at United as a plan to see if they offer good value for Californians. It’s to be determined on both ends.”

This story was produced by Kaiser Health News, which publishes California Healthline, a service of the California HealthCare Foundation.

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