January 26, 2016

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Today in Movie Culture: 'The Chickening,' the Visual Effects of 'The Martian' and More

Here are a bunch of little bites to satisfy your hunger for movie culture:

Movie Remix of the Day:

The Shining wasn’t weird enough, so here’s a surreal remix called The Chickening:

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VFX Reel of the Day:

See how the Oscar-nominated visual effects of The Martian were achieved in this behind-the-scenes reel:

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Movie Spinoff Takedown of the Day:

Honest Trailers takes a break from trashing movies to make fun of Marvel‘s Agents of S.H.I.E.L.D.:

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Vintage Image of the Day:

Abe Vigoda, who passed away today at age 94, with Al Pacino in a funeral scene in The Godfather:

Fan Art of the Day:

Watch artist Wahyu Ichwandardi draw and then animate Finn from Star Wars: The Force Awakens. See more with Rey and Han Solo at Design Taxi.

Cosplay of the Day:

“I know your cat eyes.” Here’s a kitty dressed as Rey from Star Wars: The Force Awakens. You’re welcome (via Fashionably Geek):

Filmmaker in Focus:

Michael McLennen highlights wide angle shots of characters in front of horizons in the movies of director Michael Mann and cinematographer Dante Spinotti in this supercut video essay (via Cinematic Montage Creators):

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Movie Trivia of the Day:

In memory of David Bowie and in honor of this year’s 30th anniversary, here are nine things you may not know about Labyrinth:

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Trailer Redo of the Day:

Here’s what a trailer for Jurassic Park would look like if it was coming out this year (via Geek Tyrant):

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Classic Trailer of the Day:

Today is the 85th anniversary of the premiere of Cimarron, which would go on to win Best Picture in late 1931. Watch a much later trailer for the Western’s home video release:

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and

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As Sanctions On Iran Are Lifted, Many U.S. Business Restrictions Remain

The Iranian private airline Mahan Air uses Airbus planes, like the one pictured here at Yemen's Sanaa airport in 2015. Tehran is in talks with Airbus to buy more than 100 additional passenger planes.
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The Iranian private airline Mahan Air uses Airbus planes, like the one pictured here at Yemen’s Sanaa airport in 2015. Tehran is in talks with Airbus to buy more than 100 additional passenger planes. Hani Mohammed/AP hide caption

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Iranian President Hassan Rouhani is on a goodwill tour through Italy and France this week, trying to drum up investment for his country’s sanctions-battered economy.

But Iran still faces challenges that make it hard for companies to do business with Tehran.

In a move that was loudly celebrated in Iran, the United States and other countries earlier this month agreed to lift an economic embargo that had been imposed in 2012 in an effort to curb Iran’s nuclear program.

The move means that companies in Europe, Asia and elsewhere are free to invest in and trade with Iran. And many seem interested in doing so.

“What we know is that there are many firms in Europe that are eager to enter into Iranian markets,” says Nader Habibi, a professor of Middle East economics at Brandeis University. “There is no shortage of those. Many of them have already made initial trips to prepare the ground for partnership or investment in Iran.”

But doing business in Iran presents special challenges, and the reasons have to do with U.S. policy.

While the U.S. government has agreed to lift the nuclear sanctions against Iran, it continues to impose other sanctions over Iran’s human rights policies and support for terrorism. These sanctions bar American citizens and companies from most forms of investment or trade with the country.

In theory, those sanctions should affect only U.S. companies — but in reality, the law’s reach goes well beyond U.S. borders, Habibi says.

The U.S. financial sanctions “can still cause some problems and make some of the European businesses and banks subject to U.S. economic punishment,” he says.

The Treasury Department’s Office of Financial Assets Control “has made it very clear that no payments linked to Iran may be processed through the U.S. financial system,” says Julia Pfeil, senior associate at the Baker & McKenzie law firm in Frankfurt, Germany.

“So if you receive money from Iran as a bank or a company,” she says, “you must make sure that this money does not then go to the U.S. or to a U.S. bank or to your U.S. subsidiary.”

That means foreign financial institutions doing business in the United States — and almost any bank of any consequence has substantial U.S. operations — must somehow segregate any Iranian money they hold from their U.S. assets. That’s difficult to do, Pfeil says. There’s no easy way to isolate Iranian money from the rest of the bank’s holdings.

“In a bank, you don’t have separate financial streams,” she says. “You have the money that goes more or less into a big pool. Of course, it is possible to find out which payment has gone where. But ultimately controlling so that, say, 20 euros that have come from Iran do not end up in the U.S. — that is a very big problem for banks.”

Beyond this, says Jimmy Gurule, a former Treasury Department official who now teaches at Notre Dame Law School, “Foreign financial institutions need to be very careful [because], while they may not be running afoul of the nuclear sanctions because they’ve been lifted, doing business with Iran in a particular set of transactions may run afoul of the counterterrorism sanctions.”

Foreign banks are especially nervous about violating U.S. sanctions laws because they have sometimes been hit with hefty fines for doing so. In 2014, France’s largest bank, BNP Paribas, agreed to pay a $9 billion penalty for helping clients in Sudan, Cuba and Iran evade sanctions.

“So what we are hearing from Europe is that although European sanctions are lifted, the banks, especially major banks which transact with the United States, are very cautious,” Habibi says.

Companies that want to do business in Iran have to first find banks that will work with them, Pfeil says. That means using small banks with no significant operations in the U.S. or even Iranian banks.

Still, Gurule believes the Iranian market will ultimately prove irresistible to some businesses.

“I think the economic incentive may just be too great an allure for the counterterrorism sanctions to have a chilling effect and prohibit them from doing business with Iran altogether,” he says.

But these companies will first have to decide whether the allure of Iran is worth the risks they’ll face when they do business there.

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Anti-Abortion Activists Indicted On Felony Charges In Planned Parenthood Case

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A grand jury in Houston has returned indictments against two members of a group that targeted Planned Parenthood with a string of undercover videos last year. The felony indictments are a twist as the panel was originally tasked with investigation the group’s claim that Planned Parenthood was selling fetal tissue.

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ROBERT SIEGEL, HOST:

Now to the surprise twist in the Planned Parenthood story. Last year, an antiabortion group released secretly recorded videos that they said showed Planned Parenthood employees trying to sell fetal tissue. The videos launched a series of congressional and state investigations of Planned Parenthood, including in Texas. Well, now a grand jury in Houston looking into the case has indicted two antiabortion activists who helped make the videos. They face felony charges for using fake driver’s licenses. One is also charged with a misdemeanor. Here to help us sort through all this is NPR’s Jennifer Ludden. And Jennifer, who’s charged and with what?

JENNIFER LUDDEN, BYLINE: Robert, David Daleiden is the name most familiar to some people now. He’s the head of the Center for Medical Progress, which is a company he basically set up to put out these undercover videos. Also, a colleague of his who helped him, Sandra Merritt – both are charged with felonies for making and using fake California drivers licenses. They apparently used them to gain access to a Planned Parenthood meeting in Texas. Daleiden also faces a misdemeanor charge of illegally trying to buy fetal tissue, which his lawyers call very ironic since he was trying to accuse Planned Parenthood of illegally selling fetal tissue.

SIEGEL: What else did the lawyers say about these charges?

LUDDEN: Well, they say, you know, how can you accuse Daleiden of this without accusing Planned Parenthood of trying to sell the tissue he was trying to buy? Planned Parenthood says, you know, Daleiden, in this fake identity, was offering them $1,600 per specimen, which is just outrageously high, so high that they never responded to him. Daleiden’s lawyer also says that the felony charge is inappropriate here, that the law bans the use of fake IDs if you’re going to defraud the government – you know, try to get Social Security benefits or something. But he says in this case, Daleiden was simply doing what investigative journalists do, so he will talk about his First Amendment rights.

SIEGEL: What happens next in this case?

LUDDEN: Well, Daleiden’s attorney says that, you know, arrangements are being made for him and Merritt to turn themselves in. They’re in California, so they would go to Houston. Now, his attorney says he hopes that at that point, this whole case would be dismissed.

SIEGEL: What about all those other instigations launched after the release of those videos? Where do they stand now?

LUDDEN: Most of the state investigations were brought by Republican governors. Eleven states so far have cleared Planned Parenthood of any wrongdoing. Now, I should note that in a lot of those states, they were – said they were investigating, you know, the donation of fetal tissue in states where Planned Parenthood says it didn’t even do that. Now, in Texas, Governor Greg Abbott says he will continue the investigation despite the grand jury’s indictment. Texas will continue looking into any possible wrongdoing by Planned Parenthood.

In Congress, we’ve also had a number of committees who opened investigations. There were a lot of high-profile hearings last year. Lawmakers vowed to cut off federal funding for Planned Parenthood. That did not happen. But there’s a select committee created to investigate the use of fetal tissue and how it’s provided to researchers. That is still organizing – no meetings yet. But today, its chairwoman, Representative Marsha Blackburn, says she is committed as ever to that mission.

SIEGEL: In addition to what the grand jury in Houston did, there’s also a lawsuit that David Daleiden and the Center for Medical Progress face.

LUDDEN: Right. Earlier this month, Planned Parenthood’s affiliate in California brought a civil suit accusing Daleiden and some others of conspiracy and fraud. And again, this goes back to their use of a fake identity to gain access to private meetings. They say that, you know, he lied his way into medical conferences, secretly recorded people without their consent and violated confidentiality contracts that he and others signed. And that suit basically seeks damages – monetary damages for that.

SIEGEL: That’s NPR’s Jennifer Ludden. Jennifer, thanks.

LUDDEN: Thank you.

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Our Top Discoveries At globalFEST 2016

One of the many great outfits Astrid Hadad showcased during her performance at globalFEST, at New York City's Webster Hall on Jan. 17, 2016.
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    One of the many great outfits Astrid Hadad showcased during her performance at globalFEST, at New York City’s Webster Hall on Jan. 17, 2016.
    Ebru Yildiz/NPR
  • Colombia's Afro-Champeta champions Tribu Baharu set off a dance party during their globalFEST performance, at New York City's Webster Hall on Jan. 17, 2016.
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    Colombia’s Afro-Champeta champions Tribu Baharu set off a dance party during their globalFEST performance, at New York City’s Webster Hall on Jan. 17, 2016.
    Ebru Yildiz/NPR
  • Mariana Sadovska performed a set of theatrical Eastern European folk during globalFEST, at New York City's Webster Hall on Jan. 17, 2016.
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    Mariana Sadovska performed a set of theatrical Eastern European folk during globalFEST, at New York City’s Webster Hall on Jan. 17, 2016.
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  • Fendika is a traditional Ethiopian dance-and music troupe led by Melaku Belay (center), performing during globalFEST at New York City's Webster Hall on Jan. 17, 2016.
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    Fendika is a traditional Ethiopian dance-and music troupe led by Melaku Belay (center), performing during globalFEST at New York City’s Webster Hall on Jan. 17, 2016.
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    New Orleans-based Debauche specialize in what they describe as “Russian mafia ballads” —their globalFEST performance at New York City’s Webster Hall on Jan. 17, 2016 was one of the evening’s sweatier moments.
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  • Tribu Baharu performs during globalFEST at New York City's Webster Hall on Jan. 17, 2016.
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    Tribu Baharu performs during globalFEST at New York City’s Webster Hall on Jan. 17, 2016.
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  • Haiti's Lakou Mizik, who performed during globalFEST at New York City's Webster Hall on Jan. 17, 2016, is a multi-generational big-band mixing the island's vodou traditions with communal dance grooves.
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    Haiti’s Lakou Mizik, who performed during globalFEST at New York City’s Webster Hall on Jan. 17, 2016, is a multi-generational big-band mixing the island’s vodou traditions with communal dance grooves.
    Ebru Yildiz/NPR
  • The men in the Stelios Petrakis Quartet are virtuousos of Crete's musical and dance forms; they performed in Webster Hall's Marlin Room, during globalFEST in New York City on Jan. 17, 2016.
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    The men in the Stelios Petrakis Quartet are virtuousos of Crete’s musical and dance forms; they performed in Webster Hall’s Marlin Room, during globalFEST in New York City on Jan. 17, 2016.
    Ebru Yildiz/NPR
  • London's troupe of bhangra drummers, The Dhol Foundation, performs during globalFEST at New York City's Webster Hall on Jan. 17, 2016.
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    London’s troupe of bhangra drummers, The Dhol Foundation, performs during globalFEST at New York City’s Webster Hall on Jan. 17, 2016.
    Ebru Yildiz/NPR

On Sunday, Jan. 17, globalFEST, one of America’s premiere showcases of musical talent from around the world, once again took over the three stages at Manhattan’s Webster Hall. The one-evening festival has few American rivals in the way it simultaneously expands and condenses musical perspectives. The performances here move naturally between those that are heady and thought-provoking and those that are rhythmically sumptuous and sweat-inducing. Sometimes the shift from, say, Eastern European folk theater to Afro-Caribbean party music to Parisian electro-swing to Bhangra drums creates deep, wonderful contexts about the world we live in; at others, it is jarring. Which is what makes the whole thing such a hoot.

To discuss the evening’s performances and insights, All Songs Considered host Bob Boilen is joined by NPR Music’s Piotr Orlov, NPR contributor and Afropop.org senior editor Banning Eyre and Rob Weisberg of WQXR (who also hosts WFMU’s Transpacific Sound Paradise). In this week’s podcast, above, they revisit some of the highlights and favorite discoveries from this year’s globalFEST.

You can also listen to some spotlight performances from Webster Hall, featured below.

Our Top Discoveries At globalFEST 2016

Music Maker Blues Revue.

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Music Maker Blues Revue feat. Robert Lee Coleman

  • Song: Country Women

An essential part of the Hillsborough, N.C.-based non-profit, Music Maker Relief Foundation, which assists lesser known aging artists who made huge contributions to American musical traditions and have fallen on hard times, Music Maker Blues Revue is a rotating cast of soul and blues ringers. Robert Lee Coleman was long-time guitarist for Percy Sledge and a one-time member of the JB’s. –Piotr Orlov

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Somi.

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Somi

  • Song: Ankara Sundays

Somi grew up the American Midwest as the child of East African parents, and her maverick career as a vocalist and composer can be seen as a quest to resolve her own complex identity. A superb jazz singer, Somi has lived in various parts of Africa and creates an elegant and highly individualized amalgam of the musics she has loved and the bi-continental experiences that have shaped her life. —Banning Eyre

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Fendika.

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Fendika

  • Song: Oromiya

Led by the dancer Melaku Belay, Ethiopia’s Fendika is a small music+dance group performing traditional Azmari music, most often at the Addis Ababa club/house of culture where Belay is also an artistic director. The amplified instrumentation featuring the krar (a five- and six-string lute) and the muted kebero drums creates a raw modern, rocked-up sound from time-honored roots. —Piotr Orlov

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Astrid Hadad.

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Astrid Hadad

  • Song: El Ombligo De La Luna (The Moon Belly Button)

A star in Mexico, Astrid Hadad is a product of Mexico City’s lively cabaret scene. Since breaking through in a 1985 production called Donna Giovanni, an all-female adaptation of Mozart’s opera, she became famous for her own satirical musical-theater shows spoofing Mexican and global culture high and low, She’s known for her extravagant and bizarre costumes, but also uses satire to make cutting socio-political points. —Rob Weisberg

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Mariana Sadovska.

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Mariana Sadovska

  • Song: Spell

Mariana Sadovska is a charismatic and adventurous musical and theatrical performer. She began her career in avant garde theater, but also traveled across Ukraine, her home country, to learn songs from village women. She combines these influences and uses an array of traditional and non-traditional vocal techniques to create some of the most distinctive interpretations of traditional song you’ll hear anywhere. —Rob Weisberg

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Stelios Petrakis Quartet.

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Stelios Petrakis Quartet

  • Song: Pare Me Nyhta

Stelios Petrakis, virtuosic lyra (fiddle) player and composer from Crete is a leading figure in the lively Greek roots music scene who also branches out through cross-cultural collaborations with musicians from around the world. He formed the Cretan music quartet to spotlight both the traditional songs and dances of his home island as well as his own compositions inspired by tradition. —Rob Weisberg

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Simon Shaheen.

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Simon Shaheen

  • Song: Sidi Mansour (My Grandpa Mansour)

Simon Shaheen may be the greatest musical ambassador from the wide world of Arabic music to the U.S. His new ensemble Zafir combines Middle Eastern and North African art music with flamenco and original compositions rich with spontaneity and improvisation. —Banning Eyre

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Lakou Mizik.

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Lakou Mizik

  • Song: Bon Tan (Good Times)

Lakou Mizik is a multi-generational big-band from the Haitian capital of Port-Au-Prince, created in the wake of the devastating 2010 earthquake in order to uphold the island’s social roots music. The sound of Vodou drummers, Rara horns and an accordionist blend into a soulful and party-oriented rasin experience, an Afro-Soca Carnival vibe of the highest order. –Piotr Orlov

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