October 14, 2015

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Today in Movie Culture: 'Back to the Future' Reunion, Deleted 'Monty Python' Animated Sequences and More

Here are a bunch of little bites to satisfy your hunger for movie culture:

Movie Reunion of the Day:

Back to the Future stars Christoper Lloyd and Michael J. Fox reunited for a Toyota commercial where they talk about technology from Back to the Future Part II that we still don’t have (via ComingSoon.net):

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Movie Parody of the Day:

College Humor addresses the same topic by showing us what Back to the Future Part II would be like if Doc and Marty traveled to the real 2015:

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Deleted Scenes of the Day:

Watch newly released animated sequences by Terry Gilliam that didn’t make it into Monty Python and the Holy Grail (via Dangerous Minds):

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Casting Depiction of the Day:

Boss Logic has rendered another potential casting idea with this poster of Vin Diesel as Black Bolt in Marvel‘s Inhumans, for ComicBook.com:

Movie Mash-Up of the Day:

What if Zack Snyder directed a Harry Potter movie? Here’s a trailer for the wizarding franchise in the style of Watchmen‘s (via Cinematic Montage Creators):

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Movie Recreation of the Day:

The lastest from 8 Bit Cinema shows us what a plot-faithful old-school video game based on Mad Max: Fury Road would look and sound like:

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Movie Comparison of the Day:

Couch Tomato shows us 30 reasons Avengers: Age of Ultron is the same movie as The Empire Strikes Back:

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Star Wars of the Day:

A crossguard lightsaber is crazy enough, but can you imagine having lightsabers on your feet? These Star Wars high heels are made by a British company called Irregular Choice, and they also have shoes with R2-D2s as the heels, which you can see at Geekologie.

Filmmaker in Focus:

Here’s a supercut by WhoIsPablo of close-ups on lips and eyes in Quentin Tarantino movies:

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Classic Trailer of the Day:

Today is the 21st anniversary of the release of Quentin Tarantino‘s Pulp Fiction. Watch the original trailer for the groundbreaking movie below.

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First Listen: Dexter Story, 'Wondem'

Dexter Story's new album, Wondem, comes out Oct. 23.
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Dexter Story’s new album, Wondem, comes out Oct. 23. Courtesy of the artist hide caption

itoggle caption Courtesy of the artist

Finding an acceptable line between influence and appropriation has dogged musicians for generations, and Dexter Story addresses the issue in surprising and joyous ways on Wondem, his second album as a bandleader.

A 50-year-old multi-instrumentalist born and bred in L.A., Story has created a song cycle under the spell of Ethiopian music. Before recording Wondem, he’d never visited that part of the world — he traveled to the country himself for the first time only a month or so ago — or apprenticed with any of the region’s musical masters, as tradition dictates. But he’s a studied player and arranger, with a list of musical credits that reads like an insider’s guide to the roots of L.A.’s current polyglot underground music uprising: music director at Temple Bar, member of Build An Ark and The Life Force Trio, accompanist to the likes of Kamasi Washington, Gaslamp Killer, Madlib and many others. Still, on this project, he was admittedly just a cultural tourist who’d surfed the Internet and taken inspiration from what he’d seen and heard.

Which is why Wondem, Amharic for “brother,” simply feels like an informed take on pan-global music, focused on the multiverse of tonalities found in one of the birthplaces of humanity. After years of listening to West African recordings under the influence of the Americas and the Caribbean, Story made a conscious decision to take that fusion mindset and apply it to East Africa from a modern Californian’s point of view. The caring knowledge of an archivist, the loving whimsy of a fan, the seasoning and chops that come with musical experience — all are alive in this mix.

Story’s devotion to Ethiopian music arose from a chance 2011 gig as a drummer with EthioCali, trumpeter Todd Simon’s expert rotating-cast ensemble, as it performed Ethiopian jazz. His awakening began there, but when Story started writing these songs, it wasn’t with the mindset of a musical purist enthused by the newest sound in his arsenal. Instead, he opted to combine ideas that encompassed his entire rhythmic education. For Story, “fusion” is not a dirty word.

The possibilities of musical commingling begin at the top: The opener, “A New Day,” is Story’s attempt to write a modern Ethiopian pop vocal; it ends up sounding like a Memphis soul song translated to a funky Wolayta rhythm as a bright Moog rides the brass fanfares. “Be My Habesha” features guitarist Damon Aaron, drummer Te’Amir Sweeney and a clapping female chorus as they re-create the Tuareg groove popularized in the U.S. by Tinariwen. “Mowa,” dedicated to the legendary Sudanese singer and oud player Mohammed Wardi — whose popularity crossed most East African borders — features a graceful Arabic melody arranged for violin and viola by Miguel Atwood-Ferguson, set amid Story and Mark de Clive Lowe’s keyboards. Co-written by vocalist Yared Teshale, “Sidet Eskemache,” Amharic for “one will remember,” views Afrobeat through the lens of the Oromo music traditions. “Yene Konjo” finds the thread between Ethiopian music and R&B: A Wollo beat powers its sunset melody and Dexter’s plaintive notion, before de Clive-Lowe’s piano and Randall Fisher’s flute carry the coda. It’s a gorgeous ending to an album that’s only beginning to uncover a world of influence and possibility.

First Listen: Dexter Story, ‘Wondem’

Cover for Wondem

A New Day

  • Artist: Dexter Story
  • From: Wondem
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Be My Habesha

  • Artist: Dexter Story
  • From: Wondem
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Merkato Star

  • Artist: Dexter Story
  • From: Wondem
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Saba

  • Artist: Dexter Story
  • From: Wondem
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Xamar

  • Artist: Dexter Story
  • From: Wondem
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Fact Check: Did Glass-Steagall Cause The 2008 Financial Crisis?

Some Democratic candidates have blamed the 1999 scaling back of the Glass-Steagall Act for the financial collapse. That's arguably only partially true.

Some Democratic candidates have blamed the 1999 scaling back of the Glass-Steagall Act for the financial collapse. That’s arguably only partially true. Mary Altaffer/AP hide caption

itoggle caption Mary Altaffer/AP

Taking on Wall Street makes for good politics in the Democratic Party. And several of the candidates at Tuesday night’s debate had tough words about big banks. That was particularly true of former Maryland Gov. Martin O’Malley and Vermont Sen. Bernie Sanders.

Although he didn’t say so directly, O’Malley suggested several times that consolidation in the banking business was a big factor in the 2008 financial crash and that the U.S. economy remains vulnerable because of it.

His solution: Bring back Glass-Steagall, the Depression-era law that barred commercial banks from engaging in investment banking that was scaled back in the Clinton administration. We decided to look at O’Malley’s claim about the risks of bank consolidation.

The Claim:

“[T]he big banks — I mean, once we repealed Glass-Steagall back in the late 1999s, the big banks, the six of them, went from controlling, what, the equivalent of 15 percent of our GDP to now 65 percent of our GDP.”

The Big Question:

How much bigger have the largest banks gotten, what did Glass-Steagall have to do with it and, most important, did the scaling back of Glass-Steagall lead to the 2008 financial collapse?

The Broader Context:

Despite what O’Malley and many other people believe, Glass-Steagall was not technically repealed in 1999, but it was effectively neutered. Legislation was passed that year that allowed bank holding companies to engage in previously forbidden commercial activities, such as insurance and investment banking.

The change in the law opened the floodgates for giant mergers, such as the $33 billion deal between J.P. Morgan and Chase Manhattan in September of 2000. During the darkest days of the financial crisis, Bank of America acquired two troubled financial companies — Countrywide Financial Services and Merrill Lynch, deals that wouldn’t have been possible before 1999.

The Long Answer:

The biggest banks are a lot bigger than they once were, mostly because of mergers and acquisitions. What’s not in dispute is that changes to Glass-Steagall allowed the biggest banks to grow bigger, which has raised new concerns about risks to the financial system.

At issue is the “too big to fail” problem: Will the federal government once again be forced to come to the aid of federally insured megabanks that have taken outsize risks with their money?

Since 2008, regulatory changes in the U.S. and abroad have supposedly mitigated that danger. The Dodd-Frank financial overhaul bill contains complicated provisions that would allow regulators to step in and take over failing banks, if necessary.

But there’s plenty of skepticism that the changes have gone far enough.

Some critics, such as Nobel laureate Joseph Stiglitz, have long seen the changes to Glass-Steagall as a major factor in the 2008 crash. By bringing “investment and commercial banks together, the investment bank culture came out on top,” Stiglitz wrote in 2009. “There was a demand for the kind of high returns that could be obtained only through high leverage and big risk-taking.”

But others, like former Treasury Secretary Tim Geithner, have said the focus on Glass-Steagall is misguided. They argue other factors were more important in causing the 2008 crisis, such as bad mortgage underwriting, poor work by the ratings agencies and a securitization market gone crazy. All of that would have happened no matter the size of the big banks.

In fact, some of the financial institutions that fared the worst, such as Bear Stearns, AIG, Lehman Brothers and Washington Mutual, weren’t part of large bank holding companies at all.

“I have often posed the following question to critics who claim that repealing Glass-Steagall was a major cause of the financial crisis: What bad practices would have been prevented if Glass-Steagall was still on the books?” wrote former Federal Reserve Vice Chairman Alan Blinder. “I’ve yet to hear a good answer.”

Democratic Sen. Elizabeth Warren of Massachusetts and Republican Sen. John McCain of Arizona teamed up to sponsor a bill that would bring back Glass-Steagall-type restrictions.

It was never allowed to come up for a vote.

The Short Answer:

The 1999 changes to Glass-Steagall led to much bigger banks, but that was, at best, just one factor in the 2008 financial crisis.

Sources:

  • Hearing before the Joint Economic Committee, “Financial Regulatory Reform: Protecting Taxpayers and the Economy,” Nov 19, 2009
  • Stiglitz, Joseph, “Capitalist Fools,” Vanity Fair, January 2009
  • Blinder, Alan, “It’s Broke, Let’s Fix It: Rethinking Financial Regulation,” Prepared for the Federal Reserve Bank of Boston, Oct. 23, 2009
  • Sens. Warren, McCain, Cantwell and King, “We Need to Rein In ‘Too Big To Fail’ Banks,” U.S. Senate documents, July 17, 2014
  • Phone interview with Karen Shaw Petrou, Federal Financial Analytics

This story is part of NPR’s fact-checking series, “Break It Down,” in which we try to cut through the spin and put things in context. Have something you want us to fact check? Put it in the comments section or send us an email at nprpolitics@npr.org.

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Treatment Changes For DCIS Haven't Affected Breast Cancer Deaths

Ductal carcinoma in situ sometimes can turn into invasive breast cancer, but there's currently no test that can tell when it's dangerous and when it's not.

Ductal carcinoma in situ sometimes can turn into invasive breast cancer, but there’s currently no test that can tell when it’s dangerous and when it’s not. Steve Gschmeissner/Science Photo Library hide caption

itoggle caption Steve Gschmeissner/Science Photo Library

The number of women diagnosed with ductal carcinoma in situ, abnormal cells that sometimes become breast cancer, has soared since the 1970s. That’s mostly because more women have been getting screening mammograms that can detect the tiny lesions.

The vast majority of women diagnosed with DCIS have surgery, even though there’s considerable debate whether it’s needed, since DCIS sometimes never becomes invasive cancer.

Shifts in treatment since 1999 away from single mastectomy and toward lumpectomy with radiation for DCIS haven’t changed breast cancer survival rates, according to a study that looked at data on over 120,000 women.

The highest overall survival rate after 10 years, 89.6 percent, was in women who had lumpectomy with radiation. The survival rate for women who had mastectomies was 86 percent, followed by lumpectomy alone at 80.6 percent.

But most women in the study group who died didn’t die of breast cancer; cardiovascular disease was the major killer, with just 9 percent of deaths overall due to breast cancer.

Looking at deaths from breast cancer alone, the 10-year survival rates were pretty much identical: 98.9 percent for lumpectomy plus radiation; 98.5 percent for mastectomy and 98.4 percent for lumpectomy alone.

Between 1991 and 2010, the number of women who chose lumpectomy with radiation almost doubled, the study found, rising from 24 percent to 47 percent. The number of women choosing single mastectomy dropped from 45 percent to 19 percent.

The number of women who chose no treatment, which usually involves screening mammograms, rose from 1 percent to 3 percent.

But more women also started choosing bilateral mastectomy, which usually involves removing a healthy breast as well as a breast with DCIS. Those numbers rose from zero in 1991 to 8.5 percent in 2010. They tended to be younger women.

The results were published online in the Journal of the National Cancer Institute.

“When we treat these precancers women do very, very well; they have a 99 percent chance of not getting breast cancer,” says Shelley Hwang, senior author of the study and chief of breast surgery at the Duke Cancer Institute.

She and her colleagues were expecting to see differences in survival based on treatment, “but there really didn’t seem to be any difference at all. Which sort of argues for doing the bare minimum versus doing the most you can do.”

Problems after surgery can be significant, she notes, and include long-term pain, disfigurement and lymphedema if lymph nodes are removed..

“The troubling trend in my point of view is that more women are getting bilateral mastectomies,” Hwang says. “That’s because there’s a limited understanding on how good the treatment is for DCIS. I’m not saying that women don’t die from breast cancer; they do. But the cures have never been better, and your likelihood of surviving is greater than 90 percent.”

Far better, Hwang says, would be to have a test that can tell which types of DCIS will become dangerous cancer, and which will never cause any harm at all. Other researchers are trying to create those tests, and Hwang is hoping to run a big clinical trial that will compare surgery to taking hormone-suppressing medication instead.

“Wouldn’t it be wonderful if we take a disease that women are feeling compelled to have a bilateral mastectomy for, and it can be eradicated by taking a pill once a day?” Hwang asks.

That’s what she’s working for.

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Baseball's Arms Race: The Price Of All Those Fast Pitches

Los Angeles Dodgers pitcher Brandon Beachy throws against the Milwaukee Brewers on July 11 at Dodger Stadium. It marked his comeback from a second Tommy John surgery to his right elbow.
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Los Angeles Dodgers pitcher Brandon Beachy throws against the Milwaukee Brewers on July 11 at Dodger Stadium. It marked his comeback from a second Tommy John surgery to his right elbow. Kevork Djansezian/Getty Images hide caption

itoggle caption Kevork Djansezian/Getty Images

Pitching a baseball overhand — which has always been a rather contorted, unnatural action — is now leading to an epidemic of injuries. Incredibly, it is estimated that one-fourth of all major league pitchers have had what’s called Tommy John surgery, which involves the elbow’s ulnar collateral ligament.

Part of the reason for this is, obviously, that kids have been throwing too much, too hard, too early in youth leagues. Now that we see all the arm injuries to young grown-up pitchers — and even some position players — we can surely expect that better care will be given to young pitchers.

However, the other apparent reason for this plague is simply that too many pitchers are now throwing too hard for the human body to bear. It’s commonplace for pitchers to throw well over 90 miles an hour. That’s the ticket to the big leagues. Can we expect teenagers and 20-somethings to cut back on their speed?

Click the audio to hear the rest of Deford’s thoughts on the pressures that lead to sports injuries.

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