September 28, 2015

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Drought Is Driving Beekeepers And Their Hives From California

Dry conditions in California have limited the amount of pollen and nectar bees can collect.

Dry conditions in California have limited the amount of pollen and nectar bees can collect. Ezra Romero/Valley Public Radio hide caption

itoggle caption Ezra Romero/Valley Public Radio

The drought in California over the past four years has hit the agriculture industry hard, especially one of the smallest farm creatures: honeybees. A lack of crops for bees to pollinate has California’s beekeeping industry on edge.

Gene Brandi is one of those beekeepers. He has a colony of bees near a field of blooming alfalfa just outside the Central California town of Los Banos. He uses smoke from a canister of burning burlap to calm the bees.

“It evokes a natural reaction, as if there were really a fire. And smoke helps to mask the pheromones that they communicate with,” Brandi explains.

Brandi has worked with bees since the early ’70s. He has more than 2,000 hives across the state, with around 30,000 bees in each one.

“I’m going to pull out this next frame here,” says Brandi, showing me some of his hives. “Looking for the queen again — there she is. She’s still laying eggs.”

The lack of rain and snow has reduced the amount of plants the bees feed on, which in turn limits the amount of pollen and nectar that bees collect. Normally, there are crops and wildflowers blooming here at any given time. This year in the state, there are just not enough plants and trees in bloom to keep many commercial beekeepers profitable.

Gene Brandi uses smoke to calm the bees he works with.

Gene Brandi uses smoke to calm the bees he works with. Ezra Romero/Valley Public Radio hide caption

itoggle caption Ezra Romero/Valley Public Radio

But Brandi is managing to keep his head above water by strategically placing his bees in the few spots where there are both crops and water.

A well pumps water into a canal on this farm. Thistle blooms on the banks. Nearby, cotton and alfalfa crops are growing. It’s enough to keep his bees happy. But fallow farmland surrounds the area.

“In the drought years we just don’t make as much honey,” says Brandi. “I mean, we’re very thankful that we have places like this, where the bees have made some honey this summer.”

Brandi says because of the lack of natural food for the honeybees, many beekeepers have to feed their colonies processed bee food, which is a mixture of pollen and oil. They’re also feeding the bees a honey substitute made of sugar syrup.

“If there’s not adequate feed, we need to supply it. Otherwise, they’re not going to make it, they’re going to die,” Brandi says.

The quality of these meal substitutes isn’t as good as the real deal. They’re expensive, and it’s like eating fresh versus canned vegetables. Beekeepers are also supplying bees with water.

Tim Tucker, president of the American Beekeeping Federation, says the expense in providing food and drink to the bees is causing more beekeepers to take their bees out of California and into other states.

“Commercial beekeepers are having difficult times keeping bees alive, and they’re kind of spread out,” Tucker says. “They’re going to Montana and they’re going to North Dakota.”

That raises concerns among farmers who rely on those bees to pollinate the 400-plus crops grown in California’s Central Valley. It’s especially important to have them here in the spring, when the region’s 900,000-plus acres of almonds bloom.

“They’re scrambling, trying to figure out as many options as possible to make sure their bees stay healthy and are prepared for next year,” says Ryan Jacobsen, CEO of the Fresno County Farm Bureau. “That includes trying to move to newer areas and trying to plant new feed sources.”

Jacobsen also notes that this drought is really the second punch to the beekeeping industry in the past 10 years. Each winter, as much as 40 percent of the honey bees in the West disappear due to the unexplained colony collapse disorder.

The expense of moving bees and the fear of weakening colonies are why beekeepers like Gene Brandi have taken the risk of not sending their bees out of state.

“Bees are like cattle, in the sense that the pasture can be overcrowded. And even though we have less forage then normal, it’s still more forage then other parts of the state,” says Brandi.

And just like every other farmer in the region, Brandi and his beekeeping counterparts say rain and snow are the only true answer to reviving the California beekeeping industry.

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Today in Movie Culture: 'Spider-Gwen' Movie Trailer, Jason Mitchell Stars in a Nancy Meyers Parody and More

Here are a bunch of little bites to satisfy your hunger for movie culture:

Dream Movie of the Day:

Vulture imagines what a Spider-Gwen movie would look like, with Emma Stone reprising her role of Gwen Stacy from the Amazing Spider-Man movies and some voiceover borrowed from Easy A.

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Filmmaker Parody of the Day:

Funny or Die inserted Straight Outta Compton‘s Jason Mitchell into the trailer for The Intern for a parody of Nancy Meyers movies:

Fan Art of the Day:

The below portrait of old and young Al Pacino are part of artist Fulvio Obregon’s series “Me & My Other Me.” See more at Design Taxi.

Mash-ups of the Day:

Artist Butcher Billy imagines Christian Bale as Patrick Bateman from American Psycho as a bunch of other pop culture characters. The Batman one seems pretty familiar. See them all individually and bigger at Design Taxi.

Classic Cartoon of the Day:

Today is the 80th anniversary of the release of Walt Disney‘s animated short On Ice, starring Mickey, Minnie, Goofy, Donald (hardly recognizable today) and Pluto. Watch it in full below.

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Cosplay of the Day:

We’ve seen mash-ups in the past of Mad Max: Fury Road and Mario Kart, so logically now here’s a cosplay mash of Furiosa and Princess Peach (via Fashionably Geek):

Star Wars of the Day:

Artist Daniel Morales Olvera mashed up Star Wars and The Walking Dead to give us zombie Stormtroopers (via Live for Films):

Supercut of the Day:

With The Walk opening in limited release this week, we have been reminded of this great supercut of the Twin Towers in movies:

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Movie Retitling of the Day:

Buzzfeed retitled Disney animated classics to be “more accurate and badass” and designed new posters for these sassy versions. Below is one of the safer for work examples, for Sleeping Beauty:

Classic Trailer of the Day:

Yesterday was the 30th anniversary of the U.S. premiere of Ran, Akira Kurosawa‘s Oscar-winning samurai film adaptation of William Shakespeare‘s King Lear. Watch the original American trailer for the epic feature below.

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Top Bridge Players Withdraw From Bermuda Bowl Amid Cheating Scandal

4:08

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A cheating scandal has rocked the world of bridge. NPR’s Robert Siegel talks to Newsweek reporter John Walters to get the details.

Transcript

ROBERT SIEGEL, HOST:

Now what’s so unusual about this year’s Bermuda Bowl. That’s the tournament played every two years and currently underway in Chennai, India. At stake, the most prestigious title in the game of bridge, the card game. What’s unusual is that three countries – Germany, Israel and Monaco – have withdrawn their teams from the Bermuda Bowl after allegations of cheating. John Walters writes about this year’s big bridge scandal in Newsweek. Welcome to the program.

JOHN WALTERS: Thank you for having me.

SIEGEL: And explain to us what’s been charged here. A game of bridge has two parts. There’s the bidding that determines which pair of players goes on offense and how well they say they can do. And then there’s the actual playing out of the hand. Is the cheating that’s been charged all during the bidding?

WALTERS: It’s all during the bidding. And what has happened is Boye Brogeland, who is a professional player ranked 64th in the world out of Norway, came out with allegations against the team from Israel. He used videotaped footage of them to identify a tell between the two players, Lotan Fisher and Ron Schwartz.

SIEGEL: And when you say a tell, it’s sort of like if somebody burps in a particular way that means I’ve got the queen and the jack of diamonds?

WALTERS: (Laughter). I mean, not that exact situation, but yes. You’ve identified what they do. In the case of the Israelis, Boye Brogeland found that they would put the tray on which you place the cards on the board in a specific spot. And that spot identified what was the high card in each player’s hand.

SIEGEL: So that was the charge against the two Israelis.

WALTERS: Correct.

SIEGEL: There are also two from Germany and two from Monaco. How good are these six players?

WALTERS: Well, the players from Monaco are actually Italians and a month ago were the number one and number two ranked bridge players in the entire world. The reason the Italians are representing Monaco is because even though you only need two players in a hand of bridge, the teams are comprised of six players. What happens in every tournament is a very wealthy sponsor makes himself one of the six players on the team, and then he hires five other players. This is akin to Robert Kraft of the New England Patriots suiting up for a quarter…

SIEGEL: (Laughter).

WALTERS: …And then saying that he was just as responsible for winning the Super Bowl as Tom Brady was.

SIEGEL: And the rich sponsor of the two Israeli players in this case is Jimmy Cayne, the man who had been head of Bear Stearns, the investment bank, and who was – he was criticized for playing bridge as his bank collapsed during the financial crisis.

WALTERS: Yes. In 2007, when Bear Stearns was in terrible crises and high-ranking VPs were trying to contact Jimmy Cayne for answers to their questions, he was incommunicado. He was playing a 10-day bridge tournament in Nashville, and part of the rules are no cell phones.

SIEGEL: Because they could be used for cheating (laughter).

WALTERS: Exactly, exactly. He has never been implicated as having anything to do with their cheating. He was the sponsor, though. But without that, you would not have professional players in bridge. The interest isn’t enough, and it is certainly not a good spectator sport. And that is why the Italians were playing representing Monaco because they had a very wealthy Monegasque sponsor.

SIEGEL: If you look at championship bridge players playing at a tournament, there are screens up so that each player can’t see his partner that easily. There’s a tray that they pass underneath. I think you’re blocked under the tables so you can’t just kick the guy in the shin to tell him how many hearts you have or whatever. What can you do short of having the players in different rooms or having them dress up like the Michelin man? How can you have a guaranteed no-cheating bridge tournament?

WALTERS: For me, that’s what made the story so humorous. The Marx Brothers in the film “Animal Crackers” do a scene about bridge. And Chico begins by asking the women they’re playing against, how do you want to play, honest? So it’s always been susceptible to cheating. Most people who play bridge are retirees. They are not the ones who are committing this skullduggery. It’s only at the very highest levels where this is taking place.

SIEGEL: John Walters, thanks for talking with us about the story.

WALTERS: Thank you for having me on.

SIEGEL: John Walters, a senior writer for Newsweek, has written about the big scandal in the world of bridge.

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A Nurse Reflects On The Privilege Of Caring For Dying Patients

As life draws to an end, compassion is more important than food.
26:47

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As life draws to an end, compassion is more important than food. Kacso Sandor/iStockphoto hide caption

itoggle caption Kacso Sandor/iStockphoto

Palliative care nurse Theresa Brown is healthy, and so are her loved ones, and yet, she feels keenly connected to death. “I have a deep awareness after working in oncology that fortunes can change on a dime,” she tells Fresh Air’s Terry Gross. “Enjoy the good when you have it, because that really is a blessing.”

Brown is the author of The Shift, which follows four patients during the course of a 12-hour shift in a hospital cancer ward. A former oncology nurse, Brown now provides patients with in-home, end-of-life care.

Talking — and listening — are both important parts of her job as a palliative care nurse. This is especially true on the night shift. “Night and waking up in the night can bring a clarity,” she says. “It can be a clarity of being able to face your fears, it can be a clarity of being overwhelmed by your fears, and either way, I feel like it’s really a privilege to be there for people.”

Sometimes Brown finds herself bridging the gap between patients who know they are dying and family members who are still expecting a cure. “There can be a lot of secrets kept and silences. … One thing that palliative care can be really good at is trying to sit with families and have those conversations,” she says.

While some might see her job as depressing, Brown says that being with people who are dying is a profound experience. “When you’re with people who die … and being in their homes and seeing their families, it’s incredible the love that people evoke. And it makes me realize this is why we’re here; this is what we do; this is what we give to each other.”


Interview Highlights

On cutting costs and stretching nurses too thin

There’s a sense that you can stretch a nurse just like an elastic band and sort of, “Well, someone called off today.” That means a nurse calls in and says that she’s sick or her car broke down or he won’t be there, and sometimes we’re able to get someone onto the floor to take that person’s place, but often we’re not. Or an aide might not be able to show up for whatever reason, and then the assumption is just, “Well, the nurses will just do all the work that the aide would’ve done,” and the problem is that people do not stretch like rubber bands, and even rubber bands will break if you stretch them too far.

On loved ones wanting to feed their dying family members

Theresa Brown is a critical care nurse in Pittsburgh. Her previous book is Critical Care: A New Nurse Faces Death, Life, and Everything in Between.

Theresa Brown is a critical care nurse in Pittsburgh. Her previous book is Critical Care: A New Nurse Faces Death, Life, and Everything in Between. C. Ken Weingart/Algonquin Books hide caption

itoggle caption C. Ken Weingart/Algonquin Books

Food is so fundamental, and their feeling is “I’m letting my husband starve to death and that’s wrong.” So I have to talk them through the process of the body slowly going in reverse. All the processes we think of as normal and that are integral to life, they’re all slowing down. And so the body just doesn’t need food when someone gets very close to the end of their life and, in fact, they found that forcing someone to eat can mean that they just have this food sitting in their stomach, they’re not able to digest it, can actually make them more uncomfortable. So I talked to [one family member] about that, but tried to do it as gently as possible, while also acknowledging the incredible love that was motivating her and trying to honor that, but make it clear that she needed to show her love by being close with her husband, by holding his hand, by talking to him, but not by feeding him.

On whether patients ask if they’re dying

No, they don’t. … I think it’s because they’re afraid. They want to just take things day by day. I did have a wife once ask me. She said, “You know, I’m not new to this, and I want you to just tell me. Is he dying?” And at that point I was a pretty new nurse and I didn’t have the experience to know to say, “Yes.” Now I would know to say that. … I got a sense that she really wanted to know and no one else was telling her. …

Physicians can have a mindset of “we’re thinking positively, we’re focusing on the good that can come, and we’re not going to talk about ‘what if it doesn’t work out.’ ” And they will sometimes pull the nurse aside and say, “What’s going on?”

On leaving the hospital setting for palliative care

I love the hospital. I never thought I would leave the hospital, but I left to see patients outside the hospital because in the hospital I feel like we never see people at their best. They feel lousy. We wake them up at night. We give them no privacy. We give them, really, almost no dignity. We tell them what they’re going to do when, what they’re going to eat when, what pill they’re going to take when and no one likes living like that. … So I wanted to see people in their homes because I thought there’s got to be a way we could make the hospital better. Seeing what it’s like for patients in their homes I thought would show me that. And I would say overwhelmingly what I’ve seen is control: People have so much more control when they’re in their homes and it should not be that hard to give them back a little bit more control in the hospital.

On traveling to a patient’s home

When I started, I thought, “I can’t believe I’m doing this. I can’t believe I just drive up to these houses and go inside them.” I live in Pittsburgh, but it can get very rural feeling actually pretty quickly, and I remember … going to [a house] that was already through back-country roads and then down a gravel driveway, and I thought: “What am I doing? Am I insane?” And then I went into this house, and this family was so loving and amazing and wonderful, so it was a great education for me not to judge. And I know that my workplace checks out and makes sure that the places we’re going are real, so that’s comforting, but it’s definitely a giant leap of faith, and you just have to make that leap.

On home care versus hospital care

Often in the hospital they can be more comfortable in terms of we’re relieving their pain, we’re getting them anti-nausea medications very quickly, but … they’re not as comfortable with themselves, and in their homes they seem much more comfortable with themselves and with the people around them, and I had never thought about those two things as being so distinct, but they are. So the question then is how do we give people care that marries those two things, because they’re both so important.

On how patients express appreciation to nurses

A very popular gift in my hospital was Starbucks [gift] cards. … Often people bring in cookies and chocolate and that’s wonderful, but I remember one nurse saying, “You know, I wish someone would just bring in a lasagna.” … Because we never have time to eat and then you go into the break room and you’re hypoglycemic and you see all this chocolate, and so you eat all this chocolate, which doesn’t really help you feel that much better in the long run. So to actually drop off a meal is wonderful.

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Latitudes: Our Favorite Global Music In September

A-WA is an Israeli band featuring three sisters named Haim — who are not in the band called Haim.

A-WA is an Israeli band featuring three sisters named Haim — who are not in the band called Haim. Tomer Yosef/Courtesy of the artists hide caption

itoggle caption Tomer Yosef/Courtesy of the artists

Imagine the band Haim meeting the late Ofra Haza, with some EDM thrown in for good measure. That’s the wave the fast-rising Israeli sister act A-WA — Tair, Liron and Tagel Haim — rides. (Yes, their last name is Haim, too.) They pull inspiration from their Yemeni Jewish roots, as well as exploring commonalities with their Arab neighbors, including language; the band usually sings in Yemeni Arabic.

Produced by Tomer Yosef, whose band Balkan Beat Box you definitely know (even if you don’t realize it), A-WA pairs old and new both sonically and visually, as you’ll see in the video for their song “Habib Galbi” (Love of My Heart), filmed near their home village in the barren desert of Israel’s far south. Check out the tasselled snapbacks on their track-suited dancing friends — caps that manage to reference both hip-hop and traditional tarboosh hats, a.k.a. fezzes.

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A-WA YouTube

Here’s another musical pairing that bridges cultures farther afield from each other: a song from Pierre Kwenders (the stage name of José Louis Modabi) called “Mardi Gras.” Born and initially raised in Kinshasa, Democratic Republic of Congo, this singer and DJ moved to Canada as a teenager and is now based in Montreal. This is an electronic track redolent not just of Congolese dance music, but also of distinctly Acadian flavors, between some suave fiddling and a rap from Jacobus, aka Jacques Alphonse Doucet of the band Radio Radio.

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Pierre Kwenders YouTube

A huge hit on the European charts right now is a song by the German rapper Sido, featuring German-Egyptian singer Andreas Bourani. “Astronaut” is kind of an “It’s The End of the World As We Know It” for 2015, auf Deutsch; here’s a translation of the lyrics. It’s been at the top of the German songs chart for two weeks and counting.

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Sido YouTube

Let’s turn to the ethereal sounds of Estonian fiddler and singer Maarja Nuut, who’s now touring the U.S. She reaches back into her country’s folk heritage, ushering it into the 21st century through looping and spaciousness that echo the work of another artist — composer Arvo Pärt — who also hails from Rakvere, Nuut’s small hometown in the north of Estonia. Nuut’s music is mesmerizing and deeply soulful.

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Maarja Nuut YouTube

And we’re sending special (though belated) holiday greetings to Latitudes’ Jewish and Muslim friends: Shanah Tovah and Eid Mubarak. It’s not quite traditional, but I can’t help sharing this from Boston-born punk band The Kominas.

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Mipsterz YouTube

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