August 13, 2015

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Today in Movie Culture: The Influence of 'Star Wars,' Celebrating Alfred Hitchcock's Birthday and More

Here are a bunch of little bites to satisfy your hunger for movie culture:

Filmmaking Lesson of the Day:

Frame by Frame shows us how to shoot a subjective drug trip sequence like the one in Fear and Loathing in Las Vegas:

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Vintage Image of the Day:

Alfred Hitchcock, who was born on this date in 1899, is either being fed some birthday cake by Doris Day (on her birthday, supposedly) or is in danger of being stabbed with a cake-covered knife. James Stewart looks on, as this is during the making of The Man Who Knew Too Much.

Scene Analysis of the Day:

CineFix looks at the already iconic hallway fight scene from Christopher Nolan’s Inception and the practical effects used to make it happen:

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Cosplay of the Day:

We are coming up on the 10th anniversary of the launch of Disney’s Fairies line of merchandising, so it’s a good time to share this perfect-looking Tinker Bell cosplayer (via All That’s Cosplay):

Movie Music Fun:

Hear what iconic horror scores sound like when played in a major instead of minor key (via Dangerous Minds):

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Movie Poster Fun:

While we’re on the subject of making horror movies less scary and while we’re still celebrating Alfred Hitchcock‘s birthday, below is a bizarre Czech poster for The Birds. See more interesting foreign horror movie posters at Dangerous Minds.

Supercut of the Day:

We see a lot of supercuts of chase sequences, so it’s time we got one of crashes — accidents involving cars, buses, trains, helicopters, scooters and more (via Cinematic Montage Creators):

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Star Wars of the Day:

As we get closer to Disney’s D23 event with its Star Wars presentation, here’s an infographic look at the movie’s influences on other movies and TV series, including Guardians of the Galaxy and Mad Max.

Poster Parody of the Day:

Here’s more Star Wars stuff, in the form of a parody of its old poster now focused on internet fights. See more College Humor movie poster parodies at Design Taxi.

Classic Trailer of the Day:

In addition to it being Alfred Hitchcock‘s birthday today, this weekend is the 75th anniversary of his film Foreign Correspondent, starring Joel McCrea and Laraine Day. Watch the original trailer below.

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Restaurants Feed New Orleans' Recovery: 'I Knew I Had To Come Back'

Chef Leah Chase, 92, here in the kitchen of Dooky Chase, had no qualms about rebuilding the restaurant her father-in-law opened in 1941 in New Orleans' Treme neighborhood.
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Chef Leah Chase, 92, here in the kitchen of Dooky Chase, had no qualms about rebuilding the restaurant her father-in-law opened in 1941 in New Orleans’ Treme neighborhood. Debbie Elliott/NPR hide caption

itoggle caption Debbie Elliott/NPR

Baskets of perfectly seasoned deep-fried chicken sizzle during lunch hour at Dooky Chase Restaurant in New Orleans, a city famous for its food. But the real magic happens early in the morning, when Leah Chase, 92, arrives to prepare the day’s specials.

“I made meatloaf today. Smothered pork chops. I did oyster and artichoke soup,” says Chase.

Dooky Chase is a landmark in the city’s historically African-American Treme neighborhood.

Resting her legs at a table in the bustling kitchen, Chase says when her father-in-law Dooky and his wife, Emily, first opened the restaurant in 1941, it was groundbreaking.

“The so-called Creoles of color didn’t have any place to go. But they knew my father-in-law and my mother. So they would come here,” Chase says.

In the decades that followed, Dooky Chase became a fine-dining destination for civil rights leaders, musicians and more recently presidents.

After Hurricane Katrina devastated the city 10 years ago, the storied restaurant, along with many others, was 5 feet underwater. But Chase had no hesitation about rebuilding: “I knew I had to come back. I knew I could come back,” she said.

Dooky Chase received an outpouring of financial support from around the country. The family moved into a FEMA trailer across the street and started over, reopening in two years.

“I was fortunate, really. So now what I try to do is do what I can to help get the rest of us up going. Get the rest of our city — you got to battle, you got to go all the way,” she says.

That resolve was inspirational, says food writer Lolis Eric Elie, who was also a story editor for HBO’s Treme.

“Each time a restaurant like Dooky Chase came back online, it reminded us that others among us were dedicated to the return of our city,” Elie says.

It took nearly eight years for another Treme landmark, the Circle Food Store, to get back on its feet. The city’s first African-American owned grocery originally opened its doors in 1939.

Elie says the return of such authentic neighborhood places is a comfort: “The big fear was that New Orleans would come back as a caricature of itself, as a sort of Disneyfied version of itself.”

That didn’t happen, in part due to the raw determination of locals to preserve what they had despite the chaos of government response after Katrina.

Chef Donald Link had opened his downtown restaurant Herbsaint and was about to launch another, Cochon, in 2005.

“Here you are evacuated from your home, and knowing your home is destroyed and most of the city is gone. And if you listen to the media: ‘It’ll be another six to nine months before anybody can come home,’ and I mean … you can’t say that. This is my city, it’s my home. Nobody’s going to tell me when I can come back,” Link says.

Two weeks after Katrina, Link says, he and his father fashioned fake passes in order to get past the national guard checkpoints that surrounded the city.

Herbsaint was not flooded. Link says he found the tables still set, but the food had spoiled.

“A hundred degrees, no a/c, no electricity. It was rotten. It was bad. Real bad,” Link says.

He wore a gas mask to clean out the walk-in cooler, and tried to reach staff spread around the country. In five weeks, Herbsaint was serving food again. Link says being able to eat from real china was like therapy for people who had lost everything.

“Inside these walls, everything felt normal. It’s just kind of like the first restaurants that opened were like this beacon of hope that everything’s gonna be all right. It can be done,” Link says.

Chef Adolfo Garcia (right), with his partner Ron Copeland, says the post-Katrina rebuilding period has opened the door for more experimental cuisine.

Chef Adolfo Garcia (right), with his partner Ron Copeland, says the post-Katrina rebuilding period has opened the door for more experimental cuisine. Debbie Elliott/NPR hide caption

itoggle caption Debbie Elliott/NPR

Link has since opened four more acclaimed restaurants in New Orleans, part of a food renaissance that has spread to parts of the city that had languished even before the storm.

On Oretha Castle Haley Boulevard, named for a local civil rights leader, the city has targeted a once-blighted commercial corridor for redevelopment. Along with storefront churches, a fresh food market is preparing to open. There are new museums, art and cultural centers, nonprofit headquarters and restaurants.

Chef Adolfo Garcia opened his restaurant Primitivo earlier this year along with his partners Jared Ralls and Ron Copeland. Garcia had one restaurant before Katrina. Now he’s involved in four.

Garcia says the post-Katrina rebuilding period has opened the door for more experimentation in what had been a mostly traditional restaurant scene.

“It’s given opportunity to other people … next generation, they don’t have to have a trout meuniere restaurant, they can do whatever they want. They can do Filipino food, Asian, Latin food. There’s all these opportunities out there,” Garcia says.

Elie says seeing the new commerce on the boulevard is encouraging, but “Unfortunately I don’t see the people who have lived in this community for generations as being the customers for this kind of place.”

That’s been a recurring concern as New Orleans has come back. The city’s population is up to about 80 percent of pre-Katrina levels, but it has about 30 percent fewer black residents than it did before.

“The battle of New Orleans now is between needs and demands of the new people moving in and the needs and demands of the people who’ve been here forever, and I don’t think either one should outright win. But bottom line is that the folks who’ve been here forever are the ones who built this city,” Elie says.

A woman grabs some milk at St. Roch, a light-filled hall lined with food stalls inside an open-air shell that dates back to 1875.

A woman grabs some milk at St. Roch, a light-filled hall lined with food stalls inside an open-air shell that dates back to 1875. Debbie Elliott/NPR hide caption

itoggle caption Debbie Elliott/NPR

Questions of gentrification have swirled around another redevelopment project touted by the city — the historical St. Roch Market. The light-filled hall lined with food stalls opened earlier this year in the shell of an open-air market that dates back to 1875.

Retired policeman Ed Perkins is waiting at a counter for a spicy chicken sandwich, reminiscent of the po’boys once sold there. He’s not troubled by the new look, he says, because St. Roch has been abandoned for so long.

“These were rough areas. Most people drove through here at 60 mph with windows rolled up. But it’s turned around,” Perkins says.

He says it’s only fitting that food is part of the city’s recovery: “New Orleans is food, music and hospitality. I love it. This is tradition. This is New Orleans. This is the real New Orleans.”

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Not All's Fair In Love And Tennis: Player Fined For Lewd Comment

Tennis bad boy Nick Kyrgios bites his chain during his Rogers Cup match against Stan Wawrinka.

Tennis bad boy Nick Kyrgios bites his chain during his Rogers Cup match against Stan Wawrinka. Minas Panagiotakis/Getty Images hide caption

itoggle caption Minas Panagiotakis/Getty Images

When playing tennis, the ball — and smack talk — must stay within the lines.

Today, men’s tennis governing body, the ATP, fined 20-year-old Australian professional tennis player Nick Kyrgios $10,000 for making an insulting on-court remark to his opponent, French Open Champion Stan Wawrinka of Switzerland. Kyrgios was hit with the maximum allowed fine for a verbal offense, but the ATP says is has not ruled out further punishment.

During a second-round Rogers Cup match in Montreal last night, court-side microphones picked up Kyrgios telling Wawrinka that fellow Australian tennis player Thanasi Kokkinakis had slept with a player who is reportedly Wawrinka’s girlfriend.

Kyrgios had just lost the first set in a tiebreak when he said to Wawrinka, “Kokkinakis banged your girlfriend. Sorry to tell you that, mate.”

Kyrgios was referring to Croat Donna Vekic, 19, who has been linked with Wawrinka, 30. Vekic played mixed doubles with Kokkinakis at the 2014 Australian Open, but the two were not a confirmed couple.

Wawrinka went on to lose the second set 6-3 and retired in the third set, citing back pain.

During the on-court, post-match interview, Kyrgios answered a question regarding his comment, saying, “I thought [Wawrinka] was getting a bit lippy at me, so I don’t know, it’s just in the moment sort of stuff, but I don’t really know. I just said it.”

In his post-match press conference, Wawrinka said that he had confronted Kyrgios in the locker room but declined to share what was said between them. The two-time Grand Slam champion did, however, take to Twitter to call punishment for Kyrgios.

So disappointing to see a fellow athlete and colleague be so disrespectful in a way I could never even imagine.

— Stanislas Wawrinka (@stanwawrinka) August 13, 2015

What was said I wouldn’t say to my worst enemy.
To stop so low is not only unacceptable but also beyond belief.

— Stanislas Wawrinka (@stanwawrinka) August 13, 2015

There is no need for this kind of behaviour on or off the court and I hope the governing body of this sport does not stand…

— Stanislas Wawrinka (@stanwawrinka) August 13, 2015

… for this and stands up for the integrity of this sport that we have worked so hard to build.

— Stanislas Wawrinka (@stanwawrinka) August 13, 2015

Today, hours before the ATP announced the fine, Kyrgios issued an apology on Facebook:

“I would like to take this opportunity to apologise for the comments I made during the match last night vs Stan Wawrinka. My comments were made in the heat of the moment and were unacceptable on many levels. In addition to the private apology I’ve made, I would like to make a public apology as well. I take full responsibility for my actions and regret what happened.”

This isn’t the first time Kyrgios has been fined by the ATP. At Wimbledon last month, Kyrgios was fined nearly $9,500 dollars for swearing audibly on the court. His run at the All England Club was also characterized by arguments with chair umpires, smashing of rackets and accusations of tanking when he appeared to give up on returning serve in his match against Richard Gasquet.

After Wimbledon, tennis legend and fellow Australian Rod Laver weighed in on Kyrgios behavior:

“Nick’s young and maybe doesn’t realize what he is doing sometimes. That’s certainly something that he needs to grow out of and he needs to grow out of that sooner rather than later. There’s certainly no excuse for swearing. That’s just bad behavior, that’s ugly.”

No word on any Laver comment about Kyrgios’ latest transgression, but the message sent by the ATP’s fine was loud and clear.

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Songs We Love: Sinkane, “Yacha (Peaking Lights Dub Mix)”

Ahmed Gallab of Sinkane
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Ahmed Gallab of Sinkane Courtesy of the artist hide caption

itoggle caption Courtesy of the artist

While the dub album has long been en vogue in Jamaican reggae — and in the disco — it’s seemingly disappeared from the modern music industry model. Not so in the mid-Nineties and the early Aughts, when a string of genre-unbound outliers — full-lengths such as Mad Professor v. Massive Attack’s No Protection, Godflesh’s Love and Hate In Dub, Easy Star All-Stars’ Dub Side of the Moon, and Spacemonkeyz vs. Gorillaz’s Laika Come Home, to name a few — featured studio sessions that paired mixing-board maestros with great song-cycles. But nowadays, who’s got the time to think big and weird, while letting the echo and the reverb fly? (Besides some techno weirdos in Berlin, that is.)

Sinkane vs. Peaking Lights, Mean Dub EP on DFA Records.

Sinkane vs. Peaking Lights, Mean Dub EP on DFA Records. Courtesy of the artist hide caption

itoggle caption Courtesy of the artist

One answer is Peaking Lights (the West Coast, psyche-pop ‘n’ dub husband-and-wife team of Aaron Coyes and Indra Dunis) and Sinkane (London-born, New York-based global-musical omnivore Ahmed Gallab). Their collaborative four-song EP — Sinkane x Peaking Lights, Mean Dub — is a wonderful conversation on the topic of dubwise groove, based on Sinkane’s 2014 LP Mean Love.

For my money, the stand-out here is a 10+ minute work-out of “Yacha,” powered by a fierce bassline, a clavinet straight out of a Bob Marley & the Wailers session, and a disco skank that resembles the beloved step-child of Compass Point, the Bahamas studio responsible for a myriad of wonderful polyglot musics in the late-’70s/early-’80s. (It could also be another long lost William Onyeabor song.) It’s a funky club track, head full of downbeat, driving ceaselessly from beginning to end, with Ahmed’s words about opening oneself to love and possibility in order to live a fuller life adding a layer of consciousness to the proceedings, reinforcing the notion of a rhythmic life. In short, a great little anthem for the right dance-floor and disposition.

The Mean Dub EP is out Aug. 20 on DFA Records

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